Tag Archives: How to Marry a Millionaire

Marilyn Gets Foxy at TK Maxx

In recent years, Twentieth Century Fox has released a wide range of products celebrating their greatest star, including calendars, mugs, and most recently, perfumes. Fox was also involved with last year’s Bendigo exhibition. Using original poster artwork from Gentlemen Prefer Blondes and How to Marry a Millionaire, they have now created a series of framed prints (£25 each), as spotted by Immortal Marilyn’s Fraser Penney at TK Maxx in Perth, Scotland.

Some fans have noted that the original movie posters have been altered, removing Marilyn’s co-stars. MM would no doubt raise an eyebrow at this belated recognition from her home studio!

Fox to Launch ‘Millionaire’ Marilyn Fragrance

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Marilyn’s old studio, Twentieth Century Fox, is launching a line of fragrances named after her most famous movies, and a promotional video has been created for the first perfume, How to Marry a Millionaire, reports Wales Online.

“Twentieth Century Fox Consumer Products developed a new collection based on the portfolio of 12 Hollywood film titles featuring Marilyn Monroe.

Bristol-based fragrance specialist Designer Fragrances then launched the How to Marry a Millionaire inspired women’s fragrance and gift sets in stores across Europe.

Luminous Media director Martin Downes, from Pontypool, said: ‘It is a massive honour for a local Welsh company to be able to produce a video for a product like this.’

‘As you can imagine, there are very strict guidelines for using images of a Hollywood legend like Marilyn Monroe. We came up with a storyboard for the motion graphic video that drew on elements from the movie as well as showcasing the fabulously designed fragrance bottle.'”

Marilyn at Amsterdam EYE

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Photo by Ralf at Immortal Marilyn

If you’re in Amsterdam this Christmas, don’t miss the Happy Birthday Marilyn: 90 Years Ms Monroe  exhibit (featuring the Ted Stampfer collection), on display at De Nieuwe Kerk until next February. And from next Thursday (December 22), the city’s EYE Film Institute will be screening seven of Marilyn’s best movies: Niagara, Gentlemen Prefer Blondes, How to Marry a Millionaire, The Seven Year Itch, Bus Stop, Some Like It Hot and The Misfits.

On This Day: ‘Entering Marilyn Monroe, NY’

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On November 5, 1953, Marilyn’s ascent to the heights of stardom was marked by two very different events. Firstly, as the Los Angeles Times notes today, How to Marry a Millionaire was released in the US (on the morning after Marilyn dazzled fans at the Hollywood premiere.) Secondly, the town of Monroe, New York was temporarily renamed.

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“Mayor Charles B. Knight signed a proclamation declaring that the name of the town be changed to ‘Marilyn Monroe, New York’ for one day,” writes Immortal Marilyn member Kimberley. “Marilyn was invited with high hopes to participate, and may have attended had she not been receiving an award in Hollywood. There was a parade down the main street with local officials along with several school bands playing songs.”

“The official celebration included a sign proclaiming ‘Entering Marilyn Monroe, New York’, and sported a lifesize cutout of the actress. A special cover envelope was stamped proclaiming the one day change, which became a very popular collectable.”

Marilyn, Sex and Hollywood in the Fifties

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In an excellent article for Film International,  Anthony Uzarowski explores how sexuality was depicted in 1950s cinema – with particular reference to Marilyn, of course!

“Monroe represented pure sexuality, and virtually all the films in which she had a starring role were promoted around her erotic image. Starting in 1953, when she appeared in Niagara, Gentlemen Prefer Blondes and How to Marry a Millionaire, Monroe was regularly voted top female box office star by the American film distributors. Monroe’s image perfectly suited the notions surrounding sexuality in this period. In the majority of her early films she portrays a good-hearted gold-digger (Gentlemen Prefer BlondesHow to Marry Millionaire) whose ultimate goal is marriage, or a fantasy woman who, while highly sexual, is unthreatening to the moral structure of the nuclear family (The Seven Year Itch). Unlike in the case of the femme fatales of the 1940s, Monroe’s sexuality is not lethal or emasculating, but rather designed to flatter the male ego. Monroe’s 1954 film The Seven Year Itch is possibly the best example of how sexuality and star image were used to attract audiences in the 1950s, both in terms of the film’s narrative structure and the publicity campaign used to promote it.”

‘Gentlemen Prefer Blondes’ a Rom-Com Winner

Marilyn smooches with Tommy Noonan in 'Gentlemen Prefer Blondes'
Marilyn smooches with Tommy Noonan in ‘Gentlemen Prefer Blondes’

Gentlemen Prefer Blondes lies under ‘G’ in an A to Z of Romantic Comedy posted by A.V. Club. Interestingly though, it is Marilyn’s onscreen friendship with Jane Russell that gets the plaudits, not their respective squeezes. A female buddy movie and a musical burlesque, Gentlemen Prefer Blondes is multi-faceted. While perhaps not quite so raucously funny, I’d argue that How to Marry a Millionaire – which Marilyn starred in directly after Blondes – is another fine example of the classic Hollywood rom-com.

“Gentlemen Prefer Blondes rises merrily into the clouds, a lighter-than-air concoction of whimsy and screwball absurdism. Marilyn Monroe and Jane Russell give note-perfect performances … Monroe’s naïve gold-digger (and killer performance of ‘Diamonds Are A Girl’s Best Friend’) is what sticks with most people, but Howard Hawks’ masterful orchestration of all the narrative wheels—especially Russell’s exasperated efforts to protect her BFF from disaster—is what keeps the film timeless.”

‘The Misfits’, Kate Cameron and Marilyn

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The release of The Misfits on February 1, 1961 – exactly fifty-five years ago this week – was overshadowed by the recent death of Clark Gable, and Marilyn’s divorce from Arthur Miller. Nonetheless, one of the most favourable reviews came from Kate Cameron, critic for the New York Daily News, and has been republished in full.

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“Arthur Miller sang a sweet swan-song to his ex-wife, Marilyn Monroe, in The Misfits. His written tribute describes her as a beautiful, beloved and ‘loving, sweetly sentimental woman with an emanating lost lady’ aura. The story is prophetic when the song, gay through most of the action, goes into a minor key, as if the author were aware that his love was slipping away from him …

Gable has never done anything better on the screen, nor has Miss Monroe. Gable’s acting is vibrant and lusty, hers true to the character as written by Miller.

It is, I believe, of finer quality and of greater dramatic interest than any American product released last year … The screen vibrates with emotion during the latter part of the film, as Marilyn and Gable engage in one of those battles of the sexes that seem eternal in their constant eruption …”

While some highbrow critics were slow to warm to Marilyn’s talent, Kate Cameron was one of her early champions. Here is a selection of her comments:

“Marilyn Monroe, cast as Miss Stanwyck’s gay, excitement-craving future sister-in-law, is a real acting threat to the season’s screen blondes.” – Clash by Night (1952)

“Marilyn Monroe and David Wayne play their roles well, the former representing a successful contestant in the ‘Mrs America’ beauty pageant, the latter as her disgruntled husband.” – We’re Not Married (1952)

“Ginger and Cary are assisted in this amusing nonsense by Marilyn Monroe, who can look and act dumber than any of the screen’s current blondes.” – Monkey Business (1952)

“Betty Grable, Lauren Bacall and Marilyn Monroe give off the quips and cracks, generously supplied by Nunnally Johnson, with a naturalness that adds to their strikingly humorous effect, making the film the funniest comedy of the year.” – How to Marry a Millionaire (1953)

“Marilyn stars in three specialty numbers amusingly, as she does a comic burlesque as the sexy singer of naughty songs.” – There’s No Business Like Show Business (1954)

Marilyn in Cinemascope

watson cinemascopeAn interesting new ebook is now available via Amazon Kindle. In The Modern Miracle You See Without Glasses: CinemaScope 1953 – 1954, John V. Watson examines the widescreen technology pioneered by Twentieth Century-Fox.

How to Marry a Millionaire was the first movie to be photographed entirely in Cinemascope, although biblical epic The Robe had an earlier premiere. All of Marilyn’s subsequent Fox movies were shot in Cinemascope.

Deja Vu: From Marilyn to Madonna

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Madonna has once again drawn inspiration from MM on her Rebel Heart tour, reports People magazine. (The standard edition cover of her latest album features a Marilyn-esque pose.)

In the backdrop video for the show’s opening number, ‘Iconic‘, Madonna is seen wearing a strapless white gown, and a cool $10 million worth of diamonds, designed by jeweller Neil Lane. Stills from the video, shot by Steven Klein, can also be seen in the accompanying tourbook.

Madonna, 1991
Madonna, 1991

Older readers may remember the 1991 Oscar ceremony, where Madonna was similarly attired, paying homage to Marilyn’s glamorous appearance at the How to Marry a Millionaire premiere (not, as People states, her role in Gentlemen Prefer Blondes.)

Marilyn in 1953
Marilyn in 1953

Now a youthful looking 57, Madonna resembles the steely Marlene Dietrich as much as MM. The ‘Iconic’ video is also edgier than her previous incarnation, depicting the battered but unbowed diva in a prison cell.

This is a reference to secretprojectrevolution, her 2013 short film about censorship and freedom of expression – another collaboration with Klein, her favourite photographer.

Celebrating #Fox100 With Marilyn

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As part of Twentieth Century-Fox’s centenary celebrations, 100 films will now be released digitally for the first time, including two Marilyn rarities: her first film, Scudda Hoo! Scudda Hay!, in which she makes a fleeting appearance; and Marilyn, the 1963 documentary narrated by Rock Hudson, which has never been released on video or DVD. How to Marry a Millionaire will also be available, as well as The Shocking Miss Pilgrim, the 1947  Betty Grable movie in which Marilyn was rumoured to have been an extra (however, this remains unconfirmed as she cannot be seen.)

More information on Fox100 over at Cinematically Insane.