Paul McCartney’s newly remastered and resissued 1973 album, Red Rose Speedway, features Eduardo Paolozzi’s original artwork on the label of disc 2, and the booklet cover of both CD and vinyl versions. (Norman Mailer’s Marilyn and Elton John’s ‘Candle in the Wind’ were also released in 1973, making it a banner year for all things MM.)
Marilyn may never have won, or even been nominated for an Oscar, but the Academy Museum of Motion Pictures (set to open in 2019) will pay tribute to her star power, as Gregg Kilday reports for the Hollywood Reporter.
“There will be the expected crowd-pleasers: a gallery devoted to the making of The Wizard of Oz, complete with Dorothy’s ruby slippers; a backdrop from Singin’ in the Rain; and spotlights on screen icons from Humphrey Bogart to Marilyn Monroe … ‘It’s really important that it’s a full history and that we give the visitor the opportunity to learn about that history in all its aspects,’ says Kerry Brougher, the museum’s director, who on Dec. 4 offered the first look at what visitors can expect to encounter inside the $388 million museum that the Academy of Motion Picture Arts and Sciences is building on the site of the old May Company building at the corner of Wilshire Boulevard and Fairfax Avenue.
Now scheduled to open in late 2019 (a specific date has not yet been set), the museum will devote two floors in the Saban Building — as the May Company building has been rechristened in recognition of a $50 million gift from Cheryl and Haim Saban — to a 30,000-square-foot permanent exhibition tentatively titled Where Dreams Are Made: A Journey Inside the Movies. And, in contrast to the brightly lit galleries found in a traditional museum, Brougher says, ‘We kind of exist in the dark. It’s rather beautiful to have a transition from the reality of daylight to twilight into the darkness of the exhibition, just as the lights come down in a movie theater.'”
In an article for Vintage News, Barbara Stepko takes a closer look at Marilyn’s touching friendship with the Chicago poet and Lincoln’s biographer, Carl Sandburg. (She also notes that Sandburg was not the only intellectual charmed by Marilyn: after meeting her at a party in 1960, Lolita author Vladimir Nabokov described her as “gloriously pretty, all bosom and rose.”)
“When she and Sandburg first met is a matter of some debate. Some believe it was in 1958, during the filming of Some Like It Hot. Others say it was two years later, when an 82-year-old Sandburg, working in Hollywood at the time, was temporarily given the actress’s dressing room to use as an office.
Monroe introduced herself and the two immediately hit it off. The two would meet up again at the New York apartment of photographer Len Steckler in December 1961, then a month later at the home of Hollywood producer Henry Weinstein, with photographer Arnold Newman and others in attendance. A Look Magazine tribute to Monroe which Sandburg had written after her death was accompanied by photos from both photographers.
What Monroe found in Sandburg was someone who could see beyond her glamorous image and like her for herself. Sandburg, for his part, was impressed with the actress’s down-to-earth personality, citing ‘a vitality, a readiness for humor.’ He also appreciated that Monroe, like himself, had come up the hard way.
Monroe was eager to pick Sandburg’s brain, the two of them discussing a wide range of topics. Although the actress was a bit out of her depth when it came to science and economics, she was well-versed when it came to current events and, naturally, Hollywood. (At one point, both of them would sing the praises of Charlie Chaplin.)”
Marilyn By Moonlight author Jack Allen is selling off some items from his collection in the Essentially Marilyn auction on December 11 at Profiles In History – including photographs and the unreleased song, ‘Down Boy‘, as Mike Szymanski reports for The Art of Monteque. (The auction also features the spectacular collection of Maite Minguez Ricart – more details here.)
“When Jack Allen first fell in love with Marilyn Monroe, it was while watching her in the 1953 movie Gentlemen Prefer Blondes where she plays an ambitious showgirl … ‘Here was a girl full of naïve innocence and you could really tell that she loved performing and that she really wanted to make it,’ says Jack. ‘In a lot of ways that is the story of Hollywood.’
Jack worked on some of the photo displays and books with [Andre] de Dienes’s widow after he died in 1985, and as a payment for his work, he received some of his original photos.
‘I was most fascinated with the “End of Everything” photo session that he took near Zuma Beach in Malibu,’ Allen recalls. ‘She was troubled at the time, and it has an almost religious feeling to them.’
What the auction house doesn’t explain in the description of the photographs is why they will have a faint scent of dirt or earthiness to them. After a terrible rainstorm in Los Angeles in the 1950s, a mudslide buried and destroyed many of the photographer’s collection in his house, and out of frustration he simply buried most of his collection in the backyard. A year later, LIFE magazine editors asked about some Monroe photos, and he literally dug them up from his backyard, and in the middle of the mess, salvaged a few of the gelatin silver prints.
In another signed 8×10 photograph expected to fetch between $6,000 and $8,000, Marilyn signed it to former Heavyweight Champion of the World Max Baer, writing: ‘To Max, My body guard, Love Marilyn Monroe.’ Baer was a fighter-turned-actor and longtime admirer of the starlet, and visited her on the set of Some Like it Hot.
When studios made movies, they often pressed a record — and it was usually one-sided — of each of the songs used in the film, so when dubbing or playback was necessary while they were filming, they could use the record. So, these records actually played while the stars recreated the scenes, or filmed the dance numbers or lip synced the songs.
Jack found the heavy 78 acetate records on eBay as part of an estate of a 20th Century-Fox craft service worker who took the 12-inch records when they were abandoned by the studio after the filming of Gentlemen Prefer Blondes. Jack bid on the records in 2005, thinking they would be a fun piece of Hollywood history to have to one of his favorite films. The records were stained and scratched, but kept in their vintage sleeves from the studio … But, Jack noticed a recording ‘Down Boy‘ also penned by the legendary Hoagy Carmichael that featured only Marilyn and a soft piano accompaniment.
‘I realized that this was a song that was actually mentioned in the script, but it was never used in the movie,’ Jack recalls. ‘It was like finding a treasure. No one had ever heard this recording of Marilyn before.’
The song is upbeat and whimsical and planned for when a diamond dealer played by Charles Coburn is getting fresh with Marilyn’s character Lorelei. She sings to the men like they are a pack of hungry dogs, saying ‘Down Boy‘ to them. Marilyn sang the song with a swing temp in the key of A and B-flat.”
A pair of Marilyn’s white gloves will be on display as part of Pop! Icons of American Culture at the Smithsonian, at the D’Amour Museum of Fine Arts in Springfield, MA from this Friday, December 7, until February 24, 2019, as Ray Kelly reports for Mass Live. (And if you’re wondering why there aren’t more substantial Monroe artefacts in the Smithsonian collection, it’s because they’re too expensive. Donations, anyone?)
Photos of Marilyn – signed by photographers William Carroll, Laszlo Willinger, Kashio Aoki, Milton Greene, Bert Stern and George Barris – plus paparazzi shots from events such as Ray Anthony’s ‘My Marilyn’ party, are up for bids at an online sale at Julien’s Auctions on December 10. A bathroom tile from her final home is also on offer, with an estimate of $2,000-$2,5000. (And don’t forget the Essentially Marilyn auction at Profiles in History on December 11.)
Madonna’s 1985 video for ‘Material Girl’ – in which she recreated Marilyn’s ‘Diamonds Are a Girl’s Best Friend’ video from Gentlemen Prefer Blondes – tops a chronological list of videos referencing Hollywood classics, compiled by Kyle Munzenrieder for W magazine.
“Like so many other pages in the modern pop star playbook, this one was polished and perfected by Madonna. The second single off her star-cementing second album Like a Virgin, ‘Material Girl’ is among a handful of the star’s hits she didn’t co-write herself. At the time she seemed pretty eager to point out that she herself was not actually that materialistic when it came to finding a man (she had been dating broke musicians, DJs and artists on the Lower East Side just a few years before), and wanted to frame the song as something cheeky and ironic. So she adapted the guise of Marilyn Monroe’s unabashed gold digger character Lorelei Lee from Gentlemen Prefer Blondes and recreated the ‘Diamonds are a Girls Best Friends’ scene, and the balanced it with scenes of her off the set.
This wouldn’t be the last time Madonna paid homage to specific movies in her music videos, but it may be her poppiest. Later in her career she’d stick to recreating film school syllabus canon like Metropolis and Maya Deren’s At Land.”