Tag Archives: Marilyn Monroe

Documentary Rehashes Marilyn UFO Rumour

Marilyn by Bert Stern, 1962

Unacknowleged, a new documentary about UFOs written and directed by Michael Mazzola, rehashes a very old rumour: that the Kennedys ordered Marilyn’s death because she threatened to tell the secrets she knew about an alleged UFO incident at Roswell, New Mexico. You can view a clip here.

This 2011 article by Nick Redfern for the Mysterious Universe website sums up an outlandish, and (in my opinion) highly improbable conspiracy theory.

“By far the most controversial piece of unauthenticated documentation pertaining to UFOs concerns none other than the late Hollywood legend, Marilyn Monroe. It was during a press conference in 1995 that Milo Speriglio – an investigative author now deceased, who wrote three books on Monroe’s death: The Marilyn Conspiracy; Marilyn Monroe: Murder Cover-Up; and Crypt 33: The Saga of Marilyn Monroe – revealed the document to the world’s press.

Incredibly, according to the document, which surfaced via a California-based researcher of UFOs named Timothy Cooper, President John F. Kennedy had guardedly informed Monroe that he had secret knowledge of the controversial incident at Roswell, New Mexico in July 1947. As a result of Kennedy’s revelations to Monroe, the CIA took keen note of any and all developments as the story progressed. Or, at least, that is what we are led to believe, and what the document implies.

The bulk of the contents of the document are focused upon telephone conversations between Howard Rothberg, the former owner of a New York-based antique store, and Dorothy Kilgallen, the well-known celebrity gossip columnist of the 1950s and 1960s, who was herself the subject of a secret 167-page FBI file.

According to Speriglio: ‘[Rothberg] also dealt with a lot of photographers who used to film Marilyn. He got a lot of information about her from them, and he would feed it to Dorothy Kilgallen.’ Interestingly, Speriglio also revealed that the document was the subject of an investigation that was being undertaken by no less than ‘two federal agencies.’ To date, however, the names of those specific agencies have not been revealed.

When the document surfaced, Vicki Ecker, then the editor of UFO Magazine, said: ‘To put it succinctly, the document suggests that on the day she died, Monroe was going to hold her own press conference, where she was planning to spill the beans about, amongst other things, JFK’s secret knowledge of UFOs and dead aliens.’

Indeed, the document, ominously dated only two days before Monroe’s controversial death on August 5, 1962, tells the whole, remarkable story. Notably, at the top of the page it clearly states: ‘References: MOON DUST, Project’ (which was a genuine U.S. operation designed to capture, understand, and exploit overseas advanced technologies, such as Soviet spy-satellites.)

But, with all that said, where are things at today with respect to this most curious and extremely controversial document? Well, Tim Cooper left the UFO scene years ago, and has utterly washed his hands of the document – as well as many other questionable documents on crashed UFOs that he secured from Deep Throat-type sources in the 1990s.

And the CIA? The Agency officially denies having any files, at all, on the Hollywood hotty – despite the ironic fact that the very first document in the FBI’s ‘Monroe File’ was copied to the CIA! As for the players in the saga, they’re all gone to their graves.”

Marilyn Brings ‘Glamour’ to Paris

All About Eve and Some Like It Hot are among the 53 films selected   for this month’s ‘Glamour’ season at the Forum Des Images in Paris. (Although the striking poster art features Marilyn in Gentlemen Prefer Blondes, the 1953 musical comedy is not included – which is a pity, as it is partly set in a Hollywoodised version of Paris.)

Thanks to Eric

Marilyn’s Sugar Is ‘Sweeter Than Ever’

The original Guardian review of Some Like It Hot – first published when it was released in the UK exactly fifty- eight years ago, on May 16, 1959 – is reposted today. The unnamed critic describes it as “a funny film with an odd flavour of humour,” reflecting director Billy Wilder’s acerbic style, and how provocative this comedy classic was for its time.

“Mr Wilder, whose films are successful and frequent, may have found that the flouting of our nicer susceptibilities is just what most of us want. Be that as it may, Some Like it Hot is a bit uncomfortable. Not that there is anything downright offensive … it is only that the vulgarity is a bit insistent – and persistent.

The women’s band includes Marilyn Monroe, even sweeter, more pathetic and, possibly, more Monroe-like than ever in her attire … Miss Monroe, as always, is irresistible, even when, as in this instance, she is being ruthlessly presented as a caricature of herself – another example of the Wilder touch.”

Elle Fanning: Studying Marilyn

At 19, Elle Fanning is one of Hollywood’s most acclaimed young actresses – and although she hasn’t yet followed the well-trodden route of posing for a Marilyn-inspired photo shoot, she has never made a secret of her love for MM. In a new cover story for Vogue, Elle reveals how studying Marilyn’s life – both on and off the screen – has influenced her own career.

“Marilyn Monroe has been Fanning’s hero for about fifteen years—most of her life. She studies Marilyn’s interviews the way some study paintings by Cézanne. ‘You could always see the emotions that she was feeling . . . in her eyes,’ she says. ‘She didn’t know how great she was.’

She often wonders how Marilyn would have managed social media. For years, Fanning resisted what she calls (in excellent old-lady fashion) ‘the Facebook and the Twitter.’ But as time went on she worried she was too much in her shell. ‘I need to evolve with the times!’ she says.”

TV Rewind: Marilyn in ‘The Kennedys’

Actress Charlotte Sullivan looks back on her role as Marilyn in the 2011 TV mini-series, The Kennedys, in an interview for Monsters and Critics. The show received mixed reviews – I thought Charlotte did her best with a poorly-written character – and her comments reveal the challenges of playing someone as iconic as Marilyn.

“I played a drug addict for my husband in this one film, and it took me five minutes to get ready. But Marilyn Monroe took like two and a half hours! The whole team of people who put me together for that…they are just the most insanely talented people.

Also, the thing with the Marilyn look was it’s such a contrived beauty, which is actually what I love about it. This is something like what Dita von Teese does. I love her so much, she believes everybody can be glamorous.

But playing Marilyn…I got a lot of flack for that. I got a lot of hate for that. It’s a poisoned chalice. First of all, the opportunity to play that kind of character is a once-in-a-lifetime type of thing. Especially being surrounded by such a cast, it was a spectacular opportunity.

I knew going into it I would be eviscerated because there are so many people obsessed with her, in love with her, and I can’t live up to that. You just have to be confident. I think the thing with me during that particular time in my life was I didn’t have any confidence. I kind of harness that because Marilyn didn’t have any either.

What do I have in common with this woman? I know that she desperately wanted to be thought of as a good actress, and that’s something I have always wanted – to be great at what I do. I struggled, there have been times I feel good about my work then I lose it. It’s a really strange art form.”

Collecting Marilyn’s Medical Mysteries

Over at Atlas Obscura, Eve Kahn explores the darker side of celebrity memorabilia, and the market for medical items such as pillboxes, prescriptions and X-Rays of stars like Marilyn who died in unusual circumstances.

“Scott Fortner, a major buyer and scholar of Marilyn Monroe’s former possessions who loans widely to museums, owns bottles for her prescription eye drops and anti-allergy pills. He has bought related paperwork, too … Because of his focus on objects that she owned, he says, he is not much interested in medical records such as her chest x-rays that hospital staff may have taken home. And he would firmly draw the line against acquiring anything invasive, prurient and morbid …

Fortner points out that there is plenty of other illuminating and emotionally powerful material to collect instead, which she would have wanted her fans to know about. Throughout her tumultuous career, while shedding husbands and movie personas again and again, she somehow remembered to preserve her own memorabilia down to the drugstore receipts and eyedroppers. ‘She saved everything,’ Fortner says. ‘She didn’t throw anything away.'”