Marilyn and Arthur: Artists in Love

The Millers at the April In Paris Ball at the Waldorf-Astoria Hotel, NYC, 1957

My review of Artists In Love: Arthur Miller and Marilyn Monroe, part of a 2016 documentary series for the Sky Arts satellite channel and presented by the British actress Samantha Morton (who played an MM impersonator in the 2009 film, Mister Lonely), is published today at Immortal Marilyn.

 

Fighting for the Real Marilyn

Marilyn by George Barris, 1962

Immortal Marilyn president Leslie Kasperowicz gave a powerful speech at the memorial service marking the 55th anniversary of Marilyn’s death earlier this month. You can read the full text here.

“Once upon a time, a false story about Marilyn could only be spread as fast as paper publications could disseminate; and tabloid stories were easily recognizable as fake news. Today, a fake news story about Marilyn spreads in seconds across the globe, and just as quickly becomes ‘fact’ as the tabloid source is obfuscated in the anonymity of the internet share, reblog, ReTweet. The reputation of the source hardly matters anymore. Her true story is lost in the clickbait sensationalism, and I do not know this Marilyn Monroe.

When last I stood here, Photoshopped photos of Marilyn were rare and easy to spot. Today, a new fan’s first image of Marilyn is as likely to be a fake photo as a real one; the fakes so widespread that even Google images has a photoshop in the number one spot for results. Marilyn’s head is seen on the bodies of others, she is shown with people and in situations that never happened in her lifetime; she is seen brandishing guns, throwing gang signs, covered in tattoos. And I do not know this Marilyn Monroe.

Fake quotes spread around the world so fast and so thoroughly that when searched, she is the only source to be found. Inane, vague, and utterly ridiculous statements are attributed to her, she is turned into a talking head for what a new generation thinks of as inspirational words she would never, in reality, have spoken. And I do not know this Marilyn Monroe.

Our Marilyn Monroe is more than an icon, more than a brand, more than a name, more than a character. Our Marilyn Monroe wanted only to find love, to be respected for her work, to be treated with dignity, to be an honest and realized human being – to be treated as such, and to work at being an actress. She was not a joke, no matter how hard some tried to make her one. And she was worth more as a human being to those who love her than her glamorous image ever earned after her death.”

Marilyn’s Dress in Winnipeg

Immortal Marilyn’s Leslie Kasperowicz (left) admires ‘The Dress’

Immortal Marilyn’s Leslie Kasperowicz caught up with Marilyn’s ‘birthday dress’ during its tour of Canada’s supermarkets this week, sharing her impressions with the Winnipeg Free Press.

“‘She’s someone I think of when I think I can’t handle things,’ said Kasperowicz, who admires how Monroe rose above the hand dealt to her. ‘I see her as someone who overcame a lot and achieved things that were almost impossible for someone that came from her background.’

Kasperowicz’s obsession began when she was eight and received a hand-me-down T-shirt with Monroe’s face on the front. It was her favourite shirt, and when she read her first book about Monroe a few years later, she was hooked and has spent the past 25 years studying Monroe’s life and dispelling conspiracy theories about her death.

Kasperowicz, originally from Winnipeg, now lives in Minnesota. She just happened to be visiting relatives in Lac du Bonnet when she heard the dress would be here.

‘This was like the grand finale surprise to my vacation,’ she said.

Kasperowicz thinks of Monroe as a feminist and activist, something people often overlook, she said.

More than 10,000 people have been to see the dress over its first four stops in Saskatchewan. Winnipeg will be the dress’s last public showing before it returns to a Ripley’s Believe It or Not museum. The dress will visit Save-On-Foods’ Bridgewater location Saturday from 9 a.m. to 8 p.m., and the St. James location Sunday from 9 a.m. to 5 p.m.

The owner of Ripley’s Believe It or Not, Jim Pattison, also owns Save-On-Foods, making it possible for the stores to display the dress.”

Immortal Marilyn at Memorial Week

In addition to the Marilyn Remembered itinerary for this year’s memorial week, sister group Immortal Marilyn is also organising a programme of events to commemorate the 55th anniversary of her death, including a pool party on August 2 at the Avalon Hotel (where Marilyn shot her famous Life magazine cover with Philippe Halsman back in 1952), and on August 4, a sunset dinner and toast at the Santa Monica Pier, a favourite haunt from childhood to one of her photo shoot with George Barris in 1962. There is also a tour of Marilyn’s Hollywood from LA Woman Tours on August 1, and of course, the annual service at Westwood Memorial Park on August 5 – more details here.

Artists’ Birthday Tributes to Marilyn

Marilyn is the perfect muse, so it’s no surprise that artists would pay tribute on her 91st birthday. David Bromley, whose paintings of MM were exhibited in Los Angeles last summer, had some wise words to offer on age and immortality in this Bert Stern-inspired tribute.

Daniel Acosta profiled Marilyn’s subtle transformation from role to role, while Alejandro Mogollo looked to near-sighted Pola in How to Marry a Millionaire for inspiration.

Marilyn: A Natural Beauty (And Then Some)

The question of whether or not Marilyn had plastic surgery has long been controversial. Over at Immortal Marilyn, Marijane Gray sets the record straight.

“The truth of it is that Marilyn had extremely minimal work done- so minimal that it’s undetectable in before and after photos, so minimal that when her chin implant was reabsorbed it didn’t alter her stunning face in any perceptible way. However, even if every single claim of plastic surgery were true, it does not diminish Marilyn’s remarkable beauty … Let us appreciate her for how she chose to look without picking apart what was natural and what may have been enhanced, and let us stop trying to assuage our own insecurities by feasting on the flaws, real or imagined, of other women.”