Author Michelle Morgan will be answering your questions about all things MM live on Immortal Marilyn’s Facebook page (here) this Sunday, May 6, at 1 pm central (7 pm in the UK.) And Immortal Marilyn president Leslie Kasperowicz has reviewed Michelle’s upcoming book, The Girl, here.
“Some may say that Marilyn Monroe wasn’t a feminist, and by much of today’s definition, she may not have been. For her era, however, her stalwart refusal to bend to the pressure of men who could have destroyed her career is nothing short of remarkable. Morgan sheds light on a side of Marilyn that is rarely discussed, the actress and the woman whose life and career were truly remarkable aside from all of the sensational tabloid trash that has dominated the narrative about Marilyn for so long.”
My review of Artists In Love: Arthur Miller and Marilyn Monroe, part of a 2016 documentary series for the Sky Arts satellite channel and presented by the British actress Samantha Morton (who played an MM impersonator in the 2009 film, Mister Lonely), is published today at Immortal Marilyn.
My review of film historian Karina Longworth’s three-part series on Marilyn for her podcast, You Must Remember This – the centrepiece of a ‘Dead Blondes’ season, which first aired earlier this year – is now online at Immortal Marilyn.
Immortal Marilyn president Leslie Kasperowicz gave a powerful speech at the memorial service marking the 55th anniversary of Marilyn’s death earlier this month. You can read the full text here.
“Once upon a time, a false story about Marilyn could only be spread as fast as paper publications could disseminate; and tabloid stories were easily recognizable as fake news. Today, a fake news story about Marilyn spreads in seconds across the globe, and just as quickly becomes ‘fact’ as the tabloid source is obfuscated in the anonymity of the internet share, reblog, ReTweet. The reputation of the source hardly matters anymore. Her true story is lost in the clickbait sensationalism, and I do not know this Marilyn Monroe.
When last I stood here, Photoshopped photos of Marilyn were rare and easy to spot. Today, a new fan’s first image of Marilyn is as likely to be a fake photo as a real one; the fakes so widespread that even Google images has a photoshop in the number one spot for results. Marilyn’s head is seen on the bodies of others, she is shown with people and in situations that never happened in her lifetime; she is seen brandishing guns, throwing gang signs, covered in tattoos. And I do not know this Marilyn Monroe.
Fake quotes spread around the world so fast and so thoroughly that when searched, she is the only source to be found. Inane, vague, and utterly ridiculous statements are attributed to her, she is turned into a talking head for what a new generation thinks of as inspirational words she would never, in reality, have spoken. And I do not know this Marilyn Monroe.
Our Marilyn Monroe is more than an icon, more than a brand, more than a name, more than a character. Our Marilyn Monroe wanted only to find love, to be respected for her work, to be treated with dignity, to be an honest and realized human being – to be treated as such, and to work at being an actress. She was not a joke, no matter how hard some tried to make her one. And she was worth more as a human being to those who love her than her glamorous image ever earned after her death.”
Immortal Marilyn’s Leslie Kasperowicz caught up with Marilyn’s ‘birthday dress’ during its tour of Canada’s supermarkets this week, sharing her impressions with the Winnipeg Free Press.
“‘She’s someone I think of when I think I can’t handle things,’ said Kasperowicz, who admires how Monroe rose above the hand dealt to her. ‘I see her as someone who overcame a lot and achieved things that were almost impossible for someone that came from her background.’
Kasperowicz’s obsession began when she was eight and received a hand-me-down T-shirt with Monroe’s face on the front. It was her favourite shirt, and when she read her first book about Monroe a few years later, she was hooked and has spent the past 25 years studying Monroe’s life and dispelling conspiracy theories about her death.
Kasperowicz, originally from Winnipeg, now lives in Minnesota. She just happened to be visiting relatives in Lac du Bonnet when she heard the dress would be here.
‘This was like the grand finale surprise to my vacation,’ she said.
Kasperowicz thinks of Monroe as a feminist and activist, something people often overlook, she said.
More than 10,000 people have been to see the dress over its first four stops in Saskatchewan. Winnipeg will be the dress’s last public showing before it returns to a Ripley’s Believe It or Not museum. The dress will visit Save-On-Foods’ Bridgewater location Saturday from 9 a.m. to 8 p.m., and the St. James location Sunday from 9 a.m. to 5 p.m.
The owner of Ripley’s Believe It or Not, Jim Pattison, also owns Save-On-Foods, making it possible for the stores to display the dress.”
In addition to the Marilyn Remembered itinerary for this year’s memorial week, sister group Immortal Marilyn is also organising a programme of events to commemorate the 55th anniversary of her death, including a pool party on August 2 at the Avalon Hotel (where Marilyn shot her famous Life magazine cover with Philippe Halsman back in 1952), and on August 4, a sunset dinner and toast at the Santa Monica Pier, a favourite haunt from childhood to one of her photo shoot with George Barris in 1962. There is also a tour of Marilyn’s Hollywood from LA Woman Tours on August 1, and of course, the annual service at Westwood Memorial Park on August 5 – more details here.
Marilyn is the perfect muse, so it’s no surprise that artists would pay tribute on her 91st birthday. David Bromley, whose paintings of MM were exhibited in Los Angeles last summer, had some wise words to offer on age and immortality in this Bert Stern-inspired tribute.
Daniel Acosta profiled Marilyn’s subtle transformation from role to role, while Alejandro Mogollo looked to near-sighted Pola in How to Marry a Millionaire for inspiration.