The question of whether or not Marilyn had plastic surgery has long been controversial. Over at Immortal Marilyn, Marijane Gray sets the record straight.
“The truth of it is that Marilyn had extremely minimal work done- so minimal that it’s undetectable in before and after photos, so minimal that when her chin implant was reabsorbed it didn’t alter her stunning face in any perceptible way. However, even if every single claim of plastic surgery were true, it does not diminish Marilyn’s remarkable beauty … Let us appreciate her for how she chose to look without picking apart what was natural and what may have been enhanced, and let us stop trying to assuage our own insecurities by feasting on the flaws, real or imagined, of other women.”
My review of the recent Channel 4 documentary, Marilyn Monroe: Auction of a Lifetime, is posted today at Immortal Marilyn. At the time of writing, the programme is still available to watch online (UK only.) And if you’re looking for a more detailed view of the sale, it’s right here.
Elizabeth Winder, author of Marilyn in Manhattan: Her Year of Joy – published today – has spoken to Immortal Marilyn about the different side of MM that she hopes her readers will discover.
“I wish they knew that Marilyn was funny– I don’t mean the witty media quips but that warm-hearted kind of funny that makes you smile and want to hug someone. I wish they knew that Marilyn actually read Ulysses and didn’t just pose with it. I wish they knew that as a starving model she spent her money on books instead of food. I could go on and on– that’s why I wrote Marilyn in Manhattan– I totally fell in love with her!”
A series of gorgeous colour photos taken by Monroe Sixer Frieda Hull, whose incredible archive of candid snapshots were auctioned at Julien’s in November 2016, were published in yesterday’s Daily Mail. The images show Marilyn arriving for test shots for The Misfits in New York in July 1960.
Unfortunately – and all too predictably – the pictures are accompanied by a salacious and frankly unbelievable story. Marilyn’s belly is rather prominent in the photos, and Tony Michaels – a Las Vegas casino croupier who befriended the late Frieda Hull, and purchased the images at auction – claims that Marilyn was secretly pregnant at the time, by her Let’s Make Love co-star Yves Montand.
That Marilyn and Yves had an affair is not in doubt, and of course they were both married to other people. However, a pregnancy at this time has never been mentioned, and Marilyn’s daily routine is extremely well-documented. To casual observers her protruding tummy may look like a baby bump, but seasoned fans have noticed many similar images of her over the years.
Furthermore, Marilyn was a very private person and it would be out of character for her to have confided in a teenage fan. Frieda Hull never sought publicity and it seems all too convenient that such a story would emerge only after her death. It has also been debunked by Scott Fortner, who helped to catalogue the recent Julien’s sale in which these photos were featured, on his MM Collection blog; and by Immortal Marilyn.
Could this be an early frontrunner for the most ridiculous Marilyn headline of 2017? It is interesting to note that the Daily Mail was recently blacklisted by Wikipedia for ‘poor fact checking, sensationalism and flat-out fabrication.’
That iconic scene from The Seven Year Itch – and the dress worn by Marilyn as she stood over the subway grate – is constantly being referenced in popular culture. One recent example is this magazine ad for the Marilyn-themed Sexy Hair brand.
On Immortal Marilyn this week, Marijane Gray unravels the mystery of what happened to that dress, designed by Marilyn’s regular costumer, Travilla.
“The white pleated halter dress that Marilyn Monroe wore in The Seven Year Itch is always described in superlatives: most iconic, most recognized, most recreated, most expensive. It can also be called the most mysterious: how many copies of the dress were there? Is there another one in existence, hidden away all these years? Did Marilyn herself own a copy of the dress, and if so, where did it end up? And perhaps most intriguing: was a copy of the dress really stolen back in 1993?”
Also this week, Keena Al-Wahaidi reviews the movie that started it all for The Medium, the student magazine for the University of Toronto. (Incidentally, the campus is based at Mississauga, which is also home to a skyscraper complex whose curvaceous design has earned the nickname The Marilyn Monroe Towers.)
“The most notable aspect of The Girl is her obliviousness towards her own allure …. The most dubious fixture of this film is the lack of identity in Monroe’s character. The reason for her ambiguity is because she’s nameless … However, Monroe’s lack of identity contributes to the mystery of the film’s plot. Regardless of the immorality of the situation, we find ourselves rooting for Richard and The Girl. Despite the futility of their relationship, or perhaps owing to it, their fling is undeniably enthralling.”
The itinerary for this year’s memorial week in Los Angeles – marking 55 years since Marilyn’s death – is now online, courtesy of Marilyn Remembered and their sister group, Immortal Marilyn. More details here.
Film critic David Thomson is not Marilyn’s biggest fan. “Monroe wasn’t a serious actress,” he once wrote. “I don’t think she could really carry more than a line or two at a time.” Nonetheless, he seems drawn to her image, having penned a snarky introduction to Marilyn Monroe: A Life in Pictures (2007.) In anticipation of the November 16 auction at Julien’s, Thomson has written another gossipy article for The Guardian about the Jean Louis dress worn by Marilyn as she sang ‘Happy Birthday’ to President John F. Kennedy in 1962. (You can see a gallery of fans posing with the dress over at Immortal Marilyn.)
“You can say that only demonstrates her victimhood and makes her wishing more wistful. But then you have to see the plain delight with which she did these preposterous things, these moments, as if she could not resist or do without the comfort that came with the gasps and the whistles at Madison Square Garden when she came into the platinum light, shrugged off her wrap and stood there, with her massed blonde waves jutting off to one side, like the control on tower an aircraft carrier, in a dress that could have been painted on her. And she did not seem like the hesitant neurotic of fame and constant lateness when she broke into the birthday song. Just take a look. She seems happy, and an actress is hired to give us some sort of good feeling. This is maybe her greatest moment – the most reckless – and she knows it, even if the summer of 1962 is her hell.”
UPDATE: The ‘Happy Birthday’ dress was sold at Julien’s for $4.8 million on November 16, 2016, making it the most lucrative dress in auction history. The buyer is Ripley’s Believe It Or Not museum, who plan to showcase the dress in future exhibitions. Read a full report from Scott Fortner on his MM Collection Blog.
Some items were previously sold at Christie’s in 1999, while various writings, drawings and correspondence have been published in books like Fragments, MMPersonal and Girl, Waiting. However, there is still a great deal of unseen material, yielding fresh insight into Marilyn’s life and times.
In advance of the auction in Beverly Hills on November 17 the Happy Birthday dress will be on display for one week only from tomorrow at the Museum of Style Icons at Newbridge Silverware in County Kildare, Ireland.
ES Updates will be covering all aspects of the sale, including a series of detailed posts about what’s on offer. You can also read an article about it on Immortal Marilyn now, while Scott Fortner will be interviewing Anna Strasberg at his MM Collection blog on November 1.
George Barris, one of the last photographers to work with Marilyn, has died aged 94, Mike Barnes writes for the Hollywood Reporter. His photos of Marilyn revisiting her childhood haunt of Santa Monica Beach, wearing a Mexican-style sweater over her bathing costume, are among the most natural and poignant images from her final days.
“George Barris, the photojournalist … died Friday at his home in Thousand Oaks, Calif., his daughter Caroline told The Hollywood Reporter. He was 94.
Barris and Monroe became friends after they met on the set of The Seven Year Itch (1955).
‘When I first saw her, I thought she was the most beautiful, fantastic person I’d ever met,’ Barris told the Los Angeles Daily News in 2012. ‘She completely knocked me off my feet.’
Barris photographed the actress on a windswept beach in Santa Monica on July 13, 1962, about three weeks before she was found dead of a drug overdose at age 36. He moved to France after her death and remained there for two decades.
A native of New York City, Barris enlisted in the U.S. Army and served in the office of public relations during World War II. He was Gen. Dwight D. Eisenhower’s personal photographer for the welcoming Victory Parade in New York on June 19, 1945.
While on assignment for Cosmopolitan, Barris photographed Elizabeth Taylor while she filmed Cleopatra (1963) in Rome, and during his career he also shot such stars as Steve McQueen, Marlon Brando, Charlie Chaplin, Frank Sinatra, Clark Gable, Sophia Loren and Walt Disney. His daughter also said that he photographed Chubby Checker for the singer’s ‘The Twist’ record cover.”
A more detailed biography, including a full account of his work with Marilyn, is available on the Cursum Perficio website.
He first met and photographed Marilyn in 1954 in New York where she was on location for the film The Seven Year Itch , where they became friends.
He was one of the last photographers to take Marilyn in pictures, between June 29 and July 1, 1962:
Friday 29 and Saturday 30, June, at Walter ‘Tim’ Leimert’s house, located 1506 Blue Jay Way, North Hollywood Hills
Sunday 1st, July, last day of the session, last pictures. It took place at the Santa Monica beach, near the Lawfords’ house.
Those pictures were to be published in Cosmopolitan magazine.
Some of those pictures were published in 1973 in Norman Mailer’s biography, and most of them in the book he wrote with Gloria Steinem in 1986 (Marilyn: Norma Jeane).
In 1995, he published Marilyn : Her Life in Her Own Words, whose text is composed of notes jotted after the picture sessions. Those notes should have produced an autobiography they had planned to write together.
After returning to California with his family, Mr Barris became a respected member of the Monroe fan community, as Leslie Kasperowicz reports for Immortal Marilyn.
“George Barris attended many Marilyn memorials and events and was one of the most accessible of Marilyn’s photographers to fans from around the world. He spoke frequently at the Memorial service held at Westwood and signed books and photos for fans at public and private events. Immortal Marilyn was honoured to have him present at several of our own events.
George leaves behind his daughter Caroline, who was also a frequent presence at Marilyn events, another daughter Stephanie, his wife Carla, and legions of Marilyn Monroe fans who have spent nearly 55 years appreciating his work and his willingness to lend us his ear and tell us his stories of that summer of 1962.”