In today’s post about the upcoming Legends event at Julien’s Auctions, let’s take a look at Marilyn’s fashion and beauty habits, and what they cost her. (Read more about the June 13-14 sale here.)
UPDATE: I have added the final bids to each item.
“A typed letter on Jamie, Inc. letterhead dated July 24, 1958 in regards to a newspaper article reporting that Marilyn’s new white platinum bleach is breaking off her tresses. The letter, from the president of Jamie, Inc. reads, ‘Enclosed is a clipping from one of our daily newspapers regarding damage to your hair. We are sending you under separate cover our hair conditioner. If used according to directions, it will allow you to bleach your hair as light and as often as you desire. I am sure you will find that you will no longer have hair damage of any kind, and you will also be able to obtain a truer color.’ Enclosed with the letter is the original newspaper clipping referencing Monroe’s hair.” (SOLD for $1,152)
“An October 19, 1959 invoice for the storage of several of Marilyn’s furs, including a white ermine coat, a black fox stole trimmed with silk, a ranch mink coat, a white beaver coat, a white fox stole, a black fox stole, and a white fox stole and muff, among others. Nearly all of the furs listed on this receipt are instantly recognized in photos of Marilyn at publicity and red carpet events. ” (SOLD for $750)
“An extensive collection of statements from Lilly Dache Boutique and Beauty Salon in New York, with dates throughout 1958 and 1959, together with a letter addressed to Marilyn informing her that she has an overdue balance of $238.40.” (SOLD for $768)
“A grouping of shopping receipts addressed to Marilyn Monroe Miller for various purchases, one receipt specifies an alteration to a tweed item for her stepdaughter, Janie Miller. Also included is an envelope from the famed clothing line address to Jax in Beverly Hills.” (SOLD for $875)
“A receipt from I. Magnin & Co. addressed to Mrs. Arthur Miller at the Beverly Hills Hotel, dated December 23, 1959, for the purchase of ‘5# Original,’ indicating a purchase for the famed perfume, widely believed to be a favorite of Monroe’s. Interestingly, the order was specified to be delivered to ‘Dorothy Blass,’ a name Marilyn occasionally used for past purchases and deliveries to disguise her identity. During this period Marilyn was completing filming of Let’s Make Love. Research indicates she actually called out sick on this date.” (SOLD for $1,152)
“A black chiffon overblouse. Label reads ‘Rudi Gernreich Design for Walter Bass.’ A separate paper label reads ‘Style 104 M. Monroe.'” (SOLD for $19,200)
Paul Donnelley, author of Pocket Essentials: Marilyn Monroe (2000), has written a list of trivia for the UK’s Daily Star, in advance of what would be Marilyn’s 93rd birthday this Saturday, June 1st. Here are a few selections…
“Marilyn was born in Los Angeles as Norma Jeane Mortenson. She was not named for fellow blonde bombshell Jean Harlow despite numerous reports to that effect – when Marilyn was born, Harlow was only 15 and at least two years away from her film debut.”
“Marilyn’s half-sister, Berniece Miracle, will celebrate her 100th birthday on July 30. Her half-brother, Robert, died in 1933, aged 15.”
“Marilyn has a reputation for being promiscuous but she was choosy about who she bedded. Groucho Marx confessed he spent $8,000 wining and dining her, trying to get her into bed but was unsuccessful. Harry Cohn, the head of Columbia Pictures, tore up her contract because she wouldn’t sleep with him.”
“In 1953, the town of Monroe, New York changed its name for one day to Marilyn Monroe, New York in tribute to Marilyn.”
My Week With Marilyn, the 2011 movie about her time in England, returns to Netflix today. Michelle Williams, who won a Golden Globe for her performance as Marilyn, is currently starring choreographer Gwen Verdon in the HBO series, Fosse/Verdon. Born in Culver City, California in 1925, she married journalist James Henaghan in 1942, but left him after the birth of their son Jimmy. (Henaghan later interviewed Marilyn on several occasions, and wrote a tribute to her for Parade magazine in 1971, which you can read here.)
Verdon later worked as an assistant to choreographer Jack Cole, coaching stars like Lana Turner, Rita Hayworth, Betty Grable, and Marilyn (seen above with Jane Russell on the set of Gentlemen Prefer Blondes, and rehearsing for There’s No Business Like Show Business.) In 1953, Verdon starred in the Broadway production of Can-Can, winning her first Tony award. (Marilyn would later be offered the lead in Fox’s big-screen adaptation, but the role was ultimately played by Shirley MacLaine.)
In June 1955, Marilyn saw Gwen performing in her latest hit musical, Damn Yankees, at the 46th Street Theatre. Gwen returned to Hollywood in 1958 to film the movie version. She married choreographer Bob Fosse in 1960, and returned to Broadway in Sweet Charity (1966.) Although she and Fosse separated in 1971, they never divorced and continued working together on Chicago (1975), and the 1979 movie, All That Jazz. She also appeared in films like The Cotton Club (1984) Cocoon (1985) Alice (1990), and Marvin’s Room (1996.)
In 1999, Gwen was the artistic consultant on Fosse, a Broadway musical tribute to her former partner, who had died in 1987. Gwen Verdon passed away in her sleep at the home of their daughter Nicole Fosse in Woodstock, Vermont in October 18, 2000. That night at 8 pm, Broadway dimmed its lights in her honour.
In another look at the upcoming Legends sale at Julien’s Auctions on June 13-14 (see previous posts here), Marilyn rubs shoulders with her fellow stars.
UPDATE: I have added the final bids to each item.
“A group of eight telephone messages from April, May and June 1961 while Marilyn was staying at the Beverly Hills Hotel. Messages from those instantly recognized in Marilyn’s inner-circle include Frank McCarthy of Twentieth Century-Fox, comedian Ernie Kovacs, and director George Cukor. Interestingly, Marilyn received a message from a “Dr. Goddard” on May 28. Dr. Goddard is presumably the husband of Grace Goddard, who fostered Marilyn as a young child.” (SOLD for $1,600)
“A typed form letter from Dorothy Frooks, publisher of The Murray Hills News, inviting Marilyn to the annual Pro-American Rally on September 25, 1959, which would take place ‘between 37th and 38th Streets.’ Included is a handwritten letter from Cowboy Tex Weinstein asking Marilyn to attend. ” (SOLD for $375)
“A telegram to Marilyn from Lauren Bacall, dated January 18, 1954, congratulating Marilyn on her marriage to baseball legend Joe DiMaggio. The telegram reads, ‘All the best luck always. Couldn’t be more delighted for you. Now you’ll really know how wonderful life can be. Love, Schatze Bogart.’ Interestingly, Bacall signed the telegram using the first name of her character in How to Marry a Millionaire, the film she had starred in with Marilyn the year prior to the Monroe/DiMaggio wedding, and the last name of her movie star husband, Humphrey Bogart. The telegram is addressed to ‘Mrs. Joe DiMaggio’ at Marilyn’s apartment on North Doheny Drive in Beverly Hills.” (SOLD to Gary Vitaccco-Robles, author of Icon: The Life, Times and Films of Marilyn Monroe, for $1,562.50)
“A one-page typed letter to Marilyn from television personality Jack Benny, dated July 13, 1961. The letter reads in part, ‘This little note is merely to say that I do hope you will be feeling much better and that I miss seeing you – even though it is on rare occasions.’ The letter is signed, “Love – Jack,” in his own handwriting. Also, a holiday card from Mary and Jack Benny from 1954. Marilyn’s first-ever television appearance was on The Jack Benny Show on September 13, 1953. They remained friends throughout her entire life.” (SOLD for $750)
“A one-page typed letter to Marilyn, dated June 17, 1958, in regards to the release of SNOOPY, the new book by famed cartoonist Charles Schulz, creator of the comic strip Peanuts. The letter reads, ‘Dear Miss Monroe, As I promised some weeks ago I am having sent to you under separate cover a few copies of Charles Schulz’s new “Peanuts” book, SNOOPY, which just came in from the bindery. I hope you like SNOOPY as much as we like publishing him.’ The letter is signed, ‘Sincerely yours, Theodore S. Amussen, Vice President.'” (SOLD for $576)
“A collection of approximately 30 vintage magazines, books, and other publications, from the collection of actress Morgan Fairchild: including Movieland magazine (October 1952); Silver Screen magazine (October 1953); Song Fan magazine (July 1954); LIFE magazine (November 1959); TV and Movie Screen magazine (September 1960); LOOK magazine (January 1961); LIFE magazine (August 1964); the cover of Show magazine (September 1972, framed); Parade magazine (framed); and the August 6, 1962, edition of the Los Angeles Times with the headline ‘Marilyn Monroe Found Dead.’ Together with six books on the life of Monroe, several greeting cards with Monroe’s image, and a poster produced from a photo by Philippe Halsman showing Monroe at the gym.” (SOLD for $768)
A new pink gin named after Marilyn will be launched in the UK, as Nicola Carruthers reports for The Spirits Business.
“The gin will be launched as part of a five-year partnership with Authentic Brands Group (ABG), owner of the Marilyn Monroe Estate.
Created at the brand’s 45 West Distillery in Leicestershire, Marilyn Monroe Pink Gin is ‘floral and delicate’, made with cherry blossom, hibiscus, rose and pink grapefruit. The bottle design features the iconic image of Monroe in a white dress.
Burleighs recently restructured its management and sales team, allowing the firm to establish a number of routes to market. The brand has also secured listings in Waitrose, Co-op, the UK’s largest wholesaler Tennent’s and Star Pubs.
The brand expects bottle sales to double again after last year with the introduction of the new pink gin. Marilyn Monroe Pink Gin will be available to the UK trade from July. Burleighs is currently in discussions to release the gin in Asia and the US.”
“Born Norma Jeane Baker on June 1, 1926, Marilyn Monroe would be turning 93 years old this year. This iconic actress is celebrated through the beautiful, rare and historic ‘Golden Dreams’ collection represented by Linda Goldenstein and Goldenstein Gallery.
Who could have imagined that a chance encounter would result in what has been called ‘the most famous picture since the Mona Lisa,’ transforming a 22-year-old aspiring Marilyn Monroe into one of Hollywood’s greatest film icons and helping a young man named Hugh Hefner launch his Playboy empire along the way?
Photographer Tom Kelley met Monroe on Sunset Boulevard in October 1948, after a minor auto accident. Marilyn told him she had an audition. He gave her $5 cab fare and his business card. In May 1949, Marilyn was behind on rent and her car in repossession. She found Kelley’s card and appeared unannounced at his studio. A model called in sick for a Pabst beer poster photoshoot and Marilyn got the job.
Two weeks later, Kelley called Marilyn saying that John Baumgarth, a major calendar publisher, had seen the Pabst poster and wanted Marilyn to pose for an upcoming calendar.
Not long after, Kelley’s color transparencies of unknown nude models arrived at Baumgarth’s Chicago offices. Among them was ‘Golden Dreams’ featuring the then-unknown Marilyn. Although it wasn’t Baumgarth’s first choice, based on the calendar selection committee he agreed to run Marilyn’s image in the 1951 calendar line. Baumgarth’s preferred image ‘The Charmer’ featuring Maxine Strong outsold Marilyn’s Golden Dreams by 2 to 1, until it was later revealed that the model in Golden Dreams was in fact Marilyn Monroe.
Narrowly escaping destruction, the color separations represented by Goldenstein are the unique, original separations first created by hand in 1950 and used by Baumgarth to produce the Golden Dreams calendars featuring Marilyn Monroe.
Baumgarth sold 9 million calendars throughout the 1950s, making Marilyn the best-selling calendar girl and earning John Baumgarth the moniker ‘The Man Who Made Monroe.’
Reproducing Marilyn’s refined features, supple texture and luxurious tones was no small feat – print artisans painstakingly created and corrected the many layers of film for the full color printing process – a masterpiece of printer’s art.
In December 1953, an astute man named Hugh Hefner bought the rights to reproduce the Golden Dreams image for $500 from John Baumgarth Company, to be used as the ‘Sweetheart of the Month’ in Playboy magazine. That first issue sold over 54,000 copies and the profits provided Hefner the funding to continue publishing and ultimately launch his Playboy Empire.
In 2010, Al Babbitt purchased the original and unique film positives and negatives used by Baumgarth Co. to produce the 1950s Marilyn Monroe Golden Dreams pin up calendars. Babbitt will speak at Sedona PhotoFest on June 15 at 1p.m., in the Mary D. Fisher Theatre, about the history of Marilyn Monroe, the iconic Golden Dreams collection and the color separation process.
Original Monroe large format color separations will be exhibited. These pieces are part of the ‘Messenger Art Collection’ represented by Goldenstein Gallery, 6,000 works of art created over 100 years by diverse calendar and promotional companies.”
“An original clipping from a Mexican newspaper detailing Marilyn’s visit to the National Institute for the Protection of Children on March 1, 1962, and her donation of $1,000.00 to the institute. Also included is a document translating the article, reading in part, ‘The American actress Marilyn Monroe yesterday visited the National Institute for the Protection of Children where she greeted the president of that organization, Mrs. Eva Samano de Lopez Mateos, to whom she gave 12,500 pesos – one thousand dollars – for the needy children.'” (SOLD for $768)
“An unsigned carbon-copy of a letter, likely from May Reis, Marilyn Monroe’s secretary, to hairdresser Kenneth, dated July 16, 1958. The letter reads in part, ‘Thank you for sending on Miss Monroe’s chignon but I am sorry it has not turned out as she had ordered it so it is being returned to you under separate cover.'” (SOLD for $192)
“A one-page handwritten letter from press agent Patricia Newcomb to Marilyn, dated June 2, 1956. The letter reads in part, ‘Enclosed is a copy of your eye perscription (sic) which I got this morning from Lee Seigel. I am also sending you another bottle, in case you might be running short.’ Also, ‘I mailed your records and hair dryer today, so they should arrive by the end of the week.'” (SOLD for $1,125)
“A one-page typed letter to Marilyn from Nunnally Johnson, dated February 1, no year specified (but probably sent after their 1962 meeting at the Beverly Hills Hotel, to discuss Something’s Got to Give.) The letter reads in part, ‘This is to put it on paper that I’ve rarely had a merrier evening. There’s no question about it, the only way to discuss business is over a bottle or two of champagne, with occasional reflections on sex to keep everything in balance. And if ever the occasion rises you may cite me as a bloke who also likes to sit and talk with you.’ The letter is hand-signed. A well-known screenwriter, Johnson worked on a number of projects related to Monroe, including We’re Not Married, and How to Marry a Millionaire.” (SOLD for $2,240)
“Two letters from the Actors’ Studio, dated January 10 and 12, 1961, regarding the Actors’ Studio Benefit scheduled for March 13, 1961. The January 10 letter announces, ‘Marilyn Monroe will be one of the stars who will draw the lucky tickets for our door prizes and for the Dance Contests.’ The letter is signed by Lee Strasberg, Cheryl Crawford and Elia Kazan (facsimile signatures). The second letter, sent by the benefit’s coordinator, asks Marilyn if it would be possible to take a photo of her wearing a fur coat that will be raffled as a door prize. The letter further requests that Marilyn write to executives at United Artists asking them to reserve tables at the event.” (SOLD for $768)
“Three letters, all dated in January of 1961, referencing possible film projects for Marilyn’s consideration. The January 3 letter from George Chasin is on MCA letterhead and references Touch of Mink, written by Stanley Shapiro (later filmed with Doris Day.) The January 26 letter, also on MCA letterhead, references a screenplay entitled The Notorious Lady, and is signed by Marvin Birdt with a copy to Chasin (later filmed with Kim Novak as The Notorious Landlady.) The January 31 letter is on Twentieth Century-Fox Film Corporation letterhead and references A Lost Lady, and is signed by Frank McCarthy, Director of Public Relations at the studio. (Based on one of Marilyn’s favourite novels (according to her friend and masseur, Ralph Roberts), and previously filmed as Courageous with Barbara Stanwyck in 1934, but dissatisfied with the result, author Willa Cather had banned all movies based on her work.) In this same letter McCarthy writes, ‘Congratulations again on The Misfits and I hope it will achieve the great success it deserves.'” (SOLD for $512)
“A small notecard to Marilyn from producer Buddy Adler. The notecard reads, ‘Darling, It’s wonderful having you home again. Best wishes, Buddy Adler.’ Adler was the producer of Bus Stop, released in 1956. This card is likely in reference to Marilyn’s return to Hollywood in 1956 after having spent the entirety of 1955 in New York City.” (SOLD for $640)
“A two-page typed letter on Algonquin Hotel letterhead to Marilyn from photographer John Bryson, dated August 6, 1960, in reference to the August 15, 1960 issue of LIFE magazine, in which his photos of Marilyn on the set of Let’s Make Love were published. The letter reads in part, ‘I am very happy, however, to report that we close with a larger than full page of the picture of Arthur swabbing off your back after a hard day’s rehearsal. I think the little girl look in this is the best picture I ever took of you.’ The letter goes on to read, ‘Anyway, it is done and I hope you like it. If you do or do not I would like for you to remember that I think you are one of the best women I have ever known and if you ever need a friend for anything just call day or night. I do not say such things casually.'” (SOLD for $1,280)
“A Western Union telegram from Mary Leatherbee of LIFE magazine dated June 26, 1958, regarding photos of Marilyn taken by Richard Avedon in which she recreated images of famous actresses for a spread entitled ‘Fabled Enchantresses.'” (SOLD for $640)
“A one-page typed letter to Marilyn from Emmeline Snively, dated July 31, 1958. Snively was the owner and manager of the Bluebook Modeling Agency. Marilyn, still Norma Jean at the time, signed with the agency in 1945, and Snively is believed to have assisted her in transforming into Marilyn Monroe. The letter reads in part, ‘We have been following your steady progress over the years, and our students at Blue Book Models regard your success and constant development as an inspiration.’ Included with this letter is a torn portion of the original mailing envelope with Snively’s typed mailing address. Pencil scribbles are visible on the envelope fragment, possibly written in Marilyn’s own hand. It is interesting to note that Snively attempted to stay in contact with Marilyn throughout the star’s career. In fact, she was one of a very few guests from Marilyn’s inner circle who was invited to her funeral.” (SOLD for $640)
“Six documents referencing an agreement, and the dissolution thereof, between Marilyn Monroe and Ben Hecht regarding his authoring her life story. Included is a facsimile copy of the originally signed agreement between Monroe and Hecht, dated March 16, 1954, in which the terms of the agreement are exceedingly clear. Three unsigned carbon copies of this same agreement are included. Also included is a facsimile copy of a two-page letter sent to Hecht by Marilyn’s attorney Lloyd Wright, Jr., in which he demands that Hecht ‘surrender to us on behalf of our client, Miss Marilyn Monroe, all, and I repeat all, copies of any material concerning Miss Marilyn Monroe written by Mr. Ben Hecht, pursuant to his contract of March 16, 1954 with Marilyn Monroe, or otherwise.’ Marilyn partnered with Hecht to write her life story, stating specifically that the article could be published only in the Ladies’ Home Journal magazine.” (SOLD for $640)
“A two-page typed memo from Robert H. Montgomery, Jr. to John F. Wharton regarding ‘Proposed settlement of dispute between Milton H. Greene and Marilyn Monroe. The document clarifies that Monroe will pay Greene $50,000.00 for his stock in Marilyn Monroe Productions, Inc. in five equal annual installments, and also that she will sell to Greene her stock in Milton Greene Studios.’ The document further states, ‘all agreements existing between them are cancelled and of no further force and effect.’ A second two-page original document outlines the distribution of furniture and equipment, including paintings, rugs, a vacuum cleaner, a lamp, a chair and a sofa, typewriters, and other items.” (SOLD for $1,000)
Today, May 27, marks seventy years since a little-known actress posed nude for photographer Tom Kelley. The photos were sold to a calendar company, and three years later, someone recognised the model as Marilyn Monroe. Against studio advice, she admitted it and the public loved her for it. Lorraine Nicol tells us the full story today, over at Marilyn Remembered.
In my latest post for the Julien’s Legends auction, coming up on June 13-14, I’m taking a look at the fan mail, plus letters and greeting cards from friends and family, received (and kept) by Marilyn over the years. (You can read my previous posts, on the How to Marry a Millionaire bathrobe and the photos of Manfred Kreiner, here.)
UPDATE: I have now added the total bids to each item.
“An invoice from Southdown Kennel in Roxbury, Connecticut, for boarding and food for Hugo, the lovable basset hound owned by Marilyn and then husband Arthur Miller. The invoice is dated from November of 1958, and is addressed to Mrs. Arthur Miller. Dates specified for boarding of Hugo are July 4-10, July 28-August 5, August 22-24, and August 27-October 30. Also listed is ‘1 case beef’ at a cost of $11.50.” (SOLD for $512)
“A handwritten letter from a young child, undated, reading, ‘Dear Marilyn, How are you? Daddy and mommy saw you. I wish I could of. I am writing you to see if you rember (sic) me. First you saw me playing on the grass at Chaire’s house and then at Patty’s. I went to East Hampton and I got a new bike. It is beautiful.’ The letter is signed Emily Hedda Liss. The letterhead reads ‘Mrs. Joseph Liss, 445 East 68th Street, New York, New York,’ indicating Emily is likely the young daughter of television writer and editor Joseph Liss.” (UNSOLD)
“Two greeting cards sent to Marilyn from fans with get well wishes. One card’s handwritten inscription reads, ‘To a wonderful actress. My best wishes to you. Palma Urso, 1958.’ The other is simply signed, ‘Judy Bawber.’ (UNSOLD)
“A two-page handwritten letter from a fan by the name of Pete Monti, dated June 1, 1959, in which Monti expresses his love and admiration for Marilyn. Passages from the letter read, ‘…every year I send you a gift with my address on the present for you to answer, and tell me if you liked it, but you never answered it. I think the reason for that was because you never received the gifts,’ ‘…I have been a fan of yours since 1950, I even have every book that ever came out with your picture in it,’ ‘there is only one thing I would like you to do for me…is to win the Academy Award for best actress of the year, to show them in Hollywood that your (sic) a real good actress. Everybody tries to imitate you, but they can’t…there is only one Marilyn Monroe, and that’s you.’ The letter is signed, ‘Yours Truly, Pete Monti.’ A photo of Monti in formal attire, together with a female companion, is stapled to the letter. Included also is a typed response to this letter, dated June 19, 1959, reading, ‘Miss Monroe has asked me to thank you most kindly for your birthday remembrance and good wishes. She appreciates your thoughtfulness very much.’ The letter is signed ‘Yours sincerely, Secretary to Marilyn Monroe.’ The letter was likely prepared by May Reis, Monroe’s secretary for several years.” (UNSOLD)
“An undated birthday card to Marilyn from Evelyn Moriarty. Moriarty was Monroe’s stand-in on three films: Let’s Make Love, The Misfits, and Something’s Got To Give.” (SOLD for $750)
“An undated birthday card to Marilyn from Allan ‘Whitey’ Snyder. Snyder was Monroe’s makeup artist from her very first screen-test in 1946 and also for most of her films and public appearances, and even photo shoots.” (SOLD for 5,760)
“An undated birthday card to Marilyn from Augusta and Isidore Miller, the parents of Marilyn’s third husband Arthur Miller. The handwritten message from the Millers reads, ‘And Lots of Mazel + Brucha, Love Mom + Dad.’ In Yiddish this phrase means ‘happiness and blessing.'” (SOLD for $640)
“An undated birthday card to Marilyn from ‘Grace + Daddy,’ the latter being Ervin ‘Doc’ Goddard. Grace’s handwritten note in the card reads, ‘We couldn’t love you more if you were our real daughter.'” (SOLD for $768)
“A handwritten letter to Marilyn and then husband Arthur Miller from Marilyn’s half-sister Berniece Miracle, postmarked April 28, 1960. The letter reads in part, ‘My! How I would love to hear from you and all about what you are doing. I see where Arthur has written a movie, The Misfits. When will the filming start? Hope it’s a big success.'” (SOLD for $1,875)
“A grouping of correspondence to Marilyn from Anne Karger, including three telegrams wishing Marilyn a happy birthday. One telegram is dated June 2, 1957. Interestingly, the other two telegrams are both from 1961, one is dated May 31, and the other is dated June 1. Also included is an undated holiday card with greetings for Christmas and the new year. Anne was the mother of Fred Karger, whom Marilyn fell deeply in love with near the start of her film career. It is widely reported that she had wanted to marry Karger. While the relationship ultimately didn’t last, Marilyn remained very close with his mother. Anne was one of a very few guests from Marilyn’s inner circle who was invited to her funeral.” (SOLD for $1,152)
“A grouping of correspondence to Marilyn from John Moore, including a Western Union telegram dated May 31, 1961, which reads, ‘Wish you were here to celebrate it. Love you.’ This message is likely in reference to Marilyn’s birthday, which was on June 1, the day after the telegram is dated. Also included, an undated, hand-signed Christmas card, and a note that likely accompanied a bouquet of flowers with a message that reads, ‘Will you be my Valentine? John Moore.’ Moore was a fashion designer, interior decorator and close friend of Marilyn’s. He worked for Talmack, and designed many of Marilyn’s clothes; including the gown she wore during the private wedding ceremony in which she married Arthur Miller. He also assisted Marilyn in redecorating the apartment she and Miller shared on East 57th Street in New York City.” (SOLD for $384)
“A one-page handwritten letter to Marilyn from poet and friend Norman Rosten, apparently while he was vacationing in the Arctic Circle. The letter reads in part, ‘This bar of chocolate and paperclip were both bought in this Eskimo village north of the Arctic Circle! Who says the world isn’t round? It’s too round!’ The actual chocolate bar wrapper is affixed to the letter using the aforementioned paperclip. Also included is the original envelope, postmarked January 27, 1959, addressed to Mr. and Mrs. Arthur Miller at 444 East 57th Street, New York, NY.” (SOLD for $640)
“An undated, handwritten note from Joseph M. Schenck to Marilyn, reading simply, ‘Dear Marilyn, I am with you. I know you are right. Joe Schenck.’ Schenck was co-founder of 20th Century Pictures in 1933. When his studio merged with Fox Film Corporation in 1935, Schenck was named chairman. He was an important figure in Marilyn’s early career.” (SOLD for $625)
Dan’s Papers, a free weekly for residents of the Hamptons, is approaching its sixtieth birthday. A new coffee table book, 60 Summers: Celebrating Six Iconic Decades On the East End, has just been published. You can read the story behind its first glossy cover here.
“Andy Warhol had a home on the ocean in Montauk, east of town, out towards the lighthouse, for many years, about 20 altogether … This painting was one of the many he did in Montauk, it is believed, although his main studio was at Union Square in New York City. He passed away in 1987, and two years later there was a retrospective of his paintings at the Guild Hall in East Hampton, and they managed to arrange for us to have this painting of Marilyn Monroe, which he did back in 1967, featured for this week’s cover.”