The polka dot dress worn by Marilyn for her grand entrance in The Seven Year Itch, plus a replica of the ‘subway scene’ dress (worn by Mira Sorvino in the 1996 TV mini-series, Norma Jeane and Marilyn), as well as Travilla’s other iconic designs for MM in Bus Stop and the ‘Diamonds Are a Girl’s Best Friend’ number from Gentlemen Prefer Blondes, will be on display as part of a free exhibition showcasing the Gene London Collection at the Eastview Mall in Victor, New York from September 24-October 8, the Rochester Democrat & Chronicle reports.
Representatives of Marilyn and Elvis Presley’s estates are suing a clothing company for a total of $353,500 in royalties and penalties, the New York Post reports. Central Mills, under its Freeze Apparel division, manufactured a range of tops featuring Marilyn’s image, such as the sweater shown above. TapouT LLC is a clothing division of Authentic Brands Group (ABG), the licensing arm of Marilyn’s estate. The two companies parted ways in December 2017.
In the New York Times, Winnie Hu looks back at the history of the ticker-tape parade car which made a brief appearance in How to Marry a Millionaire.
“It is not built for speed. It burns through gas. And it is too big to park on any street. But none of that matters when it is a 1952 Chrysler Imperial Parade Phaeton.
The open-air car in glossy black with red leather seats is New York City’s official parade car and the grande dame of the 30,000 vehicles in the nation’s largest municipal fleet. It stretches 20 feet from front to back to seat up to eight passengers, and it comes with its very own red-carpet floor. It has only one job: ushering V.I.P.s through blizzards of ticker tape on Broadway.
For more than six decades, its back seat has been filled with a who’s who of world leaders and celebrities … The 1952 Phaeton was one of only three that Chrysler made — part of a tradition of custom-made parade cars that once carried the newsmakers of the 1940s, ’50s and ’60s in grand style, all while showing off Chrysler’s latest design in the ultimate bit of product placement. No need to advertise with Queen Elizabeth II, John F. Kennedy, Neil Armstrong and Joe DiMaggio in the car.
The three Phaetons — each in a different color — were owned by the Chrysler Corporation, which based them in New York, Los Angeles and Detroit, and lent them out for processions around the country … The New York car made a cameo in the 1953 film How to Marry a Millionaire, starring Marilyn Monroe.”
It’s still not too late to celebrate Marilyn’s birthday, and on June 21, Pop International Galleries in New York launches an exhibit in her honour, curated by Andrew Weiss and featuring hand-signed photos by William Carroll, Laszlo Willinger, Bert Stern and George Barris.
‘Spotlight on Marilyn‘ is an upcoming mini-series of events in the Jeanne Rimsky Theatre at Landmark on Main Street in Port Washington, NY, with screenings of Niagara and Some Like It Hot in August, and ‘Marilyn Monroe: The Girl, the Woman, the Legend’, a multimedia lecture by Marilyn Carminio, in September.
Fellow Travelers, Jack Canfora’s new play about Marilyn, Arthur Miller, Elia Kazan and the Hollywood Blacklist, has opened at the Bay Street Theatre in Sag Harbor, NY to glowing reviews – although Monroe fans may prefer to judge for themselves…
“While Monroe is not central to the moral issue at stake here, she is an integral part of the two men’s lives. She had a long affair and friendship with Kazan, and she fell in love with Miller even though he was married. The tabloids gorged on her short marriage to Joe DiMaggio, her surprising liaison with Miller, his ‘quickie’ divorce, and finally, their five-year marriage.
Today Monroe is an iconic touchstone of the era. We know her all-too-human story, her emotional wounds, her breathy voice, her luscious body. Ms. Hewitt in a blonde wig does a boffo job of portraying that Marilyn with warm earthiness, touching grace and surprising self-awareness.
Though some might cavil that her part is underwritten, she was not faced with the moral question of betrayal for art. Nor is she the Greek chorus here, for she does not comment on the action but rather lives in it. Her relationships with Kazan and Miller demonstrate how acts of great consequence do not occur singularly alone …
Indeed, Marilyn is necessary here, for she is the force who brought the former friends together in 1963, though they would never be great pals again.” – Lorraine Dusky, 27East
“Playing icon Marilyn Monroe in a movie or play is always a tall order, but Rachel Spencer Hewitt measured up to the task and took her performance to a high level. The sexy aspects that made Marilyn Monroe along with some shockingly blunt dialogue again kept the audience captured in the story.
Fellow Travelers is an important play because it deals with a dark time in our nation’s history. A time with congressional hearings on ‘Un-American Activities’, and blacklists and betrayals to friends, and in some cases, to the country. Fellow Travelers is a hit because it is a great script that comes to life with excellent acting and wonderful directing.” – T.J. Clemente, Hamptons Theater Review
“As Monroe, Rachel Spencer Hewitt holds back on the bombshell we know so well, instead showing us a troubled woman coming to terms with her public perception … While dialogue drags at times, the play offers illuminating glimpses of the creative genius of Miller and Kazan.” – Barbara Schuler, Newsday
“The cast is exemplary … Hewitt is a strong presence as Monroe, and later as Barbara Loden, Kazan’s second wife, who then portrays the Marilyn character, Maggie, in Miller’s After The Fall, directed by Kazan.” – Bridget LeRoy, Hampton Independent
“Among the top-notch cast is Rachel Spencer Hewitt strongly portraying Marilyn Monroe. Fans of the starlet will appreciate how Ms. Hewitt doesn’t necessarily copy Monroe’s famous public persona, but cleverly infuses her own take on the role.” – Melissa Giordano, Broadway World
“With the play’s punchy, often vulgar dialogue, Mr. Canfora wrings genuine conflict and emotion from his two talented and driven characters … But in a production with so many excellent performances, it is no small compliment to say that Rachel Spencer Hewitt, as Marilyn, makes the play her own. So iconic is Monroe — and so caricatured in popular culture — that there may be no more treacherous role for an actress to play. Just on sheer guts, one must tip his hat to Ms. Hewitt for trying.
But the actress does much more than that, with a portrayal that captures both the iconic Marilyn and the tender and innocent woman she most likely hid from the world. In Fellow Travelers, we get a Marilyn on the cusp, both world-weary and yet still hopeful about her career and the possibility of love. After her divorce from Miller, she would never be quite the same.
While the play hardly absolves Kazan, there is at least the desire to understand him. And just when Miller’s saintly posturing grows tiresome, Mr. Canfora has both Kazan and Harry Cohn take pithy potshots at the playwright’s sanctimony.
But it’s Marilyn Monroe who, even in death at play’s end, gets the last word. Just as her image bedeviled millions of filmgoers (and continues to do so), so did she loom in the minds of Miller and Kazan; neither ever really got over her. Thanks to a great performance by Ms. Hewitt and the tender writing of Mr. Canfora, she ultimately dominates Fellow Travelers as well.” – Kurt Wenzel, East Hampton Star
Permission to open ‘The Marilyn’, a new speakeasy-style cocktail on Monroe Street, NYC, has been denied, Bowery Boogie reports. Monroe Street is in the Two Bridges district of Manhattan. While in theory it sounds like perfect branding, it seems the developers failed to address residents’ concerns.
Two Bridges is located near the footings of the Manhattan Bridge and Brooklyn Bridge, the subject of a touching 1955 poem by Marilyn…
A new Broadway musical based on Some Like It Hot is in the works, Playbill reports.
“A new musical adaptation of the film classic Some Like It Hot is in the works, with a Broadway premiere slated for 2020. The project hails from the Shubert Organization and Craig Zadan and Neil Meron, the team behind NBC’s roster of live musicals.
The show will feature a score by Marc Shaiman and Scott Wittman, plus a book by playwright Matthew Lopez. Casey Nicholaw will direct and choreograph.
Shaiman and Wittman are no strangers to the Marilyn Monroe canon, having previously penned songs for Bombshell, the fictional Monroe bio-musical in the NBC series Smash. A real-life stage presentation of Bombshell, produced by Zadan and Meron, is long-gestating
The 1959 Billy Wilder comedy was previously adapted for the stage with Jule Styne, Bob Merrill, and Peter Stone’s Sugar, which opened on Broadway in 1972, going on to earn four Tony nominations and play over 500 performances.”
On July 8, 1953, Frank Powolny photographed Marilyn wearing one of the world’s largest diamonds, the so-called ‘Moon of Baroda’. It was then owned by Meyer Rosenbaum, a jeweller from Detroit, and was loaned to Marilyn for the shoot, in which Sidney M. Brownstein, president of the Jewellery Academy, presented her with a special award for her role in Gentlemen Prefer Blondes, proclaiming her ‘the best friend a diamond ever had.’
But as the Times of India reports today, the Barodian royal family want their precious jewellery – also including the world’s most expensive pearl carpet, the ‘Star of the South’ – to be returned home for a public exhibition.
The Moon of Baroda was last displayed at the Antwerp World Diamond Centre in 2008. In 2012, a ‘Mr Matsuki’ appeared on a Japanese television show with what he claimed was the legendary gem. It was authenticated and valued at 150 million yen.
The Mad About Marilyn fan club chronicled the Moon of Baroda’s history in 2013, including a bizarre rumour that Marilyn fell victim to the diamond’s curse.
Marilyn is at the centre of an exhibition of some of the world’s most iconic photographs, on display in Manhattan until May 25, as Carl Glassman reports for Tribeca Trib.
“If only size mattered, then Marilyn Monroe would be the star of this eclectic display of photographs, simply titled ‘Photo Show,’ now at the Hal Bromm Gallery. Upon entering the Tribeca art space, she greets you nearly from floor to ceiling in 10 poses, wearing that come-hither look and little else. The set of framed color photographs, faded into reddish hues, is from Bert Stern’s famed 1962 series, ‘The Last Sitting’ … While Marilyn may be the show’s dominant presence, she is just the opener in an unusual mix of artists and eras that come together in a logic all its own.
Others include … Philippe Halsman, represented by his own famous—maybe the most famous—Marilyn portrait.”
Meanwhile at Christie’s NYC, ‘Crucifix IV’, a chromogenic print by Stern from 1995, is among the lots from the Yamakawa Collection, to be auctioned on April 6.