Seventy years ago, in May 1950, Marilyn began filming her scenes as aspiring actress Claudia Caswell in the classic backstage drama, All About Eve – and while Miss Caswell may have failed her audition, for Marilyn the role was a major breakthrough on the road to stardom. This anniversary has prompted a pictorial issue from e-zine Crazy For You (the back cover image is new to me.)
Why ‘All About Eve’ is Here to Stay
Writing for The Independent, Geoffrey McNab explores why All About Eve, which turns seventy this year, is still relevant to audiences today. (You can read his recent piece about The Misfits here.) The photo shown above was taken during a screening in Bryant Park, behind the New York Public Library, as part of the HBO Film Festival in 2012. “10,000 people showed up to see Marilyn, 50 years after her death,” blogger Hans Von Rittenberg wrote here. “Marilyn lives eternal.”
“What makes All About Eve so irresistible is the malevolent wit and relish with which Mankiewicz tells his Darwinian backstage tale … Based on the celebrity New York drama critic George Jean Nathan, [Addison] DeWitt is as sharp in his dress as in his phrase-making but shows no pity for anyone. He happily discards Margo, the star he once championed and sneers with condescension at the naivety of his young companion Miss Caswell (a doe-like Marilyn Monroe) who is as star-struck as Eve but lacks her steel. He describes Caswell as ‘a graduate of the Copacabana school of the dramatic arts’ … All About Eve may be about narcissistic theatre folk but almost everyone watching it, regardless of their line of business, will have encountered their own Eve Harringtons. In business, sport, politics, playgrounds, and in just about every other form of human endeavour, there always comes a moment when the pushy newcomer tries to dislodge the established figure, often using underhand methods to do so. That is one reason why the film is as topical now as it was 70 years ago.”
One reader left this response: “A throwaway line by DeWitt is brilliant – he describes how he had met Miss Caswell (Marilyn Monroe), they had met ‘In passing.’ One guesses that it was de Witt who did the passing and (Caswell) who had been stationary – on the sidewalk. Quite …”
AFI Talks ‘All About Eve’
After their recent feature on Some Like It Hot (see here), the American Film Institute picks All About Eve for their latest edition of AFI Movie Club, with a video introduction from Sharon Stone and suggestions for debate.
“-How does screenwriter Joseph L. Mankiewicz use a revolving door of narrators throughout the film? What effect does it have in terms of perspective?
-Mankiewicz’s Academy Award®-winning script is known for its razor sharp wit and biting humor. What is your favorite line?
-How is Eve Harrington an unconventional antagonist?
-How does Margo characterize being a woman aging in Hollywood, and what is her internal conflict that she struggles with throughout the film?
-ALL ABOUT EVE is still the only film to ever be Oscar®-nominated for four female performances. Which is your favorite and why?
-What other movies about show business, and Broadway in particular, do you love?
-How would you rate ALL ABOUT EVE?”
‘All About Eve’ an All-Time Oscar Favourite
As another awards season ends, All About Eve comes third in Vulture‘s ranking of the all-time best Oscar-winning movies – right behind Casablanca and The Godfather.
“Filmmaker Joseph L. Mankiewicz once described his movies as ‘a continuing comment on the manners and mores of contemporary society in general and the male-female relationship in particular.’ Which meant they were also darkly, piercingly funny. Inspired by a Mary Orr story, which had been based on an anecdote relayed to Orr about a particularly ambitious aspiring actress, All About Eve is a wellspring of razor-sharp dialogue and despicable human behavior, telling the story of Eve Harrington (Anne Baxter), a massive fan of Broadway giant Margo Channing (Bette Davis) who, slowly but surely, usurps her stardom. A takedown of ego, theater, actors, writers, vanity, and other deadly sins, All About Eve puts the dagger in with such elegance — and then does it again and again.”
While there were no direct nods to Marilyn at this year’s ceremony, British actress Florence Pugh – nominated as Best Supporting Actress for her role as flighty Amy in Little Women – wore a Louis Vuitton gown to Vanity Fair‘s Oscar party which brought to mind a 21st century version of Marilyn’s gold lamé gown, designed by Travilla for Gentlemen Prefer Blondes.
On the streets in Hollywood, meanwhile, W magazine profiled some of the faces in the crowd…
What’s your name? Monika Ekiert.Forever Marilyn (2019)
What brings you to the Oscars tonight? I’m an actress and I just finished a film about Marilyn Monroe, because before, I was in a play, The Seven Year Itch.
Are you looking to see any celebrities on the red carpet? I am not looking, I’m an actress. I was famous in Europe, so when I came here it was different, it’s not the same system. Maybe someday soon I can be like them, at the Oscars.
‘All About Eve’ at the Egyptian
All About Eve will be screened at the Egyptian Theatre on Hollywood Boulevard on Sunday, February 9, at 1 pm (only a few hours before Oscars night, so expect heavy traffic!)
Thanks to Jackie at Marilyn Remembered
A ‘Collector’s Ransom’ for Marilyn
Over 50 Marilyn-related lots will go under the hammer at on December 17-19, as part of the Hollywood – A Collector’s Ransom auction at Profiles in History. Marilyn’s costumes from A Ticket to Tomahawk, Love Nest, and Don’t Bother to Knock, and her fishnet tights from Bus Stop – which went unsold at last year’s Essentially Marilyn event – are back for a second chance. (UPDATE: the brown skirt suit worn by Marilyn in Love Nest has been sold for $30,000 – but again, the other movie costumes went unsold.)
As Simon Lindley reports for Just Collecting, Marilyn’s personal annotated screenplay for The Seven Year Itch is also on offer, with a reserve of $60-80K. (The photo shown above, taken on location in New York, is sold separately.)
“In the film Monroe’s character is known simply as ‘The Girl’, an aspiring actress who serves as the object of the husband’s desires.
But behind her on-screen persona as the blonde sex symbol, Monroe’s extensive handwritten annotations reveal her dedication to her craft.
Throughout the script she has written notes to herself such as ‘Look first indecisive – pause – hesitation – little smile’ and ‘My body into his – sliding into him as if I want to sleep with him right then & there. Swing hips again’.
This preparation and complete understanding of the role in evident in her notes for the famous ‘Subway’ scene, which helped cement her place as a genuine Hollywood icon.
The energy and sexuality which Monroe portrays may seem effortless, but her script notes show she though very carefully about how to play the moment: ‘Child w/a woman. Direct & fem[inine]. Open… This is everything there is in the world. Light & easy. Everything flies out of her. Newborn – the baby looking at the moon for the first time.'”Screenplay UNSOLD; photo sold for $200
And now, let’s take a closer look at what else is on offer…
“Vintage original 8 x 10 in. photograph taken of 13 year-old Norma Jeane on a trip to Yosemite with ‘Aunt’ Ana Lower and other family members. And sold separately, a vintage original 2-page printed 6.25 x 9 in. Ralph Waldo Emerson Junior High School Class of Summer 1941 commencement program. The printed program contains itinerary including music, speeches, and songs. Listed alphabetically in the ‘Graduating Class, June 1941 Girls’ roster of graduates is ‘Baker, Norma Jeane’.”UNSOLD
“Vintage original gelatin silver 8 x 10 in. photograph of Marilyn with her junior high school glee club, smiling in the center of the group. The verso is copiously inscribed with messages to Norma Jeane by her girlfriends, including, ‘To a beautiful, sweet, charming, and darling, adorable Norma Jean’ and ‘I hope your ambition will come true – to stay an old maid all your life’.”SOLD for $3,000
“A 2-page letter to ‘Cathy’ handwritten in pencil and signed, ‘Norma Jeane’. Written during a period of major transition in her life, Norma Jeane mentions a leave of absence from her job as a parachute inspector at Radioplane. She had recently been ‘discovered’ by US Army Air Force First Motion Picture Unit photographer David Conover while working at the plant, and through his connections, had been able to get freelance work as a pin-up model. She writes in full: ‘Thursday. My dearest Cathy, thank you for your sweet little note, why of course of course I like you dear very much, you know that. If I seem a little neglectful at times its because I’m so busy I don’t seem to have any time to catch up on my correspondence, but I promise after this, I shall, do better, honestly I will. Jimmie arrived about three weeks ago and you can imagine how thrilled I was. I only wish he didn’t have to go back. Jimmie and I went up to Big Bear Lake for a week and had a grand time I hope you and Bud will be down soon because I would love for you both to meet him. I’ve been on leave of absence from Radioplane. I shall tell you all about it when I see you honey or I shall write to you later. I have so many things I have to do so I had better close for now but I shall write soon. Tell Bud Hello for me. Love, Norma Jeane.'”UNSOLD
Vintage original 8 x 10 in. cast & crew photo from Marilyn’s first movie, Scudda Hoo! Scudda Hay! She is in the third row, just above leading lady June Haver. SOLD for $1,500
“Vintage original gelatin silver 7 x 8.75 in. double weight matte photograph, inscribed and signed in black ink at lower right, ‘To Grace and Daddy Always Lovingly Norma Jeane 12/25/46′. The ‘daddy’ to whom Norma Jeanne inscribed this early headshot is Erwin ‘Doc’ Goddard, a research engineer and the husband of Norma Jeanne’s legal guardian, Grace Goddard. And sold separately, two oversize glamour portrait photographs of Marilyn Monroe in character as ‘Miss Caswell’ in All About Eve. The first is credit stamped by Ray Nolan with studio snipe, and the other, seen at right, attributed to Ed Clark.” [A poster for the film, signed by Bette Davis, Joseph Mankiewicz, and Celeste Holm, is being sold separately.]Signed photo SOLD for $30,000; poster SOLD for $6,000.
Two vintage calendars including a 1950 wall calendar measuring 8.5 x 14.5 in., and featuring paintings by Earl Moran, six featuring Marilyn, alongside cute, risque poems like, ‘What are little girls made of? Sugar and spice, Perfume that smells nice, Jewels and furs, To attract attention, And other good things Too obvious to mention’, and a wall calendar featuring unique topless ‘cowgirl’ images of Marilyn not seen elsewhere. Sold separately, a 16 x 32 in. pin-up 1952 wall calendar titled, ‘The Lure of Lace‘. Featuring Marilyn Monroe in her famous Tom Kelley nude kneeling pose, but with a black lace teddy ‘overprint’.”UNSOLD
“Two original studio production 8 x 10 in. negatives of Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes, each modeling wardrobe by designer William Travilla. [Russell wore a blonde wig to impersonate Marilyn in a courtroom scene.] Each includes within image a ‘shot-board’ documentation of production, scene, and change numbers. Also included are two original wardrobe documentation green pages detailing costumes [Monroe page describes a different costume, for the opening ‘Little Rock’ number.] At some point in time a positive copy print of the Monroe negative was made for archive continuity, but is not original to the production.”UNSOLD
“11 x 14 in. portrait by Ed Clark of Marilyn in the gold lame gown from Gentlemen Prefer Blondes for LIFE magazine. Signed in black ink on Marilyn’s skirt by the photographer, ‘Edmund Clark Life’.”SOLD for $300
“Photo of Marilyn at the Photoplay Awards in 1953, part of a 1750-image archive for celebrity snapper J.B. Scott. And sold separately, an award plaque presented to Marilyn by a County Fair ‘Sugar Queen’, engraved, ‘To the Sweetest Girl in Motion Pictures, Marilyn Monroe, 20th Century-Fox Films Star Presented by 1953 Yolo County Fair Sugar Queen’.”Photo archive SOLD for $95,000; award plaque UNSOLD.
“Elois Jenssen costume sketch for Lucille Ball as ‘Lucy Ricardo’ as ‘Marilyn Monroe’ from I Love Lucy. Elois Jenssen was Lucille Ball’s designer of choice, who is credited with creating the ‘Lucy Look’. This dress design was created for the I Love Lucy Episode: ‘Ricky’s Movie Offer’, which aired on Nov. 8th, 1954. In the episode, ‘Lucy’ transforms herself into Marilyn Monroe to try to win a role in Ricky’s (Desi Arnaz) new Hollywood film. This costume was then repurposed into a showgirl costume for two subsequent episodes.” [Elois Jenssen’s costume sketches for Marilyn in We’re Not Married are being sold separately.]UNSOLD
“Ten 8 x 10 in. photographs of Marilyn Monroe in scenes from films, including the earliest title which depicts her on any of its publicity, Dangerous Years. Other highlights include Ladies of the Chorus, The Asphalt Jungle, Right Cross [to our knowledge, this still is the only original release paper to depict Marilyn], Let’s Make it Legal, and [shown above] Bus Stop.SOLD for $225
“A set of fourteen 7 x 8.5 in. to 8 x 10 in. photographs, a mix of portraits, candids, and scenes, including stills from The Seven Year Itch and Let’s Make Love [at left] and a candid by Al Brack [at right], showing Marilyn on location for Bus Stop in Sun Valley, Idaho.”UNSOLD
“Two exhibition photos signed by Marvin Scott, of Marilyn performing at a circus benefit in 1955; and sold separately, another set including this photo of Marilyn arriving at Los Angeles in 1958 for the filming of Some Like It Hot.UNSOLD
“A candid photo taken by Milton Greene at Marilyn’s wedding to Arthur Miller; and sold separately, two address books from her estate, including typed and annotated entries for contacts including Actor’s Studio, Jack Benny, Eve Arden, George Cukor, Montgomery Clift, Jack Cardiff, Joe DiMaggio, Henry Fonda, John Huston, Hedda Hopper, Designers, makeup artists, Ben Gazzara, Gene Kelly, Jack Lemmon, Yves Montand, Arthur Miller, Robert Montgomery, Jane Russell, Jean Negulesco, Lee and Paula Strasberg, David Selznick, Carl Sandburg, Frank Sinatra, Eli Wallach, Shelley Winters, Clifford Odets, Peter Lawford, JAX, Richard Avedon, Louella Parsons, and more. Annotations not attributed to Monroe.”UNSOLD
And finally, a set of nine photos from Marilyn’s last completed film, The Misfits (1961.) SOLD for $4,500
Criterion’s ‘All About Eve’ Out Now
The Criterion Collection releases its 2-disc special edition of All About Eve on DVD and Blu-Ray today, in a 4K digital restoration with extras including documentaries, interviews and audio commentary (more details here.)
“[Joe] Mankiewicz had been working in Hollywood—as a writer, a producer, and finally a director—since the dying days of the silent era … By the time he made All About Eve, he knew how to assemble a cast that could bring his showy scenes off … And for the small comic role of the sexy aspiring actor who accompanies Addison [DeWitt] to the bumpy party, he chose a virtual unknown named Marilyn Monroe; she nails every one of her handful of lines. With the exception of [Thelma] Ritter—who would rack up six Oscar nominations in the next thirteen years—and of course Marilyn, everyone involved was at his or her peak in All About Eve, including Mankiewicz.”Terence Rafferty
Marilyn and the Brother Mankiewicz
The Brothers Mankiewicz, a dual biography of screenwriters Joseph and Herman Mankiewicz, has just been published. Herman, the elder brother, boasted credits for Dinner at Eight, The Wizard of Oz, and Citizen Kane; while Joe, eleven years his junior, also worked as a producer and director, and gave a little-known actress a big break.
In 1950, Marilyn won a minor role in All About Eve. As an ambitious starlet, notes author Sydney Ladensohn Stern, she had “unusually good lines,” and given her subsequent rise, the performance has “unintended retrospective importance.” Stern then claims that she was hired “mostly as a favour to her mentor/lover, William Morris agent Johnny Hyde.” While Hyde’s influence may have helped, Joe Mankiewicz would later say he had chosen Marilyn after seeing her in The Asphalt Jungle, noting that she had “a sort of glued-on innocence” which made her ideal for the part.
Stern also claims that the story about Marilyn and Joe Mankiewicz discussing Rainer Maria Rilke’s Letters to a Young Poet, which she had picked up in a bookstore, is unreliable because she had actually been given the book by her acting coach, Natasha Lytess. But however Marilyn may have acquired the book (and she already had a charge account at a Los Angeles bookstore), both her telling of the story, and Joe’s, emphasise her understanding of its themes. Her personal copy was auctioned by Christie’s in 1999.
In 1954, Marilyn contacted Mankiewicz expressing her wish to play nightclub singer Miss Adelaide, the long-suffering fiancee of Nathan Detroit (Frank Sinatra), in his upcoming musical, Guys and Dolls. Producer Sam Goldwyn also wanted Marilyn to star, but the role went to stage actress Vivian Blaine. According to Stern, Mankiewicz joked that “he couldn’t imagine [Marilyn] waiting fourteen years for a guy.” (You can read more about Guys and Dolls here.)
However, Monroe biographer Barbara Leaming believed the rejection was rather more personal, while Mankiewicz would later make disparaging remarks about her to another author, Sandra Shevey. He dismissed outright the notion that Marilyn was a victim of Hollywood, although he was no stranger to industry disputes and volatile stars.
In 1961 Mankiewicz became mired in Fox’s notoriously fraught production of Cleopatra, which took him two more years to complete, and almost bankrupted the studio. In fact, the Cleopatra debacle is thought to have indirectly caused Marilyn to be fired from her final movie, Something’s Got to Give. (During his brief, inglorious tenure as studio boss, Peter Levathes also sacked Elizabeth Taylor from Cleopatra. She was swiftly re-hired, but Marilyn would pass away before negotiations for her own reinstatement were realised.)
While The Brothers Mankiewicz contains little new information about Marilyn, it’s a valuable resource about two men who shaped Hollywood’s golden age. In her 1954 memoir, My Story, Marilyn praised Joe as “a sensitive and intelligent director”, and in 2010 she was featured on the cover of a French tome, Joseph L. Mankiewicz and His Double.
‘All About Eve’ at Hollywood Forever
All About Eve gets an outdoor screening in the spectacular setting of the Hollywood Forever Cemetery next Saturday, September 14, as part of the Cinespia summer season. Tickets cost $18 and gates open at 6:15 pm, for an 8 pm showing.
‘All About Eve’ Coming to Criterion
All About Eve will be reissued on DVD and Blu-Ray in November by the prestigious Criterion Collection, who already have two other Monroe films on their roster (The Asphalt Jungle and Some Like It Hot.)
4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
Two audio commentaries from 2010, one featuring actor Celeste Holm, director Joseph L. Mankiewicz’s son Christopher Mankiewicz, and author Kenneth L. Geist; the other featuring author Sam Staggs
All About Mankiewicz, a feature-length documentary from 1983 about the director
Episodes of The Dick Cavett Show from 1969 and 1980 featuring actors Bette Davis and Gary Merrill
New interview with costume historian Larry McQueen
Hollywood Backstories: ‘All About Eve’, a 2001 documentary featuring interviews with Davis and others about the making of the film
Documentaries from 2010 about Mankiewicz’s life and career, the short story on which the film is based and its real-world inspiration, and a real-life ‘Sarah Siddons Society’ based on the film’s fictional society
Radio adaptation of the film from 1951
PLUS: An essay by critic Terrence Rafferty and the 1946 short story on which the film is based