Marilyn at the May Fair Hotel

As reported here recently, three of Marilyn’s movie costumes (including this Travilla gown she wore to sing ‘River of No Return’). plus her black cocktail dress worn at a 1958 press conference to announce filming of Some Like It Hot, will be on display at London’s May Fair Hotel from September 24 – October 21, before going under the hammer at Julien’s on November 1. More details on the exhibit (including a series of film screenings) have now been revealed by Forbes.

“The four movies these outfits feature in are also to be screened at the hotel’s own cinema, May Fair Theatre. See a screening of Gentlemen Prefer Blondes on the evening of September 27th; catch There’s No Business Like Show Business on October 11th; book a ticket for River of No Return on October 15th; and finally, take a seat for Some Like It Hot on October 18th.  

Tickets to these screenings are available as a part of dinner and drinks packages, following the movie with limited-edition cocktails in May Fair Bar and perhaps including dinner at the hotel’s Mediterranean restaurant May Fair Kitchen before you find your way to the theatre.”

Julien’s Announce Marilyn Auction for November

Costumes from River Of No Return, There’s No Business Like Show Business, and Gentlemen Prefer Blondes

Julien’s Auctions are holding a one-day sale featuring 115 Marilyn-related lots (including several movie costumes) on November 1st, as part of their Legendary Women of Hollywood event. These items will be also be showcased in the lobby of London’s May Fair Hotel from September 24 until October 21. A catalogue for this auction, Property From the Life and Career of Marilyn Monroe, is now available to order here, for $75 plus shipping.

Black cocktail dress worn by Marilyn during a 1958 press conference for Some Like It Hot

Marilyn at Julien’s: Friends, Fans and Well-Wishers

Marilyn on the River Of No Return set, with director of photography Joseph LaShelle (SOLD for $375)

In my latest post for the Julien’s Legends auction, coming up on June 13-14, I’m taking a look at the fan mail, plus letters and greeting cards from friends and family, received (and kept) by Marilyn over the years. (You can read my previous posts, on the How to Marry a Millionaire bathrobe and the photos of Manfred Kreiner, here.)

UPDATE: I have now added the total bids to each item.

“An invoice from Southdown Kennel in Roxbury, Connecticut, for boarding and food for Hugo, the lovable basset hound owned by Marilyn and then husband Arthur Miller. The invoice is dated from November of 1958, and is addressed to Mrs. Arthur Miller. Dates specified for boarding of Hugo are July 4-10, July 28-August 5, August 22-24, and August 27-October 30. Also listed is ‘1 case beef’ at a cost of $11.50.” (SOLD for $512)


“A handwritten letter from a young child, undated, reading, ‘Dear Marilyn, How are you? Daddy and mommy saw you. I wish I could of. I am writing you to see if you rember (sic) me. First you saw me playing on the grass at Chaire’s house and then at Patty’s. I went to East Hampton and I got a new bike. It is beautiful.’ The letter is signed Emily Hedda Liss. The letterhead reads ‘Mrs. Joseph Liss, 445 East 68th Street, New York, New York,’ indicating Emily is likely the young daughter of television writer and editor Joseph Liss.” (UNSOLD)

“Two greeting cards sent to Marilyn from fans with get well wishes. One card’s handwritten inscription reads, ‘To a wonderful actress. My best wishes to you. Palma Urso, 1958.’ The other is simply signed, ‘Judy Bawber.’ (UNSOLD)

“A two-page handwritten letter from a fan by the name of Pete Monti, dated June 1, 1959, in which Monti expresses his love and admiration for Marilyn. Passages from the letter read, ‘…every year I send you a gift with my address on the present for you to answer, and tell me if you liked it, but you never answered it. I think the reason for that was because you never received the gifts,’ ‘…I have been a fan of yours since 1950, I even have every book that ever came out with your picture in it,’ ‘there is only one thing I would like you to do for me…is to win the Academy Award for best actress of the year, to show them in Hollywood that your (sic) a real good actress. Everybody tries to imitate you, but they can’t…there is only one Marilyn Monroe, and that’s you.’ The letter is signed, ‘Yours Truly, Pete Monti.’ A photo of Monti in formal attire, together with a female companion, is stapled to the letter. Included also is a typed response to this letter, dated June 19, 1959, reading, ‘Miss Monroe has asked me to thank you most kindly for your birthday remembrance and good wishes. She appreciates your thoughtfulness very much.’ The letter is signed ‘Yours sincerely, Secretary to Marilyn Monroe.’ The letter was likely prepared by May Reis, Monroe’s secretary for several years.” (UNSOLD)


“An undated birthday card to Marilyn from Evelyn Moriarty. Moriarty was Monroe’s stand-in on three films: Let’s Make Love, The Misfits, and Something’s Got To Give.” (SOLD for $750)


“An undated birthday card to Marilyn from Allan ‘Whitey’ Snyder. Snyder was Monroe’s makeup artist from her very first screen-test in 1946 and also for most of her films and public appearances, and even photo shoots.”  (SOLD for 5,760)


“An undated birthday card to Marilyn from Augusta and Isidore Miller, the parents of Marilyn’s third husband Arthur Miller. The handwritten message from the Millers reads, ‘And Lots of Mazel + Brucha, Love Mom + Dad.’ In Yiddish this phrase means ‘happiness and blessing.'”  (SOLD for $640)


“An undated birthday card to Marilyn from ‘Grace + Daddy,’ the latter being Ervin ‘Doc’ Goddard. Grace’s handwritten note in the card reads, ‘We couldn’t love you more if you were our real daughter.'”  (SOLD for $768)


An undated Christmas card to Marilyn from Marie DiMaggio, the sister of Marilyn’s second husband, baseball great Joe DiMaggio.  (UNSOLD)

“A handwritten letter to Marilyn and then husband Arthur Miller from Marilyn’s half-sister Berniece Miracle, postmarked April 28, 1960. The letter reads in part, ‘My! How I would love to hear from you and all about what you are doing. I see where Arthur has written a movie, The Misfits. When will the filming start? Hope it’s a big success.'” (SOLD for $1,875)


“A grouping of correspondence to Marilyn from Anne Karger, including three telegrams wishing Marilyn a happy birthday. One telegram is dated June 2, 1957. Interestingly, the other two telegrams are both from 1961, one is dated May 31, and the other is dated June 1. Also included is an undated holiday card with greetings for Christmas and the new year. Anne was the mother of Fred Karger, whom Marilyn fell deeply in love with near the start of her film career. It is widely reported that she had wanted to marry Karger. While the relationship ultimately didn’t last, Marilyn remained very close with his mother. Anne was one of a very few guests from Marilyn’s inner circle who was invited to her funeral.” (SOLD for $1,152)


“A grouping of correspondence to Marilyn from John Moore, including a Western Union telegram dated May 31, 1961, which reads, ‘Wish you were here to celebrate it. Love you.’ This message is likely in reference to Marilyn’s birthday, which was on June 1, the day after the telegram is dated. Also included, an undated, hand-signed Christmas card, and a note that likely accompanied a bouquet of flowers with a message that reads, ‘Will you be my Valentine? John Moore.’ Moore was a fashion designer, interior decorator and close friend of Marilyn’s. He worked for Talmack, and designed many of Marilyn’s clothes; including the gown she wore during the private wedding ceremony in which she married Arthur Miller. He also assisted Marilyn in redecorating the apartment she and Miller shared on East 57th Street in New York City.” (SOLD for $384)


“A one-page handwritten letter to Marilyn from poet and friend Norman Rosten, apparently while he was vacationing in the Arctic Circle. The letter reads in part, ‘This bar of chocolate and paperclip were both bought in this Eskimo village north of the Arctic Circle! Who says the world isn’t round? It’s too round!’ The actual chocolate bar wrapper is affixed to the letter using the aforementioned paperclip. Also included is the original envelope, postmarked January 27, 1959, addressed to Mr. and Mrs. Arthur Miller at 444 East 57th Street, New York, NY.” (SOLD for $640)


“An undated, handwritten note from Joseph M. Schenck to Marilyn, reading simply, ‘Dear Marilyn, I am with you. I know you are right. Joe Schenck.’  Schenck was co-founder of 20th Century Pictures in 1933. When his studio merged with Fox Film Corporation in 1935, Schenck was named chairman. He was an important figure in Marilyn’s early career.” (SOLD for $625)

Marilyn at Julien’s: Hollywood Icons & Idols

A wide range of Marilyn-related items, including her 1956 Thunderbird, will be up for grabs at Julien’s Icons & Idols auction on November 17.  Another high-profile item is the white beaded Travilla gown worn by Marilyn when she sang ‘After You Get What You Want, You Don’t Want It’ in There’s No Business Like Show Business, purchased at Christie’s in 1995; as yet it’s unclear whether this is the same dress listed at Julien’s in 2016.

Marilyn owned several pairs of checked trousers, wearing them repeatedly throughout her career. This pair, seen in one of her earliest modelling shoots, was purchased from Sak’s Fifth Avenue.

A number of photos owned by Marilyn herself are also on offer, including this picture with US troops, taken on the set of Gentlemen Prefer Blondes; a set of publicity photos for Love Nest; a photo of Joe DiMaggio in his New York Yankees uniform; and Roy Schatt‘s 1955 photo of Marilyn and Susan Strasberg at the Actors Studio.

A postcard from the Table Rock House in Niagara Falls was signed by Marilyn and her Niagara co-stars, Jean Peters and Casey Adams, in 1952.

This publicity shot from River of No Return is inscribed, ‘To Alan, alas Alfred! It’s a pleasure to work with you – love & kisses Marilyn Monroe.’

A set of bloomers worn by Marilyn in River of No Return (as seen in this rare transparency) is going up for bids.

Marilyn in Korea, 1954

Among the mementoes from Marilyn’s 1954 trip to Japan and Korea are two fans and an army sewing kit.

Also among Marilyn’s personal property is this ad for There’s No Business Like Show Business, torn from the December 24, 1954 issue of Variety.

Marilyn’s hand-written poem inspired by Brooklyn Bridge is also on sale.

Among Marilyn’s assorted correspondence is a latter dated August 22, 1954, from childhood acquaintance Ruth Edens:

“I have long intended to write you this letter because I have particularly wanted to say that when you used to visit me at my Balboa Island cottage, you were a shy and charming child whose appeal, it seems to me, must have reached the hearts of many people. I could never seem to get you to say much to me, but I loved having you come in and I missed your doing so after you’d gone away. I wondered about you many times and was delighted when I discovered you in the films. I hope the stories in the magazines which say you felt yourself unloved throughout your childhood, are merely press-agentry. In any case, I want you to know that I, for one, was truly fond of you and I’m proud of you for having developed enough grit to struggle through to success … I hope you are getting much happiness out of life, little Marian [sic]. I saw so much that was ethereal in you when you were a little girl that I fell sure you are not blind to life’s spiritual side. May all that is good and best come your way!”

Marilyn’s loyalty to the troops who helped to make her a star is attested in this undated letter from Mrs. Josephine Holmes, which came with a sticker marked ‘American Gold Star Mothers, Inc.

“My dear Miss Monroe, I was so happy to hear from Mr. Fisher about your visit to the Veterans Hospital. When I spoke to Mr. Alex David Recreation he said the veterans would be thrilled, probably the best present and tonic for them this holiday and gift giving season. I am sure it will be a wonderful memory for you, knowing you have brought happiness to so many boys, many have no one to visit with them. Thank you, and may God bless you and Mr. Miller for your kindness.”

Marilyn wore this hand-tailored black satin blouse for a 1956 press conference at Los Angeles Airport, as she returned to her hometown after a year’s absence to film Bus Stop. When a female reporter asked, ‘You’re wearing a high-neck dress. … Is this a new Marilyn? A new style?’ she replied sweetly, ‘No, I’m the same person, but it’s a different suit.’

Paula Strasberg’s annotated scripts for Bus Stop, Some Like It Hot, Let’s Make Love, and her production notes for The Misfits are available; and a book, Great Stars of the American Stage, inscribed “For Marilyn/With my love and admiration/ Paula S/ May 29-1956” (the same day that Marilyn finished work on Bus Stop. )

Letters from Marilyn’s poet friend, Norman Rosten, are also included (among them a letter warmly praising her work in Some Like It Hot, and a postcard jokingly signed off as T.S. Eliot.)

Among Marilyn’s correspondence with fellow celebrities was a Christmas card from Liberace, and a telephone message left by erstwhile rival, Zsa Zsa Gabor.

File under ‘What Might Have Been’ – two letters from Norman Granz at Verve Records, dated 1957:

“In the September 5, 1957, letter, Granz writes, ‘I’ve been thinking about our album project and I should like to do the kind of tunes that would lend themselves to an album called MARILYN SINGS LOVE SONGS or some such title.’ In the December 30, 1957, letter, he writes, ‘… I wonder too if you are ready to do any recording. I shall be in New York January 20th for about a week and the Oscar Peterson Trio is off at that time, so if you felt up to it perhaps we could do some sides with the Trio during that period.'”

Also in 1957, Marilyn received this charming card from the Monroe Six, a group of dedicated New York teenage fans, mentioning her latest role in The Prince and The Showgirl and husband Arthur Miller’s legal worries:

“Marilyn, We finally got to see ‘Prince and the Showgirl’ and every one of us was so very pleased. We are all popping our shirt and blouse buttons. Now we will be on pins and needles ‘til it is released to the general public. You seemed so relaxed and a tease thru the whole picture and your close ups, well they were the most flawless ever. You should be real pleased with yourself. No need to tell you what we want for you to know now is that we hope everything comes out all right for Mr. Miller and real soon too. Guess what we are working on now. We are trying to scrape up enough money for the necessary amount due on 6 tickets to the premiere and the dinner dance afterwards. Well again we must say how happy we are about T.P.+T.S. and we wanted you to know it. Our best to you.”

Among the lots is assorted correspondence from Xenia Chekhov, widow of Marilyn’s acting teacher, Michael Chekhov, dated 1958. In that year, Marilyn sent Xenia a check which she used to replace her wallpaper. She regretted being unable to visit Marilyn on the set of Some Like It Hot, but would write to Arthur Miller on November 22, “I wanted to tell you how much your visit meant to me and how glad I was to see you and my beloved Marilyn being so happy together.”

In April 1959, Marilyn received a letter from attorney John F. Wharton, advising her of several foundations providing assistance to children in need of psychiatric care, including the Anna Freud Foundation, which Marilyn would remember in her will.

This telegram was sent by Marilyn’s father-in-law, Isidore Miller, on her birthday – most likely in 1960, as she was living at the Beverly Hills Hotel during filming of Let’s Make Love. She was still a keen reader at the time, as this receipt for a 3-volume Life and Works of Sigmund Freud from Martindale’s bookstore shows.

After Let’s Make Love wrapped, Marilyn sent a telegram to director George Cukor:

“Dear George, I would have called but I didn’t know how to explain to you how I blame myself but never you. If there is [undecipherable due to being crossed out] out of my mind. Please understand. My love to Sash. My next weekend off I will do any painting cleaning brushing you need around the house. I can also dust. Also I am sending you something but it’s late in leaving. I beg you to understand. Dear Evelyn sends her best. We’re both city types. Love, Amanda Marilyn.”

Here she is referencing her stand-in, Evelyn Moriarty, and Amanda Dell, the character she played. “Dearest Marilyn, I have been trying to get you on the telephone so I could tell you how touched I was by your wire and how grateful I am,” Cukor replied. “Am leaving for Europe next Monday but come forrest [sic] fires come anything, I will get you on the telephone.”

There’s also a June 30, 1960 letter from Congressman James Roosevelt (son of FDR), asking Marilyn to appear on a television show about the Eleanor Roosevelt Institute for Cancer Research, to be aired in October. Unfortunately, Marilyn was already committed to filming The Misfits, and dealing with the collapse of her marriage to Arthur Miller.

In 1961, movie producer Frank McCarthy praised Marilyn’s performance in The Misfits:

Rather touchingly, Marilyn owned this recording of ‘Some Day My Prince Will Come,’ sung by Adriana Caselotti. The record copyright is from 1961, but Disney’s Snow White and the Seven Dwarfs was originally released in December 1937, when Marilyn was just eleven years old.

This pen portrait was sketched by George Masters, who became Marilyn’s regular hairdresser in the final years of her life.

On July 5, 1962, Hattie Stephenson – Marilyn’s New York housekeeper – wrote to her in Los Angeles:

 “My Dear Miss Monroe: How are you! Trusting these few lines will find you enjoying your new home. Hoping you have heard from Mr. and Mrs. Fields by now. Found them to be very nice and the childrens [sic] are beautiful. Got along very well with there [sic] language. How is Maff and Mrs. Murray? Miss Monroe, Mrs. Fields left this stole here for you and have been thinking if you would like to have it out there I would mail it to you. Miss Monroe Dear, I asked Mrs. Rosten to speak with you concerning my vacation. I am planning on the last week of July to the 6th of August. I am going to Florida on a meeting tour. Trusting everything will be alright with you. Please keep sweet and keep smiling. You must win. Sincerely, Hattie.”

Hattie is referring to Marilyn’s Mexico friend, Fred Vanderbilt Field, who stayed with his family in Marilyn’s New York apartment that summer. She also alludes to Marilyn’s ongoing battle with her Hollywood studio. Sadly, Hattie never saw Marilyn again, as she died exactly a month later. Interestingly, the final check from Marilyn’s personal checkbook was made out to Hattie on August 3rd.

After Marilyn died, her estate was in litigation for several years. Her mother, Gladys, was a long-term resident of Rockhaven Sanitarium, which had agreed to waive her fees until her trust was reopened. In 1965, Gladys would receive hate mail from a certain Mrs. Ruth Tager of the Bronx, criticising her as a ‘hindrance’ due to her unpaid bills. This unwarranted attack on a sick, elderly woman reminds one why Marilyn was so hesitant to talk about her mother in public.

UPDATE: See results here

Marilyn in the ‘City of Myths’

Martin Turnbull is the author of the ‘Garden of Allah’ series of novels set during Hollywood’s golden age. Previous books have covered the making of such classic films as Gone With the Wind and Citizen Kane; historic events from World War II to the Red Scare; and threats to the movie capital from television and gossip rags. Now Marilyn’s conflict with Fox studio head Darryl F. Zanuck is featured in the just-published eighth instalment, City of Myths. Although his books are fictional, Turnbull has an encylopedic knowledge of Old Hollywood, and City of Myths begins, Marilyn is re-shooting scenes for River of No Return with Jean Negulesco (seen in the above photo), after clashing with director Otto Preminger. City of Myths is available in paperback or via Kindle – and it’s also on offer as part of an Amazon ebook bundle with Turnbull’s other novels.

“When you live in a city built on shifting sands of myth, it can be hard to know which way is up. Kathryn Massey spends her days spreading rumors and keeping secrets. Losing herself one headline at a time has left Kathryn’s personal identity scattered—and dumps her at the narrow end of the bargaining table with the man she trusts the least. Gwendolyn Brick has simpler aspirations. As a costume designer, her sights are set on glamour, not heights of fame. But her friendship with Marilyn Monroe puts her directly into the crosshairs of studio head, Darryl Zanuck—and he’s someone you don’t say no to. Marcus Adler is stuck in a much more precarious situation. Exiled in Rome but under the spell of an unexpected romance, he’ll have to learn to say goodbye to everything he’s accomplished in order to give love a chance. In City of Myths the road through Hollywood bears sharply to the right as those who dare to play its game can easily become lost in its intoxicating glow.”

Tommy Hilfiger to Sell Marilyn’s Jeans

Ahead of the Icons & Idols event in November, Marilyn will also figure in the Tommy Hilfiger sale at Julien’s Auctions on October 21, as People reports.

“Designer Tommy Hilfiger has a slew of celebrity fans and frequently references pop culture in his designs, so it shouldn’t surprise you to find out that he’s got an enormous collection of memorabilia worn by some of the most iconic celebrities of all time … A pair of Foremost JCP Co. blue jeans worn by Monroe in the 1954 film River of No Return are available and can be yours if you’ve got a ton of disposable income just lying around (they’re estimated to sell up to $40,000). Hilfiger previously owned two other pairs of the jeans worn by Monroe, but gifted them to Britney Spears and Naomi Campbell (#nobigdeal).”

As well as Marilyn’s jeans, the Hilfiger collection also includes this screenprint by pop artist Steve Kaufman.

UPDATE: Surprisingly, Marilyn’s jeans went unsold.

Remembering Robert Mitchum at 100

Robert Mitchum was born 100 years ago, on August 6, 1917. During the early 1940s he worked at the Lockheed munitions plant with Jim Dougherty, and claimed to have met Dougherty’s pretty young wife, Norma Jeane, remembering her as ‘shy and sweet.’ (Dougherty has denied this early encounter between the two future stars occurred.)

One of Hollywood’s most celebrated tough guys, Bob starred with Marilyn in River of No Return (1954.) He and Marilyn remained friendly and worked well together, although neither got along with director Otto Preminger. Bob recalled that she didn’t take her ‘sex goddess’ image seriously, playing it as a kind of burlesque. He was later offered another chance to be her leading man in The Misfits, but was unimpressed by the script and the role went to Clark Gable instead.

Robert Mitchum died in 1997. River of No Return will be screened at this year’s New York Film Festival, as part of a major Mitchum retrospective. You can read more about the shoot here.

Marilyn Flies High With United Airlines

This exuberant press shot of Marilyn arriving in Vancouver in July 1953 (en route to film scenes for River of No Return – more info herefeatures in a new display at the remodelled Global Services reception area for United Airlines’ elite customers at Los Angeles International Airport (L.A.X.), as Lewis Lazare reports for Chicago Business Insider. (She also flew from New York to Chicago with United Airlines when she visited Bement, Illinois to honour Abraham Lincoln in 1955.)

Photo by Eve Arnold, 1955