Tag Archives: Diamonds Are a Girl’s Best Friend

Karlie Kloss as Marilyn for Swarovski

Supermodel Karlie Kloss has recreated Marilyn’s ‘Diamonds Are a Girl’s Best Friend’ (from Gentlemen Prefer Blondes) in a new commercial for Swarovski Crystal, reports Marie-Claire. (In another clip, Karlie imitates Audrey Hepburn in Breakfast at Tiffany’s.)

“What I love most about icons like Audrey Hepburn and Marilyn Monroe is the confidence they bring to every scene and character they played. Like many of my role models, they’ve shown that a woman who is confident and strong-willed will always be in style … being able to evoke their iconic movie scenes and add a modern spin was such a fun experience.”

Marilyn’s Finest Comedy Hour

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Marilyn’s hilarious performance as the wide-eyed trickster Lorelei Lee in Gentlemen Prefer Blondes is lauded today in ‘100 More Jokes That Shaped Modern Comedy’, a virtual timeline for the Vulture website.

“Dumb-blonde jokes can be traced back as far as the 18th century, but it was Marilyn Monroe’s portrayal of Lorelei Lee that cemented them in modern pop culture. During this big dance number, Monroe’s iconic look, bleached-blonde and adorned in a thick diamond choker with a tight bright-pink dress, creates the prototype for a dumb blonde. She needs to be flamboyantly feminine, and speak softly and vapidly. As she says in the movie, ‘I can be smart when it’s important, but most men don’t like it.’ Monroe’s quick quips of feigned ignorance are supported by the groundedness of Dorothy Shaw, played by Jane Russell, in a rare-for-the-time female comedy duo. Helmed by Howard Hawks, a director famous for his ‘Hawksian’ tough-talking woman, the movie demonstrates comedy through the actress’s use of sexual agency. Monroe’s femininity is not an object but a tool to get what she wants — famously, diamonds. The sheer size of Monroe’s performance defined this fundamentally American archetype. Without her, there would be no Romy and Michele’s High School Reunion, Cher in Clueless, or Elle Woods of Legally Blonde.”

Kate Upton’s ‘Diamond’ Marilyn Moment

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In the final instalment of Love Magazine‘s Advent series, supermodel Kate Upton – whose blonde hair and voluptuous curves have been compared to Marilyn’s – sips champagne and frolics in lingerie to the soundtrack of ‘Diamonds Are a Girl’s Best Friend’. However, the short video, directed by Doug Inglish, owes more to the cheeky aesthetic of The Benny Hill Show than the glamour of  Gentlemen Prefer Blondes. Judge for yourself here.

2016: A Year In Marilyn Headlines

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In January, exhibitions featuring Milton Greene and Douglas Kirkland’s photographs of Marilyn opened in London and Amsterdam. In New York, the Museum of Modern Art paid tribute to Marilyn’s choreographer, Jack Cole. Also this month, James Turiello’s book, Marilyn: The Quest for an Oscar, was published. And Edward Parone, assistant producer of The Misfits, died.

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In February, Marilyn ‘starred’ with Willem Dafoe in a Snickers commercial for the US Superbowl. Monroe Sixer Jimmy Collins’ candid photographs were sold at Heritage Auctions, and the touring exhibition, Marilyn: Celebrating an American Icon, came to Albury, Australia.

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Another major Australian exhibition, Twentieth Century Fox Presents Marilyn Monroe, featuring the collections of Debbie ReynoldsScott Fortner, Greg Schreiner and Maite Minguez Ricart – opened at the Bendigo Art Gallery in March. And Barbara Sichtermann’s book, Marilyn Monroe: Myth and Muse, was published in Germany.

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In April, a special edition of Vanity Fair magazine – dedicated to MM – was published. A campaign to save Rockhaven, the former women’s sanitarium where Marilyn’s mother Gladys once lived – was launched. And actress Anne Jackson – wife of Eli Wallach, and friend to Marilyn – passed away.

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In May, Marilyn graced the cover of a Life magazine special about ‘hidden Hollywood’, and Sebastien Cauchon’s novel, Marilyn 1962, was published in France. Cabaret singer Marissa Mulder’s one-woman show, Marilyn in Fragments, opened in New York, while Chinese artist Chen Ke unveiled Dream-Dew, a series of paintings inspired by Marilyn’s life story. The remarkable collection of David Gainsborough Roberts was displayed in London. Finally, Alan Young – the comedian and Mister Ed star, who befriended a young Marilyn – died.

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June 1st marked what would be Marilyn’s 90th birthday. Also in June, New Yorkers were treated to an Andre de Dienes retrospective, Marilyn and the California Girls. An exhibition of the Ted Stampfer collection, Marilyn Monroe: The Woman Behind the Myth, opened in Turin, Italy. A new documentary, Artists in Love: Arthur Miller and Marilyn Monroe, was broadcast in the UK, while Australia honoured Marilyn with a commemorative stamp folder, and genealogists investigated Marilyn’s Scottish ancestry.

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In July, the birthday celebrations continued in Marilyn’s Los Angeles hometown with tributes from painter David Bromley, and another Greene exhibition. A new musical, Marilyn!, opened in Glendale. Rapper Frank Ocean appeared alongside a Monroe impersonator in a Calvin Klein commercial. And Marni Nixon, the Hollywood soprano who sang the opening bars of ‘Diamonds Are a Girl’s Best Friend’, passed away.

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August 5th marked the 54th anniversary of Marilyn’s death. Also this month, it was announced that Seward Johnson’s ‘Forever Marilyn’ sculpture may return permanently to Palm Springs. April VeVea’s Marilyn Monroe: A Day in the Life was published, and Marilyn’s role in Niagara was featured in another Life magazine special, celebrating 75 years of film noir.

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In September, Marilyn: Character Not Image – an exhibition curated by Whoopi Goldberg – opened in New Jersey. Terry Johnson’s fantasy play, Insignificance, was revived in Wales. Two locks of Marilyn’s hair were sold by Julien’s Auctions for $70,000. And author Michelle Morgan published The Marilyn Journal, first in a series of books chronicling the Marilyn Lives Society; and A Girl Called Pearl, a novel for children with a Monroe connection.

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In October, Happy Birthday Marilyn – a touring showcase for the collection of Ted Stampfer – came to Amsterdam, while Marilyn: I Wanna Be Loved By You, a retrospective for some of her best photographers, opened in France. Marilyn Forever, Boze Hadleigh’s book of quotes, was published. Marilyn’s friendship with Ella Fitzgerald was depicted on the cult TV show, Drunk History. And on a sadder note, photographer George Barris, biographer John Gilmore, and William Morris agent Norman Brokaw all passed away this month.

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In November, Marilyn’s ‘Happy Birthday Mr President‘ dress was sold for a record-breaking $4.8 million during a three-day sale at Julien’s Auctions, featuring items from the David Gainsborough Roberts collection, the Lee Strasberg estate, and many others including the candid photos of Monroe Sixer Frieda Hull. Also this month, comedienne Rachel Bloom spoofed ‘Diamonds Are a Girl’s Best Friend’ in a musical sequence for her TV sitcom, Crazy Ex-Girlfriend. And Marilyn Monroe: Lost Photo Collection, a limited edition book featuring images by Milton Greene, Gene Lester and Allan ‘Whitey’ Snyder, was published.

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Rachel Bloom’s ‘Crazy’ Marilyn Moment

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Comedienne Rachel Bloom has spoofed a classic Marilyn moment from Gentlemen Prefer Blondes in an episode of her musical sitcom, Crazy Ex-Girlfriend (in which she plays Rebecca, a woman in the thrall of romantic delusions), reports the Los Angeles Times. You can watch the scene (from Season 2, Episode 3) in full here.

“‘There was kind of a self-indulgent hubris, where she truly thinks she has two men in love with her,’ said Bloom of her quest to capture the sound of that romantic delusion musically. ‘She thinks she is the center of everything. That’s Diamonds Are a Girl’s Best Friend. That’s Marilyn Monroe. That’s a ’40s song where you’re surrounded by boys.’

So when inspiration struck, she did what any good songwriter on a deadline would do: She reached for her laptop that sat on her bamboo bath caddy and started jotting down lyrics.

It wasn’t long before the show’s music producer, Adam Schlesinger, received a voicemail with Bloom’s bare-bones rendition of this week’s big musical number, ‘The Math of Love Triangles’, which finds Rebecca cooing in a baby-doll voice — a la Monroe in ‘Diamonds’ — about what a hardship it is to have two guys in love with her.

‘The hardest part of writing these songs is landing on the specific idea,’ Bloom said. ‘Once we’ve landed on it, then stuff starts rolling. And there’s editing and there’s tweaking and there’s rewriting. But there’s a kind of rolling down the hill that you feel once you hit on the right comedy premise.’

And a bit of creativity is sometimes needed when trying to get certain aspects of those premises to pass Broadcast Standards and Practices. For example, with The Math of Love Triangles, the line, ‘Are you erect?’ could only pass muster if Bloom’s Rebecca was physically adjusting the posture of a dancer.

On the day of production of The Math of Love Triangles, Bloom was concerned that she might be revealing too much side boob because of her blue strapless gown or that the male dancers should be more expressive with their facial reactions.

After a take was complete, she slipped out of her character’s strappy heels and into some slippers to watch a playback.

‘I think it’s great,’ Bloom said. ‘It all came together!'”

Ariana Grande’s Diamond Tribute to Marilyn

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Singer Ariana Grande, who has shown her love for Marilyn on Twitter and wore a Travilla-inspired dress to this year’s MTV Awards, performed a soulful cover of ‘Diamonds Are a Girl’s Best Friend’ in Beverly Hills last week at a party for diamond manufacturer Tiffany’s (who are, of course, name-checked in the song), reports Harper’s Bazaar.

Marilyn: Still Hollywood’s Favourite Blonde

'Gentlemen Prefer Blondes' (1953)
‘Gentlemen Prefer Blondes’ (1953)

In an article for The Australian, Philippa Hawker charts the history of blondes in cinema -arguing that Marilyn continues to leave her mark on the evocation of blondeness.

“In cinema — not to mention fairytale, myth, art, literature, politics and the realm of popular culture in general — the image of the blonde or the fair-haired woman has carried a strong symbolic charge. It can be identified with innocence and purity but also with artifice and duplicity. It can suggest bounty, dazzle and allure, the implication that all that glisters is not necessarily gold. It can convey a heightened sense of spectacle. It is almost always associated with a notion of the feminine. The figure of the blonde is one of Hollywood’s most potent emblems and exports, and it has had an influence on other movie cultures over the years.

In cinema, the figure of the blonde often appears alongside the contrasting figure of the brunette; Gentlemen Prefer Blondes (1953), starring Marilyn Monroe and Jane Russell, is probably the most engaging example…

And, of course, there is Monroe, defining Hollywood blondeness, and to some degree transcending it by sheer effort of will. Her body of studio work is surprisingly confined: only once, in Clash by Night (1952), in which she portrays a cannery worker, did she play a character with an ordinary job. In her major roles she was always a variation on a gold-digger or a stereotypical ‘dumb blonde’ — yet she managed to subvert the stereotyping or deepen its implications, no matter what the challenge was off-screen. In The Prince and the Showgirl (1957), on what was reportedly a chaotic and troubled set, she gives an effortlessly appealing performance in an unlikely period piece: it is her co-star, Laurence Olivier (also her director), who appears awkward and uncomfortable.

Monroe, one way or another, continues to leave her mark on the evocation of blondeness. In the 80s, Madonna did her best to own it, restaging Monroe’s ‘Diamonds are a Girl’s Best Friend’ number, rifling through the Hollywood cultural dress-up box for a variety of shades and identities. Her video clip for ‘Vogue’, directed by David Fincher, explicitly raids both classic Hollywood portraiture and the vogueing phenomenon of the gay club.”

Marni Nixon 1930-2016

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Marni Nixon, the ‘ghost singer’ in many classic Hollywood musicals, has died aged 86, Variety reports. She famously dubbed the singing voices of Deborah Kerr in The King and I (1956), Natalie Wood in West Side Story (1961) and Audrey Hepburn in My Fair Lady (1964.)

Nixon also sang the high notes in ‘Diamonds Are a Girl’s Best Friend’, including the introduction (from 1953’s Gentlemen Prefer Blondes), but the rest was performed by Marilyn herself.

In  May 1954, Nixon made her Broadway debut in The Girl in Pink Tights. A few months previously, Marilyn had been assigned the lead role in a big-screen adaptation for Twentieth Century-Fox. After refusing the part, Monroe was placed on suspension. The studio eventually backed down, and the movie was shelved.

Celebrity ‘Marilyn Moments’ in the News

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Paparazzi shots of Kate Middleton, Duchess of Cambridge, having a ‘Marilyn Monroe’ moment during a trip to India have made front pages across the globe today, as her dress blew up while laying a wreath at the Amar Jawan Jyoti at India Gate. A bit like that ‘subway scene’ in The Seven Year Itch, except that was staged with MM’s full consent.

Similar ‘Marilyn moments’ featuring numerous female celebrities are constantly reported in the media, but few inspire the protective feeling and deference reserved for royalty –  with many on social media condemning the coverage as sexist, as Suresh Matthew reports for The Quint.

While it’s fun to see Marilyn’s name in the news, there’s something rather tacky about potentially embarrassing moments being exploited in this way – and after all, Kate was simply paying her respects to the dead when the incident occurred.

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Meanwhile, Ariana Grande has paid tribute to Marilyn at the 2016 MTV Movie Awards, with her performance of new single ‘Dangerous Woman’ while wearing a white fur stole and strapless pink satin gown, reminiscent of Marilyn’s attire in her iconic ‘Diamonds Are a Girl’s Best Friend’ number from Gentlemen Prefer Blondes.

Ariana has made no secret of her admiration for Marilyn, wishing her a happy birthday on Twitter back in 2014, and offering a spirited defence of MM. However, her look may also be inspired by another of her idols, Madonna, who famously recreated the ‘Diamonds’ setpiece for her ‘Material Girl’ video back in 1985.

As Christopher Rosa reports for VH1, Ariana’s performance was also reminiscent of Madonna’s ‘Sooner or Later’ number at the Oscars in 1991, when La Ciccone once again paid homage to Monroe.