David Parfitt, producer of My Week With Marilyn (2011) has accused Harvey Weinstein, the disgraced movie mogul whose company distributed the film, of assault, in Working With Weinstein, a new documentary to be aired on British television tonight, as Peter White reports for Deadline.
“‘When we actually got through the main shoot and into the test, he decided it wasn’t enough Marilyn’s film and that he wanted more Marilyn,’ Parfitt said in the documentary. ‘The scores came in at the end of the test and they were very good, and I think he’d expected it to be not good. In his fury about it doing so well when he thought it wouldn’t, he physically assaulted me. We were talking at the back of the theater after the audience had left, but the Miramax crowd were around, and he pinned me up against a Coke machine and threatened all sorts of stuff. It was very scary. But he was just furious that the film in our version had worked.’
A spokeswoman released the following statement on behalf of Harvey Weinstein.
“Mr. Weinstein categorically denies Mr. Parfitt’s claims as provably untrue and outrageous fiction. Mr. Parfitt and Mr. Weinstein had creative differences and any conflict between them was solely over their different visions for the film. While they had a series of spirited arguments where Mr. Weinstein made a lot of stupid remarks that he wishes he could take back, nothing physical happened.
The original version that Mr. Parfitt screened, didn’t include the musical numbers that Mr. Weinstein fought and personally financed to have included in the award winning film. In David Parfitt’s version, the movie felt like an ensemble piece. With Simon Curtis and Harvey Weinstein putting in the musical numbers, it felt like a Marilyn Monroe story.
Michelle Williams won the golden globe for her performance in the best musical comedy category and everyone that was associated with the movie, who saw it with the musical numbers, liked it better.'”
With the opening of the BFI retrospective, there has been much talk of Marilyn in the UK media this week. There was a discussion of Marilyn’s business acumen on Radio 4’s Woman’s Hour on Thursday; you can listen again here.
On BBC2 tonight at 9 pm, Jonathan Ross presents an hour-long documentary, Pinewood: 80 Years of Movie Magic. As Marilyn filmed The Prince and the Showgirl at the legendary English studio in 1956, it is followed at 10:30 pm by a screening of My Week With Marilyn, the 2011 movie about the offscreen battles between Marilyn and her co-star, Sir Laurence Olivier, starring Michelle Williams and Sir Kenneth Branagh.
Self-proclaimed ‘Psychic to the Stars’ Kenny Kingston has died aged 87, reports the the Los Angeles Times. Kingston claimed that Marilyn first visited him in 1953, on the advice of her friend, actor Clifton Webb. She got out of a cab five blocks from his home and walked the rest of the way, explaining, ‘I didn’t want your reputation spoiled.’ Kingston said that they remained friends until her death – and long afterward…
According to Kingston, Marilyn’s spirit was reunited with ex-husband Joe DiMaggio following his death in 1999. During filming of My Week With Marilyn in 2011, the celebrity psychic told Yahoo Voices that MM contacted him from beyond the grave to express her approval of actress Michelle Williams.
In honour of the 50th anniversary of Marilyn’s death, the Princeton Public Library will be screening four movies over the next week: The Prince and The Showgirl (4pm) and My Week With Marilyn (7pm, both August 3rd); The Misfits (4pm, August 4); and on August 5, ‘MM: The Never-Ending Dream’, a lecture by Paul Sofian, at 3pm, followed by Some Like it Hot at 4pm.
Edinburgh’s Filmhouse will screen several Monroe movies in August: Niagara and Some Like it Hot (on the 5th); Gentlemen Prefer Blondes (6th); The Misfits (7th); Monkey Business (8th); The Asphalt Jungle (9th); last year’s biopic, My Week With Marilyn (10th); All About Eve and The Prince and the Showgirl (11th.)
“Last summer in June I saw the ads and the Michelle Williams story in Vanity Fair on ‘My Week With Marilyn.’ There’s no question that that triggered, in my mind, the fact that one year later was going to be the 50thanniversary of her death. I did not go see the movie; I did not read any of the articles because I experienced the real person myself.
I’ve written five books, but I’ve never written a book that way. I’ve never written with my own voice, looked at the warts on my own face. In writing the autobiography, I was going to look at myself warts and all.
I was giving you a view of Marilyn that had never been given before. I wasn’t giving you my opinions, I was giving something people had never experienced before. And as much as you can be Marilyn-ed out or The Beatles-out or Elvis Presley-out, there’s always room for something fresh.”
UPDATE: You can also watch a video interview with Larry Schiller, here.
Another positive review for the French-made Nobody Else But You – a comedy thriller about a Monroe wannabe, currently on limited release in the US – from Entertainment Weekly. (Is it just me, or does this sound better than My Week With Marilyn?)
“In this particularly droll and satisfying French murder mystery set in an unusually, almost hilariously cold and snowy corner of France, a local starlet famous for her cheese ads (Sophie Quinton) turns up dead. This piques the interest of a crime novelist (Jean-Paul Rouve) who happens to be in the area. Her intense identification with Marilyn Monroe intrigues him even more. Writer-director Gérald Hustache-Mathieu sustains a fresh voice influenced by the Coen brothers and the infernal snow of Fargo. A-“
Actress Scarlett Johansson has never made any secret of bing a Monroe fan, and has often drawn on her image – but she has no desire to play her onscreen, she tells The Independent:
‘”I never wanted to play Marilyn Monroe [Johansson was reportedly in the running to play the actress in last year’s ‘My Week with Marilyn’.] I don’t know. It’s just a job – I didn’t have the passion for that. I love Marilyn Monroe. She’s a very underrated actor but it just seemed exhausting in a way that I couldn’t wrap my head around.”‘
Interestingly, her thoughts on fame, and worries about being typecast as a sex symbol echo Marilyn’s…
‘I never wanted to be a sex symbol I wanted to be a character actor. Those are the actors I mostly admire. I think women that are curvy can be pigeonholed in that bombshell thing. It’s not like I actively look for sexy roles. It’s not a requirement that my character be pretty and delicate. I never think about my character being sexy, unless that’s written in.
It’s weird to be a recognisable face I’m not traumatised [by it] but I find it can bring out the worst in humanity sometimes. I’m constantly surprised by how rude people are. You’ll be having an intimate dinner with a friend and there’s somebody on the table behind with a cameraphone pointing at your face. I think, “I would never take a photo of someone without asking.”‘