Adrian Brody, who won an Oscar for The Pianist back in 2002, will play Arthur Miller in Andrew Domink’s Netflix adaptation of Joyce Carol Oates’ Blonde, as Garth Franklin reports for Dark Horizons. Brody has also appeared in The Grand Budapest Hotel and TV’s Peaky Blinders. Meanwhile, Bobby Cannavale – who won an Emmy for TV’s Boardwalk Empire, and has also acted in films such as Blue Jasmine and I, Tonya, will play Joe DiMaggio. With Ana de Armas set to play Marilyn, we’re sure to hear of more casting decisions soon (and incidentally, Ana posted this tribute to Marilyn on Instagram earlier this month, marking the 57th anniversary of her death.)
Photos of Marilyn taken by George Barris in 1962 (taken from the original negatives, and signed by Barris) will go under the hammer for a starting price of $500 each at the Heritage Auctions‘ Entertainment, Music & Posters sale, set for July 20-21. Photos by William Carroll, Andre de Dienes and Kashio Aoki are also on offer, plus images from Ray Anthony’s ‘My Marilyn’ party, the hand-print ceremony at Grauman’s Chinese Theatre, and a silk-screen print by Bert Stern.
Among the more unusual items are a newspaper clipping accompanying an original photo of Marilyn and Joe DiMaggio on Redington Beach in Florida; and a grave marker from Marilyn’s crypt at Westwood Memorial Park, plus vintage photos and slides of fans paying their respects.
UPDATE: Marilyn’s grave marker sold for $7,500 – view results here
Heather Howard has accessed the Yomiuri Shimbun archives on Marilyn and Joe DiMaggio’s Far-East adventure for The Japan News.
“‘Typhoon Marilyn Monroe comes to Tokyo.’ She certainly did, with a force so powerful it sent some of her fans tumbling into a pond at the Imperial Hotel.
On Feb. 2, 1954, the morning edition of The Yomiuri Shimbun reported — under that typhoon headline — that Monroe had arrived at Haneda Airport the day before with her new husband, baseball great Joe DiMaggio. The trip was part honeymoon, part business: DiMaggio had been invited to coach Central League teams during spring training that year.
Fans began gathering at Haneda Airport two hours before their scheduled arrival. When Monroe and DiMaggio’s Pan American flight finally touched down — four hours late — the fans pushed past police and flooded onto the runway, surrounding the plane.
A group of Japanese dignitaries was waiting to greet them at the base of the stairs, but that plan was abandoned. Monroe appeared, carried by DiMaggio, bringing what The Yomiuri described as an ‘ecstatic reaction.’
However, the crowds of people made it impossible for them to get to customs, so they retreated back into the plane. After nearly another hour they finally exited through a cargo door and headed in a U.S. Embassy car for the Imperial Hotel.
The brouhaha, however, was far from over, as fans even climbed trees along her route. Monroe and her party had been scheduled to parade through the Shinbashi, Ginza and Hibiya areas of Tokyo, but that too was scrapped due to the chaos at the airport.
Monroe was forced to use a rear banquet entrance when she arrived at the Imperial, according to a history of the hotel. When it looked like the crush of fans, irate at not seeing their idol, would break the glass in the lobby doors, Monroe showed herself from a second-floor balcony at the hotel’s request. This calmed the ruckus, but as she was greeting the crowd, the history tells us, ‘two or three fans fell into the pond in front of the [hotel’s] Wright building.’
That seems like a fortunately small number. One of the photos accompanying the Yomiuri article shows a veritable sea of people outside the Imperial Hotel, with some fans having even climbed up on the roof.
Monroe and DiMaggio traveled to other parts of the country as well. When they stayed in Fukuoka for four days, about 5,000 people gathered outside their hotel there.
Nor was the fuss limited to fans. Over 300 journalists attended a press conference the day after Monroe’s arrival, and in Fukuoka, local journalists who had learned where Monroe and DiMaggio were dining one day abruptly opened the door to their room at the restaurant, took her picture, and with just a ‘thank you’ fled the scene.
Monroe ultimately departed Japan with DiMaggio on Feb. 24 from Haneda Airport. The furor of their arrival had clearly made an impression: This time the general public’s entry was restricted, Japanese plainclothes police stood guard along with military police from the U.S. Air Force, and there was at least one armored car on the apron. “
A letter from Marilyn to Lee Strasberg will be sold online during the Classic Hollywood sale at RR Auctions this Thursday, May 23. While Marilyn talks frankly about her emotional problems and disappointments in life, she also proposed an ambitious plan for her future career. Sadly, her goals would never be realised as she passed away just eight months after the letter was written. It is dated 19 December, 1961, and like other letters from her final years, it was typed (probably by a secretary), and was previously published in the 2010 book, Fragments. Coming from her estate (along with all her personal possessions, 75% was passed on to Lee after she died), it is the first time the letter has gone up for auction with an estimate of $20,000. Further details, including a full transcript, are also available here.
“This is an important personal letter and please don’t start to read it until you have the time to give it your careful thought. This letter concerns my future plans and therefore concerns yours as well since my future development as an artist is based on our working together. All this is an introduction; let me outline the recent events, my ideas and my suggestions.
As you know, for years I have been struggling to find some emotional security with little success, for many different reasons. Only in the last several months, as you detected, do I seem to have made a modest beginning. It is true that my treatment with Dr. Greenson has had its ups and downs, as you know. However, my overall progress is such that I have hopes of finally establishing a piece of ground for myself to stand on, instead of the quicksand I have always been in. But Dr. Greenson agrees with you, that for me to live decently and productively, I must work! And work means not merely performing professionally, but to study and truly devote myself. My work is the only trustworthy hope I have. And here, Lee, is where you come in. To me, work and Lee Strasberg are synonymous. I do not want to be presumptuous in expecting you to come out here for me alone. I have contacted Marlon on this subject and he seems to be quite interested, despite the fact that he is in the process of finishing a movie. I shall talk with him more thoroughly in a day or two.
Furthermore, and this must be kept confidential for the time being, my attorneys and I are planning to set up and [sic] independent production unit, in which we have envisaged an important position for you. This is still in the formative phase, but I am thinking of you in some consultative position or in whatever way you might see fit. I know you will want enough freedom to pursue your teaching and any other private interests you might want to follow.
Though I am committed to my analysis, as painful as it is, I cannot definitively decide, until I hear from you, because without working with you only half of me is functioning. Therefore, I must know under what condition you might consider coming out here and even settling here.
I know this might sound quite fantastic, but if you add up all the possible advantages it should be quite a rewarding venture. I mean not only for Marlon and me—but for others. This independent production unit will also be making pictures without me—this is even required for legal reasons. This will offer an opportunity for Susan if she should be interested and perhaps even for Johnny. And Paula would have a great many opportunities for coaching. As for you, Lee, I still have the dream of you some day directing me in a film! I know this is a big step to take, but I have the wish that you might realize out here some of the incomplete hopes that were perhaps not fulfilled for you, like Lincoln Center, etc.
So I don’t know how else to persuade you. I need you to study with and I am not alone in this. I want to do everything in my power to get you to come out—within reason—as long as it is to your advantage as well as mine. So, Lee, please think this over carefully; this is an awfully important time of my life and since you mentioned on the phone that you too felt things were unsettled, I have dared to hope. I have meetings set up with Marlon and also with my attorneys and will phone you if there are any important new developments. Otherwise, please get in touch with me.”
Also on offer, the 1952-53 editions of Who’s Who in Hollywood, autographed by a multitude of stars, are a treasure trove for movie buffs. Marilyn is listed in the category ‘Super Stars: The Younger Set.’ (EDIT: unsold)
The lamp seen in the restaurant scene from How To Marry a Millionaire (here, with Alex D’Arcy) was used as a prop in other Fox movies, including The Girl Can’t Help It, starring that other fifties blonde, Jayne Mansfield. (EDIT: Unsold)
A number of original photos are also on sale…
In this week’s Valley Chronicle, Mark Lentine looks at Marilyn’s connection to the California town of Hemet. Although she was named Norma Jeane Mortensen at birth (after her mother Gladys’ estranged husband, Edward Mortensen) it is widely believed that her real father was C. Stanley Gifford. He and Gladys had a relationship while working at Consolidated Film Industries in Los Angeles.
Over the years, Marilyn made many attempts to contact Gifford, without success. Gifford had remarried and managed the Red Rock Dairy in Hemet. It is believed he did not want to upset his wife and children by letting Marilyn into his life.
Marilyn’s half-sister Berniece Miracle has claimed that they finally met in the year before Marilyn passed, and it has been reported that in 1965, a dying Gifford confessed to his pastor, Reverend Don Liden of the First Presbyterian Church, that he was indeed Marilyn’s father. Gifford was buried in the San Jacinto Valley Cemetery.
“Monroe was seen many times in the Hemet area, most times staying at the Soboba Hot Springs. She was seen making clandestine calls or stopping at bars (most frequently mentioned in the reminiscences of locals is Chappies Bar) and asking for a Charles Stanley Gifford.
‘My dad and mom were out at the Soboba Hot Springs for dinner, a very upscale dining spot in town. My dad started to get out of the car but was stopped by someone who looked familiar. The gentleman had gone to dad’s side of the car to let a woman out of the car. When the woman stepped out of the car, dad realised why the man had looked familiar; it was Joe DiMaggio, and he was holding the door open for his wife, Marilyn Monroe …’, said a smiling former Hemet mayor, Robert Lindquist.
I asked Lindquist if he believed that Gifford was indeed Monroe’s father. ‘Oh yes, it was quite well-known here in town. I delivered newspapers and was a child at the time, but I clearly remember Mr. Gifford very well; he was always very neat and had a small mustache; very debonair …'”
The ‘honeymoon album‘ gifted to Marilyn and Joe DiMaggio by Japan’s baseball league after their 1954 visit has been sold for $12,000 at Heritage Auctions. It is also the subject of an article in US weekly Closer (not to be confused with the UK magazine of the same name.) It’s dated March 4 with Vanna White on the cover, and can also be ordered here.
A souvenir album featuring 34 original photos taken during Marilyn and Joe DiMaggio’s trip to Japan in early 1954 – including Joe’s stint as a coach to the Japanese baseball league, and Marilyn’s solo jaunt to Korea – will go under the hammer at a sports memorabilia sale hosted by Heritage Auctions on February 23-24, as Simon Lindley reports for Just Collecting. First sold in the 2006 auction of the DiMaggio estate, it was most likely a parting gift from the newlyweds’ hosts.
UPDATE: The album has been sold for $12,000.
Any property with a connection to Marilyn, however spurious, will always make headlines when it goes on the market. And as Curbed LA reports, this 4-bed, 4-bath hillside home at 2393 Castilian Drive – now on sale from Coldwell Banker at $2.4 million – served as a hideaway for Marilyn and Joe DiMaggio when their much-publicised romance began in 1952.
Although not her official address – Marilyn moved several times in that year alone – the house (which was considerably larger than her usual bachelorette-style residences) gave her some privacy to spend time with Joe whenever he came to town. It is situated near the Hollywood Bowl in the exclusive Outpost Estates suburb, and rent checks signed by Marilyn in September 1952 and January 1953 have since made their rounds on the auction circuit.
Marilyn may also have been reminded of a previous house near the Hollywood Bowl, at 6812 Arbol Drive. It was the first home seven year-old Norma Jeane shared with mother Gladys in 1933. Unfortunately Gladys’ finances were overstretched when she bought the property, and while both were happy there at first, it would not be the dream home they both hoped for. Arbol Drive was later razed to make way for an extension of the Hollywood Bowl gardens, but Selma Elementary School, which Norma Jeane attended at the time, is still open today.
UPDATE: The property has been sold for $2.727 million (exceeding the asking price by around $300K.)