Marilyn Monroe: The Woman Behind the Myth, an exhibition of the remarkable collection of Ted Stampfer, will be on display at the Palazzo Madama in Turin from June 1 – Marilyn’s 90th birthday – to September 19, reports Italy’s Huffington Post. (As previously reported, the exhibit will then move to Amsterdam in October, under the alternate title of Happy Birthday Marilyn.)
Marilyn Monroe was one of the world’s most photographed women, but her mother Gladys, who suffered from severe mental illness, was a more shadowy figure. In an article for the Los Angeles Times, Katherine Yamada reveals how Louie Deisbeck of the Glendale News-Press, who died in January this year, captured a rare image of Gladys Baker Eley as a 60 year-old on the run from Rockhaven Sanitarium in July 1963.
“Less than a year after Monroe died, the 60-year-old Eley fashioned a rope out of two uniforms, climbed through an 18-inch-square closet window and lowered herself to the ground. After climbing over the wire mesh fence surrounding the property, she began walking.
Twenty-four hours later, she was discovered some 15 miles away in a church on Foothill Boulevard. She had spent the night in the church’s utility room, sitting near the water heater to keep warm.
The minister who found her called the police; they were soon followed by Glendale News-Press photographer Louie Deisbeck and a reporter.
Deisbeck, who had been with the newspaper since 1957, had many contacts in the city.
‘Police and firemen contacted him all the time in those days, they knew to call him directly at home,’ his son Rusty said in a recent phone interview.
Deisbeck was met at the church by two female police officers. ‘It was real hush hush,’ his son recalled.
After he got the photo — the first taken of Eley in more than 20 years [although several family photos of Gladys were taken in the late 1940s] — Deisbeck raced back to the News-Press, leaving the reporter to get the story.
The police officers told the reporter (who did not get a byline in the July 5, 1963 article) that Eley stated she wanted to get away from the sanitarium and practice her Christian Science teaching. After determining that she was unharmed, they returned her to the sanitarium.
Deisbeck’s photo earned front-page coverage in many newspapers.
‘That was the most famous picture he ever did,’ son Rusty said. ‘He sold it to magazines and newspapers all over the world.'”
Alan Young, who played Wilbur Post on Mister Ed – the classic 1960s TV sitcom about a talking horse – has died aged 96 at the Motion Picture and Television Home in Woodland Hills, California, reports The Guardian.
Born in Northumberland to Scottish parents in 1919, Young emigrated to Canada as a child. During his high school years he hosted a CBC radio show. He married in 1940 and had two children, before moving to New York in 1944, where he began hosting The Alan Young Show on NBC Radio.
In December 1946, the now-divorced Young met a young Marilyn Monroe when she promoted his show in highland dress on a Rose Bowl float in Los Angeles. They later went on two dates, as he recalled in a 2012 interview with Scotland’s Daily Record.
He was also interviewed by Michelle Morgan, author of Marilyn Monroe: Private and Undisclosed. He remembered taking her to the Brown Derby club after the parade; but as neither of them liked alcohol, they decided to go elsewhere and sip cocoa instead. “She seemed like a frightened rabbit at first,” he said, “and I didn’t realise she had been raised without parents. I really liked her.”
On their first date, Young picked her up from the house where she was living with family friend Ana Lower. He remembered that Ana seemed ‘suspicious’ of his intentions. Norma Jeane (as she still called herself then) explained that Ana was a devout Christian Scientist – a faith she and Alan also shared.
Their second date ended in disaster, as Alan tried to kiss Norma Jeane as she was turning her head away, and ended up kissing her ear instead. “I was so embarrassed about it that I never phoned her again,” he admitted.
He made his screen debut in Margie (1946), at Marilyn’s home studio of Twentieth Century Fox, and later appeared alongside Clifton Webb in Mr Belvedere Goes to College (1949.) He married Virginia McCurdy in 1948, and they had two children. In 1950, The Alan Young Show moved to television.
By the early 1950s, Marilyn was also a major star. “I was working at the studio when a blonde girl rushed up and yelled ‘Alan!'” he told Michelle Morgan. “She kissed me and asked about my parents and asked me to give her a call. After she had gone the make-up man asked how long I’d known Marilyn Monroe and I answered, ‘About two minutes!’ That was the last time I ever saw her.”
In 1955, Young would star opposite Jane Russell in Gentlemen Marry Brunettes, a sequel to Monroe’s 1953 smash hit, Gentlemen Prefer Blondes. After Marilyn declined to reprise her role, Jeanne Crain took her place as Lorelei Lee. He later starred in the classic sci-fi movie, The Time Machine (1960.)
Young’s most famous role, in TV’s Mister Ed, began in 1961 and ran for five years. Afterwards, he continued making guest appearances in numerous television shows, movies and as a voice actor for cartoons and video games.
After nearly fifty years together, Young and McCurdy were divorced in 1995. He married Mary Chipman shortly afterwards, but they divorced two years later. He returned to the stage in a 2001 revival of Show Boat, and his final credit was in 2015, as the voice of Scrooge McDuck in a series of Mickey Mouse shorts.
Magnum alumni Bruce Davidson, who photographed Marilyn behind the scenes during filming of Let’s Make Love and The Misfits in 1960, is the subject of a new book by Vicki Goldberg in the Magnum Legacy series, reports CNN. (It follows the first Magnum Legacy book about Eve Arnold, another photographer of Marilyn’s, which was published last year.)
“What makes Davidson’s photographs so compelling is that they stem from patience and an ability to empathize with his subjects.
‘I stay a long time,’ he said. ‘My eyes open to their lives. In my silence, they feel secure. My philosophy is to stay until it becomes a subject. I am an outsider on the inside.'”
Retro is a brand new UK nostalgia magazine from the Yours team. Grace Kelly adorns its first cover, while Marilyn is pictured in several articles inside, including ‘The Birth of the Bikini’, ‘Ghost Singers of Hollywood’ (featuring Marni Nixon, who voiced the soprano segment at the beginning of ‘Diamonds Are a Girls’ Best Friend’), and a profile of the British-born gossip columnist, Sheilah Graham. Out now for £3.99.
Although Marilyn’s performance of ‘Happy Birthday Mr President’ at Madison Square Garden on May 19, 1962 – fifty-four years ago today – has become legend, she wasn’t the only star that evening. Diahann Carroll, who sang at the gala’s after-party in the home of campaigner Mac Krim, recalled the occasion in a recent interview with Oprah Winfrey, reports the Huffington Post.
‘It was a very exciting night. Everybody in the world was there,’ Diahann remembered. ‘Marilyn was hysterical, but very good. It was good to watch her at work. I think we all enjoyed it.’ As for Kennedy, ‘he was extremely pleasant,’ she said. ‘He was a very entitled human being, but you had to forgive him for that.’
Diahann Caroll was previously interviewed by J. Randy Taraborrelli for his 2009 book, The Secret Lives of Marilyn Monroe, telling himof her first encounter with MM in 1960, while singing at the Mocambo Club in Los Angeles.Diahann was then pregnant with her daughter Suzanne, and knew of Marilyn’s struggle to have children. “I took her hand and put it on my stomach and said, ‘You pat right there, sweetheart, and say a prayer and a wish, and I hope with all my heart that your dream comes true.’ She looked at me with tears in her eye, and said, ‘Oh, I do, too. I do, too.'”
They met again in Mac Krim’s apartment in 1962. ‘It’s certainly her beauty I remember most,’ she told Taraborrelli. ‘As I sang, I distinctly remember being somewhat distracted by her gaze. Her tragic beauty, so vulnerable … so lost.’
Andre de Dienes: Marilyn and the California Girls – a rare solo retrospective for the European-born, West Coast photographer – will be on display at the Stephen Kasher Gallery in New York from June 9-July 30, reports the British Journal of Photography. As well as his extraordinary work with Marilyn, the exhibit will also showcase De Dienes’ exotic nudes, taken against the spectacular natural backdrop of California’s desert landscape.
In an article for Allure, Lauren Hubbard explores the contents of Marilyn’s make-up drawer…
“While you might be imagining Monroe’s vanity drawers filled to the brim with gleaming gold lipstick tubes, pearl-handled brushes, and shiny powder compacts, Monroe didn’t keep a ton of makeup on hand—most likely because she trusted those things to makeup artists, like Allan ‘Whitey’ Snyder, who was so close with the star that he even served as a pallbearer at her funeral. No, Monroe’s makeup drawers were far simpler than the stockpiles of makeup packed into our own drawers. She was even—dare we say it?—practical.
That’s practical in the most glamour-girl sense of the word, of course. The drawer’s contents, which sold at auction in 2005, included a box of Flents earplugs (they’re still around, so you can block out your obnoxious neighbors the same way Marilyn Monroe did!); a matchbook from the Maisonette, a nightclub in the St. Regis hotel in New York City; an eyelash curler that looks nearly identical to the one you probably have in your own makeup bag; a set of Martha Lorraine false eyelashes (sadly, these aren’t still around) and the box they came in; a gilded comb; a pack of fantastically named Scoldy Lox Glamour Guards bobby pins; lilac Starry Eyes eye shadow; a fancy-looking lip brush; and a braided hair extension.”
Marilyn’s Places: Walking in the Footsteps of Marilyn Monroe, the definitive guide to Marilyn’s homes and haunts, is now available on Amazon Kindle for £3.48 (UK) or $5 (US.) It is a fully revised and expanded version of Michelle Morgan’s 1995 book, Marilyn’s Addresses, and is also available in paperback from Lulu.com under the alternate title of Marilyn’s Footsteps. Michelle is, of course, the author of Marilyn Monroe: Private and Undisclosed and Before Marilyn: The Blue Book Modelling Years, and Marilyn’s Places is essential for anyone who wants to visit these locations, or just to learn more about her life.
Zimbelism, the long-awaited documentary about photographer George S. Zimbel, had its premiere at the recent Hot Docs Festival in Toronto. Zimbel, now 86, spoke to Laura Goldstein for mashumashu.com about his 72- year career in ‘humanist’ photography, and his memories of Marilyn as she filmed the ‘subway scene’ for The Seven Year Itch. A retrospective of Zimbel’s work, Momento, was published last year.
“‘I am more of a determined photographer than a pushy photographer but that night I did something atypical. I started to shoot as the filming commenced. (Strictly forbidden!) There was enough street noise to cover the discrete click of the Leica shutter, but someone obviously didn’t like what I was doing and I was removed from the press photography area and escorted behind the police lines by two of New York’s finest. I used the new viewpoint and kept shooting from there. I remember when all action stopped as two men walked across the set. It was Joe Dimaggio, (Marilyn’s) husband and Walter Winchell, the Broadway columnist. Dimaggio was furious about the scene (remember it was 1954.) Every publication that could find an excuse to run photos of that event did so. And here is my personal mystery – I decided not to throw my shoot into the editorial pot.’
I ask George bluntly, ‘Why did you do that? Didn’t you kick yourself afterwards?’
‘We all have our priorities,’ he says without regret, ‘and I was working on a photo essay on Irish Americans that had to be completed first. You know we had to fight just to be paid $100. Of course I checked the Marilyn negatives first and then I filed them away unprinted and unpublished. They even survived a fire in my darkroom in 1966 and my move to Canada in 1971.’
Amazingly, the Monroe photographs weren’t shown until over 20 years later, in Zimbel’s solo exhibition in 1976 at Confederation Centre of the Arts, Prince Edward Island, Canada. The full set was shown for the first time in 1982 at Galerie Art 45 in Montreal.
As Zimbel reminisces, ‘In January 2000 I had a retrospective in Valencia Spain and my Marilyns were exhibited on the walls of Sala Muralla, a gallery fashioned from an ancient archeological site at Institut Valencia d’Art Modern where they shared space with an ancient plaque of a Roman goddess. I felt it was a homecoming for her image.'”