After a long campaign by Rep. Tony Cardenas, President Donald Trump has signed off a bill under which the Van Nuys Civic Center postal depot at 6531 Van Nuys Blvd. will be named the ‘Marilyn Monroe Post Office,’ as Ryan Carter reports for the Los Angeles Daily News.
Marilyn’s friendship with Ella Fitzgerald is featured tomorrow on the France 2 channel’s8:30 p.m. Saturday, a magazine show presented by Laurent Delahousse. The story of Marilyn helping Ella to secure a nightclub engagement in Hollywood (as recalled by the great jazz singer after Marilyn’s death) has already been depicted in a stage play, a children’s book and even an episode of Drunk History. But although the respect and affection between them was genuine, a recent article by Dan Evon for Snopes suggests the facts are more complicated than they appear.
“This is a genuine photograph of Monroe and Fitzgerald. It’s also true that Monroe urged Mocambo’s owner Charlie Morrison to book Fitzgerald in 1955 … In sum, Fitzgerald was the not the first black singer to perform at the Mocambo. However, her performance at the West Hollywood hot spot would prove to be a breaking point in numerous ways.”
Marilyn graces the cover of UK nostalgia magazine Yours Retro (Issue 21). It’s her third Yours Retro cover, making her their most popular cover star. And let’s not forget, she also topped the list in their recent special issue, 100 Greatest Movie Icons.
Inside, there’s a four-page feature by Michelle Morgan, ‘Marilyn … Becoming Mrs. Dougherty,’ about the teenage Norma Jeane’s first marriage and the beginning of her modelling career. To learn more on this topic, read Michelle’s excellent book, Before Marilyn: The Blue Book Modelling Years, now available in paperback.
Marilyn’s Jewish prayer book or ‘Siddur’, given to her when she converted to Judaism and married Arthur Miller in 1956, was resold yesterday for $8,750 at J. Greenstein & Co. in Cedarhurst, NY, reports Antiques and the Arts. Originally auctioned at Christie’s in 1999, it was resold for $26,000 at Greenstein’s in November 2018 (see here), before going under the hammer again at a lower price just a year later.
Interestingly, the book was published in 1926, the year of Norma Jeane’s birth; and was first gifted to one Kenneth Wasserman on August 4th, 1934 – Monroe would pass away exactly 28 years later. It seems to have passed through several owners, including a Marilyn Cooper-Smith, nee Miller (1931-2014) who like her famous near-namesake, also received it upon her marriage.
Film historian Cari Beauchamp, who last year wrote ‘Atomic Blonde‘, an article detailing Marilyn’s mysterious 1953 PSA for the US Military, has now contributed a definitive history of the all-female Hollywood Studio Club, where Marilyn lived on and off during the late 1940s, to Vanity Fair. (Marilyn had mixed feelings about her stay, often finding it restrictive and perhaps reminding her of her time in an orphanage. However, there is little doubt that the Studio Club offered her some much-needed stability in the early days of her career.)
“For more than a century in Hollywood, young women have learned in horrendous ways that men in power often consider them goods to be bartered or simply consumed. There is little new about #MeToo, but what is new is that women are shattering their isolation by speaking out and finding strength and community as a result. Yet for nearly 60 years there was a residence that housed women (10,000 in all) in a protected and supportive environment. And though few people remember the Hollywood Studio Club, a recounting of its neglected history reveals how little has changed—and how powerful female friendships can be.
[Julia] Morgan’s multiarched structure, designed in the Italian Renaissance Revival style, opened to much fanfare in 1926. The first floor featured a spacious lobby, writing rooms, a library, a large dining area, and a stage. The two upper stories consisted of single, double, and triple rooms to house 100 women—each paying 10 to 15 dollars a week for lodging and two meals a day. They were indirectly inspired by Hollywood luminaries such as Gloria Swanson, Jackie Coogan, and Frances Marion, whose names appeared on small brass plaques above the bedroom doors. (Each had donated $1,000 to the club. Norma Talmadge had pitched in $5,000.) The rules of the house were simple: You had to be working or seeking work in show business, be between 18 and 35 years old, and not stay longer than three years. Men were prohibited above the first floor.
Today, the fellow resident [Barbara] Rush remembers best is Marilyn Monroe: ‘She wasn’t a bombshell then, and was so sweet with that whispery voice.’ Robert Wagner, who, along with Monroe, was under contract at Twentieth Century Fox, recalls dropping off Monroe at the HSC and thinking ‘the concept of the place was just fantastic,’ especially for someone like her, who ‘everybody loved and felt protective of.’
In late 1949, Monroe secured a part in John Huston’s The Asphalt Jungle. While she had had small roles at Fox, Monroe would later say that she so needed $50 in 1949 that she agreed to pose for what would become her infamous nude calendar. Even if the HSC suffered negative backlash as a result, house director Florence Williams fondly remembered Monroe. When asked who was the most stunning woman she ever encountered there, Williams answered, ‘Marilyn Monroe, because she was even beautiful first thing in the morning.’
As the ’60s and ’70s brought about enormous culture shifts, the number of residents dwindled to the point that the Hollywood Studio Club was no longer financially sustainable. The doors were closed in 1975 and the furnishings were auctioned off. Several years later, the building was added to the National Register of Historic Places and continued to be maintained by the Y. In the fall of 2018, Faye Washington, CEO of the YWCA Greater Los Angeles, announced a new partnership with PATH (People Assisting the Homeless) to provide transitional housing for about 60 homeless women at the HSC. One of the rules: Residents, like the starry-eyed women of years past, would be allowed to stay for a maximum of three years.”
Don’t Bother to Knock (1952) gave Marilyn her first dramatic lead role, and also marked the debut of future Oscar-winner Anne Bancroft. “It was a remarkable experience,” she said of working with Marilyn in the film’s powerful final scene. “Because it was one of those very few times in all my experiences in Hollywood when I felt that give and take that can only happen when you are working with good actors. There was just this scene of one woman seeing another woman who was helpless and in pain, and [Marilyn] was helpless and in pain. It was so real, I responded. I really reacted to her. She moved me so that tears came into my eyes.”
Anne, who died in 2005, is given a long-overdue retrospective in a new Region1/A Blu-Ray set from Shout Factory, with the approval of her husband Mel Brooks. “Not only was she truly gifted but she was smart in every way,” he tells the Chicago Sun-Times. “And these films are GREAT!”
Released today, The Anne Bancroft Collection includes Don’t Bother to Knock, The Miracle Worker, The Pumpkin Eater, The Graduate, Fatso, To Be Or Not To Be, Agnes of God, and 84 Charing Cross Road, plus bonus features and a 20-page booklet.
Incidentally, Don’t Bother to Knock – presented in 1080p High Definition (1.37:1) / DTS-HD Master Audio Mono, and accompanied by the original trailer plus isolated music score – was previously released as a stand-alone, limited edition Blu-Ray by Twilight Time Video in 2018.
During the summer of 1955 – Marilyn’s first year in New York – she spent many weekends at the Strasbergs’ holiday home on the resort of Fire Island, and also visited with the Rostens. In a 2013 article for the Long Island Press, Spencer Rumsey reported that Marilyn said of Fire Island, ‘What a lovely place this is—it’s got water all around it.’ (If true, this may be one of those deceptively simple ‘Monroeisms’ – Marilyn clearly knew what an island was, having lived on Catalina Island in 1943!)
Today, publisher Alan Chartock recalls his boyhood encounters with Marilyn on Fire Island in the Legislative Gazette. (Photos found on the Pines History website.)
“Of course, the Fire Island of today is hardly the beach I grew up in when the ‘daddy boat’ that came in around six o’clock returned all the working stiffs to their families. I earned some pin money by ‘wagoning’ — I would meet the boat and take people to their homes for anywhere between a quarter and a buck. I was small but I had some very prestigious clients, the most recognizable of whom was Marilyn Monroe who visited quite frequently. As it turns out, she came to visit the Strasberg family. Susan and Lee were among the most famous of that group. That was just the tip of the iceberg. In fact, most of the very famous literati and thespians moved on to other places like the Hamptons and, years later, to the Berkshires where I now live.”
Singer Ariana Grande, a longterm Marilyn fan (see here) has recorded a cover of ‘My Heart Belongs to Daddy‘ as an interlude on her current Sweetener Tour. Although the song was penned by Cole Porter in 1938 and popularised by Broadway star Mary Martin, Ariana’s version closely resembles Marilyn’s breathy rendition in Let’s Make Love (1960.)
Inge Morath, the Austrian-born photojournalist who became Arthur Miller’s third wife, is the subject of a retrospective at the Museum of Rome in Trastevere. On display from Tuesday-Sunday until January 19th, 2020, the exhibition includes this photo of Marilyn filming The Misfits in 1960.