Jack Allen To Sell Marilyn’s ‘Down Boy’, and More

Marilyn By Moonlight author Jack Allen is selling off some items from his collection in the Essentially Marilyn auction on December 11 at Profiles In History – including photographs and the unreleased song, ‘Down Boy‘, as Mike Szymanski reports for The Art of Monteque. (The auction also features the spectacular collection of Maite Minguez Ricart – more details here.)

“When Jack Allen first fell in love with Marilyn Monroe, it was while watching her in the 1953 movie Gentlemen Prefer Blondes where she plays an ambitious showgirl … ‘Here was a girl full of naïve innocence and you could really tell that she loved performing and that she really wanted to make it,’ says Jack. ‘In a lot of ways that is the story of Hollywood.’

Jack worked on some of the photo displays and books with [Andre] de Dienes’s widow after he died in 1985, and as a payment for his work, he received some of his original photos.

‘I was most fascinated with the “End of Everything” photo session that he took near Zuma Beach in Malibu,’ Allen recalls. ‘She was troubled at the time, and it has an almost religious feeling to them.’

What the auction house doesn’t explain in the description of the photographs is why they will have a faint scent of dirt or earthiness to them. After a terrible rainstorm in Los Angeles in the 1950s, a mudslide buried and destroyed many of the photographer’s collection in his house, and out of frustration he simply buried most of his collection in the backyard. A year later, LIFE magazine editors asked about some Monroe photos, and he literally dug them up from his backyard, and in the middle of the mess, salvaged a few of the gelatin silver prints.

Marilyn with boxer Max Baer

In another signed 8×10 photograph expected to fetch between $6,000 and $8,000, Marilyn signed it to former Heavyweight Champion of the World Max Baer, writing: ‘To Max, My body guard, Love Marilyn Monroe.’ Baer was a fighter-turned-actor and longtime admirer of the starlet, and visited her on the set of Some Like it Hot.

When studios made movies, they often pressed a record — and it was usually one-sided — of each of the songs used in the film, so when dubbing or playback was necessary while they were filming, they could use the record. So, these records actually played while the stars recreated the scenes, or filmed the dance numbers or lip synced the songs.

Jack found the heavy 78 acetate records on eBay as part of an estate of a 20th Century-Fox craft service worker who took the 12-inch records when they were abandoned by the studio after the filming of Gentlemen Prefer Blondes. Jack bid on the records in 2005, thinking they would be a fun piece of Hollywood history to have to one of his favorite films. The records were stained and scratched, but kept in their vintage sleeves from the studio … But, Jack noticed a recording ‘Down Boy‘ also penned by the legendary Hoagy Carmichael that featured only Marilyn and a soft piano accompaniment.

‘I realized that this was a song that was actually mentioned in the script, but it was never used in the movie,’ Jack recalls. ‘It was like finding a treasure. No one had ever heard this recording of Marilyn before.’

The song is upbeat and whimsical and planned for when a diamond dealer played by Charles Coburn is getting fresh with Marilyn’s character Lorelei. She sings to the men like they are a pack of hungry dogs, saying ‘Down Boy‘ to them. Marilyn sang the song with a swing temp in the key of A and B-flat.”

From Marilyn to the ‘Material Girl’

Madonna’s 1985 video for ‘Material Girl’ – in which she recreated Marilyn’s ‘Diamonds Are a Girl’s Best Friend’ video from Gentlemen Prefer Blondes – tops a chronological list of videos referencing Hollywood classics, compiled by Kyle Munzenrieder for W magazine.

“Like so many other pages in the modern pop star playbook, this one was polished and perfected by Madonna. The second single off her star-cementing second album Like a Virgin, ‘Material Girl’ is among a handful of the star’s hits she didn’t co-write herself. At the time she seemed pretty eager to point out that she herself was not actually that materialistic when it came to finding a man (she had been dating broke musicians, DJs and artists on the Lower East Side just a few years before), and wanted to frame the song as something cheeky and ironic. So she adapted the guise of Marilyn Monroe’s unabashed gold digger character Lorelei Lee from Gentlemen Prefer Blondes and recreated the ‘Diamonds are a Girls Best Friends’ scene, and the balanced it with scenes of her off the set.

This wouldn’t be the last time Madonna paid homage to specific movies in her music videos, but it may be her poppiest. Later in her career she’d stick to recreating film school syllabus canon like Metropolis and Maya Deren’s At Land.”

Marilyn’s ‘Diamond’ Dance to Glory

In an article for the Washington Post, Sarah L. Kaufman names ‘Diamonds Are a Girl’s Best Friend’, Marilyn’s signature number from Gentlemen Prefer Blondes, as one of the greatest dance scenes in movie history.

“That hot-pink dress, that cherry-red backdrop, those long, long gloves. Marilyn Monroe is glamorous perfection in this scene, choreographed by the great Jack Cole. He brilliantly played up her strengths, focusing on those beautiful bare shoulders with a shimmy here, an arm extension there, a lot of shaking and — whoopee! — a well-timed gesture to her back porch. Restrained in vocabulary and uninhibited in style and spirit, this witty dance is an exuberant celebration of the female assets, performed by one of the most vibrant bodies in cinematic history.”

Marilyn at Julien’s: Hollywood Icons & Idols

A wide range of Marilyn-related items, including her 1956 Thunderbird, will be up for grabs at Julien’s Icons & Idols auction on November 17.  Another high-profile item is the white beaded Travilla gown worn by Marilyn when she sang ‘After You Get What You Want, You Don’t Want It’ in There’s No Business Like Show Business, purchased at Christie’s in 1995; as yet it’s unclear whether this is the same dress listed at Julien’s in 2016.

Marilyn owned several pairs of checked trousers, wearing them repeatedly throughout her career. This pair, seen in one of her earliest modelling shoots, was purchased from Sak’s Fifth Avenue.

A number of photos owned by Marilyn herself are also on offer, including this picture with US troops, taken on the set of Gentlemen Prefer Blondes; a set of publicity photos for Love Nest; a photo of Joe DiMaggio in his New York Yankees uniform; and Roy Schatt‘s 1955 photo of Marilyn and Susan Strasberg at the Actors Studio.

A postcard from the Table Rock House in Niagara Falls was signed by Marilyn and her Niagara co-stars, Jean Peters and Casey Adams, in 1952.

This publicity shot from River of No Return is inscribed, ‘To Alan, alas Alfred! It’s a pleasure to work with you – love & kisses Marilyn Monroe.’

A set of bloomers worn by Marilyn in River of No Return (as seen in this rare transparency) is going up for bids.

Marilyn in Korea, 1954

Among the mementoes from Marilyn’s 1954 trip to Japan and Korea are two fans and an army sewing kit.

Also among Marilyn’s personal property is this ad for There’s No Business Like Show Business, torn from the December 24, 1954 issue of Variety.

Marilyn’s hand-written poem inspired by Brooklyn Bridge is also on sale.

Among Marilyn’s assorted correspondence is a latter dated August 22, 1954, from childhood acquaintance Ruth Edens:

“I have long intended to write you this letter because I have particularly wanted to say that when you used to visit me at my Balboa Island cottage, you were a shy and charming child whose appeal, it seems to me, must have reached the hearts of many people. I could never seem to get you to say much to me, but I loved having you come in and I missed your doing so after you’d gone away. I wondered about you many times and was delighted when I discovered you in the films. I hope the stories in the magazines which say you felt yourself unloved throughout your childhood, are merely press-agentry. In any case, I want you to know that I, for one, was truly fond of you and I’m proud of you for having developed enough grit to struggle through to success … I hope you are getting much happiness out of life, little Marian [sic]. I saw so much that was ethereal in you when you were a little girl that I fell sure you are not blind to life’s spiritual side. May all that is good and best come your way!”

Marilyn’s loyalty to the troops who helped to make her a star is attested in this undated letter from Mrs. Josephine Holmes, which came with a sticker marked ‘American Gold Star Mothers, Inc.

“My dear Miss Monroe, I was so happy to hear from Mr. Fisher about your visit to the Veterans Hospital. When I spoke to Mr. Alex David Recreation he said the veterans would be thrilled, probably the best present and tonic for them this holiday and gift giving season. I am sure it will be a wonderful memory for you, knowing you have brought happiness to so many boys, many have no one to visit with them. Thank you, and may God bless you and Mr. Miller for your kindness.”

Marilyn wore this hand-tailored black satin blouse for a 1956 press conference at Los Angeles Airport, as she returned to her hometown after a year’s absence to film Bus Stop. When a female reporter asked, ‘You’re wearing a high-neck dress. … Is this a new Marilyn? A new style?’ she replied sweetly, ‘No, I’m the same person, but it’s a different suit.’

Paula Strasberg’s annotated scripts for Bus Stop, Some Like It Hot, Let’s Make Love, and her production notes for The Misfits are available; and a book, Great Stars of the American Stage, inscribed “For Marilyn/With my love and admiration/ Paula S/ May 29-1956” (the same day that Marilyn finished work on Bus Stop. )

Letters from Marilyn’s poet friend, Norman Rosten, are also included (among them a letter warmly praising her work in Some Like It Hot, and a postcard jokingly signed off as T.S. Eliot.)

Among Marilyn’s correspondence with fellow celebrities was a Christmas card from Liberace, and a telephone message left by erstwhile rival, Zsa Zsa Gabor.

File under ‘What Might Have Been’ – two letters from Norman Granz at Verve Records, dated 1957:

“In the September 5, 1957, letter, Granz writes, ‘I’ve been thinking about our album project and I should like to do the kind of tunes that would lend themselves to an album called MARILYN SINGS LOVE SONGS or some such title.’ In the December 30, 1957, letter, he writes, ‘… I wonder too if you are ready to do any recording. I shall be in New York January 20th for about a week and the Oscar Peterson Trio is off at that time, so if you felt up to it perhaps we could do some sides with the Trio during that period.'”

Also in 1957, Marilyn received this charming card from the Monroe Six, a group of dedicated New York teenage fans, mentioning her latest role in The Prince and The Showgirl and husband Arthur Miller’s legal worries:

“Marilyn, We finally got to see ‘Prince and the Showgirl’ and every one of us was so very pleased. We are all popping our shirt and blouse buttons. Now we will be on pins and needles ‘til it is released to the general public. You seemed so relaxed and a tease thru the whole picture and your close ups, well they were the most flawless ever. You should be real pleased with yourself. No need to tell you what we want for you to know now is that we hope everything comes out all right for Mr. Miller and real soon too. Guess what we are working on now. We are trying to scrape up enough money for the necessary amount due on 6 tickets to the premiere and the dinner dance afterwards. Well again we must say how happy we are about T.P.+T.S. and we wanted you to know it. Our best to you.”

Among the lots is assorted correspondence from Xenia Chekhov, widow of Marilyn’s acting teacher, Michael Chekhov, dated 1958. In that year, Marilyn sent Xenia a check which she used to replace her wallpaper. She regretted being unable to visit Marilyn on the set of Some Like It Hot, but would write to Arthur Miller on November 22, “I wanted to tell you how much your visit meant to me and how glad I was to see you and my beloved Marilyn being so happy together.”

In April 1959, Marilyn received a letter from attorney John F. Wharton, advising her of several foundations providing assistance to children in need of psychiatric care, including the Anna Freud Foundation, which Marilyn would remember in her will.

This telegram was sent by Marilyn’s father-in-law, Isidore Miller, on her birthday – most likely in 1960, as she was living at the Beverly Hills Hotel during filming of Let’s Make Love. She was still a keen reader at the time, as this receipt for a 3-volume Life and Works of Sigmund Freud from Martindale’s bookstore shows.

After Let’s Make Love wrapped, Marilyn sent a telegram to director George Cukor:

“Dear George, I would have called but I didn’t know how to explain to you how I blame myself but never you. If there is [undecipherable due to being crossed out] out of my mind. Please understand. My love to Sash. My next weekend off I will do any painting cleaning brushing you need around the house. I can also dust. Also I am sending you something but it’s late in leaving. I beg you to understand. Dear Evelyn sends her best. We’re both city types. Love, Amanda Marilyn.”

Here she is referencing her stand-in, Evelyn Moriarty, and Amanda Dell, the character she played. “Dearest Marilyn, I have been trying to get you on the telephone so I could tell you how touched I was by your wire and how grateful I am,” Cukor replied. “Am leaving for Europe next Monday but come forrest [sic] fires come anything, I will get you on the telephone.”

There’s also a June 30, 1960 letter from Congressman James Roosevelt (son of FDR), asking Marilyn to appear on a television show about the Eleanor Roosevelt Institute for Cancer Research, to be aired in October. Unfortunately, Marilyn was already committed to filming The Misfits, and dealing with the collapse of her marriage to Arthur Miller.

In 1961, movie producer Frank McCarthy praised Marilyn’s performance in The Misfits:

Rather touchingly, Marilyn owned this recording of ‘Some Day My Prince Will Come,’ sung by Adriana Caselotti. The record copyright is from 1961, but Disney’s Snow White and the Seven Dwarfs was originally released in December 1937, when Marilyn was just eleven years old.

This pen portrait was sketched by George Masters, who became Marilyn’s regular hairdresser in the final years of her life.

On July 5, 1962, Hattie Stephenson – Marilyn’s New York housekeeper – wrote to her in Los Angeles:

 “My Dear Miss Monroe: How are you! Trusting these few lines will find you enjoying your new home. Hoping you have heard from Mr. and Mrs. Fields by now. Found them to be very nice and the childrens [sic] are beautiful. Got along very well with there [sic] language. How is Maff and Mrs. Murray? Miss Monroe, Mrs. Fields left this stole here for you and have been thinking if you would like to have it out there I would mail it to you. Miss Monroe Dear, I asked Mrs. Rosten to speak with you concerning my vacation. I am planning on the last week of July to the 6th of August. I am going to Florida on a meeting tour. Trusting everything will be alright with you. Please keep sweet and keep smiling. You must win. Sincerely, Hattie.”

Hattie is referring to Marilyn’s Mexico friend, Fred Vanderbilt Field, who stayed with his family in Marilyn’s New York apartment that summer. She also alludes to Marilyn’s ongoing battle with her Hollywood studio. Sadly, Hattie never saw Marilyn again, as she died exactly a month later. Interestingly, the final check from Marilyn’s personal checkbook was made out to Hattie on August 3rd.

After Marilyn died, her estate was in litigation for several years. Her mother, Gladys, was a long-term resident of Rockhaven Sanitarium, which had agreed to waive her fees until her trust was reopened. In 1965, Gladys would receive hate mail from a certain Mrs. Ruth Tager of the Bronx, criticising her as a ‘hindrance’ due to her unpaid bills. This unwarranted attack on a sick, elderly woman reminds one why Marilyn was so hesitant to talk about her mother in public.

UPDATE: See results here

Earl R. Gilbert: Marilyn’s Lighting Man

Although he wouldn’t gain his first screen credit until 1965, Earl R. Gilbert began his career at Twentieth Century Fox in the same year as Marilyn (and at the same age.) In an article for Variety, James C. Udel looks back at Gilbert’s long career.

“Back in the age of directors calling ‘Lights, camera, action!’ lighting was an unsung craft. One crew member who raised the bar, employing natural-looking illumination like an artist uses his brush, is gaffer Earl Gilbert.

Gilbert was born in Bakersfield, Calif., in 1926. His father, Ray, an electrician at Twentieth Century Fox Studios, helped Earl obtain union status via ‘the sons of members’ provision. Joining in late 1946, Earl aced a grueling four-hour test pulling pound-a-foot cable 60 feet above the stage.

Serving as a rigger on pictures Forever Amber and Gentlemen’s Agreement (both in 1947) and The Day the Earth Stood Still (1951), Gilbert first demonstrated a talent for lighting on Elia Kazan’s 1952 Viva Zapata!

Continuing with Fox into the 1950s, Gilbert helped light classics such as The Robe, two Marilyn Monroe starrers — Gentlemen Prefer Blondes and Bus Stop … On Blondes, he recalls Monroe being shy but Jane Russell being gregarious: Russell’s cry of ‘Howdy, Earl!’ each time she greeted him on set, he says, made him feel like a million bucks.

Gilbert developed the art of using available location lighting. He ‘borrowed’ electricity by scaling telephone poles and tapping into overhead power lines — a gambit that risked electrocution.

Now retired and interviewed by Variety in his comfortable home in Thousand Oaks, Calif., Gilbert reminisces … ‘I never used a light meter,’ he allows. ‘If it looks good, it is good, and if it’s not, fix it!'”

ABG Nets Marilyn’s ‘Diamonds’ for $50K

The licensing arm of Marilyn’s estate, Authentic Brands Group (ABG) has purchased rights to ‘Diamonds Are a Girl’s Best Friend’ – her signature number from Gentlemen Prefer Blondes – for $50,000, as Martin Rapaport writes for Diamonds.net.

“ABG Intermediate Holdings, which trades as Authentic Brands Group (ABG), acquired the intellectual property related to the actress and singer’s famous song title for $50,000 last month, according to a court filing. The purchase covers several trademarks registered in the US, Canada, the European Union and with the World Intellectual Property Organization, as well as relevant internet domain names — including diamondsareagirlsbestfriend.com — and a video-game registration.

A. Jaffe and Firestar Diamond, two of Nirav Modi’s American jewelry brands, were the previous owners. They filed for Chapter 11 in February after the Indian tycoon became the subject of a fraud investigation, with bankruptcy trustee Richard Levin subsequently liquidating the companies’ assets, including jewelry and intellectual property.

‘There were a lot of industry players excited and contemplating what we believe was a six-figure property,’ Donald Palmieri, president of the Gem Certification and Assurance Lab (GCAL) and appraiser to the trustee, told Rapaport News Monday. ‘Many expressed interest, even excitement, but when the sale occurred, only one bidder showed up who had serious interest and an open wallet.’

That bidder, ABG, offered $25,000, but later doubled the amount after Levin declared the property unsold.

‘They…asked what the trustee wanted,’ Palmieri continued. ‘He said $50,000, and [ABG] said $50,000. There were plenty of major players in the room who could have jumped in, but there were no further bids.'”

Moon of Baroda Recasts Spell in Marilyn’s Hollywood

The legendary Moon of Baroda diamond – valued by its current owner at between $500,000 and $750,000 – is now on display at Christie’s in Los Angeles until October 20, and will be auctioned in Hong Kong on November 27 alongside a signed photo of Marilyn wearing it, as Jordan Riefe writes for the Hollywood Reporter.

“‘It’s gorgeous,’ said Marilyn Monroe when first gazing upon the Moon of Baroda; not a heavenly body to match her own, but a diamond, a rare 24.04-carat canary yellow gem pulled from the legendary Golconda mine, outside Hyderabad, in 16th-century India.

Monroe was on a publicity tour for her breakout 1953 comedy Gentleman Prefer Blondes with its unforgettable song, ‘Diamonds are a Girl’s Best Friend’ when the Moon of Baroda became her best friend, on loan from Meyer Jewelry Company in Detroit.

Meyer Rosenbaum loaned it to the legendary actor for publicity purposes surrounding Howard Hawks’ classic comedy, Gentlemen Prefer Blondes, co-starring Jane Russell, and photos of Monroe wearing it went viral.

What won’t add to its price is a rumored curse alleging that if the gem travels overseas, bad luck will come to its owner. Its 19th century stint in Austria ended with the death of Maria Theresa, and others claim that Monroe’s fortunes took a southward turn after wearing it in 1953, when Gentlemen Prefer Blondes launched her to stardom.”

UPDATE: The Moon of Baroda diamond has been sold at auction in China for $1.3 million – more than double its low estimate, as Christie’s reports.