A ‘Collector’s Ransom’ for Marilyn

Over 50 Marilyn-related lots will go under the hammer at on December 17-19, as part of the Hollywood – A Collector’s Ransom auction at Profiles in History. Marilyn’s costumes from A Ticket to Tomahawk, Love Nest, and Don’t Bother to Knock, and her fishnet tights from Bus Stop – which went unsold at last year’s Essentially Marilyn event – are back for a second chance.)

As Simon Lindley reports for Just Collecting, Marilyn’s personal annotated screenplay for The Seven Year Itch is also on offer, with a reserve of $60-80K. (The photo shown above, taken on location in New York, is sold separately.)

“In the film Monroe’s character is known simply as ‘The Girl’, an aspiring actress who serves as the object of the husband’s desires.

But behind her on-screen persona as the blonde sex symbol, Monroe’s extensive handwritten annotations reveal her dedication to her craft.

Throughout the script she has written notes to herself such as ‘Look first indecisive – pause – hesitation – little smile’ and ‘My body into his – sliding into him as if I want to sleep with him right then & there. Swing hips again’.

This preparation and complete understanding of the role in evident in her notes for the famous ‘Subway’ scene, which helped cement her place as a genuine Hollywood icon.

The energy and sexuality which Monroe portrays may seem effortless, but her script notes show she though very carefully about how to play the moment: ‘Child w/a woman. Direct & fem[inine]. Open… This is everything there is in the world. Light & easy. Everything flies out of her. Newborn – the baby looking at the moon for the first time.'”

And now, let’s take a closer look at what else is on offer…

“Vintage original 8 x 10 in. photograph taken of 13 year-old Norma Jeane on a trip to Yosemite with ‘Aunt’ Anna Lower and other family members. And sold separately, a vintage original 2-page printed 6.25 x 9 in. Ralph Waldo Emerson Junior High School Class of Summer 1941 commencement program. The printed program contains itinerary including music, speeches, and songs. Listed alphabetically in the ‘Graduating Class, June 1941 Girls’ roster of graduates is ‘Baker, Norma Jeane’.”

“Vintage original gelatin silver 8 x 10 in. photograph of Marilyn with her junior high school glee club, smiling in the center of the group. The verso is copiously inscribed with messages to Norma Jeane by her girlfriends, including, ‘To a beautiful, sweet, charming, and darling, adorable Norma Jean’ and ‘I hope your ambition will come true – to stay an old maid all your life’.”

“A 2-page letter to ‘Cathy’ handwritten in pencil and signed, ‘Norma Jeane’. Written during a period of major transition in her life, Norma Jeane mentions a leave of absence from her job as a parachute inspector at Radioplane. She had recently been ‘discovered’ by US Army Air Force First Motion Picture Unit photographer David Conover while working at the plant, and through his connections, had been able to get freelance work as a pin-up model. She writes in full: ‘Thursday. My dearest Cathy, thank you for your sweet little note, why of course of course I like you dear very much, you know that. If I seem a little neglectful at times its because I’m so busy I don’t seem to have any time to catch up on my correspondence, but I promise after this, I shall, do better, honestly I will. Jimmie arrived about three weeks ago and you can imagine how thrilled I was. I only wish he didn’t have to go back. Jimmie and I went up to Big Bear Lake for a week and had a grand time I hope you and Bud will be down soon because I would love for you both to meet him. I’ve been on leave of absence from Radioplane. I shall tell you all about it when I see you honey or I shall write to you later. I have so many things I have to do so I had better close for now but I shall write soon. Tell Bud Hello for me. Love, Norma Jeane.'”

Vintage original 8 x 10 in. cast & crew photo from Marilyn’s first movie, Scudda Hoo! Scudda Hay! She is in the third row, just above leading lady June Haver.

“Vintage original gelatin silver 7 x 8.75 in. double weight matte photograph, inscribed and signed in black ink at lower right, ‘To Grace and Daddy Always Lovingly Norma Jeane 12/25/46′. The ‘daddy’ to whom Norma Jeanne inscribed this early headshot is Erwin ‘Doc’ Goddard, a research engineer and the husband of Norma Jeanne’s legal guardian, Grace Goddard.  And sold separately, two oversize glamour portrait photographs of Marilyn Monroe in character as ‘Miss Caswell’ in All About Eve. The first is credit stamped by Ray Nolan with studio snipe, and the other, seen at right, attributed to Ed Clark.” [A poster for the film, signed by Bette Davis, Joseph Mankiewicz, and Celeste Holm, is being sold separately.]

Two vintage calendars including a 1950 wall calendar measuring 8.5 x 14.5 in., and featuring paintings by Earl Moran, six featuring Marilyn, alongside cute, risque poems like, ‘What are little girls made of? Sugar and spice, Perfume that smells nice, Jewels and furs, To attract attention, And other good things Too obvious to mention’, and a wall calendar featuring unique topless ‘cowgirl’ images of Marilyn not seen elsewhere. Sold separately, a 16 x 32 in. pin-up 1952 wall calendar titled, ‘The Lure of Lace‘. Featuring Marilyn Monroe in her famous Tom Kelley nude kneeling pose, but with a black lace teddy ‘overprint’.” 

“Two original studio production 8 x 10 in. negatives of Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes, each modeling wardrobe by designer William Travilla. [Russell wore a blonde wig to impersonate Marilyn in a courtroom scene.] Each includes within image a ‘shot-board’ documentation of production, scene, and change numbers. Also included are two original wardrobe documentation green pages detailing costumes [Monroe page describes a different costume, for the opening ‘Little Rock’ number.] At some point in time a positive copy print of the Monroe negative was made for archive continuity, but is not original to the production.”

“11 x 14 in. portrait by Ed Clark of Marilyn in the gold lame gown from Gentlemen Prefer Blondes for LIFE magazine. Signed in black ink on Marilyn’s skirt by the photographer, ‘Edmund Clark Life’.” 

“Photo of Marilyn at the Photoplay Awards in 1953, part of a 1750-image archive for celebrity snapper J.B. Scott. And sold separately, an award plaque presented to Marilyn by a County Fair ‘Sugar Queen’, engraved, ‘To the Sweetest Girl in Motion Pictures, Marilyn Monroe, 20th Century-Fox Films Star Presented by 1953 Yolo County Fair Sugar Queen’.” 

“Elois Jenssen costume sketch for Lucille Ball as ‘Lucy Ricardo’ as ‘Marilyn Monroe’ from I Love Lucy. Elois Jenssen was Lucille Ball’s designer of choice, who is credited with creating the ‘Lucy Look’. This dress design was created for the I Love Lucy Episode: ‘Ricky’s Movie Offer’, which aired on Nov. 8th, 1954. In the episode, ‘Lucy’ transforms herself into Marilyn Monroe to try to win a role in Ricky’s (Desi Arnaz) new Hollywood film. This costume was then repurposed into a showgirl costume for two subsequent episodes.” [Elois Jenssen’s costume sketches for Marilyn in We’re Not Married are being sold separately.]

“Ten 8 x 10 in. photographs of Marilyn Monroe in scenes from films, including the earliest title which depicts her on any of its publicity, Dangerous Years. Other highlights include Ladies of the ChorusThe Asphalt JungleRight Cross [to our knowledge, this still is the only original release paper to depict Marilyn], Let’s Make it Legal, and [shown above] Bus Stop.

“A set of fourteen 7 x 8.5 in. to 8 x 10 in. photographs, a mix of portraits, candids, and scenes, including stills from The Seven Year Itch and Let’s Make Love [at left] and a candid by Al Brack [at right], showing Marilyn on location for Bus Stop in Sun Valley, Idaho.”

“Two exhibition photos signed by Marvin Scott, of Marilyn performing at a circus benefit in 1955; and sold separately, another set including this photo of Marilyn arriving at Los Angeles in 1958 for the filming of Some Like It Hot.

“A candid photo taken by Milton Greene at Marilyn’s wedding to Arthur Miller; and sold separately, two address books from her estate, including typed and annotated entries for contacts including Actor’s Studio, Jack Benny, Eve Arden, George Cukor, Montgomery Clift, Jack Cardiff, Joe DiMaggio, Henry Fonda, John Huston, Hedda Hopper, Designers, makeup artists, Ben Gazzara, Gene Kelly, Jack Lemmon, Yves Montand, Arthur Miller, Robert Montgomery, Jane Russell, Jean Negulesco, Lee and Paula Strasberg, David Selznick, Carl Sandburg, Frank Sinatra, Eli Wallach, Shelley Winters, Clifford Odets, Peter Lawford, JAX, Richard Avedon, Louella Parsons, and more. Annotations not attributed to Monroe.”

And finally, a set of nine photos from Marilyn’s last completed film, The Misfits (1961.)

‘Gentlemen Prefer Blondes’ A Sellout On Southbank

Gentlemen Prefer Blondes will be screened at the BFI on London’s Southbank tomorrow, as part of the ongoing Musicals! season, and with an introduction by programmer Robin Baker. Unfortunately it’s now sold out, which is surely a testament to its enduring popularity – so for any readers lucky enough to get tickets, enjoy!

“Monroe (as gold-digging Lorelei) and Russell (as man-eating Dorothy) are the smartest, sassiest leads found in any musical. Monroe has the boys eating out of her pink silk gloves in the joyfully cynical ‘Diamonds Are a Girl’s Best Friend’, but Russell almost meets her match in ‘Ain’t There Anyone Here for Love?’ as she tackles a gym full of semi-naked men. A wondrous Technicolor tonic.”

Kylie and Mariah Get Festive With Marilyn

Yet another Kardashian sister made her love for Marilyn public this week, as Kylie Jenner recreated her ‘Diamonds Are a Girl’s Best Friend’ look for Halloween. (Of course, unlike most of us when we party in fancy dress, Kylie had a stylist on call, as Elle reports.)

Looking onward to Christmas, singer Mariah Carey – arguably the doyenne of celebrity Monroe fans, and the owner of Norma Jeane’s white grand piano since the Christie’s sale of 1999 – has put her own sartorial stamp on another Travilla creation from Gentlemen Prefer Blondes, wearing a red gown similar to Marilyn’s in the opening song, ‘Two Little Girls From Little Rock’, in a festive ad for Walker’s Crisps.

Incidentally, Marilyn’s original ‘Little Rock’ costume sold for $250,000 at Julien’s Auctions yesterday …

Marilyn’s ‘Heat Wave’ Costume Sold for $280,000

As expected, Marilyn’s ‘Heat Wave’ costume from There’s No Business Like Show Business was the biggest seller at Julien’s Auctions yesterday, fetching $280,000 (over three times the maximum estimate) in the Property From the Life and Career of Marilyn Monroe sale – and Travilla’s ‘Heat Wave’ design sketch sold for $11,520. Marilyn’s ‘Little Rock’ costume from Gentlemen Prefer Blondes was close behind at $250,000 (while Jane Russell’s matching gown fetched $43,750.) Her River of No Return costume fetched $175,000, and the black cocktail dress she wore to the Some Like It Hot press conference reached $100,000.

Other big sellers included the chair from Marilyn’s Brentwood home, at $81,250; her green Pucci ensemble, at $46,875; the bathing suit from Let’s Make It Legal, at $37, 500; the pink Ferragamo shoes worn by Marilyn in the ‘Incurably Romantic’ number from Let’s Make Love, at $25,000; the white parasol from her 1949 photo-shoot with Andre de Dienes, and her necklace from the 1953 Cinerama party, at $21,875 each; and finally, her custom-made MGM bathing suit, and Dr Ralph Greenson’s couch at $11,250 each.

Marilyn’s bathing suit from Let’s Make It Legal (1951.) Mannequin created by ChadMichael Morrisette. (Photo by Jackie at Marilyn Remembered)

I have now updated all my posts on this sale with final bids – see here.

Naomi Watts Inspired by Marilyn

Among those who attended the opening night of the Marilyn exhibit at Blancpain in Manhattan this week was Australian actress Naomi Watts, who shot to fame as a fragile Hollywood starlet in David Lynch’s Mulholland Drive (2001), and was the initial favourite to play Marilyn in filmmaker Andrew Dominik’s long-mooted adaptation of Joyce Carol Oates’ Blonde. After nearly a decade’s gestation, the film went into production this year with Ana de Armas in the lead role. Nonetheless, Naomi’s love for Marilyn is still strong, as she told Fashion Week Daily after arriving at Blancpain yesterday.

“Why did you want to be a part of tonight?

A New York night. Like any actress, I’m fascinated by Marilyn’s story.

What are your first memories of her?

I think she was there before I saw her films because she was everywhere. I was probably too young to know the films. She was just a glamour symbol. Then as I got to see her on film and then become an actor and get inside of her story. It was a wonderful discovery. Some of her work in the later part of her life was particularly extraordinary. Knowing what she had gone through as well. She was one of a kind.

Did you ever have any desire to play her in a biopic?

There was a moment where I nearly did quite a while ago. I’m too old now.  I’m aged out. Yes, it was something I considered and I was talking to a filmmaker for a period of time. It was a dark piece.

Do you have a favorite Marilyn Monroe movie?

The Misfits. I love the rawness of that. Gentlemen Prefer Blondes is another. The Seven Year Itch! There are so many!”



Marilyn at Julien’s: At the Movies

Another selection of items featured in Property From the Life and Career of Marilyn Monroe, going under the hammer at Julien’s Auctions on Thursday, November 1. (You can read all my posts on the sale here.)

“A single page removed from a trade publication such as Variety or The Hollywood Reporter with text reading in part ‘Thank you / Marilyn Monroe’ — an ad the star placed in the publication to thank the Hollywood Foreign Press Association for her 1962 Golden Globe win for ‘World Favorite Actress,’ mounted to cardboard; found in Monroe’s own files. ”

SOLD for $512

A framed still photo showing Marilyn with co-stars June Haver, William Lundigan and Jack Paar in Love Nest (1951); and a costume test shot for Don’t Bother to Knock (1952.)

Photo sets SOLD for $640 and $896, respectively

Marilyn and Jane Russell performing ‘Two Little Girls From Little Rock’ in Gentlemen Prefer Blondes, as seen on the cover of LIFE magazine in 1953. Marilyn’s costume is expected to fetch a maximum $80,000 – see here.)

Magazine SOLD for $896; costume SOLD for $250,000

A still photo of Marilyn during filming of River of No Return in 1953. The gown she wore while performing the theme song is expected to fetch a maximum $80,000 – see here.

Photo set SOLD for $1,152; costume SOLD for $175,000

Travilla’s costume sketch for the ‘Heat Wave’ number in There’s No Business Like Show Business (1954), and a colour transparency of Marilyn in costume for a wardrobe test shot. (The costume itself is estimated to fetch up to $80,000 – see here.)

Sketch SOLD for $11,520; photo SOLD for $750; costume SOLD for $280,000

A framed still photo of Marilyn performing ‘Heat Wave‘, and a custom-made, one-of-a-kind poster made for the Century Theatre in the Hamilton, Ontario area to advertise a raffle to win tickets to see There’s No Show Business Like Show Business.

Photo SOLD for $750; poster SOLD for $1,280

“A group of three, all original prints with a glossy finish, depicting the star behind-the-scenes on the set of her 1956 20th Century Fox film, Bus Stop; all have typed text on the bottom margin noting to credit Al Brack who was a ‘Sun Valley, Idaho photographer.'”

SOLD for $576

A pair of memos regarding Milton Greene’s photos from the set of The Prince and the Showgirl; and, sold separately, a contact sheet. The second memo reads in part, ‘Dear Mike, The print you sent me, that Marilyn Monroe said she had killed, is incorrectly numbered. Marilyn is right – she did kill it.’ Both memos are dated April 11, 1957, and are addressed to ‘Meyer Hunter.’ Lois Weber, one of Monroe’s publicists at the time, authored both memos.”

Memos SOLD for $312.50; contact sheet SOLD for $500

Still photo of Marilyn with co-stars Tony Curtis and Jack Lemmon in a scene from Some Like It Hot (1959.)

Photo set SOLD for $576

“A pair of colour slides of Marilyn Monroe in a scene from How To Marry a Millionaire (1953), and during a press conference for Let’s Make Love with co-star Frankie Vaughan on January 16, 1960.”

SOLD for $512

Still photos of Marilyn performing ‘My Heart Belongs to Daddy‘, and with director George Cukor, both taken on the set of Let’s Make Love.

SOLD for $512 and $640, respectively

Candid photos taken during filming of The Misfits in 1960.

Photo sets sold for $1,562.50 and $1, 920, respectively

Producer Henry Weinstein’s screenplay for the unfinished Something’s Got to Give (1962.)

SOLD for $768

Still photos taken by Lawrence Schiller during filming of the ‘pool scene’ in Something’s Got to Give.

Photo sets sold for $1,280 each

“A collection of approximately 65 pieces comprising only photocopied scripts and documents, all related to Marilyn Monroe’s films. Some film titles have more than one copy of the script, and some feature the working title and not the final one. All are bound into 20th Century Fox covers of various colors and appear to be the studio’s ‘loan out’ or ‘library’ copies. Pieces include (in alphabetical order): All About Eve (a treatment only), As Young As You Feel (2 scripts ), Bus Stop (3 scripts), Dangerous Years (1 script), Don’t Bother to Knock (2 scripts), The Full House (1 script), Gentlemen Prefer Blondes (2 scripts plus 4 related documents), How to Marry a Millionaire (3 scripts plus 1 related document), Let’s Make Love (2 scripts), Love Nest (2 scripts), Monkey Business (2 scripts plus 2 related documents), Move Over, Darling (1 script), Niagara (2 scripts plus 4 related documents), O. Henry’s Full House (2 scripts plus 1 related document), River of No Return (1 script plus 5 related documents), The Seven Year Itch (3 scripts), Something’s Got to Give (1 script), There’s No Business Like Show Business (3 scripts plus 7 related documents), Ticket to Tomahawk (2 related documents), and We’re Not Married (1 script plus 1 related document). Also included are a few miscellaneous pieces related to Monroe. “

SOLD for $896

‘Blondes’ Preferred On the London Stage

Gentlemen Prefer Blondes, the Broadway musical which Marilyn brought to the big screen in 1953, is currently being revived at London’s Union Theatre, as Julia Rank reports for The Stage.

“It’s less astringent than Anita Loos’ 1925 novel and inevitably it feels dated, but mostly in a charming way (the dirty-old man character notwithstanding). The plot is lightweight in the extreme … but the tunes are catchy and the characters exude moxie.

As Lorelei, Abigayle Honeywill pleasingly doesn’t give a breathy Monroe impression. She has more in common with Jean Hagen as Lina Lamont in Singin’ in the Rain. With a speaking voice that could strip paint, Lorelei isn’t exactly endearing, but ‘Diamonds Are a Girl’s Best Friend’ in context does show why such materialism is a valid survival method.”

Margot Robbie’s Diamond Moment

Having recently starred as Sharon Tate in Tarantino’s Once Upon a Time … In Hollywood, Margot Robbie is no stranger to playing iconic blondes. Now, as she reprises her Harley Quinn role in the forthcoming Birds of Prey, the trailer includes a brief homage to Marilyn’s ‘Diamonds Are a Girl’s Best Friend’ number from Gentlemen Prefer Blondes, as Dirk Libbey reports for Cinemablend.

“While the context of the shots in the trailer are not clear, as seen in the image above, we see Margot Robbie’s Harley apparently singing and dancing. She’s dressed elegantly, not Harley’s usual style, and has backup dancers, who look like comic book villain thugs, of course. 

There isn’t much of an explanation in the trailer as to how this sequence fits into the larger story. We see Harley Quinn, apparently being beat-up, likely tortured for information, drop her head, and then we see her raise her head in her Marilyn Monroe inspired outfit. If these two shots really are in sequence in the film, and not just in the trailer, then the musical number could be a sort of mental escape for Quinn since she doesn’t like the place where she is in real life.

Since Harley Quinn is supposed to be ‘crazy’ we could potentially see multiple moments like this where the character’s reality and fantasy get more than a little blurry. Will this musical interlude just be a dive into Harley’s psyche that includes a dance number or is there more going on here?”



Leo Robin: The Man Who Made Music For Marilyn

Lyricist Leo Robin, who co-wrote two songs that would bookend Marilyn’s career, is profiled in Variety today.

“The centerpiece of Scott Ora’s cluttered San Fernando Valley apartment is the 1939 Oscar his step-grandfather, the late lyricist Leo Robin, was presented for co-writing ‘Thanks for the Memory.’ Sung by Bob Hope and Shirley Ross in the film The Big Broadcast of 1938, the trophy sits proudly on the piano where Robin worked on some of his biggest hits.

Over the course of 20 years, from 1934 (when the best original song category was introduced and he was nominated for ‘Love in Bloom’) through 1954, Robin, a member of the Songwriters Hall of Fame who died in 1984 at the age of 84, earned 10 Oscar nominations (two in 1949 alone). 

By 1949, a Hollywood success, Robin returned to Broadway with Jule Styne to create the score for Gentlemen Prefer Blondes, a vehicle for Carol Channing and later a movie starring Marilyn Monroe, whose [secretary], ironically enough, was Leo’s third wife Cherie Redmond, Ora’s maternal grandmother.  The song became an enduring pop culture staple when Madonna borrowed its imagery for her ‘Material Girl’ video, while Monroe did the same for ‘Thanks for the Memory,’ when she tacked it on to her steamy birthday salute to President John F. Kennedy at New York’s Madison Square Garden.”

Leo Robin married his third wife, long-time assistant Cherie Redmond, in 1979. (Cherie had worked as Marilyn’s Los Angeles secretary from January 1962 until her death eight months later.)