This 1.5 metre white-bead necklace worn by Marilyn in Richard Avedon’s publicity shots for Some Like It Hot and worth £12,000, is up for grabs in a contest ending on December 31 this year. To enter, subscribe now to the JewelStreet email newsletter.
In addition to their current exhibition, Divine Marilyn, Galerie Joseph in Paris will host a live adaptation of her 1954 memoir, My Story, from September 5-9. With the rather more poetic title of Confession Inachevée (‘Unfinished Confession’), the show will star actress Stéphanie Sphyras, and promises to be a cut above other Monroe-themed stage plays.
Speculation about Marilyn’s death makes the pages of Closer in the USA this week (alongside cover star Meryl Streep.) If you’re wondering where all these stories are coming from, it’s partly the Fox News series Scandalous, but also a new podcast, The Killing of Marilyn Monroe. If conspiracy theories aren’t your thing, it might be worth waiting for Marilyn Monroe: Behind the Icon, an upcoming podcast from biographer Gary Vitacco-Robles.
Every August brings with it a slew of magazine articles about Marilyn’s death. This inset appears on the cover of Italy’s OGGI (‘Today’), which has featured Marilyn many times over the years.
Niagara will be the second film screened in a double bill at the Redford Theatre in Detroit on September 21, starting with Trapped (1949) at 2 pm. It’s part of a weekend-long festival, ‘Noir in the 50s‘, hosted by Noir City magazine.
The Misfits will be screened at the Osher Lifelong Learning Institute (OLLI) in Morehead, Kentucky this fall, as part of the Osher Classic Film Series which runs on Wednesdays at 12:30 pm from September 25 – October 30 (enrolment is free, but limited to 35 places.)
Adrian Brody, who won an Oscar for The Pianist back in 2002, will play Arthur Miller in Andrew Domink’s Netflix adaptation of Joyce Carol Oates’ Blonde, as Garth Franklin reports for Dark Horizons. Brody has also appeared in The Grand Budapest Hotel and TV’s Peaky Blinders. Meanwhile, Bobby Cannavale – who won an Emmy for TV’s Boardwalk Empire, and has also acted in films such as Blue Jasmine and I, Tonya, will play Joe DiMaggio. With Ana de Armas set to play Marilyn, we’re sure to hear of more casting decisions soon (and incidentally, Ana posted this tribute to Marilyn on Instagram earlier this month, marking the 57th anniversary of her death.)
Cătălin Mitulescu’s latest film, Heidi – which premieres at the Sarajevo Film Festival this week – has nothing to do with the classic children’s novel and is reportedly closer to ‘a Romanian Fargo.’ In an interview for Variety, Mitulesco reveals the unlikely inspiration behind Cătălina Mihai’s breakout performance as Heidi.
“At the beginning, she was more timid, because Gheorghe [Visu] is a well-known actor, and she was a student. I wanted her to play hard as a character: to charm him, and to play like she’s in control. We talked about many movies, like Some Like It Hot. For her it was an inspiration, Marilyn Monroe. She was playing a prostitute on the outskirts of Bucharest, but that thing was very inspiring for me and for her. I wanted to make her shine more, make her sparkle as a character. She’s very generous. She has this glamour, somehow. I wanted that for the character. She got into that with great pleasure.”
The 1952 screwball comedy, Monkey Business, will be screened at London’s BFI Southbank in September as part of a Cary Grant retrospective, and is also The Times’ classic film of the week, as reviewed by Larushka Ivan-Zadeh.
“Grant basically retreads the stiff academic he played in Hawks’s Bringing Up Baby as Dr Fulton, a nutty professor in bottle-end spectacles who is striving to create an elixir of eternal youth. Then one day, a lab chimpanzee breaks out of his cage and, unbeknown to Fulton, beats him to it. When the chimp’s formula ends up in the water supply, Fulton unwittingly drinks it and regresses to his teenage self: losing the specs and whisking his sexy young secretary (rising star Marilyn Monroe, then dubbed the ‘cheesecake queen’ of Hollywood by Hedda Hopper) off to a rollerskating rink.
The high-concept, chimp-led shenanigans are a tad contrived — though special mention to an excellent simian performance. But this joyful concoction of golden Hollywood greats still fizzes with sublime moments of comedy — not least the scenes between an adoring Monroe and the speccy Grant that were parodied seven years later, by Tony Curtis, in Some Like It Hot. “