The Divine Marilyn exhibition (first reported here) has now opened at Galerie Joseph at 116 rue Turenne in Paris, through to September 22. You can read a report (in French) on the launch over here. (Photos by Joshua Greene, and Ma Zaz at Marilyn Remembered.)
This photo by George Barris, taken in July 1962 – often said to be the last professional photo of Marilyn – graces the cover of Polish magazine Zwierciadlo this month.
In Hungary, Marilyn (as photographed by Alfred Eisenstadt in 1953) makes the cover of July’s Meglepetes Retro, while a Sam Shaw photo covered another Hungarian magazine in June.
As well as the recent New Literary Magazine, Marilyn graced another French magazine cover in June.
And finally, Marilyn (and her favourite singer, Ella Fitzgerald) covered a Romanian magazine in May.
Former chef turned artist Simon White painted this mural (using a 1957 photo of Marilyn by Sam Shaw, plus The Beatles and explorer Steve Irwin as inspiration) on a water tank in his new hometown of Loch Sport, Victoria (on the East Gippsland coast, 260 km east of Melbourne, Australia), as Carolyn Webb reports for the Brisbane Times.
This iconic image of Marilyn, seen through glass, is part of a new exhibition by artist David Datuna at his new Datuna Art Space, a converted taxi cab garage newly opened in Long Island City, New York, as Vinesh Vora reports for The Knockturnal. Here are some of his other portraits of Marilyn (with nods to Frank Powolny, Sam Shaw, Nickolas Muray and Andy Warhol…)
At home in Finland, Everlasting Star’s Sirkku is celebrating Marilyn’s 93rd birthday with “some bubbly and of course Gentlemen Prefer Blondes …”
“Happy birthday to the myth, the icon, the girl. Who can forget her first appearance in The Seven Year Itch?”– Alejandro Mogollo
A poster of Marilyn in The Seven Year Itch (the image is usually attributed to Sam Shaw) can be glimpsed in this deceptively casual photo of Ivanka Trump’s dorm room at a Connecticut girl’s boarding school, as Ashley Alese Edwards reports for Refinery 29. The eldest daughter of real-estate tycoon and future president Donald Trump, Ivanka now contentiously serves as his personal advisor.
“A January 1998 piece, first reposted by the Instagram account @thankyouatoosa, run by Casey Lewis, profiles a 16-year-old Ivanka in her dorm room at Choate Rosemary Hall in Connecticut, which she shared with two other girls. ‘Some people might be surprised I’m a normal teenager,’ Ivanka, who is pictured striking a very ’90s cool-girl pose on a small wooden chair, told the magazine. The 15-by-11 feet room is normal: Her wall is adorned with string lights, photographs of friends and family, and a poster of Marilyn Monroe’s iconic skirt-flying-up photo. ‘There’s a lot of random themes from movies,’ she said.
Although the room seems no different than that of any American teenage girl at the time, one can glean some insights into future Ivanka. Ivanka’s image, much like a magazine spread, is perfectly curated. She grew up with unimaginable wealth, but her public persona (like her dorm) is that of a person who is almost implausibly down-to-earth. She wears immaculate designer clothes, but is never gaudy. She speaks with authority, but maintains a soft tone. She’s an adviser to one of the most powerful men in the world, but still wants to be seen as relatable and approachable by posting smiling selfies, videos of herself playing with her kids, and engaging in PDA with her husband Jared Kushner (who is also an adviser to the president). Much of what Ivanka portrays herself to be is paradoxical; how could a woman who has always been privileged — and by extension, powerful — really be just ‘one of us’?
Ivanka, who grew up shuttling between multiple luxury residences, told Seventeen her unassuming dorm, with its austere furniture and plain, white walls, ‘probably expresses me best.’
She added: ‘It’s an atmosphere I created.’
Double Take: Reconstructing the History of Photography is a new book by Jojakim Cortis and Adrian Sonderegger, two Swiss artists who have recreated some of the world’s most famous photos in miniature – including Sam Shaw’s 1954 shot of Marilyn filming the ‘skirt-blowing scene’ for The Seven Year Itch on a New York subway grate. Read more about Cortis and Sonderegger’s work here.
Richard Avedon’s first collaboration with Marilyn was in September 1954, when she visited New York to film The Seven Year Itch with director Billy Wilder. It may also have been their first meeting, and their warm camaraderie is evident in the resulting photos, taken by Sam Shaw. Earl Steinbicker, who was Avedon’s studio assistant at the time, remembers the shoot in Avedon: Something Personal.
“I met a helluva lot of famous people with Dick … I was there for the first sitting Dick ever did with Marilyn Monroe. The Daily News had sent a photographer to photograph him photographing her. I worked the fan blowing her hair, and at the end of the sitting she came over and said, ‘Wouldn’t you like a picture of me?'”