A final post (for now) on the Julien’s Legends series, in advance of the auction on June 13-14. As well as Marilyn’s bathrobe from How to Marry a Millionaire (see here) her costume from A Ticket to Tomahawk (1950) is also on offer. She wore it to perform ‘Oh, What A Forward Young Man You Are’ with Dan Dailey and her fellow chorines.
As well as an archive of material by Manfred ‘Linus’ Kreiner (see here), several other photographers are also represented.
UPDATE: I have now added the final bids for each item.
“A group of seven color slides, all showing Marilyn performing for U.S. troops in Korea in 1954. Four slides show Monroe wearing a purple spaghetti-strapped dress on stage, three show her wearing a bomber jacket and pants in the camp, and one has a further handwritten annotation in black fountain pen ink reading in part ‘6 Feb 54 – A little/ closer this time.'” (SOLD for $448)
Despite her glamorous appearance, Marilyn required no special treatment during her 1954 military tour of Korea. Nonetheless, U.S. troops did their utmost to make their special guest comfortable throughout her stay, as this amusing tale from the Reading Eagle reveals.
“When Marilyn Monroe visited American troops in Korea in 1954, Arthur ‘Kip’ Bowers of Blandon was tasked with providing the movie star a key necessity.
‘I’m the only carpenter in the United States that built Marilyn Monroe an outside toilet,’ Bowers said. ‘She needed her own private toilet. We had no facilities and I’m a damn good carpenter.’
Bowers, 87, told that story Thursday immediately after receiving the Korean Ambassador for Peace Medal at the Paul R. Gordon Veteran Social Center in Reading, PA.
Bowers used his job as an Army military police officer to get the wood by setting up a speed trap and stopping Army vehicles.
‘Every guy that was carrying water I stopped if he was over 50 miles an hour,’ Bowers explained. ‘And I said we can do this two ways … I was as straight a cop as could be, but in this case, I needed lumber … I said we can take one of your stripes or you can bring me a load of lumber. Every one of them brought me a load of lumber.’
After the latrine was built, there was a lot of wood left over and Bowers’ skills were proved. He was moved from MP to carpenter for the rest of his service.”
UPDATE:Another memory from Bowers is quoted on the WFMZ website. “She came to put on a show,” he told fellow veterans. “She swung her hip two feet this way and hit me on the head, and then she swung two feet the other way and hit my buddy.”
A souvenir album featuring 34 original photos taken during Marilyn and Joe DiMaggio’s trip to Japan in early 1954 – including Joe’s stint as a coach to the Japanese baseball league, and Marilyn’s solo jaunt to Korea – will go under the hammer at a sports memorabilia sale hosted by Heritage Auctions on February 23-24, as Simon Lindley reports for Just Collecting. First sold in the 2006 auction of the DiMaggio estate, it was most likely a parting gift from the newlyweds’ hosts.
An 86 year-old Korean War veteran from Amherst, Massachusetts has shared his memories of Marilyn with the Buffalo News.
“Robert W. Fisher was glad for anything to break up the monotony of his Army service in post-war South Korea.
So he was excited when officers said the troops would get a show that day in January 1954 [actually, Marilyn visited in February.] Fisher said a few thousand men marched to a field, where they saw a helicopter parked next to a stage.
‘So can you picture all these men, with their winter parkas on, and out on the stage comes Marilyn Monroe, in a sleeveless gown,’ Fisher said. ‘I couldn’t believe it. Everybody was in an uproar.’
After the bombshell movie star said hello and waved to the cheering crowd, she sang ‘Diamonds Are a Girl’s Best Friend.’
‘Oh, it was great,’ Fisher said in an interview in his Amherst apartment, the memory undimmed by the passage of 65 years.”
A wide range of Marilyn-related items, including her 1956 Thunderbird, will be up for grabs at Julien’s Icons & Idols auction on November 17. Another high-profile item is the white beaded Travilla gown worn by Marilyn when she sang ‘After You Get What You Want, You Don’t Want It’ in There’s No Business Like Show Business, purchased at Christie’s in 1995; as yet it’s unclear whether this is the same dress listed at Julien’s in 2016.
Marilyn owned several pairs of checked trousers, wearing them repeatedly throughout her career. This pair, seen in one of her earliest modelling shoots, was purchased from Sak’s Fifth Avenue.
A number of photos owned by Marilyn herself are also on offer, including this picture with US troops, taken on the set of Gentlemen Prefer Blondes; a set of publicity photos for Love Nest; a photo of Joe DiMaggio in his New York Yankees uniform; and Roy Schatt‘s 1955 photo of Marilyn and Susan Strasberg at the Actors Studio.
A postcard from the Table Rock House in Niagara Falls was signed by Marilyn and her Niagara co-stars, Jean Peters and Casey Adams, in 1952.
This publicity shot from River of No Return is inscribed, ‘To Alan, alas Alfred! It’s a pleasure to work with you – love & kisses Marilyn Monroe.’
A set of bloomers worn by Marilyn in River of No Return (as seen in this rare transparency) is going up for bids.
Among the mementoes from Marilyn’s 1954 trip to Japan and Korea are two fans and an army sewing kit.
Also among Marilyn’s personal property is this ad for There’s No Business Like Show Business, torn from the December 24, 1954 issue of Variety.
Among Marilyn’s assorted correspondence is a latter dated August 22, 1954, from childhood acquaintance Ruth Edens:
“I have long intended to write you this letter because I have particularly wanted to say that when you used to visit me at my Balboa Island cottage, you were a shy and charming child whose appeal, it seems to me, must have reached the hearts of many people. I could never seem to get you to say much to me, but I loved having you come in and I missed your doing so after you’d gone away. I wondered about you many times and was delighted when I discovered you in the films. I hope the stories in the magazines which say you felt yourself unloved throughout your childhood, are merely press-agentry. In any case, I want you to know that I, for one, was truly fond of you and I’m proud of you for having developed enough grit to struggle through to success … I hope you are getting much happiness out of life, little Marian [sic]. I saw so much that was ethereal in you when you were a little girl that I fell sure you are not blind to life’s spiritual side. May all that is good and best come your way!”
Marilyn’s loyalty to the troops who helped to make her a star is attested in this undated letter from Mrs. Josephine Holmes, which came with a sticker marked ‘American Gold Star Mothers, Inc.‘
“My dear Miss Monroe, I was so happy to hear from Mr. Fisher about your visit to the Veterans Hospital. When I spoke to Mr. Alex David Recreation he said the veterans would be thrilled, probably the best present and tonic for them this holiday and gift giving season. I am sure it will be a wonderful memory for you, knowing you have brought happiness to so many boys, many have no one to visit with them. Thank you, and may God bless you and Mr. Miller for your kindness.”
Marilyn wore this hand-tailored black satin blouse for a 1956 press conference at Los Angeles Airport, as she returned to her hometown after a year’s absence to film Bus Stop. When a female reporter asked, ‘You’re wearing a high-neck dress. … Is this a new Marilyn? A new style?’ she replied sweetly, ‘No, I’m the same person, but it’s a different suit.’
Letters from Marilyn’s poet friend, Norman Rosten, are also included (among them a letter warmly praising her work in Some Like It Hot, and a postcard jokingly signed off as T.S. Eliot.)
Among Marilyn’s correspondence with fellow celebrities was a Christmas card from Liberace, and a telephone message left by erstwhile rival, Zsa Zsa Gabor.
File under ‘What Might Have Been’ – two letters from Norman Granz at Verve Records, dated 1957:
“In the September 5, 1957, letter, Granz writes, ‘I’ve been thinking about our album project and I should like to do the kind of tunes that would lend themselves to an album called MARILYN SINGS LOVE SONGS or some such title.’ In the December 30, 1957, letter, he writes, ‘… I wonder too if you are ready to do any recording. I shall be in New York January 20th for about a week and the Oscar Peterson Trio is off at that time, so if you felt up to it perhaps we could do some sides with the Trio during that period.'”
Also in 1957, Marilyn received this charming card from the Monroe Six, a group of dedicated New York teenage fans, mentioning her latest role in The Prince and The Showgirl and husband Arthur Miller’s legal worries:
“Marilyn, We finally got to see ‘Prince and the Showgirl’ and every one of us was so very pleased. We are all popping our shirt and blouse buttons. Now we will be on pins and needles ‘til it is released to the general public. You seemed so relaxed and a tease thru the whole picture and your close ups, well they were the most flawless ever. You should be real pleased with yourself. No need to tell you what we want for you to know now is that we hope everything comes out all right for Mr. Miller and real soon too. Guess what we are working on now. We are trying to scrape up enough money for the necessary amount due on 6 tickets to the premiere and the dinner dance afterwards. Well again we must say how happy we are about T.P.+T.S. and we wanted you to know it. Our best to you.”
Among the lots is assorted correspondence from Xenia Chekhov, widow of Marilyn’s acting teacher, Michael Chekhov, dated 1958. In that year, Marilyn sent Xenia a check which she used to replace her wallpaper. She regretted being unable to visit Marilyn on the set of Some Like It Hot, but would write to Arthur Miller on November 22, “I wanted to tell you how much your visit meant to me and how glad I was to see you and my beloved Marilyn being so happy together.”
In April 1959, Marilyn received a letter from attorney John F. Wharton, advising her of several foundations providing assistance to children in need of psychiatric care, including the Anna Freud Foundation, which Marilyn would remember in her will.
This telegram was sent by Marilyn’s father-in-law, Isidore Miller, on her birthday – most likely in 1960, as she was living at the Beverly Hills Hotel during filming of Let’s Make Love. She was still a keen reader at the time, as this receipt for a 3-volume Life and Works of Sigmund Freud from Martindale’s bookstore shows.
After Let’s Make Love wrapped, Marilyn sent a telegram to director George Cukor:
“Dear George, I would have called but I didn’t know how to explain to you how I blame myself but never you. If there is [undecipherable due to being crossed out] out of my mind. Please understand. My love to Sash. My next weekend off I will do any painting cleaning brushing you need around the house. I can also dust. Also I am sending you something but it’s late in leaving. I beg you to understand. Dear Evelyn sends her best. We’re both city types. Love, Amanda Marilyn.”
Here she is referencing her stand-in, Evelyn Moriarty, and Amanda Dell, the character she played. “Dearest Marilyn, I have been trying to get you on the telephone so I could tell you how touched I was by your wire and how grateful I am,” Cukor replied. “Am leaving for Europe next Monday but come forrest [sic] fires come anything, I will get you on the telephone.”
There’s also a June 30, 1960 letter from Congressman James Roosevelt (son of FDR), asking Marilyn to appear on a television show about the Eleanor Roosevelt Institute for Cancer Research, to be aired in October. Unfortunately, Marilyn was already committed to filming The Misfits, and dealing with the collapse of her marriage to Arthur Miller.
In 1961, movie producer Frank McCarthy praised Marilyn’s performance in The Misfits:
Rather touchingly, Marilyn owned this recording of ‘Some Day My Prince Will Come,’ sung by Adriana Caselotti. The record copyright is from 1961, but Disney’s Snow White and the Seven Dwarfs was originally released in December 1937, when Marilyn was just eleven years old.
This pen portrait was sketched by George Masters, who became Marilyn’s regular hairdresser in the final years of her life.
On July 5, 1962, Hattie Stephenson – Marilyn’s New York housekeeper – wrote to her in Los Angeles:
“My Dear Miss Monroe: How are you! Trusting these few lines will find you enjoying your new home. Hoping you have heard from Mr. and Mrs. Fields by now. Found them to be very nice and the childrens [sic] are beautiful. Got along very well with there [sic] language. How is Maff and Mrs. Murray? Miss Monroe, Mrs. Fields left this stole here for you and have been thinking if you would like to have it out there I would mail it to you. Miss Monroe Dear, I asked Mrs. Rosten to speak with you concerning my vacation. I am planning on the last week of July to the 6th of August. I am going to Florida on a meeting tour. Trusting everything will be alright with you. Please keep sweet and keep smiling. You must win. Sincerely, Hattie.”
Hattie is referring to Marilyn’s Mexico friend, Fred Vanderbilt Field, who stayed with his family in Marilyn’s New York apartment that summer. She also alludes to Marilyn’s ongoing battle with her Hollywood studio. Sadly, Hattie never saw Marilyn again, as she died exactly a month later. Interestingly, the final check from Marilyn’s personal checkbook was made out to Hattie on August 3rd.
After Marilyn died, her estate was in litigation for several years. Her mother, Gladys, was a long-term resident of Rockhaven Sanitarium, which had agreed to waive her fees until her trust was reopened. In 1965, Gladys would receive hate mail from a certain Mrs. Ruth Tager of the Bronx, criticising her as a ‘hindrance’ due to her unpaid bills. This unwarranted attack on a sick, elderly woman reminds one why Marilyn was so hesitant to talk about her mother in public.
Marilyn (and John Wayne) graces the cover of US nostalgia magazine ReMIND‘s November issue, in tribute to the many stars who have supported American troops abroad. (Marilyn has appeared in ReMIND before, including a cover feature in 2015.)
Today’s obituary page in the Daily Mail includes an interesting anecdote from Timothy Goss, son-in-law of Derek Bishop who died recently, aged 85. Apparently, Derek met Marilyn at the former Kai Tak airport in Hong Kong one freezing night, while on guard duty as part of his national service in the British Royal Air Force.
Although the story is dated as from 1952, Marilyn didn’t travel to the Far East until 1954. National service usually lasted for 1 year, sometimes more. And I haven’t heard of her visiting Hong Kong before, but it’s possible she passed through while returning to husband Joe DiMaggio in Japan after entertaining US troops in Korea.
However, as April VeVea points out over at Marilyn Remembered, “That seems really far out of the way when Hong Kong is roughly 2000 miles [from South Korea] and Kobe, Japan is 800.” So did Derek really meet Marilyn, or another blonde starlet that night?
“When his shift came to an end at 9pm, Derek and another solider were asked if they would stay on because a delayed flight was expected and there was a ‘celebrity’ on board.
They agreed and when the plane landed at 11pm, the famous passenger who stepped out was none other than the woman who would become the ultimate screen goddess.
Derek said she was dressed in ‘everyday’ clothes and wore very little make-up. She insisted on thanking him and his pal personally for working late and took them for a drink in the Nissen Hut that served as the mess.
He had half a lager and his only comment was that ‘she had no side to her.'”
Korea has a unique resonance in Marilyn’s history, so it’s fitting that both Niagara and Gentlemen Prefer Blondes are among twelve classic films featured in ‘The History of Visual Magic in Technology Pt. 2: Technicolor’, a special program starting tomorrow (July 18) at the National Museum of Modern and Contemporary Art in Seoul.
A new novel loosely based on Marilyn’s 1954 trip to Korea will be published by Harper-Collins imprint 4th Estate in Spring 2019, reports The Bookseller. Penned by Korean author and screenwriter Ji-min Lee, Marilyn & Me imagines a friendship between Marilyn and a Korean translator. While the premise is probably fictitious (as far as I know, Marilyn didn’t require a translator during her tour of US army bases), it’s a fascinating part of her life and a Korean woman’s perspective on those events should be intriguing.
“Set in 1954, in the aftermath of the Korean war, Marilyn & Me unfolds over the course of four days, when Marilyn Monroe took time out from her honeymoon with Joe DiMaggio to tour Korea, performing for the US soldiers stationed there. Her translator is Alice, a typist on the US base – where she is the only Korean woman making a living off the American military without being a prostitute – although everyone assumes she is. As these two women form an unlikely friendship, the story of Alice’s traumatic experiences in the war emerges, and when she becomes embroiled in a sting operation involving the entrapment of a Communist spy she is forced to confront the past she has been trying so hard to forget.
Helen Garnons-Williams, publishing director at the HarperCollins imprint, described Marilyn & Me as ‘a compelling and surprising story of damage and survival, grief and unexpected solace.’
‘Alice, raw and wry and wearing her grief like armour, is a wonderful character, and her experiences offer a fascinating – and timely – insight into an extraordinary time and place. We are thrilled to be publishing this darkly beautiful novel.'”