In 2017, Playboy founder Hugh Hefner was buried in the vault next to Marilyn’s at Westwood Memorial Park. Now an adjacent space is being offered for $475,000, as Steve Lopez reports for the Los Angeles Times. (The photo shows Marsha Ebert, whose parents are also buried in a less expensive plot at Westwood, guiding Lopez to Marilyn’s final resting place. In keeping with these difficult times, Marsha removed her face-mask only when the photo was taken.)
“‘Be buried adjacent to Marilyn Monroe and Hugh Hefner,’ said an ad that ran in the L.A. Times a couple of weeks ago. ‘The last prominent bench estate location in Westwood Village Memorial Park. Accommodates four people.’
I called the number in the advertisement and a gent named John Thill answered the phone in Florida, where he now lives. Thill, 66, writes textbooks in the business field. He told me he has lived in Los Angeles and San Diego, and that one of his favorite Marilyn Monroe movies was Some Like It Hot, which was filmed at the Hotel Del Coronado in San Diego.
Now that Thill’s in Florida, he told me, the plot lost some of its appeal. He first listed it last year at $790,000 and then dropped the price recently. He’s gotten several nibbles, and said he stands to make ‘a little money’ if he can sell near the list price.”
As many fans will know, Norma Jeane Baker was born in Los Angeles to an absent father and her mother suffered from mental illness. For much of her childhood she stayed with friends and family, and also spent time in an orphanage and in foster care.
As children’s services protect vulnerable families during the coronavirus crisis, Marilyn has been chosen to front a campaign for the Raise a Child non-profit organisation based in her hometown, alongside some of today’s celebrities who have also benefited from fostering.
Although Marilyn’s childhood memories were not all happy, she would later lend her name to numerous children’s charities and was reportedly considering adopting a child in the final months of her life, so this campaign is a wonderful way to honour her legacy.
“The faces of some notable former foster children — screen legend Marilyn Monroe, actress/comedian Tiffany Haddish and Olympic gold-medalist Greg Louganis — are featured prominently in a new street-banner campaign that began this week in an effort to recruit foster and adoptive parents.
The campaign by the nonprofit RaiseAChild — which will run through mid-July — is an effort to increase the number of foster and adoptive homes, particularly in Los Angeles County, which manages the nation’s largest child welfare system with 35,000 children in care, officials said.
‘We’re honored to support RaiseAChild’s mission and bring awareness to this important cause,’ said Katie Jones, vice president of entertainment at Authentic Brands Group, which owns the Marilyn Monroe estate.
Jones said many people are unaware that Monroe grew up in the foster care system and often craved the stability of loving parents and a permanent home.”
The Larry Edmunds Bookshop on Hollywood Boulevard has been serving lovers of movie literature and memorabilia since 1938. It boasts an entire section devoted to Marilyn, while one of its most famous customers, director Quentin Tarantino, recreated its Sixties facade for last year’s Once Upon a Time in Hollywood. But like many other small businesses, the bookstore has suffered greatly since coronavirus forced the world into lockdown. Owner Jeffrey Mantor has launched a fundraiser, and you can also help by purchasing books now (enquiries welcome here.)
After a long campaign by Rep. Tony Cardenas, President Donald Trump has signed off a bill under which the Van Nuys Civic Center postal depot at 6531 Van Nuys Blvd. will be named the ‘Marilyn Monroe Post Office,’ as Ryan Carter reports for the Los Angeles Daily News.
Film historian Cari Beauchamp, who last year wrote ‘Atomic Blonde‘, an article detailing Marilyn’s mysterious 1953 PSA for the US Military, has now contributed a definitive history of the all-female Hollywood Studio Club, where Marilyn lived on and off during the late 1940s, to Vanity Fair. (Marilyn had mixed feelings about her stay, often finding it restrictive and perhaps reminding her of her time in an orphanage. However, there is little doubt that the Studio Club offered her some much-needed stability in the early days of her career.)
“For more than a century in Hollywood, young women have learned in horrendous ways that men in power often consider them goods to be bartered or simply consumed. There is little new about #MeToo, but what is new is that women are shattering their isolation by speaking out and finding strength and community as a result. Yet for nearly 60 years there was a residence that housed women (10,000 in all) in a protected and supportive environment. And though few people remember the Hollywood Studio Club, a recounting of its neglected history reveals how little has changed—and how powerful female friendships can be.
[Julia] Morgan’s multiarched structure, designed in the Italian Renaissance Revival style, opened to much fanfare in 1926. The first floor featured a spacious lobby, writing rooms, a library, a large dining area, and a stage. The two upper stories consisted of single, double, and triple rooms to house 100 women—each paying 10 to 15 dollars a week for lodging and two meals a day. They were indirectly inspired by Hollywood luminaries such as Gloria Swanson, Jackie Coogan, and Frances Marion, whose names appeared on small brass plaques above the bedroom doors. (Each had donated $1,000 to the club. Norma Talmadge had pitched in $5,000.) The rules of the house were simple: You had to be working or seeking work in show business, be between 18 and 35 years old, and not stay longer than three years. Men were prohibited above the first floor.
Today, the fellow resident [Barbara] Rush remembers best is Marilyn Monroe: ‘She wasn’t a bombshell then, and was so sweet with that whispery voice.’ Robert Wagner, who, along with Monroe, was under contract at Twentieth Century Fox, recalls dropping off Monroe at the HSC and thinking ‘the concept of the place was just fantastic,’ especially for someone like her, who ‘everybody loved and felt protective of.’
In late 1949, Monroe secured a part in John Huston’s The Asphalt Jungle. While she had had small roles at Fox, Monroe would later say that she so needed $50 in 1949 that she agreed to pose for what would become her infamous nude calendar. Even if the HSC suffered negative backlash as a result, house director Florence Williams fondly remembered Monroe. When asked who was the most stunning woman she ever encountered there, Williams answered, ‘Marilyn Monroe, because she was even beautiful first thing in the morning.’
As the ’60s and ’70s brought about enormous culture shifts, the number of residents dwindled to the point that the Hollywood Studio Club was no longer financially sustainable. The doors were closed in 1975 and the furnishings were auctioned off. Several years later, the building was added to the National Register of Historic Places and continued to be maintained by the Y. In the fall of 2018, Faye Washington, CEO of the YWCA Greater Los Angeles, announced a new partnership with PATH (People Assisting the Homeless) to provide transitional housing for about 60 homeless women at the HSC. One of the rules: Residents, like the starry-eyed women of years past, would be allowed to stay for a maximum of three years.”
This Marilyn-inspired doll is one of several created for the launch of Funko Pop’s new Hollywood store. The white dress and matching fur stole are seemingly based on Marilyn’s look at the Call Me Madam premiere in 1953, when she wore a variant on Travilla’s ‘Diamonds Are a Girl’s Best Friend’ gown. Interestingly, Marilyn is the only actor represented in the new range; the others (such as Wonder Woman) are all fictional characters. The doll is getting snapped up quickly, but please don’t be tempted by the high prices on eBay, as it’s rumoured to be set for general release in the coming months.
Orry, a tribute to the Australian-born costume designer Orry-Kelly (who won an Oscar for Some Like It Hot), written and performed by Paul Hardcastle, is playing at the Lee Strasberg Theatre in Los Angeles until November 11.
“You’re invited to the funeral of three-time Oscar winner and Hollywood legend, costume designer Orry-Kelly. Don’t expect a little thing like death to stop the whip tongue and quick wit of the unapologetically gay Australian rascal who dressed and heard the secrets of stars like Marilyn Monroe, Bette Davis, Olivia de Havilland, Merle Oberon, Ingrid Bergman and Mae West – just to name a few. Fearless, funny and outspoken, Orry-Kelly lived life to the fullest, from his childhood in Kiama, to reveling in Sydney’s underworld nightlife, to chasing his dreams of acting in New York, to Hollywood. Based on his memoir Women I’ve Undressed – found in a pillowcase in suburban Sydney nearly 51 years after his death – Orry incorporates music, dance, vaudeville routines, puppetry, digital art, special effects and a taste of those incredible gowns to share his irresistible story. Anyone who loves classic movies, fashion, gossip and Cary Grant will love Orry.”
Fans have posted their latest Monroe sightings on the Marilyn Remembered Facebook group. Firstly, ChadMichael Christian Morrissette found this mural (based on Alfred Eisenstadt’s famous 1953 photo of Marilyn) on Highland in Hollywood.
And secondly, Lorenzo Presti spotted Marilyn gracing the cover of the ironically-titled Marilyn Had Eleven Fingers On Her Feet, a book of Hollywood-themed paintings by artist Maria Herreros on sale in Madrid. This portrait was inspired by Milton Greene’s 1953 Laurel canyon series. And of course, Marilyn had no extra fingers, or toes – this rumour was debunked by Snopes.
Incidentally, another of Maria’s portraits – based on another shot of Marilyn by Eisenstadt – is featured on the cover of Autobiografía de Marilyn Monroe, a novel by Rafael Reig.
Elisa from Marilyn Remembered spotted this larger-than-life stencil on the wall of Amoeba Records in Hollywood yesterday, on the corner of Sunset and Ivar. If it looks familiar, street artist Mr. Ramano‘s take on Marilyn as short-sighted Pola in How to Marry a Millionaire was spotted a few years ago in Culver City (although her cool shades had red frames then, not pink.)
When it comes to public art, it seems that some folks just can’t keep their hands off Marilyn. This isn’t the first theft – in the past few years, we’ve reported stolen statues in Auckland, New Zealand; Devizes, UK; a Warhol screenprint in Staten Island, NY; and a mural in Victoria, Canada – and it probably won’t be the last, but it’s surely the most egregious yet. Created by Catherine Hardwicke and unveiled in 1994, the ‘Four Ladies of Hollywood‘ is a gazebo entry to the Hollywood Walk of Fame, upheld by four movie queens of multi-ethnicity (Mae West, Dorothy Dandridge, Anna May Wong and Dolores Del Rio), and topped by a gilded, miniature Marilyn ‘weathervane’ with her skirt blowing, à la Seven Year Itch.
Whether this heinous act of vandalism was perpetrated by a misguided fan or professional art thief, I urge them to return it immediately. Marilyn’s image is synonymous with Hollywood history and however much some individuals may want to have a piece of her, this work of art belongs to all of us. You can watch a TV news report here.
“LAPD detectives, including a forensics expert, and the Los Angeles Fire Department arrived at the scene at the Hollywood and La Brea Gateway to assist LAPD with the investigation … A ladder was hoisted up above to allow the forensic scientist to climb to the top of the crime scene.
‘I am calling this the great Marilyn caper of 2019,’ said Councilman Mitch O’Farrell. ‘We have a witness who saw someone climb this structure and saw off the statue at the top and it’s a Marilyn Monroe image.’
‘It’s not okay to come and vandalize public art,’ O’Farrell said.
LAPD Hollywood division detective Douglas Oldfield said forensics already found some evidence in the case.
‘We got a few prints with our experts up there,’ said LAPD detective Douglas Oldfield. ‘We noticed the suspect used the Ws as footing. It [the sculpture] means something to the community and we’re going to investigate this to the best of our ability.'”