For the second year running, Marilyn is the poster girl for the Champs-Élysées Film Festival in Paris this month (as spotted by Ramon at Marilyn Remembered – you can check out last year’s artwork here.)
Marilyn’s tragic death was one of the biggest news stories of 1962. As part of a series, ‘Chronique de Notre Temps’ (‘Chronicle of Our Times’), Paris Match has published a magazine special on that fateful year, with Marilyn gracing the cover. You can order a copy for $11.99 here.
Thanks to A Passion for Marilyn
Several Marilyn-related titles have been published in Europe recently. First, and most peculiar, is Marilyn Monroe: Broken Dreams, from Germany’s Oio Books, blending photos of Marilyn with digitally melted images. The author is named only as ‘An Idiot.’
Die Sünde der Frau (The Sins of Woman) is a German translation of Dutch author Connie Palmen’s 2017 book profiling Marilyn alongside writers Marguerite Duras, Patricia Highsmith and Jane Bowles: all of whom, Palmen believes, were rebellious women who paid a high price for freedom.
And in France, a new children’s book from the Quelle Histoire series introduces younger readers to Marilyn.
Marilyn is featured in this one-off special from Elle, joining Sarah Bernhardt, Ella Fitzgerald, and Brigitte Bardot among forty ‘Women Who Changed History‘. (Her photo was taken during a tour of Brady Airbase in Fukuoka, Japan in February 1954.) The magazine is available now in France for € 6.95.
Marilyn was also the subject of L’Autre là, la Blonde, a play starring Marie-Line Rossetti as an older Monroe, staged last week at the Balcony Theatre in Avignon.
Good news for French fans: the Marilyn exhibit at La Galerie d’Instant in Paris, featuring some of her best photographers, has been extended until March 4.
As The Misfits is re-released in selected French cinemas, Ludevic Beot writes for Les Inrockuptibles about its ‘morbid’ history. (Apologies for any errors in my translation…)
“This is the end of an era, the myth of the free cowboy in nature, and the great American western. In this, the screenplay of writer Arthur Miller draws a sad and particularly bleak observation of Eisenhower’s America from the late fifties, a nation that has trouble communicating and whose dream of the Founding Fathers has failed … Even today, it seems very difficult to resist the disturbing charm of this mirror work, not to be carried away by the elegiac melody of this ultimate dance with the dead. The images of Huston have captured for the last time the faces of his disappearing actors. All these elements make The Misfits one of the most beautiful ghost movies in American cinema.”
Artist Lucille Clerc‘s gorgeous rendering of Marilyn – inspired by Milton Greene’s ballerina sitting – adorns posters for this year’s Champs Elysees Film Festival, celebrating independent French and American cinema. (And while you’re in Paris, don’t forget to see Bert Stern’s photos of Marilyn at DS World.)
Thanks to Chris at Club Passion Marilyn
Olivier Rajchman’s Hollywood Ne Repond Plus (Hollywood Unresponsive) is a new book in French exploring the crisis at Twentieth Century Fox in 1962, focusing on three films made that year: the scandalous Cleopatra, starring Elizabeth Taylor and helmed by Joe Mankiewicz; Darryl F. Zanuck’s magnum opus, The Longest Day; and Marilyn’s last movie, the ill-fated Something’s Got to Give. It is available now in paperback and via Kindle.
Thanks to Eric Patry