Over at the New Statesman, celebrities are talking about their unusual collections – including writer and comedian David Baddiel, whose parental enthusiasm brought him more Marilyn than he bargained for…
“Both my parents were collectors. Some would say hoarders. My mum collected children’s books, then, for reasons anyone who has come to my stand-up show will know, golfing memorabilia. My dad, Dinky Toys. The whole place teemed with stuff. I wasn’t that bothered with collecting really, but my mother took anything I expressed an interest in and decided ‘Oh right, that’s David’s thing’, and for birthdays and Hanukkah would just buy me too much of that. I went through a few iterations of this: I remember a magazine called Look and Learn, which my mother bought me binders of, and later, Marilyn Monroe-abilia (she was still buying me photos and cards of her when I was in my forties).”
In the New York Times, Winnie Hu looks back at the history of the ticker-tape parade car which made a brief appearance in How to Marry a Millionaire.
“It is not built for speed. It burns through gas. And it is too big to park on any street. But none of that matters when it is a 1952 Chrysler Imperial Parade Phaeton.
The open-air car in glossy black with red leather seats is New York City’s official parade car and the grande dame of the 30,000 vehicles in the nation’s largest municipal fleet. It stretches 20 feet from front to back to seat up to eight passengers, and it comes with its very own red-carpet floor. It has only one job: ushering V.I.P.s through blizzards of ticker tape on Broadway.
For more than six decades, its back seat has been filled with a who’s who of world leaders and celebrities … The 1952 Phaeton was one of only three that Chrysler made — part of a tradition of custom-made parade cars that once carried the newsmakers of the 1940s, ’50s and ’60s in grand style, all while showing off Chrysler’s latest design in the ultimate bit of product placement. No need to advertise with Queen Elizabeth II, John F. Kennedy, Neil Armstrong and Joe DiMaggio in the car.
The three Phaetons — each in a different color — were owned by the Chrysler Corporation, which based them in New York, Los Angeles and Detroit, and lent them out for processions around the country … The New York car made a cameo in the 1953 film How to Marry a Millionaire, starring Marilyn Monroe.”
Some Like It Hot gets another free outdoor screening on August 23 at dusk in Indian Meadows Park in Glenville, part of Schenectady County, New York, the Daily Gazette Reports.
“The summer series began last August as part of the promotion of Glenville 2020, to mark the town’s 200th anniversary in 2020, and town officials decided to repeat it this year.
Free Stewart’s ice cream will be offered at the Mother Judge concert and the two movie nights. Glass Tavern and Your Hometowne Marketing are also sponsors.
Activities take place in the ‘amphitheater’ area near the playground. If there’s light rain events will be moved to the baseball pavilion, but events will be rescheduled if there’s a heavy storm.”
Double Take: Reconstructing the History of Photography is a new book by Jojakim Cortis and Adrian Sonderegger, two Swiss artists who have recreated some of the world’s most famous photos in miniature – including Sam Shaw’s 1954 shot of Marilyn filming the ‘skirt-blowing scene’ for The Seven Year Itch on a New York subway grate. Read more about Cortis and Sonderegger’s work here.
Marilyn will cast a long shadow over this year’s Venice Film Festival (August 29 -September 8.) Alongside a restored print of Some Like It Hot and the Finnish horror movie M, a short animated film from Marie Di Razza – Goodbye Marilyn – will also have its premiere. You can watch a trailer here.
“Marilyn Monroe did not leave us in the summer of ’62. She has been hiding from her fans for fifty years, until the day that she gives her final interview … ”
Thanks to Salvatore at Marilyn Remembered
The Misfits will have its first ever stage adaptation (as far as I’m aware) at the Dublin Theatre Festival from late September to mid-October, as Jennifer O’Brien reports for The Times. While I don’t think the movie should ever be remade, I’m glad to see Arthur Miller’s creation getting a new lease of life.
The Misfits already has an Irish connection, as prior to filming in 1960, Arthur had visited director John Huston at St. Cleran’s, his estate near Galway, to discuss the project (while Marilyn was filming Let’s Make Love in Hollywood.) No dates have yet been announced, but it will be staged at the Corn Exchange – and I’ll be keeping you posted, so watch this space!
“The production, directed by Annie Ryan, was announced as part of the line-up for the Dublin Theatre Festival … [Aoibhinn] McGinnity, 31, said that while she was looking forward to playing Tabor at the Corn Exchange, she had not watched the film that inspired the play.
‘I hadn’t seen the film, but had met Annie to chat about the concept, and it was like, You know what, maybe don’t watch the film,’ she said. ‘We are not going to play it like Marilyn Monroe; we are going to do our own spin.’
Ryan has promised that her version of The Misfits will offer it ‘the space to come into its fullest expression’. ‘Annie is trying to rewrite it from a different angle and it brings in so many things about feminism and masculinity,’ McGinnity said.”
UPDATE: The Misfits will be staged at Dublin’s Corn Exchange from September 27-October 1. More details here.
M, a Finnish horror film inspired by Marilyn and starring pop star Anna Eriksson, is heading to the Venice Film Festival this year, where it has been described as the most experimental film in the line-up, as Nancy Tartaglione reports for Deadline. Finnish news sources indicate that Eriksson became interested in Marilyn after reading Sarah Churchwell’s feminist ‘meta-biography’,The Many Lives of Marilyn Monroe – a good place to start – and her film explores the objectification of women. (M was also the title of Fritz Lang’s classic 1931 film, starring Peter Lorre as a child-killer.)
Eriksson discussed her inspiration in a recent Facebook post:
“Even though Marilyn Monroe was my inspiration for the film, in the end M turned out to be a deeply personal work. Somewhere along the way I realized that the link between sexuality and death, that to me so profoundly defines Monroe’s fate, is a link that we all share with her. That the ancient bond between these two forces is in fact an integral part of humanity. And that the myth that is Marilyn, holds in itself a reflection of our own dreams, our desires and our losses.”
Thanks to Merja Pohjola
The campaign to save Rockhaven, the former sanatorium run by women for women, is continuing with the Friends of Rockhaven community group campaigning to have the building opened to the public. It is a site of architectural and historical note, and was an oasis of progressive healing for the mentally ill during a time of widespread ignorance and prejudice. Marilyn’s mother, Gladys Baker Eley, lived there for fourteen years, and it seems to have finally brought her some peace of mind after many unhappy years spent in and out of state asylums. Please sign the petition to save this Glendale landmark here.
The 56th anniversary of Marilyn’s death is coming up on August 5, and as always, Marilyn Remembered will be marking the occasion with a service at Westwood Memorial Park. It will be streamed live on Facebook – so if you would like to donate to the 2018 memorial fund, there’s more info here.
Immortal Marilyn will also be sending flowers, and as usual all surplus donations will go to the Animal Haven sanctuary – see here.
Marilyn’s image is caught up in yet another legal dispute after Bert Stern’s widow sued his heirs (with whom he had worked for many years and was also romantically involved, according to the New York Post) for the right to his work, reports ABC News. And as Courthouse News Service reports, the heirs’ online sales of ‘bedazzled’ versions of Stern’s photos have also raised questions of authorship.
“A federal judge (Paul Engelmayer) in New York ruled Friday that Stern’s heirs are the rightful owners of the copyright interests in the ‘Last Sitting’ photographs.
The issue arose in a lawsuit Stern’s widow, Shannah Laumeister Stern, filed against Lisa and Lynette Lavender, twin sisters who were Stern’s assistants. The lawsuit claimed copyright infringement involving the reproduction and online sale of modified versions of certain Monroe images.
The Lavenders counter-sued, claiming Stern never owned the rights to the photographs.
Instead the sisters said the copyright belonged to Conde Nast, which hired Stern to photograph Monroe for Vogue. The Lavenders also claimed Stern authorized them to make, modify and sell copies of Monroe photographs following his death.
The judge found that Stern was, and his heirs are, the rightful owners of the copyright to the photographs. Whether the Lavender sisters infringed the judge said will have to be decided at trial.”