Tag Archives: The Seven Year Itch

The Secret of Marilyn’s Timeless Appeal

Marilyn in  ‘River of No Return’ (1954)

In an insightful piece for the Ipswich Star, arts editor Andrew Clarke suggests that the reason for Marilyn’s enduring fame is not merely because of her beauty and dying young, but also her talent and charisma, best seen in her movies.

“The reason that Marilyn continues to be an international star, long-after her death, is a combination of good looks, striking personality and a fine actress. Once she hit her stride she also made some brilliant films, films that have become classics and still entertain audiences 60 years after they were made.

Films like Some Like It Hot and Seven Year Itch remain as bright and effervescent as the day they were made. If you research some of Marilyn’s lesser known films like Niagara or How To Marry A Millionaire with Lauren Bacall then you will find the performance and the material equally good.

Examination of her dramatic films such Bus Stop and The Misfits reveals a talented, thoughtful actress who connects with the character and with her audience. In these films, more so than her comedies, she played a character probably more akin to the real Marilyn, a vulnerable, emotionally exposed individual trying to find her place in the world.”

Summer is Hotter With Marilyn

Arts critic Parker Bowman lists The Seven Year Itch among his favourite summertime movies in a column for the Visalia Times-Delta.

“The classic screwball comedy is iconic for its scene of Monroe’s dress flying up while she stands above a subway grate, a scene that completely overshadows the rest of the film in pop culture history. This, of course, is a shame, because it’s genuinely funny, Monroe is about as charming as a human could ever be in it and Tom Ewell is pitch perfect as the hilariously conflicted everyman.”

Marilyn Sculpture in Cairo Controversy

A large sculpture of Marilyn, currently on display outside the Cairo Opera House, has stirred up controversy, reports Egypt Independent. Recreating the famous ‘subway scene’ from The Seven Year Itch, Ehab al-Asyuti’s sculpture seems derivative of Seward Johnson’s ‘Forever Marilyn’, and some observers have deemed her likeness less than flattering. But while she probably won’t be replacing the Sphinx anytime soon, Marilyn has made quite the comeback – her films were banned in Egypt after she married Arthur Miller and converted to Judaism in 1956.

Remembering Marilyn’s Movie Triumphs

Marilyn in ‘Some Like It Hot ‘ (1959)

Over at The Wrap, Rosemary Rossi picks ten movie clips showcasing  Marilyn in her prime, with praise from leading critics.

“It has been observed that no matter how a scene was lighted, Monroe had the quality of drawing all the light to herself. In her brief scenes here, surrounded by actors much more experienced, she is all we can look at.” – Roger Ebert on ‘All About Eve’

“The reality was that she was a great, natural comedienne. She took superficial, cut-out roles and elevated them to whole new levels.” – Peter Bogdanovich on ‘Monkey Business’

“Monroe’s inflections and expressions have a deliciously clever and sharply experienced irony” – Richard Brody on ‘Gentlemen Prefer Blondes’

“So arresting is Monroe’s presence that when she’s not on-screen, we wait impatiently, wondering, Where have you gone, Mrs. DiMaggio?” – Melissa Anderson on ‘The Seven Year Itch’

“Monroe steals it, as she walked away with every movie she was in. It is an act of the will to watch anyone else while she is on the screen.” – Roger Ebert on ‘Some Like It Hot’

American Goddess: Gillian Anderson as Marilyn

As reported here last summer, Gillian Anderson has appeared as Marilyn for her ‘Media’ role in ‘Lemon Scented You’, the fifth episode of American Gods, a new sci-fi series on the US Starz channel. While Gillian may not resemble Marilyn physically (I was reminded of another Hollywood icon, Barbara Stanwyck) her performance has been praised by both critics and fans of the show. Morit Chaplynne  reviews it on Culturess:

“The two best things about this episode are Gillian Anderson and Gillian Anderson. Sure, Shadow —and us along with him — manages to learn a little more about his new weird reality, and that’s definitely interesting. But Gillian Anderson appears as both David Bowie (in the teal Ziggy Stardust suit with the short red hair) and as Marilyn Monroe (in the iconic white dress from The Seven Year Itch) and it is everything.

Back at the police station, they lock Shadow and Wednesday in an interrogation room … Someone unlocks the door. It’s not the cops. It’s Marilyn Monroe.

Media floats into the room and speaks to them in a breathy whisper. Shadow asks Wednesday to tell him it isn’t real. He does not. The mysterious Mr. World enters the room, all overcoat and fedora, apologizing to Wednesday for not reaching out ages ago, but he hadn’t seen him.

Wouldn’t you like an upgrade? A brand new lemon-scented you?

Media gives an extensive sales pitch. Wednesday wants no part of it. He smells a con. When he laughs in Mr. World’s face, Media blows him a high-powered kiss that knocks out his two front teeth and leaves his mouth bloody.”

In an interview with Entertainment Weekly, Gillian talks about her multifaceted role:

“I didn’t know all that much about Marilyn as much as we all know what’s in the greater consciousness: the key pieces of her death and her struggle and her marriage and all that. And actually, I was surprised at how easy I found it to immerse myself in that and how much fun it was. She was definitely the one I had the most fun doing, just because there’s an imminent joy to her. There is also with Judy [Garland], but there’s something so delightful and delicious about Marilyn that was a lot of fun to jump into. And there’s a mechanism that we used to get her floating — I was on this robotic contraption that had been built with fans in it so that my skirt was constantly moving, even though they were going to recreate and enhance some of that in CGI. So for the majority of that scene, it was me being driven around via remote control with fans blasting vertically up my dress. So, that was fun.

The fact that [Media] does manifest as male and female and however Bowie might identify himself… I mean, certainly, you say ‘worship,’ and Michael Jackson was worshipped as much as any female icon we’ve ever had. Actually, we discussed Michael Jackson at one point as a character I might do, and Prince. But to me, what was important for Media, male or female, was that we got to see that the women, the female gods, and the females in general are and can be as powerful as the male gods and the men [on the show]. That they are equal. I guess it makes sense that one of the most powerful gods in the story is embodied as female.”

Will Marilyn Be the End of May?

On the eve of the UK general election, a stencil painting of Prime Minister Theresa May wearing her favourite leopard-skin stilettos, in a recreation of Marilyn’s ‘subway scene’ from The Seven Year Itch (originally photographed by Sam Shaw) signed by street artist ‘Loretto’, has appeared in London’s West End, reports Fitzrovia News.

The merging of Marilyn, an icon of youth and beauty,  with a right-wing politician is either comical or grotesque, depending on your perspective. However, comparisons of this kind are nothing new, especially in the art world. Photographer Philippe Halsman started the trend with ‘Marilyn Mao‘, blending his own 1952 portrait of MM – her first Life magazine cover – with the head and shoulders  of the Chinese premier, Mao Tse-tung.

Perhaps it’s the rumoured affair with President Kennedy that triggered this strange phenomenon, or just that Marilyn’s own cultural reach rivals that of our world leaders. For me, these images evoke the contrast between her radiant humanity, and the dangerous aura of those who wield power.

Danica Kennedy: ‘I Was a Marilyn Lookalike’

In an interview for Cosmopolitan, TV presenter Danica Kennedy looks back on her stint as a Marilyn lookalike at Universal Studios.

“For wardrobe, all of the Marilyn impersonators always wore that classic white dress from The Seven Year Itch. That includes pantyhose, Spanx shorts for when the fan blew up our skirts, and this corset bustier that was totally crazy … I would step on a platform and a fan would blow my skirt up. Then I’d have to say, ‘Oops!’

When you play somebody for two years, sometimes their characteristics can blur into your personal life accidentally. If I’m out and drinking champagne, which was Marilyn’s favorite, I’ll accidentally slip into using my sexy baby voice. It’s so awkward, especially since I’m not trying to be Marilyn.

I don’t think playing Marilyn has affected my psyche, but that’s probably because I never took playing the character too seriously. But when people want to debate with me about how she died or what she was like, I find myself standing up for her … We have all been through tough times, and her story is so tragic yet relatable.”

Milton Krasner: Marilyn and Her Cameraman

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A photographic archive from the estate of legendary Hollywood cameraman Milton Krasner will be auctioned at Laidlaw’s in Carlisle, England on March 25, the Daily Mail reports. As the full catalogue has not yet been published, it is unclear how many photos feature Marilyn, other than the image shown above (with Krasner standing behind director Howard Hawks.) However, the star and her four-time lensman were photographed together during their earliest collaboration on All About Eve; and Sam Shaw captured them on the set of their penultimate project, The Seven Year Itch. (Krasner also filmed ‘The Ransom of the Red Chief’ for the portmanteau film, O. Henry’s Full House, though he was uncredited. Marilyn appeared in another segment.)

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“An official photograph taken on the set of the 1950s classic, Monkey Business, featuring Marilyn Monroe and Cary Grant in roller skates is a noteworthy picture that offers a behind-the-scenes glimpse into Krasner’s work.

A program from the 23rd Annual Academy Awards – when Krasner’s movie All About Eve received a record-breaking 14 nominations – and a signed Christmas card from American costume designer Charles LeMaire are just one of the rare pictures from Krasner’s archive that will be on sale.
The two had worked together on All About Eve and would go on to work together on The Seven Year Itch.

Krasner’s work with Marilyn Monroe and their shared filmography includes All About Eve, Monkey Business, O. Henry’s Full House, The Seven Year Itch and Bus Stop.”