Yet another Kardashian sister made her love for Marilyn public this week, as Kylie Jenner recreated her ‘Diamonds Are a Girl’s Best Friend’ look for Halloween. (Of course, unlike most of us when we party in fancy dress, Kylie had a stylist on call, as Elle reports.)
Looking onward to Christmas, singer Mariah Carey – arguably the doyenne of celebrity Monroe fans, and the owner of Norma Jeane’s white grand piano since the Christie’s sale of 1999 – has put her own sartorial stamp on another Travilla creation from Gentlemen Prefer Blondes, wearing a red gown similar to Marilyn’s in the opening song, ‘Two Little Girls From Little Rock’, in a festive ad for Walker’s Crisps.
Incidentally, Marilyn’s original ‘Little Rock’ costume sold for $250,000 at Julien’s Auctions yesterday …
As expected, Marilyn’s ‘Heat Wave’ costume from There’s No Business Like Show Business was the biggest seller at Julien’s Auctions yesterday, fetching $280,000 (over three times the maximum estimate) in the Property From the Life and Career of Marilyn Monroe sale – and Travilla’s ‘Heat Wave’ design sketch sold for $11,520. Marilyn’s ‘Little Rock’ costume from Gentlemen Prefer Blondes was close behind at $250,000 (while Jane Russell’s matching gown fetched $43,750.) Her River of No Return costume fetched $175,000, and the black cocktail dress she wore to the Some Like It Hot press conference reached $100,000.
Other big sellers included the chair from Marilyn’s Brentwood home, at $81,250; her green Pucci ensemble, at $46,875; the bathing suit from Let’s Make It Legal, at $37, 500; the pink Ferragamo shoes worn by Marilyn in the ‘Incurably Romantic’ number from Let’s Make Love, at $25,000; the white parasol from her 1949 photo-shoot with Andre de Dienes, and her necklace from the 1953 Cinerama party, at $21,875 each; and finally, her custom-made MGM bathing suit, and Dr Ralph Greenson’s couch at $11,250 each.
I have now updated all my posts on this sale with final bids – see here.
“A single page removed from a trade publication such as Variety or The Hollywood Reporter with text reading in part ‘Thank you / Marilyn Monroe’ — an ad the star placed in the publication to thank the Hollywood Foreign Press Association for her 1962 Golden Globe win for ‘World Favorite Actress,’ mounted to cardboard; found in Monroe’s own files. ”
SOLD for $512
A framed still photo showing Marilyn with co-stars June Haver, William Lundigan and Jack Paar in Love Nest (1951); and a costume test shot for Don’t Bother to Knock (1952.)
Photo sets SOLD for $640 and $896, respectively
Marilyn and Jane Russell performing ‘Two Little Girls From Little Rock’ in Gentlemen Prefer Blondes, as seen on the cover of LIFE magazine in 1953. Marilyn’s costume is expected to fetch a maximum $80,000 – see here.)
Magazine SOLD for $896; costume SOLD for $250,000
A still photo of Marilyn during filming of River of No Return in 1953. The gown she wore while performing the theme song is expected to fetch a maximum $80,000 – see here.
Photo set SOLD for $1,152; costume SOLD for $175,000
Travilla’s costume sketch for the ‘Heat Wave’ number in There’s No Business Like Show Business (1954), and a colour transparency of Marilyn in costume for a wardrobe test shot. (The costume itself is estimated to fetch up to $80,000 – see here.)
Sketch SOLD for $11,520; photo SOLD for $750; costume SOLD for $280,000
A framed still photo of Marilyn performing ‘Heat Wave‘, and a custom-made, one-of-a-kind poster made for the Century Theatre in the Hamilton, Ontario area to advertise a raffle to win tickets to see There’s No Show Business Like Show Business.
Photo SOLD for $750; poster SOLD for $1,280
“A group of three, all original prints with a glossy finish, depicting the star behind-the-scenes on the set of her 1956 20th Century Fox film, Bus Stop; all have typed text on the bottom margin noting to credit Al Brack who was a ‘Sun Valley, Idaho photographer.'”
SOLD for $576
A pair of memos regarding Milton Greene’s photos from the set of The Prince and the Showgirl; and, sold separately, a contact sheet. The second memo reads in part, ‘Dear Mike, The print you sent me, that Marilyn Monroe said she had killed, is incorrectly numbered. Marilyn is right – she did kill it.’ Both memos are dated April 11, 1957, and are addressed to ‘Meyer Hunter.’ Lois Weber, one of Monroe’s publicists at the time, authored both memos.”
Memos SOLD for $312.50; contact sheet SOLD for $500
Still photo of Marilyn with co-stars Tony Curtis and Jack Lemmon in a scene from Some Like It Hot (1959.)
Photo set SOLD for $576
“A pair of colour slides of Marilyn Monroe in a scene from How To Marry a Millionaire (1953), and during a press conference for Let’s Make Love with co-star Frankie Vaughan on January 16, 1960.”
Still photos taken by Lawrence Schiller during filming of the ‘pool scene’ in Something’s Got to Give.
Photo sets sold for $1,280 each
“A collection of approximately 65 pieces comprising only photocopied scripts and documents, all related to Marilyn Monroe’s films. Some film titles have more than one copy of the script, and some feature the working title and not the final one. All are bound into 20th Century Fox covers of various colors and appear to be the studio’s ‘loan out’ or ‘library’ copies. Pieces include (in alphabetical order): All About Eve (a treatment only), As Young As You Feel (2 scripts ), Bus Stop (3 scripts), Dangerous Years (1 script), Don’t Bother to Knock (2 scripts), The Full House (1 script), Gentlemen Prefer Blondes (2 scripts plus 4 related documents), How to Marry a Millionaire (3 scripts plus 1 related document), Let’s Make Love (2 scripts), Love Nest (2 scripts), Monkey Business (2 scripts plus 2 related documents), Move Over, Darling (1 script), Niagara (2 scripts plus 4 related documents), O. Henry’s Full House (2 scripts plus 1 related document), River of No Return (1 script plus 5 related documents), The Seven Year Itch (3 scripts), Something’s Got to Give (1 script), There’s No Business Like Show Business (3 scripts plus 7 related documents), Ticket to Tomahawk (2 related documents), and We’re Not Married (1 script plus 1 related document). Also included are a few miscellaneous pieces related to Monroe. “
As was common practice in old Hollywood, several of Marilyn’s movie gowns were repurposed for other actresses; and earlier in her career, she had often worn gowns borrowed from the studio’s wardrobe department to glitzy public events. Here we see Leslie Caron wearing an adjusted variant based on Marilyn’s tutu – or ‘snake costume’ – from Bus Stop (1956) in The Man Who Understand Women, which as the Western Costume Company notes, was released sixty years ago, on this day in 1959. Written by Nunnally Johnson (How to Marry a Millionaire), this romantic comedy also starred Henry Fonda. And although Charles Le Maire (All About Eve) was credited as costume designer, this tutu had been created for Marilyn by Travilla.
This green lace blouse and black pencil skirt ensemble, created by Travilla for Marilyn’s role as down-at-heel showgirl Cherie in Bus Stop (and topped with a black fedora she wore in the Arizona sun), is among many iconic movie costumes on display in Designing Hollywood, an exhibit showcasing the extensive collection of Gene London, opening on September 29 until December 22 at the Allentown Museum of Art in Pennsylvania, as WFMZ reports. Previous exhibits from London’s archive have also included costumes from Gentlemen Prefer Blondes, The Seven Year Itch and The Prince and the Showgirl.
Ahead of the exhibit at London’s May Fair Hotel, opening next week (details here), the four iconic garments worn by Marilyn up for sale at Julien’s Auctions in November – including three movie costumes designed by Travilla, and the black cocktail dress she wore to the press conference for Some Like It Hot, shown above – are the subject of a four-page article, followed a double-page spread featuring Marilyn-inspired fashions, in the current issue of The Lady (dated September 20.)
Thanks to Fraser Penney, and Lorenzo at Marilyn Remembered
UPDATE: You can read all my posts on the sale here.
As reported here recently, three of Marilyn’s movie costumes (including this Travilla gown she wore to sing ‘River of No Return’). plus her black cocktail dress worn at a 1958 press conference to announce filming of Some Like It Hot, will be on display at London’s May Fair Hotel from September 24 – October 21, before going under the hammer at Julien’s on November 1. More details on the exhibit (including a series of film screenings) have now been revealed by Forbes. (You can read all my posts on the sale here.)
“The four movies these outfits feature in are also to be screened at the hotel’s own cinema, May Fair Theatre. See a screening of Gentlemen Prefer Blondes on the evening of September 27th; catch There’s No Business Like Show Business on October 11th; book a ticket for River of No Return on October 15th; and finally, take a seat for Some Like It Hot on October 18th.
Tickets to these screenings are available as a part of dinner and drinks packages, following the movie with limited-edition cocktails in May Fair Bar and perhaps including dinner at the hotel’s Mediterranean restaurant May Fair Kitchen before you find your way to the theatre.”
Julien’s Auctions are holding a one-day sale featuring 115 Marilyn-related lots (including several movie costumes) on November 1st, as part of their Legendary Women of Hollywood event. These items will be also be showcased in the lobby of London’s May Fair Hotel from September 24 until October 21. A catalogue for this auction, Property From the Life and Career of Marilyn Monroe, is now available to order here, for $75 plus shipping. (You can read all my posts on the sale here.)
Marilyn is featured twice in the latest issue of UK nostalgia magazine Yours Retro (with Elizabeth Taylor gracing the cover.) Firstly, a portrait of the young Norma Jeane (signed ‘to my dear sister,’ Berniece Miracle), in a feature about autograph hunters; this article also mentions the sale of a baseball signed by Marilyn and Joe DiMaggio for almost $60,000 in 2011 (see here.) Secondly, Marilyn’s so-called ‘snake costume’, designed by Travilla for Bus Stop and seen again on Leslie Caron in The Man Who Understood Women (1959), in the regular Film Buff column.
All About Eve features in a spread about ‘Oscar’s First Ladies.’ And the rise to fame of Diana Dors, labelled ‘Britain’s answer to MM’, is also profiled in this issue – but the comparison is unfair to both women, whose talents were on a par yet very different.
A bathrobe designed by Travilla and (briefly) worn by Marilyn over a bathing suit in the ‘fashion show’ scene from How to Marry a Millionaire will be auctioned in the annual Legends sale at Julien’s on June 13-14, as Chris Jenkins reports for Arts and Collections International. Among the other items on offer will be an archive for photographer Manfred ‘Linus’ Kreiner, including his images of Marilyn on her publicity tour for Some Like It Hot in 1959 (as seen here gracing the catalogue cover.) More details to follow….
“June 1st marks the 93rd birthday of Hollywood legend Marilyn Monroe. included in the auction are her iconic bathrobe worn in one of her most famous roles as Pola Debevoise in How to Marry a Millionaire (20th Century, 1953) (estimate: $20,000-$40,000); her pair of rhinestone ear clips with three strands of teardrop-shaped rhinestones (estimate: $30,000-$40,000) and her six-stranded iridescent crystal necklace in purple and green (estimate: $10,000-$20,000); the two piece period costume she wore in one of her earliest roles in the film Ticket to Tomahawk (20th Century, 1962) (estimate: $40,000-$60,000); a ‘Rudi Gernreich Design for Walter Bass’ black chiffon overblouse with dolman sleeves and elastic waistband (estimate: $15,000-$20,000); Marilyn Monroe’s personal copy of the script for her film Something’s Got To Give (20th Century, 1962) (estimate: $10,000-$15,000); a cast of Marilyn Monroe’s hand and foot prints from Grauman’s Chinese Theatre in Hollywood when she and her Gentlemen Prefer Blondes (20th Century, 1953) co-star Jane Russell immortalized their hand and foot prints on June 26, 1953 (estimate: $10,000-$20,000); a collection of rare large format photographs taken of Marilyn Monroe dressed in various swimsuits, negligees and dresses by Harold Lloyd (range of estimates: $600-$800); a collection of 33 vintage Marilyn Monroe lobby cards including How to Marry a Millionaire (20th Cent. Fox, 1953), Gentlemen Prefer Blondes (20th Cent. Fox, 1953), River of No Return (20th Cent. Fox, 1954), The Seven Year Itch (Warner Bros., 1955) and more (estimate: $800-$1,200); colour slides of Monroe’s visit and 1954 performance for the troops in Korea (estimate: $600-$800) and more.”
UPDATE: Marilyn’s bathrobe from How to Marry a Millionaire has sold for $2,400. More results from the Legends sale here.