Frank Sinatra’s relationship with Marilyn is the subject of an article in the current issue of US magazine Closer Weekly (dated July 1st, with Betty White on the cover), and is now reprinted in the latest issue of the National Enquirer‘s UK edition (also dated July 1, with Richard Gere and Julia Roberts on the cover.)
Angie Dickinson began her career in television before making her movie breakthrough opposite John Wayne and Dean Martin in Howard Hawks’ Rio Bravo (1959.) Early in her career, she dyed her hair honey blonde instead of platinum to avoid the comparisons to Marilyn Monroe which dogged many of her peers.
In his memoir, baseball player Yogi Berra recalled taking Angie out to dinner one night, and she was the centre of attention – until Marilyn arrived. After roles in classic films like Ocean’s Eleven (1960) and Point Blank (1967), she found further success in the 1970s TV series Police Woman, and made a big-screen comeback in Dressed to Kill (1980). She also appeared in Captain Newman, M.D., the 1963 movie based on the wartime experiences of Marilyn’s psychiatrist, Dr. Ralph Greenson. Her most recent screen role was in a 2009 TV movie, Mending Fences.
Angie was a friend of the Rat Pack and later married songwriter Burt Bacharach; but while her name was linked with some of the same men as Marilyn, she has lived to tell her side of the story. Now 87, Angie has shared her memories of Hollywood’s Golden Age in a new interview for CBS.
“She admitted to correspondent Mo Rocca that she enjoyed being a sex symbol very much but ‘I wouldn’t want to be known only as a sex symbol. I wanted to be known as an actress, equally or, even more so. Like Marilyn Monroe. She was known as the greatest – rightly rightly so – sex symbol of all time, Boy, try to do Shakespeare after that!’
Dickinson was always more down to Earth, rough-and-tumble than Marilyn, willing to go mano-a-mano with a tough guy like Lee Marvin in Point Blank.
Rocca asked, ‘Do you consider yourself more of a broad, a dame, or a gal?’
‘Oh, all of the above!’
In 1960, she co-starred with the Rat Pack in Ocean’s 11. She ended up dating Frank Sinatra. ‘We got very close to getting married in 1964,’ she said.
But Sinatra’s late-night lifestyle wasn’t for her. ‘And he said, “You know, I’m not going to marry an actress.” And I said, “Well, I don’t blame you. I wouldn’t wish that on anybody.”‘
‘And I actually didn’t want to marry him. So, I didn’t want him to ask me to marry him. ‘Cause I didn’t wanna say no to Frank Sinatra!’
There have long been rumors that Dickinson and President John F. Kennedy had an affair, rumors she’s consistently denied. ‘There was no reason or no grounds for thinking that I was seeing him, and I wasn’t,’ she said.
‘Then can I just ask: did he ever put the moves on you?’
In some ways, Rock Hudson was Marilyn’s male counterpart as a misunderstood sex symbol of 1950s Hollywood. They partied together at the How to Marry a Millionaire premiere in 1953, and in 1962 Rock would present Marilyn with her final award at the Golden Globes. Sadly they never worked together, but Rock was the initial favourite for her leading man in Bus Stop; and in 1958, she was considered for Pillow Talk before deciding to make Some Like It Hot instead. (Doris Day got the part, the beginning of a great comedy partnership with Rock.)
Until now, it has been unclear how well the two stars knew each other (although a recent hack tome made the unlikely claim that Marilyn and Rock were lovers – as we now know, Hudson was gay.) In a critically praised new biography, All That Heaven Allows, author Mark Griffin draws on interviews with Rock’s secretary, Lois Rupert, who claims they often spoke on the phone. Although the frequency of their conversations may be questioned, the obvious affection of their Golden Globes photos combined with this information could suggest that Rock was one of the few Hollywood figures trusted by Marilyn in her final months – and Griffin also reveals that Hudson generously donated his fee for narrating the 1963 documentary, Marilyn, to a cause very close to her heart.
“It was while he was on location for A Gathering Of Eagles that Rock received word that a friend had died. As Lois Rupert recalled, ‘Rock met me at his front door with the news … “Monroe is dead” is all he said.’
Only five months earlier, Rock and Marilyn Monroe had posed for photographers at the annual Golden Globes ceremonies. In images captured of the event, Monroe, who was named World Film Favourite, is beaming as Hudson enfolds her into a protective embrace. With a shared history of abuse and exploitation, it was inevitable that these two should be drawn to each other. Recognising that he posed no sexual threat to her, Monroe had latched on to Hudson and had lobbied for Rock to co-star with her in Let’s Make Love as well as her uncompleted final film, Something’s Got to Give.
Lois Rupert remembered that in the early 1960s, Rock regularly received late-night distress calls from Monroe as well as another troubled superstar. ‘If it wasn’t Marilyn Monroe crying on his shoulder, then it was Judy Garland,’ Rupert recalled. ‘It was almost like they took turns. Marilyn would call one night and Judy the next. He was always very patient, very understanding with both of them, even though he wasn’t getting much sleep. I think he liked playing the big brother who comes to the rescue.’
Within ten months of Monroe’s death, 20th Century-Fox would release a hastily assembled documentary entitled Marilyn. Fox had initially approached Frank Sinatra about narrating, but when the studio wasn’t able to come to terms with the singer Hudson stepped in. Hudson not only provided poignant commentary – both on and off camera – he donated his salary to help establish the Marilyn Monroe Memorial Fund at the Actors Studio.”
Unlike her celebrity peers, Marilyn preferred to live modestly. Nonetheless, you may recall that a Los Angeles home she shared with Joe DiMaggio was recently put on the market (see here) – and it has now been joined by two luxury estates with connections to Marilyn. As reported in Architectural Digest, Frank Sinatra’s former Los Angeles home is on sale for $12.5 million. (It was last put up for sale in 2012, as reported here.)
Marilyn stayed in Sinatra’s guesthouse (shown at top) in 1961. They were having an on-off relationship, and Frank was abroad on tour. She later spent a few months renting an apartment in the Doheny Drive complex he owned, as a neighbour to his secretary, Gloria Lovell.
“Old Blue Eyes himself lived in the sprawling home in the 1950s and 60s and frequently hosted his famous friends … the home seems preordained to shelter celebrities from the Hollywood hullabaloo, as it rests at the end of a near mile-long driveway atop a private promontory that overlooks the vast 1,325-acre Chatsworth Reservoir nature preserve.
Constructed in 1949 by William Pereira, Byrdview is only one of four homes the famed architect designed. Sitting on seven acres, the midcentury-modern house comprises three structures: the main house, a guest house (with its own pool), and a cabana … Outdoors, beyond the pool, there’s a parking space for 100 cars and enough agricultural-zoned acreage that, should the new owners like their wines, a vineyard could be built.”
Secondly, the Rancho Mirage estate of Bing Crosby (near Palm Springs), where Marilyn and John F. Kennedy were among the weekend guests during the March 1962 Democratic Convention, is on sale for $5 million ( although the property has been available for some time, as reported here.) This is the only verified occasion when Marilyn and the president spent a night at the same address, and rather predictably, it’s being promoted as ‘the tryst house’, according to Bloomberg. (Incidentally, Sinatra had hoped to host Kennedy and was reportedly furious that he chose Crosby, a Republican, instead!)
“The 6,700-square-foot estate, spread across more than an acre, was built for the crooner and his second wife, Kathryn, in 1957. The single-story home, with a 1,400-square-foot master suite along with four other en-suite bedrooms, has been on and off the market since 2010, when it was first listed for $3.4 million. It’s also been available for rent through Airbnb for $3,400 a night.”
Marilyn takes centre-stage in a new LIFE special, Deaths That Shocked the World, available via Amazon.
She also makes a rather odd appearance in this week’s National Enquirer, with the bizarre claim that Frank Sinatra was her killer. Fake news, anyone?
And on a lighter note, the latest issue of Take a Break’s Wordsearches Collection puts a Seven Year Itch spin on their regular cover character – although the brown bob and baseball cap are an unexpected twist on Marilyn’s bombshell style!
Thanks to Fraser Penney
The legendary music producer Quincy Jones began his career during the 1950s, touring Europe in jazz orchestras before being appointed musical director of Mercury Records in New York. In an interview for GQ magazine, the 84 year-old recalls his friendship with Frank Sinatra and their shared interest in women, including Marilyn (whom Quincy probably met while she was dating Frank in 1961.)
His derogatory comments about her appearance are blatantly sexist, and there’s also no evidence that she was interested in him. I certainly can’t imagine Sinatra encouraging another man to pursue her, as he was very fond of Marilyn at the time, and also a jealous lover. So this was probably, at most, a joke in poor taste. However, as the interview as a whole is quite outrageous, perhaps Mr Jones is simply playing to the gallery.
“A few minutes later he shows me photos of some of his children:
‘When you’ve been a dog all your life, God gives you beautiful daughters and you have to suffer. I love ’em so much. They’re here all the time.’
How come you think you’ve been a dog all your life?
‘I don’t know. Probably because I didn’t have a mother. And the big bands, that’s like the school of the dogs. Traveling bands? Every fucking night it was like the girls coming through Neiman Marcus: Oh, I like trumpet players, I like sax players, I like guitar players … Rita Hayworth, all of them. It was unbelievable, man. Frank was always trying to hook me up with Marilyn Monroe, but Marilyn Monroe had a chest that looked like pears, man.’
So you turned down Marilyn Monroe?
‘Let’s not talk about it. Come on, man. We killed it. You know, I came up with the two wildest motherfuckers on the planet. Ray Charles and Frank Sinatra. Come on. They were good-looking guys, they had all the girls they wanted, and they showed you how to deal with it. So did Rubirosa—the king of the playboys … You know, all these women were available all over the world. I did a tour with Nat Cole in ’61 with my band—we couldn’t stop the girls. It’s incredible. Women are a trip, man.'”
UPDATE: Quincy Jones has made a public apology for his recent statements. Marilyn isn’t specifically mentioned here, but I think it’s worth sharing…
Barbara Marx Sinatra, the widow of Frank Sinatra, has died aged 90. A former model and Las Vegas showgirl, she was married to Zeppo Marx from 1959-73, and to Sinatra from 1976 until his death in 1998. As well as overseeing most of his his estate, Barbara was also a philanthropist and children’s campaigner. In her 2011 memoir, Lady Blue Eyes, she recalled meeting Marilyn during the 1950s:
“Palm Springs was a celebrity circus where Clark Gable would pop his head over her hedge for a chat. She befriended Janet Leigh and Tony Curtis. She played doubles matches with Bobby Kennedy and met Marilyn Monroe, who visited Sinatra and reportedly liked to walk around his house naked.
Once when Monroe was staying at the Compound, Barbara’s son Bobby, ‘who had the worst crush on Marilyn,’ insisted Barbara secure an invitation so he could meet the star. ‘So I called Dorothy, Frank’s secretary, and told her my problem and Frank called and said have him come over. Bobby met her and he was totally in love.’
On another occasion Barbara met the ‘beautiful and funny’ Monroe, then married to Arthur Miller, at the Palm Springs Racquet Club. ‘I could see why she’d attract the likes of Mr Sinatra, among others. But her dependence on drugs and alcohol left her vulnerable. We had a casual conversation and she seemed sweet, but we were never going to be close. A few years later she was dead.'”
Buddy Greco, the jazz pianist and lounge singer, died in Las Vegas last week aged ninety.
Armando Greco was born into a musical family in Philadelphia in August 1926, and began piano lessons at four years old. He turned professional in his teens, and had his first hit single in 1948. He was hired by Benny Goodman, and accompanied a young Marilyn Monroe during an audition for the band (she didn’t get the job.)
In 1951, Greco launched a solo career as a nightclub artist. He also released albums and appeared on television. His 1960 version of ‘The Lady is a Tramp’ sold over a million copies. He regularly performed alongside Frank Sinatra, Sammy Davis Jr and other Rat Pack luminaries at the Desert Inn in Las Vegas.
On the weekend of July 29, 1962, Greco was playing with Sinatra at the Cal-Neva Lodge in Lake Tahoe. One of Sinatra’s guests was Marilyn Monroe. Buddy reminded her of their earlier meeting, and took a series of snapshots featuring himself with Marilyn, Sinatra, and Peter Lawford. These photos are believed to be the last ever taken of Marilyn, who died just a week afterward.
Greco enjoyed his British tours so much that he bought a house at Westcliff-on-Sea in Essex, while also maintaining a home in Palm Springs, California. He is survived by his seven children and his fifth wife, Lezlie Anders, whom he married in 1995.
You can read Buddy Greco’s account of the Cal-Neva weekend here.
Marilyn’s RCA Victor award for ‘I’m Gonna File My Claim‘ after it was released as a single to promote River of No Return and sold 50,000 copies in 1954, as well as promotional materials, are among the items in the upcoming Julien’s sale.
An unedited, 30-minute audio recording of Marilyn performing multiple takes of ‘Runnin’ Wild’ and ‘I Wanna Be Loved By You’ (from Some Like It Hot) on a reel of acetate tape, from the estate of Studio 7612 owner Myron Blackler, is also on offer.
Marilyn’s personal songbook – containing more than 369 indexed pages of song standards, such as Cole Porter’s ‘You Do Something To Me’ – is up for bids. Receipts show that in February 1960, Marilyn purchased three albums by Frank Sinatra; and in April 1962, she bought a live double-album by Judy Garland.
Finally, a set of vinyl compilations featuring Marilyn herself are on sale, as collected by Monroe Sixer Frieda Hull.
Marilyn & Sinatra, an hour-long play with songs, is playing through this weekend at London’s Jermyn Street Theatre. Here’s a selection of reviews…
“On the face of it, Marilyn is a gift: the sex symbol, the pills and drink, the suicide, the famous husbands and lovers … But it’s too much of a gift. Writers and directors seem to feel that all they have to do it to put the life, or part of it, on the stage, and they have a hit show on their hands.” – Traffic Light Theatregoer
“There appear to be a number of versions of the story of their relationship, though this play prefers to avoid being unnecessarily sensationalist. It is quite likely, given how private conversations are acted out on stage, that there was a modicum of artistic licence going on – the play never claims to be a verbatim account of who said what and when.” – London Theatre 1
“In his prologue to the audience, the writer and director, Sandro Monetti, explains that the premise of the show was inspired by Monroe’s final moments spent listening to various Sinatra albums. The overall performance also benefits from its desire to connect with the audience, with the actors interacting with them while they sing hits made famous by both stars.” – The Upcoming
“A palpable lack of insightful direction remains a recurring problem with this show, as each character tends to stand (or sit) around on the side-lines while the other narrates dialogue that is both awkward and awkwardly delivered … Erin Gavin bears a passable resemblance to the star and does vulnerability well, even if her voice has an occasional sharp edge to it that Marilyn’s carefully nuanced delivery never did.” – Theatreworld IM2
“We are presented with two narrations, starting from the first falterings of Monroe’s marriage to Joe DiMaggio. In her spoken role, Erin Gavin captures the breathy, seductive tones that Monroe used on screen, although there is more devotion to the accent than to its volume, rendering some lines inaudible even within the tiny confines of the Jermyn Street Theatre. There are the signs of vulnerability there, despite Monetti’s clunkingly obvious script, and although her attempts to sing the actress’s trademark songs ‘I Wanna Be Loved By You’ and ‘Diamonds Are a Girl’s Best Friend’ are beset with timing issues, one does wish that Gavin (a co-producer of this show) had better material with which to develop her impersonation.” – Reviews Hub
“It’s quite a moving show … Not really a musical, this little piece is firmly a play with songs. And little is the operative word. It really is very short. Perhaps it would be better staged in a double bill with another short item.” – Musical Theatre Review
“Marilyn Monroe’s story has been told on stage hundreds of times in dozens of different ways but her character is always compelling. The play only just scratches the surface, never really delving deeply into what made Marilyn and Sinatra tick. It falls short of being truly emotional but is entertaining …” – Bargain Theatreland