Over at Reader’s Digest, Tony DiMarco recalls interviewing Marilyn at Twentieth Century Fox for an army radio show in 1952. DiMarco, and presenter Dave Ketchum, broadcast a weekly program for Camp Roberts, which aired on KPRL in Paso Robles, California. It will come as no surprise to those who know of Marilyn’s loyalty to her fans in the military, but the producers found her a delight to work with, and nothing like the ‘difficult’ star her studio warned them about.
“Not only was Marilyn on time, she was friendly, cooperative and a great interview. When it was over she asked if she could add something and, of course, we said yes. She ad-libbed a touching and heartwarming tribute to the servicemen and women, thanking them for listening and wishing them the very best of luck. She was beautiful, bright and charming. She was the Marilyn we’ll always remember.”
Marilyn’s steamy 1953 thriller, Niagara, will be screened on October 3 at the NAU College of Arts and Letters in Flagstaff, Northern Arizona, as part of a two-season retrospective, 20th Century Fox: The Stars. Prior to this, you can enjoy Marilyn’s supporting role in All About Eve on September 26. (Let’s hope Bus Stop gets an airing in the next season, as it was partly filmed in the state capital of Phoenix, Arizona.)
Olivier Rajchman’s Hollywood Ne Repond Plus (Hollywood Unresponsive) is a new book in French exploring the crisis at Twentieth Century Fox in 1962, focusing on three films made that year: the scandalous Cleopatra, starring Elizabeth Taylor and helmed by Joe Mankiewicz; Darryl F. Zanuck’s magnum opus, The Longest Day; and Marilyn’s last movie, the ill-fated Something’s Got to Give. It is available now in paperback and via Kindle.
In recent years, Twentieth Century Fox has released a wide range of products celebrating their greatest star, including calendars, mugs, and most recently, perfumes. Fox was also involved with last year’s Bendigo exhibition. Using original poster artwork from Gentlemen Prefer Blondes and How to Marry a Millionaire, they have now created a series of framed prints (£25 each), as spotted by Immortal Marilyn’s Fraser Penney at TK Maxx in Perth, Scotland.
Some fans have noted that the original movie posters have been altered, removing Marilyn’s co-stars. MM would no doubt raise an eyebrow at this belated recognition from her home studio!
April VeVea (author of Marilyn Monroe: A Day in the Life) has created a new blog, Classic Blondes – dedicated to Marilyn and her contemporaries. In her latest post, April examines the longstanding assumption that Marilyn’s talents were wasted due to her being typecast in ‘dumb blonde’ roles at Twentieth Century Fox.
“With the exception of Bus Stop, Marilyn’s dramatic roles were NOT making nearly as much as her comedic roles. Fox wasn’t going to throw money into pictures so Marilyn could play in serious roles when they could have hits if she stuck to her comedic skill set. The public was the ultimate typecaster of Marilyn, not Fox … Marilyn actually had a pretty diverse career. Her pictures were evenly spread out between serious and comedic and she shone brightly in most. Her ability to keep herself at a 50/50 split once achieving stardom is amazing. That deserves praise and recognition.”
In another article, April compares Marilyn’s career to that of another fifties bombshell, Jayne Mansfield.
“While Jayne’s movies never grossed as highly as Marilyn’s, it’s safe to say that she was a solid earner for Fox when she was in her element. People wanted to see Jayne in glitz and glamour but her movies also needed to have a solid story line, like Marilyn’s … Jayne wasn’t a bad actress nor was she ‘over’ before she hit 30. She was just promoted incorrectly by Fox and dumped when Marilyn went back to her niche.”
Marilyn’s old studio, Twentieth Century Fox, is launching a line of fragrances named after her most famous movies, and a promotional video has been created for the first perfume, How to Marry a Millionaire, reports Wales Online.
“Twentieth Century Fox Consumer Products developed a new collection based on the portfolio of 12 Hollywood film titles featuring Marilyn Monroe.
Bristol-based fragrance specialist Designer Fragrances then launched the How to Marry a Millionaire inspired women’s fragrance and gift sets in stores across Europe.
Luminous Media director Martin Downes, from Pontypool, said: ‘It is a massive honour for a local Welsh company to be able to produce a video for a product like this.’
‘As you can imagine, there are very strict guidelines for using images of a Hollywood legend like Marilyn Monroe. We came up with a storyboard for the motion graphic video that drew on elements from the movie as well as showcasing the fabulously designed fragrance bottle.'”
John Gilmore, author of Inside Marilyn Monroe, has died aged 81. Like Marilyn, he was born in the charity ward of Los Angeles County General Hospital, and spent time in Hollygrove, the orphan’s home where she had stayed a few years earlier. After serving an apprenticeship as a child actor, Gilmore became a contract player at Twentieth Century Fox. In 1953, he was introduced to Marilyn by actor John Hodiak, who lived nearby her apartment complex.
Eight years later, Gilmore was up for a part in Marilyn’s next movie, an adaptation of William Inge’s play, A Loss of Roses (renamed as Celebration.) The project was shelved, and would finally be made after Marilyn’s death, starring Joanne Woodward as The Stripper.
After penning a series of pulp novels, Gilmore turned his hand to true crime, publishing books about Elizabeth Short (aka The Black Dahlia) and the Manson Family. He also wrote memoirs, detailing his encounters with James Dean and many others.
Inside Marilyn Monroe (2007) grew from the story of his acquaintanceship with Marilyn to a full-scale biography. Gilmore interviewed many Hollywood insiders who had not spoken about Marilyn before, and created a nuanced psychological portrait, while debunking some of the fantasists who have profited from her legacy.
Gilmore was a member of Marilyn Remembered, and spoke fondly of her at the annual memorial services at Westwood. His final book was On the Run With Bonnie and Clyde (2013.)
In a new series about Marilyn’s contemporaries for Immortal Marilyn, Leslie Kasperowicz profiles Gene Tierney, the beautiful star of Laura. Gene found fame during the 1940s at Marilyn’s home studio, Twentieth Century-Fox. Her first husband was Oleg Cassini, one of Marilyn’s favourite designers (you may recognise Gene’s red Cassini dress in this photo, as it was also worn by Marilyn.)
Director Henry Hathaway, who guided Marilyn through her star-making performance in Niagara, was a movie veteran, perhaps best-known for his action pictures. Although seen as gruff and domineering by some, he proved to be one of Marilyn’s most supportive directors.
Henry Hathaway: The Lives of a Hollywood Director, published later this month, is a new biography by Harold N. Pomainville, and promises to be of interest to MM fans (although rather expensive, in my opinion.) He describes how Hathaway dealt with Marilyn’s interfering coach, Natasha Lytess; and how he persuaded Marilyn to sing along to the record in the ‘Kiss’ scene.
Pomeraine also reveals that Zanuck thwarted Hathaway’s plan to cast Marilyn in Of Human Bondage, and that Hathaway advised her to hire Charles Feldman as her new agent as a defence against the hostile studio head. And it was Hathaway who offered Marilyn the chance to star in a Jean Harlow biopic. She rejected it, partly because she was then in dispute with screenwriter Ben Hecht over a shelved autobiography (published after her death as My Story); but perhaps also because the pressures of Harlow’s life mirrored her own.
“Though Hathaway worked with Marilyn only once,” Pomeraine writes, “he became one of her prime defenders. At a time when the Fox hierarchy, including [Darryl] Zanuck, screenwriter Nunnally Johnson, and director Howard Hawks, regarded Monroe as little more than a passing novelty, Hathaway saw her as a rare and sensitive talent: ‘Marilyn was witty and bright, but timid. She was afraid of people.'”