Photographer Bruno Bernard (aka ‘Bernard of Hollywood’) collaborated with Marilyn on numerous occasions, from her early modelling days to the peak of her career in the mid-1950s. One of their photo sessions will be the subject of a lecture by the Palm Springs Historical Society, launching their ‘Let’s Talk’ series at the Palm Springs Cultural Centre on November 21 at 6 pm, as Tracy Conrad reports for the Desert Sun.
This piece raises a few questions, however. Firstly, Bernard photographed Marilyn at the Racquet Club in 1949, not ’47. Secondly, his claim to have introduced Marilyn to her agent and lover, Johnny Hyde, conflicts with other versions of events. Some believe it was a mutual friend, John Carroll, who introduced Marilyn to Hyde in early 1948, while others have suggested they met at a party in Sam Spiegel’s home. Nonetheless, the couple were photographed together by Bernard at the Racquet Club in 1949.
And finally, this photo dated 1961 does not, in fact, show Marilyn with Bernard. They had last worked together in 1954. Fraser Penney has suggested to me the lady may have been actress Paula Lane, who became a Monroe impersonator and later starred in the panned 1989 biopic, Goodnight, Sweet Marilyn. She died in 2015.
As first reported here, the UK company Burleigh’s has now released their Monroe-themed pink gin in partnership with her estate, with this promotional image featuring Bruno Bernard’s photo of Marilyn in The Seven Year Itch (1955.)
Susan Bernard, the actress and archivist for her photographer father Bruno Bernard (or ‘Bernard of Hollywood’), has died aged 71, the New York Times reports.
Her father was a German Jew who fled to America in 1937 to escape Nazi persecution; while her mother Ruth Bernard [née Brandman] was an actress and television director. Susan also had a sister, Celeste, who survives her.
Bruno Bernard would take his first photos of model Norma Jeane Dougherty in 1946, several months before she changed her name. Susan had one hazy memory of seeing Marilyn in her father’s car when she was three or four years old. “It’s almost like a mirage,’ Susan told the San Francisco Chronicle. “An apparition. I remember she had blond hair, and she was called Marilyn. She was very sweet. She giggled a lot.”
In 1965, Susan played ‘Linda’, a teenager kidnapped by a trio of go-go dancers, in Russ Meyer’s Faster, Pussycat! Kill! Kill! That December, Susan became Playboy’s Playmate of the Month after visiting Hugh Hefner’s Chicago office with her father; she was later named among the magazine’s 100 Most Beautiful Women of the 20th century. In That Tender Touch (1969) she played a lesbian, and the film has been preserved as part of Outfest’s Legacy Project. Closing out a wild decade, Susan appeared in two seasons of TV’s General Hospital.
In 1974, Susan married playwright Jason Miller (who also played Father Damian Karras in The Exorcist.) The couple divorced nine years later; their son, Joshua John Miller, is a screenwriter. Susan was also married to publishing guru Stanley J. Corwin, and she wrote and developed TV docudramas about Anais Nin, Ernie Davis and Nellie Bly.
Bruno Bernard died in 1987, the same year his Requiem for Marilyn was published. Susan became his chief archivist, publishing two further Monroe books, Bernard of Hollywood’s Marilyn (1993) and Marilyn: Intimate Exposures (2011.) She also edited a full retrospective, Bernard of Hollywood Pin-Ups (1999), and wrote two books on parenting. She turned ‘Bernard of Hollywood’ into an international brand, entering a partnership with ABG after the licensing company purchased Marilyn’s estate.
“I wanted to not just show photos, but show the back of the photos to show the process of the photographer,” Susan told the Examiner‘s Elisa Jordan in 2011. “I thought that was really interesting where they would literally type a story on a typewriter and they’d cut it out and paste it with tape on the back of a photo. Life was different then! He always wanted to tell the back story. The process of what it was like to be a photographer at that time was very interesting to me and I thought it would be very interesting to other people. And I wanted actually show the negatives. I wanted to show that there is a negative of the flying skirt [from The Seven Year Itch] in existence, and that the original proof sheets do exist. That was one of my goals. In picking the pictures, I just wanted to select the pictures that showed not the obvious glamour pictures, but showed her pensive or thinking—pictures that told a story.”
Marilyn: Intimate Exposures also contained rare photographs of Robert F. Kennedy and his family at the remote ranch home of his friend John Bates in Gilroy, California on the same weekend in 1962 when Marilyn died – in a forceful rebuttal of persistent rumours that the Attorney General visited her at home in Los Angeles on her last day alive (Saturday, August 4th.) As Susan explained, “It gives the reader a glimpse into the private files of a renowned photographer who poured out his soul to set the record straight and defend those who were no longer here to defend themselves.”
Susan made regular public appearances across the USA and Europe to promote her father’s work, and his images of Marilyn. She was a guest speaker at the 2018 memorial service for Marilyn in Westwood Memorial Park. She was also interviewed by filmmaker Ian Ayres for his long-awaited documentary, The Birth of Marilyn.
“Marilyn has been my guardian angel,” Susan told the Huffington Post in 2012. “She picks me up when I am down and gives me strength. She empowered women way before Women’s Lib. Marilyn, the writer Anais Nin, and my mother are my inspirations.”
A final post (for now) on the Julien’s Legends series, in advance of the auction on June 13-14. As well as Marilyn’s bathrobe from How to Marry a Millionaire (see here) her costume from A Ticket to Tomahawk (1950) is also on offer. She wore it to perform ‘Oh, What A Forward Young Man You Are’ with Dan Dailey and her fellow chorines.
As well as an archive of material by Manfred ‘Linus’ Kreiner (see here), several other photographers are also represented.
UPDATE: I have now added the final bids for each item.
“A group of seven color slides, all showing Marilyn performing for U.S. troops in Korea in 1954. Four slides show Monroe wearing a purple spaghetti-strapped dress on stage, three show her wearing a bomber jacket and pants in the camp, and one has a further handwritten annotation in black fountain pen ink reading in part ‘6 Feb 54 – A little/ closer this time.'” (SOLD for $448)
There are several Marilyn-related items in the Property From the Collection of Hugh M. Hefner sale, set for auction at Julien’s this Friday (November 30.) A personal copy of Playboy‘s first issue – featuring Marilyn as cover girl and centrefold – is estimated at $3,000 – $5,000. Other lots include the 1974 calendar seen above, a tie-in with Norman Mailer’s Marilyn; several photographic books about Marilyn (by Janice Anderson, George Barris, Bert Stern, Susan Bernard and Anne Verlhac); a box decorated with a painting of Marilyn by Tony Curtis; a Marilyn-themed bowling shirt and tie; prints by Bruno Bernard, Milton Greene and Jack Cardiff; and a rather silly ‘trick photo’ appearing to show Hef checking out Marilyn’s cleavage (though in reality, of course, they never met.)
UPDATE: Hefner’s copy of the first Playboy issue was sold for $31,250.
Marilyn Monroe – 90th Anniversary, an exhibit featuring photographers such as Andre de Dienes, Bruno Bernard, Nahum Baron and Arnold Newman, is on display at the Galerie Hiltawsky in Berlin until January 14 next year, Hans Schneider reports for BlouArtInfo.
This 1953 pin-up shot by Bert Reisfield features in a new exhibition at In Focus Gallery in Cologne, Germany, until November 4th. This Marilyn retrospective also includes photographs by Eve Arnold, Andre de Dienes, Elliott Erwitt, Sam Shaw, George Barris, Edward Clark, Bruno Bernard, and Bert Stern.
David Wills’ 2011 book, Marilyn Monroe: Metamorphosis, is one of the best photo retrospectives on the market – so it’s no surprise to report that his latest publication, Hollywood in Kodachrome, is also of fine quality. Focussing on 1940s photography, Wills devotes ten pages to Richard C. Miller, Bruno Bernard, Tom Kelley and Earl Thiesen’s glorious colour shots of a young Marilyn in her starlet years.
Individual photographers are well-represented this year, with calendars featuring Milton Greene, Sam Shaw (I prefer the smaller version, as the large one is colourised) and Andre de Dienes (pictured below.)
Several other calendars include miscellaneous candid and formal shots. You’re very likely to spot these in local shops, so I won’t post them here.
And for diarists, there’s good and bad news: while TeNeues are not offering a Marilyn diary this year, she makes the cover of their new Glamour Magneto Diary, featuring more artwork of MM and other vintage stars inside.
UPDATE: This calendar from ML Publishing features classic images of Marilyn in black and white.