Susan Bernard 1948-2019

Photo by Amy Graves

Susan Bernard, the actress and archivist for her photographer father Bruno Bernard (or ‘Bernard of Hollywood’), has died aged 71, the New York Times reports.

Her father was a German Jew who fled to America in 1937 to escape Nazi persecution; while her mother Ruth Bernard [née Brandman] was an actress and television director. Susan also had a sister, Celeste, who survives her.

Bruno Bernard would take his first photos of model Norma Jeane Dougherty in 1946, several months before she changed her name. Susan had one hazy memory of seeing Marilyn in her father’s car when she was three or four years old. “It’s almost like a mirage,’ Susan told the San Francisco Chronicle. “An apparition. I remember she had blond hair, and she was called Marilyn. She was very sweet. She giggled a lot.”

In 1965, Susan played ‘Linda’, a teenager kidnapped by a trio of go-go dancers, in Russ Meyer’s Faster, Pussycat! Kill! Kill! That December, Susan became Playboy’s Playmate of the Month after visiting Hugh Hefner’s Chicago office with her father; she was later named among the magazine’s 100 Most Beautiful Women of the 20th century. In That Tender Touch (1969) she played a lesbian, and the film has been preserved as part of Outfest’s Legacy Project. Closing out a wild decade, Susan appeared in two seasons of TV’s General Hospital.


In 1974, Susan married playwright Jason Miller (who also played Father Damian Karras in The Exorcist.) The couple divorced nine years later; their son, Joshua John Miller, is a screenwriter. Susan was also married to publishing guru Stanley J. Corwin, and she wrote and developed TV docudramas about Anais Nin, Ernie Davis and Nellie Bly.

Bruno Bernard died in 1987, the same year his Requiem for Marilyn was published. Susan became his chief archivist, publishing two further Monroe books, Bernard of Hollywood’s Marilyn (1993) and Marilyn: Intimate Exposures (2011.) She also edited a full retrospective, Bernard of Hollywood Pin-Ups (1999), and wrote two books on parenting. She turned ‘Bernard of Hollywood’ into an international brand, entering a partnership with ABG after the licensing company purchased Marilyn’s estate.

“I wanted to not just show photos, but show the back of the photos to show the process of the photographer,” Susan told the Examiner‘s Elisa Jordan in 2011. “I thought that was really interesting where they would literally type a story on a typewriter and they’d cut it out and paste it with tape on the back of a photo. Life was different then! He always wanted to tell the back story. The process of what it was like to be a photographer at that time was very interesting to me and I thought it would be very interesting to other people. And I wanted actually show the negatives. I wanted to show that there is a negative of the flying skirt [from The Seven Year Itch] in existence, and that the original proof sheets do exist. That was one of my goals. In picking the pictures, I just wanted to select the pictures that showed not the obvious glamour pictures, but showed her pensive or thinking—pictures that told a story.”

Photo by Brant Ward

Marilyn: Intimate Exposures also contained rare photographs of Robert F. Kennedy and his family at the remote ranch home of his friend John Bates in Gilroy, California on the same weekend in 1962 when Marilyn died – in a forceful rebuttal of persistent rumours that the Attorney General visited her at home in Los Angeles on her last day alive (Saturday, August 4th.) As Susan explained, “It gives the reader a glimpse into the private files of a renowned photographer who poured out his soul to set the record straight and defend those who were no longer here to defend themselves.”

Susan made regular public appearances across the USA and Europe to promote her father’s work, and his images of Marilyn. She was a guest speaker at the 2018 memorial service for Marilyn in Westwood Memorial Park. She was also interviewed by filmmaker Ian Ayres for his long-awaited documentary, The Birth of Marilyn.

“Marilyn has been my guardian angel,” Susan told the Huffington Post in 2012. “She picks me up when I am down and gives me strength. She empowered women way before Women’s Lib. Marilyn, the writer Anais Nin, and my mother are my inspirations.”

Marilyn in the Blogosphere

Early fan reviews of MM-related books and film have been posted online. Artist Elizabeth Grammaticas attended last week’s premiere of My Week With Marilyn at the New York Film Festival:

” ‘My Week with Marilyn’ is the most heartfelt attempt to understand Marilyn Monroe that I’ve seen in a motion picture, despite at times the questionable credibility of the initial text. Michelle Williams doesn’t physically look all that much like Marilyn.  Marilyn is hard to physically capture,  and there are others with a greater likeness…but personality wise…Michelle finds Marilyn.  I agree with other critics that Michelle falls short of…performing Marilyn performing Marilyn (ie…in her scenes recreating ‘The Prince and the Showgirl’), but at times if you blur your eyes, catch a profile, angle, a walk or an expression you see moments of candour or pain where you feel like you are actually seeing something more real than a publicity shot of the real Marilyn Monroe with a her white dress blowing up over her head. One of my favorite parts of the film is when Michelle as Marilyn says ‘shall I be her?’ and turns the Marilyn persona on.  This is seen in the trailer of the film, but like the trailer of the original ‘Prince and the Showgirl’…this trailer doesn’t remotely depict what ‘My Week with Marilyn’ is about. The films are about basic interaction between very different people on a much more subtle level.’

Over at The Mmm Blog, Melinda Mason reviews Susan Bernard’s new book, Marilyn: Intimate Exposures:

“Intimacy (as the title suggests) is what Susan Bernard must have been striving for in this edition of her book.  As Marilyn book collectors will be aware, Susan also published a book based on her father’s photos and journal entries called ‘Bernard of Hollywood’s Marilyn’ in 1993.  While some photos are the same and many journal entries are identical, that is where the similarities end.  ‘Marilyn: Intimate Exposures’ is a far superior book.  It even includes a beautiful photographic print from ‘The Seven Year Itch’ in an envelope at the back so you can frame it.”

And on Goodreads, David Marshall (author of The DD Group and Life Among the Cannibals) reviews Bye Bye, Baby, a novel about Marilyn’s death by crime writer Max Allan Collins.

‘But when a historical figure is suddenly no more, (and make no mistake about it, Marilyn Monroe is a historical figure), attention should be paid. All angles concerning their passing should be looked at carefully. All research should be scrutinized. All opinions should be considered. And that should not be restricted to non-fiction attempts at understanding the incomprehensible. Fiction can be a powerful tool and this includes the fun reads. Future generations may come across Bye Bye, Baby and even if they understand the work is “just” a novel, there’s plenty here to get you thinking and rethinking, and, hopefully, that will lead them on to other books on the subject. That, as far as I am concerned, is one of the greatest services of fiction—it makes you think. And Collins more than does his share in that regard.’

Lindsay Lohan Pens Intro to Bruno Bernard Book

Megan Fox may be so over Marilyn, but it’s good to hear that Lindsay Lohan is still very much a fan. She has written a forward to Marilyn: Intimate Exposures, a new collection of photos by Bruno Bernard, as revealed in the Huffington Post:

“Marilyn was the beautiful bad girl in that tight, rose-colored dress. The character she played was strong and taking control, which I unconsciously knew at that young age [12] was a necessary quality for a woman. I can understand the photographer Bernard of Hollywood’s [Bruno Bernard] statement, ‘it took a superhuman effort to be Marilyn.’ I identify…

…People in their mind have created who I am and act as if there is no real person inside of me. Just like Marilyn. Marilyn never wanted to be just a celebrity. Neither do I … I had always thought that movie stars were in films that would last forever in your mind. But now the films don’t. I don’t want to be remembered as someone who just wanted to be photographed, who goes out at night, and gets in trouble…

…Heath Ledger once said to me, ‘It’s built you up to knock you down and that’s all it is.’ Marilyn said she had no foundation. But she said she was really working on it. I’ve been trying to do the same thing … I believe in myself and I’m a good actress.”

 

Bruno Bernard’s ‘Marilyn: Intimate Exposures’

Marilyn: Intimate Exposures, showcasing the work of the late Bruno Bernard and authored by his daughter, Susan Bernard, will be published in October by Sterling Signature.

Two previous books on this subject have already published: the now rare Requiem for Marilyn (1986) and Bernard of Hollywood’s Marilyn (1993.)

Intimate Exposures includes essays by Jane Russell and Lindsay Lohan, and can be pre-ordered from various retailers, including The Book Depository

Product Description

Includes frameable print!
2012 is the 50th anniversary of Marilyn Monroe’s death, and this lavishly illustrated volume celebrates her enduring beauty through photographs by legendary Hollywood photographer Bruno Bernard. Bernard’s iconic photograph of Marilyn standing over the subway grate in a billowing white dress is synonymous with Hollywood glamour and sex appeal, and many of the images here have never before been published. They cover key moments in Marilyn’s life, including her first professional sitting in 1946, all enlivened by fascinating excerpts from Bruno’s journal.
Fans of the blonde bombshell will also treasure the stunning, frameable print included with this keepsake book.

About the Author

Susan Bernard, daughter of Bruno Bernard, is an author, producer, and president of Bernard of Hollywood Publishing/Renaissance Road, Inc. She preserves and internationally exhibits, publishes, and licenses her late father’s work, generating feature articles in The New York TimesTime,NewsweekVanity FairAmerican PhotoEntertainment Weekly, and other journals. Bernard of Hollywood’s famous “Marilyn in White” photograph was chosen as the photographic Symbol of the Century in 1999 by the Museum of Modern Art, New York, in its Fame After Photography exhibition.
  • Hardcover: 208 pages
  • Publisher: Sterling Signature (October 4, 2011)
  • Language: English
  • ISBN-10: 140278001X
  • ISBN-13: 978-1402780011

Details from Amazon

Thanks to Chris at Club Passion Marilyn