Kirk Douglas 1916-2020

One of Hollywood’s most legendary stars, Kirk Douglas, has died aged 103.

He was born Issur Danielovitch to Belarusian immigrant parents in New York. His father was a ragman, and he and his six sisters grew up in poverty. He was known as Izzy Demsky, and began acting at high school, graduating from St. Lawrence University in 1939. He then studied at the American Academy of Dramatic Arts where his classmates included Betty Joan Perske, who later found fame as Lauren Bacall.

After joining the US Navy in 1941, he changed his name to Kirk Douglas. He was medically discharged in 1944, having sustained injuries while fighting in World War II. Back in New York he worked in the theatre and radio, until his old friend Bacall recommended him to movie producer Hal B. Wallis.

With Lauren Bacall in Young Man With a Horn (1950)

In 1947, Kirk starred with Robert Mitchum in a classic film noir, Out of the Past. Three years later, he played a character based on jazz cornetist Bix Beiderbecke in Young Man With a Horn. When starlet Jean Spangler, who had a small part in the film, vanished in 1951, her purse was found in Griffith Park, Los Angeles with a note addressed to ‘Kirk’. Douglas approached the police, stating that he was not the man Spangler was writing to, and that he was in Palm Springs at the time of her disappearance. His explanation was accepted, but the mystery remains unsolved.

In his 2007 memoir, Let’s Face It, Kirk recalled a brief encounter with a young Marilyn Monroe – probably dating back to the late 1940s.

“I remember the first time I met Marilyn, at the home of producer Sam Spiegel. The only woman in the room, she sat quietly in a chair watching Sam playing gin rummy with his friends and hoping that he’d get her a job in movies. I felt sorry for her. I tried to talk with her, but it wasn’t much of a conversation.

On the screen Marilyn came to life. She was a different person.”

Kirk’s eight-year marriage to Diana Dill, mother of his sons Michael and Joel, ended soon after. He would marry producer Anne Buydens in 1954, and despite his rumoured infidelities, their union was one of Hollywood’s happiest and most enduring. They had two more sons, Peter and Eric, who sadly died of a drugs and alcohol overdose in 2004.

In 1951, Kirk starred in Billy Wilder’s first film as a writer/producer, Ace in the Hole. In 1952, he earned the second of three Oscar nominations for The Bad and the Beautiful. Three years later he formed an independent production company, with his first project, Paths to Glory (1957), launching the career of director Stanley Kubrick. Although not a box-office success, it is now considered one of the finest anti-war films ever made.

One of Kirk’s most memorable roles was as the artist Vincent Van Gogh in Lust for Life (1956.) In 1960, he reunited with Kubrick for his greatest role as Spartacus, with his insistence on giving screenwriter Dalton Trumbo full credit helping to end the Hollywood blacklist. He also made several Westerns, including Gunfight at the O.K. Corral (1957) with his frequent co-star Burt Lancaster, and his personal favourite, Lonely Are the Brave (1962.)

Marilyn at the Sands Hotel, 1961

In June 1961, Kirk and Anne celebrated their seventh wedding anniversary with a party at the Sands Hotel in Las Vegas. Among the guests was Marilyn, photographed gazing at her new beau Frank Sinatra onstage. Singer Eddie Fisher was also present with then-wife Elizabeth Taylor, plus Dean Martin and wife Jeanne.

In Let’s Face It, Kirk visited Marilyn’s final resting place at Westwood Memorial Park.

“In this cemetery there is a structure composed of vaults, one placed upon another, with the names of the deceased on small plaques. It’s always easy to recognise the vault containing Marilyn Monroe. Joe DiMaggio, the famous baseball player and one of Marilyn’s ex-husbands, arranged for fresh flowers to be placed in the metal urn attached to her vault every day [actually every week, for twenty years.] Every time I walk by, visitors are looking at the name Marilyn Monroe. Poor Marilyn, she never found the happiness that her fame denied her.”

After buying the rights to Ken Kesey’s novel, One Flew Over the Cuckoo’s Nest, Kirk adapted it into a 1963 play, marking his return to the stage. He later gave the rights to his son Michael, who produced the Oscar-winning 1975 film adaptation starring Jack Nicholson.

With Faye Dunaway in The Arrangement (1969)

In 1969, Kirk starred in Elia Kazan’s The Arrangement. A year later, he appeared with Henry Fonda in There Was a Crooked Man …, the penultimate film from writer-director Joseph L. Mankiewicz. He teamed up with Burt Lancaster again in the 1988 crime comedy, Tough Guys, and continued working in film for another two decades. In 2009, he capped off his career with a one-man show at the Kirk Douglas Theatre in Los Angeles.

During a 2007 visit to France, Kirk saw an exhibition featuring photos of Marilyn shortly before she died. “She will forever be thirty-six years old,” he wrote. “Here I am, staggering into my nineties, hard of hearing, hard of seeing, with replaced knees and an impaired voice. If I had died forty years ago, would I be remembered as the Viking dancing across the oars? Maybe.”

“It’s hard to make friends in Hollywood,” Kirk had written almost twenty years earlier, in The Ragman’s Son (1988.) “It’s a cruel, unhappy town, and success is even more difficult to handle than failure. You look around and you see what’s happened to Marilyn Monroe, John Belushi, James Dean, Freddie Prinze, Bobby Darin, and so many others.”

In 2012, a blind item on a gossip blog inferred that Kirk Douglas may have sexually assaulted actress Natalie Wood as a teenager during the 1950s. However, there is little corroborating evidence to support this claim; and in fact, they were photographed together several times at public events during the same period. While such grave allegations should always be taken seriously, it will probably remain a mystery.

With son Michael Douglas

The lives of Kirk Douglas and his illustrious family – a true Hollywood dynasty – is chronicled in the 2010 documentary, It Runs in the Family. Kirk’s last public appearance was at the Golden Globes in 2018, with daughter-in-law Catherine Zeta Jones, where he received a standing ovation.

Kirk Douglas, who died at home in Beverly Hills of natural causes on February 5, 2020, is survived by his wife Anne, now 100, and his three sons and grandchildren. Their 66-year marriage is documented in the 2017 book, Kirk and Anne: Letters of Love, Laughter and a Lifetime in Hollywood.

Mystery Solved: Marilyn on New Year’s Eve, 1948

This stunning photo is part of a set taken by Peter Stackpole for LIFE magazine during a party at the Beverly Hills home of producer Sam Spiegel on New Year’s Eve, 1948, posted on Twitter. Marilyn was still a long way from stardom, having only two bit parts and a lead in a B-movie (Ladies of the Chorus) to her name. It is thought that Spiegel invited her as a pretty starlet, probably at the instigation of Marilyn’s well-connected friends, John Carroll and Lucille Ryman, who were managing her career.

Among the guests were some of Hollywood’s biggest names: James Mason, Glenn Ford, Ava Gardner, Judy Garland, Alfred Hitchcock, Charlie Chaplin, Frank Sinatra, Edward G. Robinson, Shirley Temple, Danny Kaye were among them, as well as George Sanders (Marilyn’s future co-star in All About Eve), his wife-to-be Zsa Zsa Gabor, and four of Marilyn’s future directors; John Huston, Henry Hathaway, Jean Negulesco, and Otto Preminger.

Huston wanted to test Marilyn for We Were Strangers (1949), but Spiegel vetoed it, opting for the more bankable Jennifer Jones instead. The director would later give Marilyn her breakthrough role in The Asphalt Jungle (1950.)

In the photo shown above, Marilyn wears the strapless gown seen in her brief appearance in Love Happy (1949), and a separate set of photos taken by J.R. Eyerman for LIFE in 1949, showing her rehearsing with vocal coach Phil Moore. She had also worn the dress in March 1948, during her performance in Strictly for Kicks, a revue staged at Twentieth Century Fox. Notably, she was one of the only female guests at Spiegel’s party not wearing any jewellery (suggesting that for Marilyn, ‘Diamonds Are a Girl’s Best Friend’ was just a song.)

Two other photos from the party (found by another fan on the Getty Images website) show Marilyn dancing in a crowd, and chatting with two men.

Here’s Marilyn again; plus another dancefloor photo with Marilyn to the left, Danny Kaye in the middle and George Sanders on the right (possibly with Zsa Zsa!)

Another photo shows Marilyn dancing with her former beau, musician Fred Karger. Their stormy romance, which began on the Ladies of the Chorus, was coming to an end, but Marilyn remained close to the Karger family for the rest of her life. Interestingly, his watch may have been Marilyn’s Christmas present to him, which took her two years to pay off. She left her name off the engraving so his next girlfriend wouldn’t know it came from her.

It has been said that Marilyn met agent and lover Johnny Hyde that night (although photographer Bruno Bernard has claimed they were introduced a few months later, in Palm Springs.) I haven’t found any photos of him with Marilyn at the party; however, he can be seen in the photos shown above. (They would be snapped together at another New Year’s Eve party a year later.)

And finally, here’s the LIFE article about the party, although Marilyn isn’t featured in it. In 1957, Peter Stackpole would photograph Monroe again at the peak of her fame, with husband Arthur Miller at the ‘April in Paris Ball’ in New York’s Waldorf-Astoria Hotel.)

Thanks to Everlasting Star

We Were Strangers: Marilyn and John Garfield

John Garfield, a legendary movie ‘tough guy’ of the 1940s, trained in the New York theatre and after his Hollywood breakthrough, became a prototype for the next generation of ‘rebel actors’ including Marlon Brando. In He Ran All the Way: The Life of John Garfield, biographer Robert Knott describes the star’s alleged encounter with the young Marilyn Monroe on the set of John Huston’s We Were Strangers (1949.)

“[Sam] Spiegel brought agent Johnny Hyde and a young blonde starlet on the set. Spiegel asked Huston to film a silent test of the blonde, using as little film, time and money as possible. Huston said he would, but as soon as the producer left the set Huston asked [Peter] Viertel to write a scene for the girl to play on camera with Julie (Garfield’s real name was Julius.) The next day Huston, cameraman Russell Metty and Julie spent a good part of the day filming this brief screen test with the young blonde, one Marilyn Monroe. Spiegel was furious at Huston’s insubordination and blamed the director for letting the film fall behind schedule another day. Indifferent to Spiegel’s ranting but appreciative of Monroe’s potential, Huston cast her in a small role in his next film, The Asphalt Jungle. (No one seems to know what happened to that test film of Monroe and Garfield; one wonders if the actor made a pass at her.)”

John Garfield with Jennifer Jones in ‘We Were Strangers’

In the News: Marilyn’s Last Goodbye

As so many outlandish conspiracy theories have arisen in the 53 years after Marilyn’s death, it is instructive to look back at how the tragic event was covered in the days after the news broke. Firstly, an extract from Time magazine’s obituary, which focused on the ill-fated production of Something’s Got to Give, claiming that only a few minutes of usable footage were shot. This myth persisted until 1990, when Marilyn’s impressive, if unfinished work was shown in public for the first time. (Headlined ‘The Only Blonde in World’, Time‘s obit inspired a painting of the same name by British pop artist, Pauline Boty.)

“She had always been late for everything, but her truancy was never heedlessness. Beset by self-doubt and hints of illness, she would stay alone, missing appointments, keeping whole casts waiting in vain. In the past year, her tardiness was measured in weeks instead of hours … She seemed euphonic and cheerful, even while 20th Century-Fox was filing suit against her in hopes of salvaging $750,000 damages from the wreckage of Something’s Got to Give.”

The New York Times noted the gulf between Marilyn’s ‘golden girl’ image and her sad demise, echoing the shock felt by many fans:

“The life of Marilyn Monroe, the golden girl of the movies, ended as it began, in misery and tragedy.

Her death at the age of 36 closed an incredibly glamorous career and capped a series of somber events that began with her birth as an unwanted, illegitimate baby and went on and on, illuminated during the last dozen years by the lightning of fame.

Her public life was in dazzling contrast to her private life.

No sex symbol of the era other than Brigitte Bardot could match her popularity. Toward the end, she also convinced critics and the public that she could act.

During the years of her greatest success, she saw two of her marriages end in divorce. She suffered at least two miscarriages and was never able to have a child. Her emotional insecurity deepened; her many illnesses came upon her more frequently.

In her last interview, published in the Aug. 3 issue of Life magazine, she told Richard Meryman, an associate editor: ‘I was never used to being happy, so that wasn’t something I ever took for granted.’

Considering her background, this was a statement of exquisite restraint.”

Writing for The National, Lincoln Kerstein – co-founder of the New York Ballet – praised Marilyn’s comedic gifts and unabashed sexuality:

“Marilyn Monroe was supposed to be the Sex Goddess, but somehow no one, including, or indeed first of all, herself, ever believed it. Rather, she was a comedienne impersonating the American idea of the Sex Goddess … When people paid their forty millions to see Monroe, it was for an aesthetic performance, not a simple provocation. And she, perhaps even consciously, exemplified a philosophy which had come to her pragmatically, and which a lot of American women don’t like very much—a philosophy at once hedonistic, full of uncommon common sense, and, even to some intellectuals, deeply disturbing. Her performances indicated that while sex is certainly fun, and often funny, it is only one of many games … Marilyn Monroe’s life was not a waste. She gave delight. She was a criterion of the comic in a rather sad world. Her films will continue to give delight, and it is blasphemy to say she had no use. Her example, our waste of her, has the use of a redemption in artists yet untrained and unborn.”

The Los Angeles Times gave a detailed report about Marilyn’s final days, and the still-disputed circumstances of her death, under the headline ‘Marilyn Monroe Dies; Pills Blamed’…

“Two motion pictures executives were bidding for her services at the time of her death. One of them was reportedly J. Lee Thompson, director of the film The Guns of Navarone, who planned to meet with her Tuesday.

Producer Sam Spiegel also wanted her to star in a picture for him, it was reported.

Miss Monroe had received an offer of $55,00 a week to star in a night club appearance in Las Vegas recently, but she turned it down.

Further evidence that her career was on the upswing was indicated by a typewritten message on a table in her home.

It was from a representation of Anita Loos, creator of Gentlemen Prefer Blondes, and said:

‘Dear Miss Monroe: On behalf of Anita Loos, now in Europe, we would like to know if you would be interested star role new musical based on French play Gogo. Book by Anita Loos, lyrics by Gladys Shelley and enchanting music by Claude Leville. Can send you script and music if you express interest. (signed) Natalia Danesi Murray.'”

Finally, The Guardian‘s W.J. Weatherby published a personal tribute to Marilyn (click to enlarge.) He would later write a book about their friendship, Conversations With Marilyn.