A 1955 nude calendar sold for $5,120, while a $160 check signed by Marilyn to psychoanalyst Dr. A. Gottesman in 1952 fetched $3,840 at Julien’s Online Entertainment Auction this weekend. You can read more about the 78 Marilyn-related lots – mostly documents from her personal archives – over here.
An online entertainment sale, featuring 78 Marilyn-related lots, is set for August 19 at Julien’s Auctions. In addition to photos by Andre de Dienes, Bert Stern and George Barris, and an original nude calendar from 1955, there are also numerous documents from her personal files which shed new light on her life and career. Here are some selected highlights:
“A counter check written entirely in Monroe’s hand in black ink dated February 26, 1952, and paid to Dr. A. Gottesman, in the amount of $160. The check is drawn on Monroe’s Bank of America account. Monroe lists her address as the Beverly Carlton Hotel. Gottesman was a psychoanalyst Marilyn started seeing in the early 1950s. “
“A colorful birthday card sent to Marilyn for her 30th birthday by business manager and friend Inez Melson. In her message Melson acknowledges she’s been informed that Marilyn has transitioned the responsibility for the care of her mother Gladys away from Inez. Melson’s handwritten message reads, ‘Dearest Marilyn, This little card not only wishes you a Happy Birthday, but says “au-revoir.” I say this because Mr. [Irving] Stein was in this morning and told me of the new arrangement with the Arthur Jacobs Company with respect to taking care of all matters relating to Mrs. Eley. I am truly sorry, dear one, but you know you can always call upon me if you should ever need me. With fondest love, always, Inez.’ The original transmittal envelope is included. Melson managed Marilyn’s finances and business affairs throughout the early portion of Marilyn’s career. Interestingly, Melson ended up becoming the executrix of Marilyn’s estate after her death, which included ensuring the care of Marilyn’s mother who passed away in 1984. Inez passed away in 1985.”
“A September 8, 1956 letter to Marilyn from Mary Lee Fairbank reading in part, ‘We’ve just got back and looking forward to having you both for dinner – what night? How many? Who particularly do you want to meet – political, (undecipherable), fluff, philosophical, scientifical (sic).’ The original envelope, also included, is addressed to Mrs. Arthur Miller, Parkside House, Englefield Green, Surrey, where Marilyn and husband Arthur Miller stayed for four months while filming The Prince and the Showgirl.” [Possibly from Mary Lee Fairbanks, who married actor Douglas Fairbanks Jr. in 1939.]
“An April 2, 1957 letter to Marilyn from Margaret Hohenberg, M.D., reading, ‘I am sending you your file for the sessions you had during March. I hope you are getting along in your new analysis, yet I want to repeat what I said last time over the phone: Whenever and for whatever reason you may want to see me again – you will be always welcome.’ Hohenberg was Marilyn’s psychoanalyst from 1955 through early 1957.”
“An original program for Cat on a Hot Tin Roof from its run at the Erlanger Theatre in Chicago, IL for the week of July 7, 1957 signed by American character actor and producer/director Delos Smith. On the cover, Smith wrote, ‘How sweet of you to ask my autograph! We are closing Saturday, then I go to Kansas for two weeks on income taxes, then back to N.Y. Read page 13. Love, Delos.'”
“An August 21, 1957 letter from [theatre director] John Gerstad. The letter reads, ‘Dear Miss Monroe, Arnold Schulman introduced us in Sardi’s quite a few months ago. Arnold figured that since I had directed The Seven Year Itch for Broadway and you had made the picture that we should meet. This is just to tell you how much I enjoyed your picture The Prince and the Showgirl, particularly your fetching performance. I hope this note finds you in good health. Sincerely yours, John Gerstad.’ Also included, a carbon copy of a December 5, 1957 letter sent to Gerstad from Marilyn, reading, ‘I am sorry it took so long to answer your note. It was very nice of you to write telling me that you enjoyed my performance in The Prince and the Showgirl. Thank you for your kindness. Warmest regards. Sincerely …'”
A November 13, 1957 handwritten letter to Marilyn from Stefan Lorant, which reads, ‘I have sent you the picture in which Lincoln looks like your husband. I hope you like it. It was so good to meet you at Amagansett. With kindest regards to you and your husband, Stefan Lorant.’ Lorant is referred to as a pioneering Hungarian-American filmmaker, photojournalist, and author. Included is a carbon copy of the response letter dated December 4, 1957 reading, ‘I am so happy with the picture you sent me of Lincoln. It was kind of you to remember. My husband loves it a much as I do, and we both feel it is probably one of the best of the Lincoln portraits. Thank you again for your thoughtfulness. Perhaps we will be seeing you again soon. We haven’t seen Mary Bass since the summer but we hope to. With kindest regards from my husband and myself.’ Mary Bass was the executive editor of Ladies’ Home Journal.”
“A small notecard dated November 13, 1957 with a very unusual message. The card reads, ‘Please forgive this extreme personal intrusion: It is my utmost desire to learn if you were adopted from an Iowa orphanage around 1935. I am looking for a browneyed (sic) sister formerly named Geraldine. Sincerely, Ruth Webb.’ Included is a carbon copy of the response letter dated December 5, 1957 reading in part, ‘For your information, I am not the person you describe, as I have never even been in Iowa. I hope you will find the person you are looking for.’ Interestingly, Marilyn herself signed the original letter, and not a secretary as was the case for a great deal of Marilyn’s correspondence.”
“A July 16, 1958 letter to Marilyn from Dr. Eugen Grabscheid that reads in part, ‘I am sorry to hear that the complaints after your flight have increased. I am very sure that everything will come out all right as long as the treatment is not overdone.’ This letter is likely referencing Marilyn’s flight from New York to Los Angeles on July 7, to meet with director Billy Wilder about Some Like it Hot.”
“A carbon copy of an October 21, 1958 letter to Marilyn from Rex Taylor in reference to Marilyn’s interest in painting. The letter reads in part, ‘I just talked with Jon Whitcomb who tells me you are quite interested in painting. He also tells me that you would like too (sic) take the Famous Artists Painting Course. At Jon’s request we are making you a scholarship student but I am at a loss as to where to forward the textbooks since, as I understand it, you will be in Hollywood for sometime (sic) before returning to New York City,’ and ‘I thought you might be interested in seeing a recent story on the army of Hollywood painters.’ Included with the letter is a reprint of a story referencing film stars taking up painting with a picture of Tony Curtis featured.” (Marilyn did subsequently take this course, and some of her artwork survives – more info here.)
“A small notecard originally affixed to a floral arrangement with a personal message from Oscar winning American actress Eva Marie Saint and her husband American television director and producer Jeffrey Hayden. The notecard reads, ‘We are so happy about the beautiful news. Best Wishes.’ The greetings are likely in response to the news that Marilyn and husband Arthur Miller were expecting a child. Sadly Marilyn miscarried in December, 1958. Also included, the original carbon copy response letter from Marilyn to the couple reading, ‘Thank you so very much for the beautiful flowers and the good wishes. My best to you both.'”
“A July 23, 1959 letter to Marilyn from Mrs. Frank Klein, regarding an article her daughter had written for speech and drama class during her freshman year in high school. The assignment was to write about the voice of a well-known personality. The typed article, also included with this lot, reads in part, ‘Marilyn Monroe’s voice is high-pitched and soft-toned. Her manner of speaking is breathless and rapid. Her voice has an appealing little girl quality. It convey’s (sic) Miss Monroe’s screen personality, the only one with which I am familiar, to perfection.'”
More fan mail, including a torn-up 1958 letter from Phil D’Agostino, asking Marilyn to send two signed photos daily for 2 months; a small photo sent by Myrna E. Phaire, who also gave Marilyn artwork previously sold at Julien’s; and an unsigned drawing.
“A Western Union telegram from publicist Pat Newcomb, addressed to Marilyn at her 444 East 57th Street, New York apartment, dated April 16, 1961 reading, ‘Hey friend. You know I knew even before and that I understand, but please call me today. I want to talk to you. Love, Pat.’ It’s unclear what this telegram is referencing. A number of events were occurring in Marilyn’s life at this time. Just five days prior to the date of this telegram Marilyn attended an opening day baseball game at Yankee Stadium with former husband Joe DiMaggio. They’d been on vacation together in Florida just weeks prior. In early March Marilyn was released from Columbia Presbyterian hospital. On March 7, Marilyn attended the funeral for August Miller, the mother of third husband Arthur. “
“A greeting card from Rupert Allan, who handled Marilyn’s publicity and press inquiries for several years. The card’s message from Allan reads in part, ‘I am already much better after a day in the sun: none of the pressures of the office, and the fabulous mineral waters and whirlpool bath treatment for my pinched nerve. It is so hot and relaxing.’ Included is the original transmittal envelope date stamped May 4, 1961.”
“A small red gift tag with an attached red ribbon. The tag reads, ‘Happy Christmas, 1961,’ and ‘George Cukor,’ written in silver ink in Cukor’s own hand. Interestingly, research indicates that Cukor agreed to direct Something’s Got to Give in November of 1961, and this card was likely attached to a Christmas gift he gave to Marilyn considering they’d soon be working together again.”
“A small notecard, presumably originally affixed to a floral arrangement due to its size and artwork, with a personal message from two-time Oscar winner Shelley Winters. The card reads, ‘All your fellow students from the Actors Studio California branch at the moment thinking of you.’ The card is signed, ‘Shelley W.'” [UNDATED]
“A small notecard with embossed letters reading ‘WADLEY & SMYTHE, NEW YORK.’ The handwritten note on the card reads, ‘May the days of your years be gentle always. Sincerely, Joan Blondell.’ A comparison of Blondell’s known autograph resembles the signature on the card, indicating it’s very likely she wrote the note herself. Blondel starred in more than 100 productions both in film and television, her most notable being her performance in the 1951 film The Blue Veil, for which she received an Academy Award nomination. Younger generations will recognize her as Vi, one of the waitresses at the Frosty Palace in the 1978 cult classic, Grease. [UNDATED]
“An oversized birthday card with an image of Marilyn on the cover together with an image of Brigitte Bardot. The card’s cover reads, ‘Brigitte Bardot or Marilyn Monroe.’ The message inside offers the bearer a night with Bardot or Monroe for $2.00 with the coupon printed in the card. A handwritten message on the card’s inside cover reads, ‘Tell M.M.M. I’ve saved up $1.62 already yet. Love, Del’ under a greeting that reads, ‘For your Birthday.’ An interesting yet crass greeting card featuring Marilyn herself (and likely without her approval) sent to the film star by a fan. [UNDATED]
UPDATE: The nude calendar, and check to Dr. Gottesman were the biggest sellers among the Marilyn-related lots – more details here.
Today, May 27, marks seventy years since a little-known actress posed nude for photographer Tom Kelley. The photos were sold to a calendar company, and three years later, someone recognised the model as Marilyn Monroe. Against studio advice, she admitted it and the public loved her for it. Lorraine Nicol tells us the full story today, over at Marilyn Remembered.
One of the world’s greatest fashion designers, Yohji Yamamoto, has teamed up with Marilyn’s estate, creating a special tribute for his capsule collection, Project Y, based on two of Monroe’s most memorable photo shoots – her 1949 nude calendar, and the 1956 ‘Black Sitting’, as Jake Silbert reports for Hypebeast.
“The opportunity to work with the estates of Tom Kelley and Milton Greene, two photographers famous for their intimate imagery of Monroe, reads like a match made in heaven.
Drawing from Kelley’s ‘Red Velvet Series’ and Greene’s photographic archive, the collection emblazons a blouson jacket, cloak, gown, shirt and cut-and-sew with lush prints of ‘the world’s most photographed woman.’ Nude snapshots of Monroe take center stage, printed at the chest of the shirt and jacket and rear of the gown and mantle cloak. With Yamamoto’s preferred all-black palette at the core of the designs, the imagery is granted extra emphasis, ensuring that each image is unforgettably bold.
The Marilyn Monroe capsule hits Ground Y’s web store on June 7.”
The story behind Marilyn’s nude calendar scandal is retold by Pierre Vulag, owner of the Limited Runs poster company, in an interview with Alec Banks for High Snobiety. It’s a good read, with a couple of minor corrections: firstly, Marilyn was shooting Clash By Night when the news broke in early 1952 (not Gentlemen Prefer Blondes, which came later); and secondly, while Marilyn told reporters she had posed nude for photographer Tom Kelley because she was behind on her rent, it was actually to get her car out of hock. (Her friend Sidney Skolsky had advised her that the rent story would play better with the public, and it worked!)
“Every press person I talk to ends their questions with ‘why do you still think people are fascinated by Marilyn Monroe?’ It’s exactly that. When the studio insisted that she deny it, she said ‘I will not, and it is me. I have nothing to be ashamed of.’ It was that honesty that the public could relate to … You think of all the Hollywood actors that people still relate to today – James Dean, Elvis Presley, Humphrey Bogart. Those people bled on the screen. They were honest and their personality was like ‘this is who I am, take me or leave me.’ And it’s that thing that she had and people loved.”
A letter written to Marilyn by Pat Newcomb, her publicist and close friend for the last two years of her life, is among the items on auction in the UK tomorrow (Saturday, September 22), as Fox News reports.
Henry Aldridge & Sons, based in Devizes, Wiltshire, is offering several lots from the estate of Monroe collector David Gainsborough Roberts, who died in 2016. Bidding opens at 10 am GMT, and bids can also be made online via The Salesroom or Invaluable (but you’ll need to register first.)
In the letter, Pat advises Marilyn on how to field intrusive questions from the acerbic Hollywood columnist, Hedda Hopper. “If you want to return her call … I think it would be a good idea and you can avoid answering anything you don’t want,” Pat writes. “When she asks what you did over the holidays you just say ‘nothing special’ – that gives her nothing to print. You ‘saw a few friends, whom she doesn’t know anyway’ and just relaxed.'” Probably referring to the latest dance craze, Pat makes a further suggestion: “You can tell Hedda you hear she’s quite a ‘Twister’ and she’ll do a monologue which will completely take her away from anything about you.”
Pat also mentions that “Harrison Cannall’s office called to say that Joe [DiMaggio] was in town and could I confirm it. I said I didn’t know and didn’t discuss your personal life in any case.” Pat refers to related matters, such as the title of an upcoming Redbook article. The letter has an estimated price of £300-£500.
Another letter from Marilyn’s psychiatrist, Dr Ralph Greenson, is dated June 30, 1962, billing her for services totalling $1,250, with an estimated price of £400-£600.
Two vintage movie posters are also available, plus a four-page 1955 calendar featuring a censored version of Marilyn’s famous nude photo by Tom Kelley and three other pin-up shots, complete with envelope (estimated at £600-£800.)
Hugh Hefner, founder of Playboy magazine, has died aged 91.
In 1953, he acquired Tom Kelley’s nude calendar shot of Marilyn for the magazine’s first issue, also putting her on the cover. (You can read the full story here.) ‘She was actually in my brother’s acting class in New York,’ he told CNN. ‘But the reality is that I never met her. I talked to her once on the phone, but I never met her. She was gone, sadly, before I came out here.’
In 1960, Playboy published another laudatory feature headlined ‘The Magnificent Marilyn.’ If Marilyn sometimes resented others profiteering from her nude calendar – for which she had earned a flat $50 back in 1949 – by 1962 she was considering posing for Playboy‘s Christmas issue (although some sources indicate she changed her mind.)
Lawrence Schiller’s poolside nudes, taken during filming of the unfinished Something’s Got to Give, were published by Playboy in 1964, two years after Marilyn’s death.
The women’s rights campaigner Gloria Steinem, who would later write a biography of Marilyn, went ‘undercover’ as a Bunny Girl in a Playboy club for a magazine assignment durging the 1960s, and found the experience degrading – an opinion echoed by feminists today, as the BBC reports. Cultural historian Camille Paglia takes a different view, citing Hefner as ‘one of the principal architects of the social revolution.’
Marilyn has made many posthumous appearances on Playboy covers through the years. The magazine has also revealed rare and unseen images, such as Jon Whitcomb’s 1958 painting of Marilyn (based on a photo by Carl Perutz), and illustrator Earl Moran’s photos of a young Marilyn.
Many distinguished authors have written about Marilyn for Playboy, including John Updike, Roger Ebert, and Joyce Carol Oates. More dubiously, the magazine also published detective John Miner’s contested transcripts of tapes allegedly made by Marilyn for her psychiatrist, Dr Ralph Greenson.
Since his death was announced earlier today, Twitter users and even some news websites have mistakenly posted a photo of Marilyn with Sir Laurence Olivier, confusing him with Hefner, as Mashable reports (a final absurdity that all three would probably have found hilarious.)
In 1992, Hefner reportedly purchased the crypt next to Marilyn’s in Westwood Memorial Park for $75,000. If he is buried there, it will either pave the way for extra security measures, or make Marilyn’s final resting place even more of a spectacle.
A rather provocative article, headlined ‘Marilyn Monroe Started Sexual Revolution’, has appeared at The Inqisitr. It’s an interesting proposal, but unfortunately the content is somewhat ill-informed.
Firstly, none of the quotes attributed to Marilyn can be substantiated. They are all quotes which have only appeared online in recent years. None of them can be traced back to an interview or reputable biography.
Here’s a better example, from her last interview in 1962:
“I think that sexuality is only attractive when it’s natural and spontaneous. This is where a lot of them miss the boat. And then something I’d just like to spout off on. We are all born sexual creatures, thank God, but it’s a pity so many people despise and crush this natural gift. Art, real art, comes from it, everything.”
Secondly, Marilyn’s much-vaunted ‘affair’ with John F. Kennedy has been wildly exaggerated. The best evidence suggests that it was at most a weekend fling. And her last phonecall was not to JFK.
In private, Marilyn was perhaps more sexually liberated than most women were generally in her lifetime. But among other Hollywood stars, she wasn’t especially promiscuous.
Where she was arguably more radical is in how she expressed her sexuality in public life. The Inquisitr rightly states the revelation of her nude calendar, and Marilyn’s refusal to disown it, as a turning point in her career.
She was America’s greatest post-war sex symbol, which is all the more remarkable since she came to prominence in an era when women’s sexual freedoms were being curtailed.
In her first true star vehicle, Niagara, Marilyn played a ‘femme fatale’ with fierce, threatening sexuality. However, her bosses at Twentieth Century Fox subsequently placed her in comedic, ‘dumb blonde’ roles, in an attempt to neutralise her allure.
Despite being forced to play a stereotype, Marilyn managed to poke fun at her image, presenting sex in a way seldom seen before. Unlike the vamps who preceded her, Marilyn’s sexuality seemed both natural and joyous.
In the wake of news that over a hundred celebrities’ private photos have been leaked by a hacker, Anne Helen Petersen looks back at Marilyn’s nude calendar scandal, and how she survived, over at Buzzfeed.
“More than 60 years ago, an ‘it’ girl not dissimilar to Jennifer Lawrence also had highly suggestive and topless photos emerge into the public sphere, just as her career was rocketing from B-player to A-list star. A 23-year-old Marilyn Monroe, desperate for work, posed nude for art photographer Tom Kelley in 1949, receiving $50 for her time.
She made rent, and continued her fledgling career. It wasn’t until 1952, when two of the images from the shoot showed up in a calendar called Golden Dreams, that the photo shoot came back to (potentially) haunt her.
At first, it was mere speculation that the anonymous girl in the pages of the calendar seemed to look strikingly similar to one of Fox’s up-and-coming starlettes. But as it became increasingly clear that it was, in fact, Monroe nude on a bed of red satin, she urged her studio to let her guide her own PR strategy, one brilliant in its simplicity.
Instead of denouncing the images, Monroe took control of the narrative. She’d been hungry and behind on rent, and besides, she had always insisted that the photographer’s wife be in the room. ‘I’m not ashamed of it,’ she told the press. ‘I’ve done nothing wrong.’
And her comments just kept getting better. ‘I’ve only autographed a few copies of it, mostly for sick people,’ she explained to the The Saturday Evening Post. ‘On one I wrote, this might not be my best angle.’
Unlike prior sex scandals, which had each served as a revelation of a hidden self, the photos of a naked Monroe fit with the expectations gleaned from her on-screen performances. (Just four years before, a leading Hollywood star — Ingrid Bergman — had been denounced on the Senate floor as an ‘instrument of evil’ for giving birth out of wedlock, with nary a single nude photo in sight.) Monroe’s on-screen persona, or ‘picture personality,’ was defined by sex; it was no surprise when her off-screen activities were as well.
But Monroe’s particular embodiment of sex, and the salience thereof, hinged on an understanding of sex not as prurient, or deviant, but natural — fitting with what came to be known as the “Playboy philosophy”, that sex is only dirty when suppressed. In this way, Monroe reassured the public that posing for those photos wasn’t wrong, or sinful, or something that should end her career — but a young, hungry, ambitious girl understanding her assets and sharing the pleasure of her beautiful body.
Monroe knew that she could fold the potential scandal of the Golden Dreams photos into her existing image, which managed to reconcile the intensely sexual with the overwhelmingly innocent. She giggled, she smiled, she completely neutralized the career-destroying power of those photos. All with a few lines of well-chosen response, calculated to help her audience understand that yes, nude photos might be the site of truth of the Marilyn Monroe image, but that site of truth isn’t cobwebbed and unseemly, but rather the most innocent, natural, and thus unimpeachable form of bliss.”
Marilyn makes the cover yet again, in this online catalogue for Julien’s 90210 auction, ending next Monday, March 17. Items on offer include photographs by Joseph Jasgur, George Barris, and Andre de Dienes; a screen-print by Pop Artist Steve Kaufman; and a nude calendar owned by Bob Hope – who arranged Marilyn’s USO tour of Korea – featuring this amusing typed text, accompanied by a facsimile signature…
UPDATE: View results here