This 1.5 metre white-bead necklace worn by Marilyn in Richard Avedon’s publicity shots for Some Like It Hot and worth £12,000, is up for grabs in a contest ending on December 31 this year. To enter, subscribe now to the JewelStreet email newsletter.
The results are in for this year’s Legends sale at Julien’s Auctions. A number of photos from the Manfred ‘Linus’ Kreiner archive (see above) were sold, with the Marilyn-related lots fetching up to $3,800. These photos were recently featured in Parade magazine (see here.)
Within the fan community, biographer Gary Vitacco-Robles won a telegram from Lauren Bacall congratulating Marilyn after her wedding to Joe DiMaggio, for $1,582.50. The biggest Marilyn-related sales, however, were her costume from A Ticket to Tomahawk (sold for $22,400), and her bathrobe from How to Marry a Millionaire (which fetched $28,800.) Here are some more highlights:
- A rare ‘Page 3’ copy of Playboy‘s first issue, signed by Hugh Hefner ($16,00)
- A cast of Marilyn’s hands and feet from Grauman’s Chinese Theatre ($25,600)
- A black chiffon overblouse ($19, 200)
- A six-strand, iridiscent crystal necklace in purple and green ($11,250)
- A pair of rhinestone clip earrings ($28,125)
- Marilyn’s script for Something’s Got to Give, dated August 30, 1961 ($12,800)
And finally, I’ve added the maximum bids for each item featured in my previous posts – learn more about this fascinating auction here.
UPDATE: I have added the final bids to each item.
“A typed letter on Jamie, Inc. letterhead dated July 24, 1958 in regards to a newspaper article reporting that Marilyn’s new white platinum bleach is breaking off her tresses. The letter, from the president of Jamie, Inc. reads, ‘Enclosed is a clipping from one of our daily newspapers regarding damage to your hair. We are sending you under separate cover our hair conditioner. If used according to directions, it will allow you to bleach your hair as light and as often as you desire. I am sure you will find that you will no longer have hair damage of any kind, and you will also be able to obtain a truer color.’ Enclosed with the letter is the original newspaper clipping referencing Monroe’s hair.” (SOLD for $1,152)
“An October 19, 1959 invoice for the storage of several of Marilyn’s furs, including a white ermine coat, a black fox stole trimmed with silk, a ranch mink coat, a white beaver coat, a white fox stole, a black fox stole, and a white fox stole and muff, among others. Nearly all of the furs listed on this receipt are instantly recognized in photos of Marilyn at publicity and red carpet events. ” (SOLD for $750)
“An extensive collection of statements from Lilly Dache Boutique and Beauty Salon in New York, with dates throughout 1958 and 1959, together with a letter addressed to Marilyn informing her that she has an overdue balance of $238.40.” (SOLD for $768)
“A grouping of shopping receipts addressed to Marilyn Monroe Miller for various purchases, one receipt specifies an alteration to a tweed item for her stepdaughter, Janie Miller. Also included is an envelope from the famed clothing line address to Jax in Beverly Hills.” (SOLD for $875)
“A receipt from I. Magnin & Co. addressed to Mrs. Arthur Miller at the Beverly Hills Hotel, dated December 23, 1959, for the purchase of ‘5# Original,’ indicating a purchase for the famed perfume, widely believed to be a favorite of Monroe’s. Interestingly, the order was specified to be delivered to ‘Dorothy Blass,’ a name Marilyn occasionally used for past purchases and deliveries to disguise her identity. During this period Marilyn was completing filming of Let’s Make Love. Research indicates she actually called out sick on this date.” (SOLD for $1,152)
“A black chiffon overblouse. Label reads ‘Rudi Gernreich Design for Walter Bass.’ A separate paper label reads ‘Style 104 M. Monroe.'” (SOLD for $19,200)
“A pair of drop rhinestone ear clips with three strands of teardrop-shaped rhinestones, unmarked; and a
six-stranded iridescent crystal necklace in purple and green. ” (SOLD for $28,125 and $11,250, respectively)
When Argentine actress Camila Morrone turned out for the Cannes premiere of Quentin Tarantino’s Once Upon A Time In Hollywood this week, she wore a Bvlgari Cinemagia necklace – inspired by Marilyn’s performance of ‘Diamonds Are a Girl’s Best Friend’ in Gentlemen Prefer Blondes, as Nafeesa Saini reports for Prestige Online. Although rising star Camila, there to support boyfriend Leonardo DiCaprio, has been compared to screen goddess Sophia Loren, she eschews glamour in her latest film, Mickey And The Bear. But as a recent AFP interview reveals, her Monroe homage is no accident…
“Morrone looks up to Charlize Theron — another former catwalk beauty, who won an Oscar for Monster — though she has a soft spot for Marilyn Monroe who ‘never stopped trying to be a good actor… All she wanted was for someone to say she had talent.'”
The legendary Moon of Baroda diamond – valued by its current owner at between $500,000 and $750,000 – is now on display at Christie’s in Los Angeles until October 20, and will be auctioned in Hong Kong on November 27 alongside a signed photo of Marilyn wearing it, as Jordan Riefe writes for the Hollywood Reporter.
“‘It’s gorgeous,’ said Marilyn Monroe when first gazing upon the Moon of Baroda; not a heavenly body to match her own, but a diamond, a rare 24.04-carat canary yellow gem pulled from the legendary Golconda mine, outside Hyderabad, in 16th-century India.
Monroe was on a publicity tour for her breakout 1953 comedy Gentleman Prefer Blondes with its unforgettable song, ‘Diamonds are a Girl’s Best Friend’ when the Moon of Baroda became her best friend, on loan from Meyer Jewelry Company in Detroit.
Meyer Rosenbaum loaned it to the legendary actor for publicity purposes surrounding Howard Hawks’ classic comedy, Gentlemen Prefer Blondes, co-starring Jane Russell, and photos of Monroe wearing it went viral.
What won’t add to its price is a rumored curse alleging that if the gem travels overseas, bad luck will come to its owner. Its 19th century stint in Austria ended with the death of Maria Theresa, and others claim that Monroe’s fortunes took a southward turn after wearing it in 1953, when Gentlemen Prefer Blondes launched her to stardom.”
UPDATE: The Moon of Baroda diamond has been sold at auction in China for $1.3 million – more than double its low estimate, as Christie’s reports.
“In her new role, she said she did a great deal of research into all aspects of Marilyn Monroe’s life, her mystique and the real person, and came up with four collections that reflect the star’s essence: Whisper, Aura, Stellar, and a high jewelry collection. Prices begin at $350 with most of the jewels are priced in the $2,000 to $4,000 range. The high jewelry items are far more expensive, as one would expect.
The Aura collection speaks to Monroe’s ‘inner strength and the power of emotion using colors that Monroe uses to describe her dreams,’ such as ‘scarlet and gold and shining white, greens and blues,’ Lee said. ‘Maybe she was thinking of a rainbow so I wanted to evoke the same feeling you get when you see a rainbow. It’s the color of the light. It’s the color of your emotion. I literally hinted at pastel colors that are accentuated with boldness.'”
The Stellar range is based on a slight misquote: Marilyn did not say, ‘We are all stars and deserve to twinkle.’ The exact wording (from a telegram declining an invitation during her battle with Fox in 1962) is ‘All we demanded was our right to twinkle.‘
Whatever you may think of the designs, a quick glance at the M.Monroe Facebook page suggests the presentation will be quite tasteful. On April 13, it was announced that M.Monroe has partnered with Girls Write Now, a New York-based writing and mentorship organisation for high-school girls, ‘the next generation of Modern Marilyns making their own mark on the world.’
Two pairs of earrings worn by Marilyn in Frank Powolny’s iconic publicity shots for Gentlemen Prefer Blondes will be auctioned on November 18, as part of a sale from the estate of legendary jewellery designer Joseff of Hollywood at Julien’s. Also coming up this month is the Entertainment Signatures sale at Heritage Auctions on November 11.
UPDATE: The gold-plated earrings have sold for a staggering $112,500; while the pair with simulated pearls fetched a none-too-shabby $81,250.
Marilyn makes two jewellery-related appearances in this weekend’s Financial Times, firstly in this article about the diamond trade; and elsewhere, she’s pictured wearing pearl earrings at a press conference in 1956.
Thanks to Fraser Penney
Among Marilyn’s possessions were many items of sentimental value. She kept this ballerina paperweight in her New York apartment next to a framed photo of 1920s Broadway star Marilyn Miller, who inspired her own stage name. In a strange twist of fate, she would also become ‘Marilyn Miller’ after her third marriage. She later gave the paperweight to her friend and masseur, Ralph Roberts, calling it “the other Marilyn.”
This silver-tone St Christopher pendant was a gift from Natasha Lytess, Marilyn’s drama coach from 1948-54. (St Christopher is the patron saint of travellers.) Marilyn cut ties with Lytess after discovering she was writing a book about their friendship. She later gave the pendant to Ralph Roberts, telling him, “I’ve outgrown Natasha.”
This gold and silver-tone Gemini pendant reflects Marilyn’s close identification with her astrological sign, symbolised by twin faces. “I’m so many people,” she told journalist W.J. Weatherby. “Sometimes I wish I was just me.”
Marilyn was exceedingly generous to her friends, as the story behind this bracelet reveals.
“A rhinestone bracelet owned by Marilyn Monroe and gifted to Vanessa Reis, the sister-in-law to May Reis, Monroe’s personal assistant and secretary. In a letter to the consigner dated November 28, 1994, Ralph Roberts writes, ‘Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she’d brought to Reno with thought of possibly wearing it as a [undecipherable comment] for Roslyn [Monroe’s character in The Misfits]. Upon discussing it, she and Paula [Paula Strasberg was Monroe’s acting coach and friend] had decided somehow it wouldn’t be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May’s greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit – there’d been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let’s Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday. They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May – all of us – knew from experience we couldn’t compliment Marilyn on any personal items or had to be very careful. She’d be compulsive about giving it, or getting a copy – to you.’ Accompanied by a copy of the letter.”
Jack Dempsey, a former world heavyweight champion boxer, wrote to Joe DiMaggio’s New York Yankees teammate, Jerry Coleman, in 1954. “Have been reading a lot about Marilyn, Joe and yourself, here in the east,” Dempsey remarked. “Best of luck to you and your family, and send Marilyn’s autograph along.”
This small pine-cone Christmas tree, held together with wire and dusted in glitter, was given to Marilyn as a surprise by Joe DiMaggio one year when she had no plans, or decorations. Christmas can be a lonely time, and Joe made sure to bring some cheer.
This vintage Hallmark card was sent to Marilyn one Christmas by her favourite singer, Ella Fitzgerald.
Author Truman Capote sent Marilyn a personally inscribed 1959 album of himself reading ‘A Christmas Memory‘ (an excerpt from his famous novella, Breakfast at Tiffany’s.)
Marilyn owned a leather-bound, monogrammed copy of Esquire magazine’s July 1953 issue, featuring an article about herself titled “The ‘Altogether’ Girl.”
Marilyn’s 1954 trip to Korea to entertain American troops was one of her happiest memories. This photo shows her with the band and is accompanied by a letter from George Sweers of the St Petersburg Times, sent after their chance reunion when Marilyn took a short break in Florida in 1961.
This endearing note accompanied a gift from Marilyn to Paula Strasberg, who replaced Natasha Lytess as her acting coach in 1956: “Dear Paula, I’m glad you were born because you are needed. Your warmth is both astonishing and welcomed. Love & Happy Birthday, Marilyn.”
In April 1955, novelist John Steinbeck wrote a letter to Marilyn, asking her to sign a photo for his young nephew.
“In my whole experience I have never known anyone to ask for an autograph for himself. It is always for a child or an ancient aunt, which gets very tiresome as you know better than I. It is therefore, with a certain nausea that I tell you that I have a nephew-in-law … he has a foot in the door of puberty, but that is only one of his problems. You are the other. … I know that you are not made of ether, but he doesn’t. … Would you send him, in my care, a picture of yourself, perhaps in pensive, girlish mood, inscribed to him by name and indicating that you are aware of his existence. He is already your slave. This would make him mine. If you will do this, I will send you a guest key to the ladies’ entrance of Fort Knox.”
Television host Edward K. Murrow sent Marilyn a Columbia Records album, featuring excerpts from speeches by Sir Winston Churchill, in November 1955. She had been a guest on Murrow’s CBS show, Person to Person, a few months previously.
Marilyn’s custom-bound edition of Arthur Miller’s Collected Plays included a personal dedication. Miller had drafted a fuller tribute, but it was nixed – possibly because his first divorce was not final when it was published.
“This book is being written out of the courage, the widened view of life, the awareness of love and beauty, given to me by my love, my wife-to-be, my Marilyn. I bless her for this gift, and I write it so that she may have from me the only unique thing I know how to make. I bless her, I owe her the discovery of my soul.”
Costume designer Donfeld sent Marilyn this handmade birthday card one year, together with a small note that read, “M – I hope this finds you well and happy – My thoughts are with you now – Love, Feld.”
This engraved cigarette case was given by Marilyn to Joe DiMaggio during their post-honeymoon trip to Japan in 1954.
This souvenir brochure for the small town of Bement, Illinois was signed by Marilyn when she made a surprise appearance in 1955, during a festival marking the centennial of an historic visit by her idol, Abraham Lincoln.
Comedian Ernie Kovacs sent this rather cheeky letter to Marilyn in 1961. He would die in a tragic car crash in January 1962, aged 43, followed by Marilyn in August.
“The letter, addressed to ‘Marilyneleh’, invites Monroe to a get together at his home on June 15, giving the dress code as ‘… slacks or if you want to be chic, just spray yourself with aluminum paint or something.’ He continues, ‘I’ll try to find someone more mature than Carl Sandburg for you. … if Frank is in town, will be asking him. … don’t be a miserable shit and say you can’t come. … Look as ugly as possible cause the neighbors talk if attractive women come into my study.’ He signs the letter in black pen ‘Ernie’ and adds a note at the bottom: ‘If you don’t have any aluminum paint, you could back into a mud pack and come as an adobe hut. … we’ll make it a costume party. … Kovacs.'”
Always gracious to her fans, Marilyn gave child actress Linda Bennett a magazine clipping with the inscription, “I saw you in The Seven Little Foys. Great – Marilyn Monroe.” She also signed this photograph, “Dear Linda, I wish you luck with your acting. Love and kisses, Marilyn Monroe Miller.”
“Marilyn Monroe famously sang ‘Diamonds are a Girl’s Best Friend,’” Sheila Gibson Stoodley writes for Robb Report, “but collectors of her memorabilia disagree. Seven of the 10 most-expensive Marilyn Monroe items sold at auction are dresses—mainly costumes that the late star wore in her films. The few that she donned outside of the studio earn their high sums thanks to period photographs that prove Monroe wore them.” And over at his MM Collection Blog, Scott Fortner – who helped to catalogue this week’s auction at Julien’s – takes a closer look at the ‘I’m Through With Love‘ dress from Some Like It Hot, and the ‘After You Get What You Want‘ dress from There’s No Business Like Show Business. Both costumes are from the David Gainsborough Roberts collection, and will go under the hammer tomorrow.
Several other items which contributed to Marilyn’s glamorous look are also among the lots. From her modelling days onward, Marilyn often wore her own clothing in photo shoots. These brown leather sandals date back to a 1950 session with photographer Earl Leaf, shot at the Hollywood home of her agent, Johnny Hyde.
Unlike her cinematic alter-ego Lorelei Lee, Marilyn wasn’t really a material girl. These earrings, worn to the premiere of The Seven Year Itch, were made from simulated diamonds.
Marilyn’s movie costumes were made in duplicates, with her name next to the Fox logo on a sewn-in label. This green lace bodice from Bus Stop was won in a contest by a lucky reader of the British fan magazine, Picture Show.
These red satin platform shoes – designed by Annello & Davide – were born by Marilyn to the London premiere of Arthur Miller’s controversial play, A View From the Bridge.
John Moore’s pencil sketches for the form-fitting mermaid gown worn by Marilyn to the premiere of The Prince and the Showgirl are also on offer.
“A two-page, typed plan titled ‘Calorie Restricted Diet/ 1000 Calories/ 100 Grams Protein’ prepared for Monroe by Dr. Leon Krohn. The pages are undated, but some of the approved foods and meal plans are in line with the notations found in Monroe’s hand in the back of one of her notebooks from 1958. The diet put forth presents sound health advice even by today’s standards, recommending the restriction of sugar, fats and carbohydrates to whole wheat and ‘one small white potato boiled baked or riced’ as a substitution for one slice of bread.
Five sets of instructions, eight pages, from the Erno Laszlo Institute written out for Marilyn Monroe Miller, dated June 5, 6, 11, and 12, 1958, and July 3, 1958, outlining her constantly changing skincare regime in great detail. The instructions not only divide skincare into ‘Morning,’ ‘Evening if dressing,’ and ‘Evening before retiring,’ but also there are instructions on what not to eat: ‘Not one piece of any kind of nuts, olives, chocolate, clams and oysters.’ There are also separate instructions for California and ‘Instructions for Makeup While Making Films.'”
These white leather shoes by Salvatore Ferragamo are just one of several pairs that she owned. (The spiked heels were 3 inches high, and the size was 7.5B.)
In the spring of 1958, Marilyn made plans to appear at the Cannes Film Festival. Simone Noir sent her an invitation to visit Christian Dior in Paris. Unfortunately, the trip was cancelled, but a separate invoice shows that Marilyn bought a dress and coat by Dior from a Park Avenue boutique.
That Christmas, Marilyn’s longtime hairdresser, Agnes Flanagan, gave her a bottle of her favourite perfume, Chanel No. 5, purchased from I. Magnin in Beverly Hills.
Finally, a costume sketch by Bob Mackie for Something’s Got to Give. Based on a Jean Louis design, the red skirt suit with a swing jacket trimmed in leopard print, and matching hat, was intended as an ‘Outfit Worn on Day Off/Also in Courtroom Sequence.’ However, the ensemble was not worn by Marilyn during wardrobe tests, or any surviving footage from the ill-fated movie.