Reality TV star Kim Kardashian made a social media faux pas when she posted a fake topless photo of Marilyn on Instagram today, reports The Blast (I’ve posted the original above, taken during a 1953 photo session with Bert Reisfeld.) While it’s very annoying, I don’t blame the gullible fans who post these fakes as much as the self-proclaimed ‘artists’ who inflict these fakes on the world in the first place. This is actually one of the tamer creations – websites like Ebay are ridden with badly Photoshopped, semi-pornographic renderings of Marilyn.
“The Blast tracked down Jeffrey Yarber, the artist behind the piece, who tells us the ‘photograph’ is one of thousands of celebrity fantasy artworks he has digitally created and sold over the years. In other words, he created the photo, it isn’t an actual topless Monroe photoshoot.
Kim’s hardly the first to share the Marilyn portrait, and Kardashian is so art savvy that she probably knew it wasn’t genuine, but tons of people thought it was legit.
As for the faux photo, Yarber says, ‘Fakes is a genre, I, and about four other fellows, originated. My artworks are marketed around the world, and are offered in just about every medium there is.’
Yarber tells us people — including respected galleries — often mistake his prints for originals, but he doesn’t like to correct them, adamant that his pieces are ‘virtually real, depicting the actual subjects in actual settings, without flaw.'”
Marilyn and Coca Cola are among the most recognisable American cultural icons. In an article for the Daily Mail, Anna Hopkins visits the Coca Cola archive managed by Ted Ryan in Atlanta, Georgia and finds images of Marilyn sipping Coke by the pool at Greenacres, the Hollywood home of silent movie comedian turned 3D photographer Harold Lloyd (seen here wearing a blue suit and his trademark spectacles.) She visited in 1953 with Jean Negulesco, supposedly to film a dream sequence for How to Marry a Millionaire. This never transpired, but footage of a seductive Marilyn purring “I hate a careless man” was used in ‘Security Is Common Sense’, a PSA for the US Air Force, warning servicemen against revealing military secrets in letters home.
Studio contract stars like Marilyn were routinely asked to endorse products, although she would do so less frequently in later years. Despite the Mail article’s claims, the Lloyd shoot does not appear to have been directly connected to Coca Cola – but the tacit promotional value was clearly welcomed, and it has since become part of their glamorous legacy. In 1951, Marilyn was filmed drinking Coke in a scene from Love Nest. And Edward Clark’s candid shot of Marilyn and co-star Jane Russell enjoying a Coke on the set of Gentlemen Prefer Blondes (1953) was revived in a 2015 company ad campaign.
This exuberant press shot of Marilyn arriving in Vancouver in July 1953 (en route to film scenes for River of No Return – more info here) features in a new display at the remodelled Global Services reception area for United Airlines’ elite customers at Los Angeles International Airport (L.A.X.), as Lewis Lazare reports for Chicago Business Insider. (She also flew from New York to Chicago with United Airlines when she visited Bement, Illinois to honour Abraham Lincoln in 1955.)
The upcoming TV series, Feud: Bette and Joan, stars Susan Sarandon as Davis and Jessica Lange as Crawford, the rival actresses whose mutual enmity peaked when they collaborated on Robert Aldrich’s 1961 shocker, Whatever Happened to Baby Jane?
As Carolyn L. Todd reveals in an article for Refinery 29, Crawford also bore a grudge against Marilyn, which will be depicted in the show’s opening scene. The older star decried Marilyn’s daring attire – the iconic gold lamé dress – when she accepted a Photoplay award as most promising newcomer. However, while the basic story is true (as recorded by columnist Bob Thomas – more details here), the producers have transposed the event to an occasion closer to their main storyline. In this telling, Crawford makes her dig at Marilyn at the 1960 Golden Globes, where she was named Best Actress in a Musical or Comedy for Some Like It Hot.
However, Marilyn’s appearance on this occasion was relatively demure and while Joan’s original remarks had drawn criticism because Marilyn was, in 1953, a rising star, by 1960 she was a far more established figure. After the public backlash, Joan had made no further comments on Marilyn’s later career. Citing her attack on Marilyn’s overt sexuality as an early example of ‘slut-shaming’, Todd seems unaware that the chronology has been altered.
While switching the date may fit the Feud narrative more neatly, it is also anachronistic and leaves one wondering how many other ‘alternative facts’ will be presented to viewers. Feud will have its premiere on Sunday, March 5, on the US cable channel FX, so for better or worse, we’ll soon find out.
It has been a puzzle to Marilyn fans for many years: the brief video clip where a swimsuit-clad MM, reclining on a poolside lounger, purrs, ‘I hate a careless man.’ It was shot at the home of Harold Lloyd, the silent movie comedian turned cheesecake photographer, in 1953. But little more was known about it. Now Immortal Marilyn‘s April VeVea has found the source of the mystery footage…
“Recently I was going through Marilyn Monroe’s IMDB page under the ‘Archive Footage’ tab. I was surprised to see her listed under a 1995 documentary, narrated by William Shatner, called Trinity and Beyond – The Atomic Bomb Movie. In it, a short 1953 PSA [Public Service Announcement], that was only shown to members of the United States Air Force, called Security is Common Sense is shown at the 47:35 mark. The PSA talks about using common sense measures when dealing with government secrets such as ‘avoiding loose talk, safeguarding top secret information, reporting security violations at once, and avoiding writing about top secret information when writing home.’ At 48:39 who pops up but Marilyn herself to end the PSA!”
Photographer Phil Stern, who turned 95 this week, has donated prints of 95 of his iconic shots to the Veterans Home of California, where he is currently a resident, reports Media Bistro. A special celebration and unveiling of the donated prints is scheduled for this weekend.
Marilyn is pictured here at a backstage at a children’s benefit at the Shrine Auditorium in 1953. In another, most pensive photo, she poses with Jack Benny. They had filmed a hilarious sketch for his television show at the same venue in September. Although Marilyn’s expression looks tragic, the photograph may have been staged to present two comedic stars in a different mood.
Today’s New York Postreports on one Marilyn fan’s guilty secret – two exceeding rare (and now very valuable) vintage magazines, swiped by a 15 year-old boy from the Jefferson Market Public Library in Greenwich Village over fifty years ago. These long-lost issues of Life and Look, both published in 1953, are among Marilyn’s most iconic, sought-after magazine covers.
“‘He said it was on his conscience all these years and that basically he wanted to make it right,’ said Frank Collerius, the public-library manager at the Jefferson Market branch in the Village, who told the Post it finally reclaimed the well-ogled Look and Life magazines last fall.
‘He was such a passionate fan, that in his passion, he inadvertently took them home,’ Collerius said of the 65-year-old. ‘Fifty years is a long time to make amends.'”
While reading this, I was reminded of the moral dilemma I faced while living in Derbyshire about ten years ago. I borrowed an original copy of Pete Martin’s 1956 book, Will Acting Spoil Marilyn Monroe? Now considered an essential resource by MM scholars, this book sells for high prices on Ebay.
I was sorely tempted to keep it, but my conscience got the better of me. I finally purchased a copy for myself earlier this year (minus the dustjacket, sadly.)
So, dear reader – do you have any Marilyn-related crimes to share?
This rare candid photo has a ‘meet-cute’ story behind it, as explained by blogger Posh Todd…
“Never-before-seen photo of Marilyn Monroe, taken in Banff, Alberta, in 1953 when she was filming Otto Preminger’s River of No Return. The gentlemen in the photo is Norm Charach, the beloved late father of my jeweler, Marty Charach, of Broadway Jewelers, 943 West Broadway. Norm was waiting to use a pay phone to phone his wife Evelyn, who was then pregnant with Marty. Marilyn was waiting her turn to use the pay phone to call Joe DiMaggio, and Norm and Marilyn struck up a conversation, and voila, history was made.”
This colour candid may have been taken on the same day, with another fan…
Over at Collector’s Weekly, Lisa Hix asks: ‘Are you bold and brassy enough to wear vintage Napier jewellery?’ Marilyn Monroe was, as this cover shot from the 1954 Movieland annual shows. The earrings were designed in a ‘floral basket’ style.