Niagara was released in the U.S. 66 years ago, on January 21, 1953. Despite its success at the box-office, Marilyn would never play such a villainous role again. But while Niagara is now considered an important film noir – in the genre’s latter phase, and one of the few made in Technicolor – the Hollywood Reporter‘s original review, reposted here, was one of the first to recognise Marilyn’s dramatic achievement.
Thanks to A Passion for Marilyn
“Around the scenic splendor of Niagara Falls, Charles Brackett has produced and co-scripted a gripping murder melodrama that is loaded with sex and suspense. With Marilyn Monroe, Joseph Cotten and Jean Peters turning in superb performances that help maintain a mood of dynamic tension, Niagara should pile up huge grosses for 20th-Fox.
Henry Hathaway makes wonderful use of the falls to heighten the suspense and to add pictorial beauty to the production which gains additional exploitation value by its locale, never before used as the focus for a motion picture plot. Those who have never been to Niagara will be fascinated by the exciting shots of the falls, the awesome grandeur of which has been thrillingly captured by Joe MacDonald’s fine photography.
Hathaway draws splendid performances from his cast and maintains a taut, spicy tempo that grips the attention consistently. Miss Monroe turns in her finest acting performance yet, adding to her acting laurels by playing a sexy tart with a provocative abandon that has a powerful impact … Sol Kaplan’s music, directed by Lionel Newman, helps heighten the mood of suspense, with other technical functions on the high-quality level one expects from 20th-Fox productions.”