Bandleader Ray Anthony, who had a hit in 1952 with ‘My Marilyn’, has shared his memories with the Hollywood Reporter – and unlike so many others who knew her (such as Mickey Rooney, pictured above), he has never embellished their brief acquaintance. A short film retelling the story, Marilyn and I, was released in 2015.
“When he wasn’t performing at A-list parties in his 1950s heyday, Anthony was recording music for 20th Century Fox Pictures (his rendition of ‘The Bunny Hop’ has been featured on soundtracks from 1955’s How to Be Very, Very Popular to TV’s Everybody Loves Raymond).
On the Fox lot, he met a beautiful starlet named Marilyn Monroe. ‘We threw this big party for Marilyn at my house in the Valley,’ recalls Anthony. ‘She was pretty happy about that. It probably helped a little bit with her fame.’
While the two were photographed together looking mutually enamored, Anthony says they were ‘just friends’ who were ‘pretty busy at the time’ focusing on their careers.
But he did woo another blond star — Mamie Van Doren, his wife from 1955 to 1961. Says Anthony of the Teacher’s Pet bombshell, ‘We had fun together.'”
The movie costume collection of Marilyn Remembered president Greg Schreiner – around 500 garments in total, including this red dress originally designed by Oleg Cassini and worn by his former wife, Gene Tierney, in On the Riviera (1951) , and by Marilyn a year later in promotional shots and at the premiere of Monkey Business – returns to the spotlight in HollywoodRevisited, a musical extravaganza at the Annenberg Theater in Palm Springs on February 22, the DesertSun reports.
“‘It began with Marilyn,’ Schreiner beams. ‘She was always my No. 1 star.’ In those early days of collecting, he says he could fetch a vintage garb from $200 to $500. ‘It was one of the first times [auction houses] had done something like it; nobody had thought the costumes would ever be worth anything.’ As prices for movie costumes shot north over the years, especially Monroe-related items, Schreiner fell deeper in love with collecting all kinds of movie wardrobe items.
In 1987, Schreiner formalized the genesis for what is now Hollywood Revisited in a very small way — in nursing and retirement homes. Things snowballed after that. This year, Schreiner has shows booked in major theatrical houses around the country — from West Palm Beach and Santa Monica to Chicago. He is now heralded for being one of the most well-known collectors of classic movie costumes worn by Monroe, Davis, Elizabeth Taylor, Julie Andrews, Katherine Hepburn, Mae West, Judy Garland, and countless others. In fact, 30 of Schreiner’s costumes are on display in the Hollywood Museum.”
UPDATE: Hollywood Revisited will be staged again at the Colony Theatre in Burbank, Los Angeles on Match 26, to benefit the Musical Theatre Guild’s extensive youth outreach programs.
In the Salisbury Post, Mark Wineka notes the passing of Barbara Harris Richmond, who was crowned Miss North Carolina in 1952 and attended the Miss America pageant in Atlantic City, where she met the parade’s Grand Marshal, Marilyn Monroe. (There are several photos of Marilyn with various contestants, but as yet I haven’t seen Barbara’s. Incidentally, Salisbury was also the home-town of Marilyn’s future masseur and close friend, Ralph Roberts.)
“In June of that year, only after a lot of coaxing and having just graduated from Woman’s College in Greensboro, 22-year-old Barbara Harris entered the Jaycee-sponsored Miss Salisbury Pageant and won. She topped a field of 16 contestants.
By late July, she was competing in the Miss North Carolina Pageant in Winston-Salem. She won again, as judges selected her over 37 other contestants. All the stories to come would mention how small she was for a beauty queen — 5 feet, 2 inches tall and 115 pounds.
It also was standard for the day to give her measurements, which were 34-24-34.
A hectic month followed leading up to the Miss America competition in Atlantic City, New Jersey. She toured New York and went through hours of coaching and singing rehearsals for the pageant, which included the usual bathing suit, evening gown and talent categories.
During the week, Barbara had her picture taken with the parade marshal, Marilyn Monroe. It was a tossup as to who was prettier, though Monroe raised eyebrows with a dress whose neckline plunged to her waist.
The Salisbury Evening Post sent a reporter to cover all of Barbara’s pageant activities. Editors assumed readers were so familiar with her by then that headlines sometimes referred to her as ‘Babs.’
Though Barbara didn’t make the final 10 in the 1952 Miss America Pageant, she was mentioned prominently for the Grand Talent Award. She filled the Atlantic City convention hall with an aria from ‘Samson and Delilah,’ prompting a rousing ovation from the crowd of 18,000.”
As this year’s awards season gets underway, the Hollywood Reporter looks back at the ‘Henrietta’, Marilyn’s first major acting award, which she collected on January 8, 1952. Escorted by Fox publicist Roy Craft, Marilyn wore her notorious Oleg Cassini dress, and was the belle of the ball. The photo shown above was taken by Loomis Dean for Life magazine – and here’s a few more…
“The actress had only starred in a dozen or so minor movies when she received the award from the now-defunct Foreign Press Association of Hollywood in 1952.
In 1950, what’s now called the Hollywood Foreign Press Association had a split-off group called the Foreign Press Association of Hollywood. (The dispute was over some of the original organization’s members not being professional journalists.) The FPAH is now mostly forgotten, save for one memorable act: It gave Marilyn Monroe her first major award in 1952 at Santa Monica’s Club Casa del Mar. (That seaside brick building is now the Hotel Casa del Mar.)
The Henrietta — named after FPAH president Henry Gris — was shaped like a tall, nude woman holding a flower. The group had the prescience to choose Monroe for its International Stardom Award, given to the ‘best young box-office personality.’ (They gave the same award that night to Tony Curtis.) Monroe, then 25, had done a dozen or so minor films, with her standout turn being a small role in John Huston’s The Asphalt Jungle.”
A red taffeta gown with black lace overlay and fishtail skirt worn by Marilyn in 1952 has been recovered and will be on display at the New York Open House at the city’s French Embassy this weekend, reports NY1. Marilyn wore the dress for a photo shoot with Bob Landry, and on several public outings.
“‘We are pretty sure that it belonged to her but the mystery remains, we don’t know why it is here, because to our knowledge, she never came to the French Embassy,’ said Benedict de Montlaur, Cultural Counselor of the French Embassy.”
The French embassy is situated on Fifth Avenue, at the former Payne Whitney family mansion. Ironically, Marilyn was briefly a patient at the Payne Whitney Psychiatric Hospital on East 68th Street in 1961. She also received a Crystal Star award at a venue described as the French Film Institute or Consulate in 1959, but wore a different outfit to the ceremony.
Christopher Nickens wrote about the dress – purchased ‘off the rack’ in 1951, after Marilyn rejoined Twentieth Century Fox – in his 2012 book, Marilyn In Fashion:
“With a steady pay-check coming in, she indulged in some new clothes. She bought this evening gown at I. Magnin’s department store. It is a strapless red silk taffeta, snug from the bodice down to just below the hips, and covered in black French lace. The black lace gloves and a black fox boa Marilyn wore with the dress helped soften some of its gaudiness. ‘I paid a stiff price for it,’ Marilyn said. ‘I was told that the dress was the only copy of an original purchased by a San Francisco social leader.’
Marilyn wore the dress on several occasions, including the 1952 Photoplay magazine awards, and for the party celebrating the opening of Don’t Bother to Knock. She considered it her lucky dress because of the attention it always brought her although it was criticised in the press. ‘This was the dress that provoked so much comment … it was proof positive, they claimed, that I was utterly lacking in taste. I’m truly sorry, but I love the dress.'”
Over at Reader’s Digest, Tony DiMarco recalls interviewing Marilyn at Twentieth Century Fox for an army radio show in 1952. DiMarco, and presenter Dave Ketchum, broadcast a weekly program for Camp Roberts, which aired on KPRL in Paso Robles, California. It will come as no surprise to those who know of Marilyn’s loyalty to her fans in the military, but the producers found her a delight to work with, and nothing like the ‘difficult’ star her studio warned them about.
“Not only was Marilyn on time, she was friendly, cooperative and a great interview. When it was over she asked if she could add something and, of course, we said yes. She ad-libbed a touching and heartwarming tribute to the servicemen and women, thanking them for listening and wishing them the very best of luck. She was beautiful, bright and charming. She was the Marilyn we’ll always remember.”
Three years after their encounter on the set of We Were Strangers (see here), Marilyn and John Garfield were early contenders for the lead roles in On the Waterfront, according to Marilyn’s photographer friend, Sam Shaw, who was then developing it as a screenplay. (Director Elia Kazan denied all of this, but Al Ryelander, then a press agent for Columbia Studios, insisted the story was accurate.)
By 1952, Marilyn’s star was rising – but Garfield’s career was destroyed, after he refused to ‘name names’ to the House Un-American Activities Committee, and became the most famous victim of the ‘red-baiting’ era. He died of a heart attack months later, aged 37. Author Robert Knott retold the story, which also touches on Marilyn’s relationships with Kazan and future husband Arthur Miller, in He Ran All the Way: The Life of John Garfield (2003.)
On the Waterfront was released to acclaim in 1954, starring Marlon Brando and Eva Marie Saint. Ironically, the film can be seen as director Elia Kazan’s self-justification for his own decision to name names. One can only imagine how different Marilyn’s subsequent career might have been had she played the role of demure Edie Doyle…
“Shaw gave Monroe the script while she was in New York to take in the Broadway production of Gentlemen Prefer Blondes. Monroe read the script and passed it on to her lover, Elia Kazan. Shaw, who called himself a ‘half-assed observer at the Actors Studio,’ had met Kazan on the set of the 1950 film Panic in the Streets. ‘Kazan had heard about my script (before Monroe gave it to him) and wanted to see it,’ Shaw said. ‘I wouldn’t give it to him, because he was involved with Arthur Miller on a similar project, The Hook.’ But after Monroe gave Kazan the script, the director called Shaw. ‘You’ve got an interesting script, but it needs a lot of work,’ he told Shaw. ‘Let Budd Schulberg work on it.’ Shaw, seeing the merit in Kazan’s suggestion, raised $40,000 to pay Schulberg to work on the script. According to Shaw, at this point Jack Cohn turned the script over to Sam Spiegel … Within a year Kazan, Spiegel and Schulberg were preparing the film for Columbia Pictures with Marlon Brando … By that point, neither Shaw nor Garfield were involved in any way.”
Zsa Zsa Gabor, whose flamboyant lifestyle and many husbands made headlines for nearly eighty years, has died of a heart attack at her home in Bel Air, aged 99.
The second of three daughters, Sári Gábor was born in Budapest on February 6, 1917 (although she later claimed the year was 1928.) She made her theatrical debut in a Viennese operetta at seventeen, and was crowned ‘Miss Hungary’ two years later. Her first marriage, at twenty, was to politician Burhan Asaf Belge.
In 1942 she married the American hotelier, Conrad Hilton. During their five-year marriage she gave birth to a daughter, Francesca, and co-wrote an autobiographical novel, Every Man For Himself. In 1949 she rejected the lead role in a film adaptation of Lady Chatterley’s Lover, and married the British actor, George Sanders.
In 1950, Sanders was cast as the acerbic theatre critic Addison DeWitt in Joseph L. Mankiewicz’s classic Broadway satire, All About Eve. Among his illustrious co-stars was Marilyn Monroe, as a beautiful young starlet who accompanies DeWitt to a party hosted by ageing star Margo Channing (played by Bette Davis.)
In her 1954 memoir, My Story, Marilyn remembered being seated next to Sanders during lunch at the studio, when a waiter called him to the telephone. On his return, a pale, nervous Sanders quickly paid for his meal and left. That afternoon, his stand-in asked Marilyn to keep her distance.
“I turned red at being insulted like this but I suddenly realised what had happened,” she wrote. “Mr Sanders’ wife, Zsa Zsa Gabor, obviously had a spy on the set, and this spy had flashed the news to her that he was sitting at a table with me, and Miss Gabor had telephoned him immediately and given him a full list of instructions.”
But Zsa Zsa’s jealousy was soon reignited at a Hollywood party. “George went straight over to say hello to Marilyn, but Zsa Zsa got no farther than the door,” photographer Anthony Beauchamp recalled in his autobiography, Focus on Fame. “She too had spotted Miss Monroe, and she turned on me like an infuriated Persian kitten. In a voice that echoed across the room, and with the well-known Gabor intonations, she exploded in indignation: ‘How can you ‘ave this woman in your ‘ouse, I will not stay in the room wis her!’ Nor did she. Zsa Zsa when she gets going is quite powerful – in lungs, accent and gesture.”
“Poor Marilyn was sitting quietly in a corner, making trouble for no one except perhaps for half a dozen men and their wives,” Beauchamp added wryly. “Zsa Zsa swept into a bedroom closely followed by her mother where they sat it out until George was ready to go home.”
Zsa Zsa made her movie debut in the 1952 musical, Lovely To Look At. Her next film, We’re Not Married!, was an anthology about a justice of the peace who accidentally marries several couples on Christmas Eve, two days before his license becomes valid. Marilyn starred as a beauty queen in one episode, and Zsa Zsa played the gold-digging bride of Louis Calhern in another. (Back in 1950, Marilyn had played Calhern’s mistress in The Asphalt Jungle.)
In November 1952, Look magazine further exposed what Marilyn called “the one-sided Gabor feud” by publishing ‘What’s Wrong With American Men?’, an article penned by Zsa Zsa, with marginal notes by Marilyn highlighting their very different attitudes towards the opposite sex (click on the photos below to enlarge.)
Zsa Zsa went on to play roles in Moulin Rouge, The Story of Three Loves and Lilli. After she divorced Sanders in 1954, he went on to marry her sister, Eva. Nonetheless, Zsa Zsa would often describe him as the love of her life.
In the late 1950s, she starred in two cult B-films (The Girl in the Kremlin and Queen of Outer Space), as well as taking in a cameo role in Orson Welles’ masterpiece, Touch of Evil. She continued working in the theatre and was regularly seen on television.
Her sixth marriage was to Barbie doll designer Jack Ryan, and her eighth (to a Mexican actor) was annulled after just one day. In 1986, she joined the ranks of royalty by marrying Frédéric Prinz von Anhalt, a German-American entrepreneur who had paid Princess Marie Auguste of Anhalt to adopt him six years earlier.
In 1989, Zsa Zsa was arrested for slapping a Beverly Hills policeman after he stopped her in her car for a traffic violation. She later recreated the incident in one of her last films, The Naked Gun 2½: The Smell of Fear (1991.)
“Marilyn was a very dull girl,” Zsa Zsa told Playboy (asquotedin The Unabridged Marilyn, 1987.) “She thought that if a man who takes her out for dinner doesn’t sleep with her that night – something’s wrong with her.” She went on to claim that she and Sanders had once counted four men visiting Marilyn’s hotel room in one evening during filming of All About Eve, a tale that is probably apocryphal. “That’s a terrible thing to say about somebody whom the whole country admires,” she admitted.
By 2011, Zsa Zsa had mellowed considerably. “In the beginning I didn’t like her because she was flirting with my husband,” she said, while opening a trunk owned by Marilyn during a fan contest at Planet Hollywood. “We had lunch and we talked it over, and she was very nice and she never flirted with him again.”
Zsa Zsa’s final years were marred by ill-health, and legal and financial problems. When her estranged daughter Francesca died in 2015, Zsa Zsa was too frail to hear the news. She is survived by her last husband, with whom she lived for thirty years.
A new book, Slim Aarons: Women, captures the Life photographer’s elegant portraits of some of the twentieth century’s iconic beauties – including Jackie Kennedy, Audrey Hepburn and Marilyn, as Sean O’Haganreports for The Observer.
“Marilyn Monroe, Beverly Hills, 1952, reading fan mail. ‘She was very nervous about posing,’ Slim said. ‘I reassured her, said all you had to do was think about the nicest possible thing that could happen to you – but think about it with your eyes, and let the rest of your face do what it wanted. Years later, I was on the set of The Seven Year Itch. She happened to walk by me, and I, not wanting to bother her, said nothing. But she stopped before me, looked up, and said, You don’t remember me, do you? I never forgot what you told me … think of the nicest thing possible.'”
Carol Koontz, a baton and drum corps leader who met Marilyn (in her Grand Marshal capacity) while competing at the 1952 Miss America pageant in Atlantic City, has died in Ohio aged 83, reports CantonRep.com.
“For decades, Koontz shared her skills in baton-twirling, music, and pageantry with thousands of local youngsters in Stark and Tuscarawas counties. She started the troupe in 1962 and was still giving weekly baton lessons until about two weeks ago, her daughter Holly Flowers said.
Koontz began teaching the baton in 1948. In 1952, the Tuscarawas County native won the Miss Dennison and Miss Ohio pageants and competed in the Miss America pageant in Atlantic City, N.J. During her talent portion in the national contest, Koontz played a classical piece on the clarinet, then twirled two ‘fire’ batons.
She also had her picture taken with Monroe, who was a special guest.
‘My grandma (Carol’s mother) happened to be in the restroom when Marilyn Monroe was in there, and Marilyn asked her how she kept her hair curly in humid weather,’ Flowers said with a laugh. ‘My grandmother was giving Marilyn Monroe hair tips.’
Years later, Koontz led her troupe on the famed boardwalk at a Miss America commemoration event, her daughter noted.”