Richard Avedon’s 1954 photo of Marilyn with director Billy Wilder covers the latest issue of Dutch arts weekly VARAgids(or VARA Guide), as this summer’s Wilder retrospective continues at the Eye FilmMuseum in Amsterdam. (You can read the full article – in Dutch – here.)
The Misfits was first released in the UK in June 1961. This rave review from The Guardian, published on July 10 of that year, hails it as a masterpiece. Interestingly though, the same newspaper had published a more ambivalent review just a month before, and was unduly harsh towards Marilyn (see here.) Perhaps the later article was an attempt to rectify an injustice? In that case, history has proved her admirer right. Neither author is named, but could the second take have been influenced by W.J. Weatherby, the Guardian reporter who befriended Marilyn on the set?
“Occasionally a film arrives which gives the cinema a new dimension … It is not going too far to say that The Misfits is in this class. [It] does not rely on a strong story for its effect but instead wins the audience’s attention through the development and interplay of the characters. The main danger was that the film, left to [Arthur] Miller, would have been too literary, but John Huston has grafted on Miller’s prose visual images which give it a deeper significance. When, for instance, Monroe screams her defiance at the corruption of a commercial civilisation, Huston makes her a black dot on a screen dominated by a Nevada desert.
The individual performances are so good that with a thrill of recognition one sees what acting in the cinema can achieve … Miller’s heroine is so obviously based on his former wife – one half expects the cast to blurt out Marilyn for Roslyn every so often – that her performance is difficult to judge. Yet if she is merely playing herself she does it remarkably well.”
Marilyn is on the cover of American History‘s latest issue (dated August 2018), with an article inside by Robert Dorfman, Emily Berquist Soule, and Sukumar Desai MD, about her struggle with addiction to prescribed drugs and ultimate death by overdose prefigured the national opioid crisis, which has now reached epidemic proportions. Although the subject matter is bleak, the piece is well-researched and insightful. You can also read it in full here.
“Then, as now, abuse of drugs was nationwide. But if prescription drug abuse had an epicenter in the 1950s, it was in Los Angeles at Schwab’s Pharmacy on Sunset Boulevard, where Orson Welles shopped, Ava Gardner worked the soda fountain, and F. Scott Fitzgerald reportedly had a heart attack buying cigarettes. At the pharmacy counter, celebrities and regular folks could get their prescriptions filled. In 1950s Hollywood, that meant barbiturates for nerves and amphetamines for energy and weight loss. One studio employee claimed that in those days most Hollywood actors were on prescription drugs.
In that era, when psychological treatmentwas the province of the very privileged or the very ill, pharmaceuticals seemed to hold great promise for treating mental illness. More patients got relief without undergoing lobotomy, previously the recommended treatment. But the medical community knew prescription pharmaceuticals were addictive. Studies in the 1950s showed the best treatment for such addictions to be hospital detox followed by inpatient psychological care. Those convicted under federal drug laws could be forced to undergo such treatment, but Marilyn’s drug use never became a criminal matter. Her treatments were strictly voluntary.
It is impossible to know whether Marilyn Monroe took her own life or was self-medicating and miscalculated. Many friends insisted she died by accident. But in her final interview, Marilyn called celebrity ‘only a temporary and partial happiness,’ adding in an aside on her career that ‘it might be kind of a relief to be finished.’ Days later, she was.”
Marilyn is the cover girl of this month’s Yours Retro, with a four-page article inside by Michelle Morgan about The Girl, her new book. And Marilyn is also pictured in two other features, about Hollywood marriages and beauty secrets; while Richard Wattis (her co-star in The Prince and the Showgirl) is mentioned in a piece about great British character actors.
Interestingly, the same cover photo (by Sam Shaw) was used by sister magazine Yours back in 2006.
Marilyn also covers London-only magazine The Resident this month, with a two-page spread inside on Up Close With Marilyn, the Milton Greene exhibition at Proud Central until June 24. You can read the magazine online (here), and copies are also circulating on eBay.
Marilyn is a favourite cover girl at Scotland’s Weekly News. Inside the latest edition, there’s a double-page spread with author Michelle Morgan talking about her new book, The Girl: Marilyn Monroe, The Seven Year Itch and the Birth of an Unlikely Feminist. The Weekly News is available from selected newsagents across the UK, and the second part of the interview will be published in next week’s issue.
British fans can expect lots of media coverage for Marilyn this month. In this week’s issue of free magazine Stylist, Rhiannon Lucy Coslett interviews gallery director Amy Thornett about Up Close With Marilyn, the exhibition of Milton Greene photos at London’s Proud Central until June 24. You can read it here, or buy a copy (N415) for just £1 from Newsstand (shipping costs may vary outside the UK.)
And in the latest issue of The Lady (dated May 11), ‘Marilyn Monroe: An Unlikely Feminist’, a four-page article by Michelle Morgan, author of The Girl (just published in the US, and coming to our shores very soon),is accompanied by more Greene photos.
Art Paul, who designed the first Playboy cover as well as the iconic bunny logo, has died aged 93, the Washington Postreports. The cover featured a photo of Marilyn at the 1952 Miss America pageant in Atlantic City, with her famous nude calendar pose making the centrefold.
“[Hugh] Hefner was developing his idea for a new men’s magazine in 1953 when he approached Mr. Paul, then working as a freelance illustrator and designer in Chicago. Hefner sought a clean, modern design for the magazine that he wanted to call Stag Party.
When another men’s publication, Stag, sent a cease-and-desist letter, Hefner was forced to come up with another name, and Playboy was born. Mr. Paul designed the first cover, a photograph of Marilyn Monroe taken during a parade as she waved to the crowd.
‘Art Paul managed to create a striking black-and-white cover design with a red logo,’ Hefner wrote in Playboy in 1994. ‘This was just the first example of how Art took ordinary pictures and, through inventive design and the addition of illustrative details, made the magazine and its covers innovative and interesting.'”
2018 is shaping up to be another great year for Marilyn’s book-loving fans. Marilyn: Lost and Forgotten, featuring 150 images from Colin Slater’s Hollywood Photo Archive, is set for publication in October. For those who can’t get enough of those classic Hollywood beauties, a companion volume – Venus in Hollywood: Portraits from the Golden Age of Glamour – is due in November.
Looking further ahead, Amanda Konkle’s Some Kind of Mirror: Creating Marilyn Monroe, a scholarly look at her film performances, will be published in February 2019. (Only the Kindle version is available for pre-order as yet.)
Reno, a 2016 play by Roy Smiles about Marilyn’s conflicted relationships with husband Arthur Miller and director John Huston during the tumultuous filming of The Misfits, will be published shortly by Oberon Modern Playwrights (the Kindle version is currently available for pre-order.)
And finally, Elizabeth Winder’s Marilyn in Manhattan is now available in Turkish; and Marilyn Monroe: 1926-1962, a new study of her untimely death by Eva Enderström, has been published in Sweden.
Sometimes simplicity is best: this beautiful 1953 shot of Marilyn graces the cover of Belgian magazine Graphius (Winter/Spring 2018 issue), with a feature on Milton Greene’s The Essential Marilyn Monroe inside.