Scotland’s Weekly News has always been a friend to Marilyn – and in its first issue of 2019, predicts that the 60th anniversary of Some Like It Hot‘s release will make headlines this year. The comedy classic had its US premiere in March 1959, and opened in London on May 14th.
Although The Misfits gave us one of Marilyn’s finest performances, it’s hard not to recall it without sadness. This is even more true for fans of Clark Gable, who died on November 16, 1960 (58 years ago this week), having suffered a heart attack two days after filming wrapped.
Gable had been Marilyn’s childhood idol (and an imaginary stand-in for her absent father.) He was probably her favourite leading man, and although her delays on the set often frustrated him, he remained a supportive friend to her throughout.
She was heartbroken by his death, and while some journalists blamed her for it, his widow would invite her to the christening of their only son in April 1961. Here’s a review from fansite Dear Mr. Gable, who are marking the King of Hollywood’s anniversary with Misfits-related posts on their Facebook page.
“The Misfits is an apt title for this film, not only fitting for its group of wandering cowboys and recent divorcee, but for the cast portraying them: The King of Hollywood, Clark Gable, who at age 59 was in no shape to be playing a 40-something-year-old cowboy in the hot Nevada desert. In fact, he failed his first physical for production insurance. After giving up alcohol temporarily and crash dieting to lose 35 lbs, he passed. And celebrated with whiskey and a steak.
Clark is paired as the unlikely romantic interest for the 34 year old Marilyn Monroe. Marilyn was in a dark place at the time … This film to me is just sad. I wonder if I would feel the same way if it wasn’t Clark’s swan song and if he didn’t look so terrible in it. I’m not sure though; it’s just a bleak film. The screenplay is very poetic, full of perfectly executed prose that at times seems overdone … It’s unfortunate for us all that we never got to see Marilyn attempt to play such a dramatic role again.
His wife Kay recalled: ‘Most of The Misfits was shot on a blistering hot dry lake bed 50 miles from Reno. The thermometer generally registered 135 degrees by mid-afternoon. Many members of the cast and crew became ill. But Clark outrode and outwalked men half his age.He did take after strenuous take roping a wild stallion singlehanded … Clark explained they had filmed a scene in which he was dragged on a rope behind a truck going 30 miles an hour. I was appalled. “Why are you doing those scenes?” I asked. “You’ve got a stunt man who’s supposed to do them.” Clark confessed that he’d found the waiting so demoralizing he’d volunteered to do the scenes just to keep occupied.’
On November 4, 1960, production wrapped on the film as the final scene was shot: Clark and Marilyn, alone in the car, surrounded by darkness.
‘How do you find your way back in the dark?’ she asks.
‘Just head for that big star straight on. The highway’s under it, it’ll take us right home,’ he says.
Those were the final words either of them would utter onscreen. There were no end credits, no ‘The End’ on the screen; it just faded to black. You can’t get more poetic than that.”
On November 4, 1953, one of Marilyn’s most popular movies – How to Marry a Millionaire – opened in Beverly Hills. It was Marilyn’s first big premiere, and she was dazzling that night. I was lucky enough to see it on the big screen earlier this year, and you can read my review here. Over at Marilyn Remembered, Lorraine shares some facts about the movie.
Yesterday, the Marilyn Remembered fan club hosted their annual service at Westwood Memorial Park in Los Angeles. Among this year’s speakers were actresses Kathleen Hughes and Terry Moore; author Lois Banner; Juliet Hyde-White (daughter of Marilyn’s Let’s Make Love co-star, Wilfrid Hyde-White); Susan Bernard (author, and daughter of photographer Bruno Bernard); and the advice columnist Jeanne Phillips (known to millions as ‘Dear Abby’.)
On August 4th, 1962 – a balmy Saturday evening not unlike this one – Marilyn Monroe bid her housekeeper goodnight and retired to the bedroom of her modest Los Angeles home. She would never wake again, and on Sunday morning, the world learned of her death. On this sad anniversary, here’s an ode to America’s dream girl from an indigenous poet.
drives herself to the reservation. Tired and cold,
she asks the Indian women for help.
Marilyn cannot explain what she needs
but the Indian women notice the needle tracks
on her arms and lead her to the sweat lodge
where every woman, young and old, disrobes
and leaves her clothes behind
when she enters the dark of the lodge.
Marilyn’s prayers may or may not be answered here
but they are kept sacred by Indian women.
Cold water is splashed on hot rocks
and steam fills the lodge. There is no place like this.
At first, Marilyn is self-conscious, aware
of her body and face, the tremendous heat, her thirst,
and the brown bodies circled around her.
But the Indian women do not stare. It is dark
inside the lodge. The hot rocks glow red
and the songs begin. Marilyn has never heard
these songs before, but she soon sings along.
Marilyn is not an Indian, Marilyn will never be an Indian
but the Indian women sing about her courage.
The Indian women sing for her health.
The Indian women sing for Marilyn.
Finally, she is no more naked than anyone else.
The 56th anniversary of Marilyn’s death is coming up on August 5, and as always, Marilyn Remembered will be marking the occasion with a service at Westwood Memorial Park. It will be streamed live on Facebook – so if you would like to donate to the 2018 memorial fund, there’s more info here.
Immortal Marilyn will also be sending flowers, and as usual all surplus donations will go to the Animal Haven sanctuary – see here.
Gentlemen Prefer Blondes was first released in the US on July 15, 1953 – exactly 65 years ago today. In many ways it’s the definitive Marilyn Monroe movie – although Some Like It Hot is better-known, she truly dominates the screen as Lorelei Lee. Her unforgettable performance of ‘Diamonds Are a Girl’s Best Friend’ inspired Madonna’s ‘Material Girl’, and her comedic partnership with co-star Jane Russell is peerless. For all those reasons (and many more), Gentlemen Prefer Blondes still feels timely and relevant today.
Over at Marilyn Remembered, Lorraine Nicol celebrates this happy anniversary; and you can read my review of the 2010 big-screen reissue here.