Gentlemen Prefer Blondes was first released in the US on July 15, 1953 – exactly 65 years ago today. In many ways it’s the definitive Marilyn Monroe movie – although Some Like It Hot is better-known, she truly dominates the screen as Lorelei Lee. Her unforgettable performance of ‘Diamonds Are a Girl’s Best Friend’ inspired Madonna’s ‘Material Girl’, and her comedic partnership with co-star Jane Russell is peerless. For all those reasons (and many more), Gentlemen Prefer Blondes still feels timely and relevant today.
Floral tributes were left beside Marilyn’s crypt at Westwood Memorial Park yesterday, with fan clubs Immortal Marilyn and Marilyn Remembered celebrating her 92nd birthday.
Artist Alejandro Mogollo used a line from Gentlemen Prefer Blondes as inspiration…
While Richard Hanna based his soulful painting, ‘Reverie at the Waldorf‘, on a 1956 photo of Marilyn at the New York hotel.
Gentlemen Prefer Blondes and How to Marry a Millionaire, both of which turn 65 this year, will be screened as a double bill on June 5th at the Royal Theatre, NoHo 7, and Playhouse 7 in Los Angeles, as part of the Laemmle Anniversary Classics series. The Royal screening of Blondes will be introduced by Debra Levine, editor of Arts Meme and an expert on choreographer Jack Cole.
Thanks to Jackie at Marilyn Remembered
This rare photo was taken by a fan after Marilyn sang ‘Happy Birthday Mr. President’ to John F. Kennedy at Madison Square Garden, 56 years ago today. Marilyn looks far younger than her thirty-five years, and the dress worn by her loyal publicist Pat Newcomb can be seen close behind. Over at Getty Images, Bill Ray – the LIFE magazine photographer who covered the event – shares memories of that legendary evening.
“A quick scan of the program for ‘New York’s Birthday Salute to President Kennedy’ on May 19, 1962, reveals a veritable who’s who of Old Hollywood: Jack Benny, Ella Fitzgerald, Henry Fonda, Danny Kaye. And there, nestled between Peter Lawford and Jimmy Durante, an unmissable entry: Marilyn Monroe. No explanation. No footnote.
‘You could have heard a pin drop,’ recalls Bill Ray … who made the now-iconic image of the actress from behind. ‘I think people were stunned when she finished.’
Due to the disparate lighting conditions — Monroe in a bright spotlight, Kennedy in total darkness — Ray’s dream of getting the two in the same picture didn’t come to fruition. ‘If I’d been luckier, there would have been a tiny bit of light that would have spilled onto Kennedy, who was over her shoulder between the podium and her head.'”
Marilyn’s tragic death was one of the biggest news stories of 1962. As part of a series, ‘Chronique de Notre Temps’ (‘Chronicle of Our Times’), Paris Match has published a magazine special on that fateful year, with Marilyn gracing the cover. You can order a copy for $11.99 here.
Thanks to A Passion for Marilyn
The Marilyn Remembered fan club will celebrate its 35th anniversary at the El Coyote Mexican Cafe in Los Angeles on April 8th – more details here.
Anticipating this year’s Oscar ceremony, the current issue of Entertainment Weekly (dated February 23-March 2) features extensive coverage of the Academy Awards’ 90-year history. Of course, Marilyn never won an Oscar, nor was she even nominated. But her role in Some Like It Hot, which won her a Golden Globe, is mentioned in a list of legendary ‘Oscar disses.’
Although Some Like It Hot is her best-known film, Marilyn’s screen time was less than her co-stars. Were it not for her top billing, her performance would arguably be more suited to the Best Supporting Actress category. Marilyn’s bombshell image and flair for comedy both worked against her being taken seriously by the Hollywood establishment. But perhaps the most decisive factor was her rebellion against Twentieth Century Fox.
After winning her contractual battle with the studio, her acclaimed comeback in Bus Stop (1956) was overlooked by the Academy – a snub she never forgot. Her next performance, in The Prince and the Showgirl (1957), won awards in Europe, while her last completed film, The Misfits (1961), was also her most mature dramatic role. But at the time, neither were particularly well-received in the US.
In 1964, columnist Sheilah Graham petitioned unsuccessfully for Marilyn to be given a posthumous Lifetime Achievement Award. However, this is not standard practice within the Academy and thus is highly unlikely to happen now. Nonetheless, Marilyn’s films remain hugely popular and for many, she is the most enduring symbol of movies and glamour – proof, if proof were needed, that you don’t need an Oscar to be a legend.
Some Like It Hot is free to stream on Amazon Prime today (US only.) But while it may have the perfect blend of love and laughs for St. Valentine’s Day, it was inspired by a very different event, as Jack Matthews writes for Gold Derby.
“Let’s face it, Valentine’s Day, more than just about any other day with a title, is a mass marketing scheme playing lovers for suckers, a bonanza for Hallmark Cards and Whitman’s Samplers and one that probably creates as much heartbreak as romantic goodwill. I’m not the sentimental type, but I do have an enormous fondness for one movie in which Valentine’s Day plays a prominent role.
It’s not about mass marketing, but mass murder, and based in fact.
In the early scenes of Some Like it Hot, the 1959 Billy Wilder masterpiece that is consistently chosen by critics and film people as the best comedy ever made, a pair of itinerant Depression Era musicians witness the gangland execution of seven men in a Chicago garage and spend the rest of the movie on the run from the mob.
In real life, the massacre resulted from a territorial feud between the Italian mob led by Al Capone and the Irish gang of Bugs Moran. In the movie, the shooting is carried out by the gang of Spats Colombo (George Raft), who coincidentally encounters the two witnesses, now undercover and in drag in an all girls’ band at a beachside resort in California.
Some Like it Hot received six nominations, including two for Wilder’s script and direction and one for Jack Lemmon as the bass player who gets all too comfortable in high heels. Tony Curtis, equally hilarious as the band member smudging his lipstick on the saxophone, should have received one, as well.
In fact, If time could actually fly, it would go back to 1960 and right the wrongs done to both Curtis and Marilyn Monroe, who is wonderful as Sugar Kane Kowalczyk, a singer hoping to marry well but falling instead for Curtis’ Cary Grant-impersonating phony billionaire.”
Jack Lemmon was born on this day in 1925. Today, Hannah Gatward has posted a selection of Lemmon’s best films on the BFI blog – and unsurprisingly, Some Like It Hot is right up there.
“The first of seven films with Billy Wilder, and Lemmon’s most iconic comedic performance. On the run after witnessing the St Valentine’s Day massacre, musicians Jerry (Lemmon) and his partner Joe (Tony Curtis) disguise themselves as women and escape in an all-girls band, befriending Marilyn Monroe’s magnificent Sugar Kane along the way. It’s timeless farcical fun, with every scene expertly executed. One of the film’s greatest joys is the way Lemmon immerses himself into his alter ego Daphne – his enthusiasm is infectious.”
Meanwhile, the ever-popular Some Like It Hot will be screened soon in two very different, yet fitting venues: firstly, at the Pickwick Theater in Chicago’s upscale Park Ridge district on February 13 (the movie’s storyline begins in Chicago); and secondly, at the Brighton Bar in Long Branch, New Jersey on February 14 (Some Like It Hot also features the notorious St Valentine’s Day Massacre as a plot device.)