Although she isn’t named, the lovely lady shown on this box of Belgian chocolate, illustrated by Jaak De Koninck of the Leuven-based interior design company, Starbrook Airlines (and spotted at Brussels Airport), looks very Marilyn-inspired – don’t you agree?
Marilyn’s earliest radio interview, recorded for Lux Radio Theatre on February 24, 1947, is featured in a three-hour special on BBC Radio 4Extra, The Golden Age of American Radio, as Kate Chisholm reports for The Spectator. You can listen to the clip here.
“They had money for radio in those days, the big brands sponsoring long-running shows, such as the Lux Radio Theater, when Hollywood stars reprised their film roles in adaptations that were broadcast live, with an interval, just like in the cinema. We heard Marilyn Monroe being interviewed in an intermission, stumbling over her words, giggling nervously, and dropping in a plug for the sponsor (Lux soap flakes).
‘Lux helps a lot,’ says her interviewer, clumsily introducing the subject of doing the washing.
‘That’s right, Mr Kennedy,’ says Monroe. ‘It’s my standby.’
‘Thousands of girls have been telling us for years how lovely the lingerie stays with Lux care?’
‘Any girl would prefer pretty undies than faded ones,’ Monroe simpers through what sounds suspiciously like gritted teeth.”
Any longtime Marilyn fan will know the challenges we face in preserving her true legacy, and two recent news stories suggest our troubles are only beginning. Toby Walsh, a professor of Artificial Intelligence (AI), believes that by 2050 – a century after she first found fame – Marilyn will be ‘starring in movies via an avatar program that talks and acts like her, with machines having learned her speech and mannerisms from her films,’ reports The Australian.
Even more alarming is an article in The Sun about the burgeoning popularity of sex robots. ‘Marilyn comes up quite often,’ says engineer Douglas Hines, of the public requests for celebrity lookalike dolls. ‘The caveat is we need the approval of the person or family. If you wanted a robot that looked like Marilyn Monroe, you would have to have her estate approve it.’ (The idea of a ‘Marilyn Monroebot‘ was first mooted – albeit in jest – on a 2001 episode of the animated series, Futurama.)
Fortunately, Marilyn’s estate has not granted permission for a robot MM, and hopefully they never will. But how long will it take until ‘bootleg’ sex dolls hit the market? And meanwhile, CGI ‘hologram‘ Marilyns have already been seen in TV ads, with her estate planning digitalised ‘live’ shows starring Marilyn and other dead icons. They can replicate her body, but not her soul, and Monroe fans of the future will have to be ever more vigilant against degrading misrepresentations.
This exuberant press shot of Marilyn arriving in Vancouver in July 1953 (en route to film scenes for River of No Return – more info here) features in a new display at the remodelled Global Services reception area for United Airlines’ elite customers at Los Angeles International Airport (L.A.X.), as Lewis Lazare reports for Chicago Business Insider. (She also flew from New York to Chicago with United Airlines when she visited Bement, Illinois to honour Abraham Lincoln in 1955.)
Artist Lucille Clerc‘s gorgeous rendering of Marilyn – inspired by Milton Greene’s ballerina sitting – adorns posters for this year’s Champs Elysees Film Festival, celebrating independent French and American cinema. (And while you’re in Paris, don’t forget to see Bert Stern’s photos of Marilyn at DS World.)
Legendary Hollywood publicist Joe Hyams (not to be confused with the reporter of the same name) has died aged 90, according to the L.A. Times. Born in New York, he served in the Marines during World War II. After a stint in journalism, he was hired as a unit publicist for From Here to Eternity and On the Waterfront. In 1956 he worked on Bus Stop, Marilyn’s acclaimed comeback following a year-long absence from the screen. Four years later, he was appointed national advertising and publicity director at Warner Brothers. He would remain at the studio for over forty years, overseeing major films like My Fair Lady, Bonnie and Clyde, Woodstock, The Exorcist, Blazing Saddles, A Star Is Born, Chariots of Fire, JFK and Eyes Wide Shut. Hyams also collaborated with actor-director Clint Eastwood on numerous films, including Every Which Way But Loose, Unforgiven and Hyams’ final project, the Oscar-winning Mystic River (2004.)
Supermodel Karlie Kloss has recreated Marilyn’s ‘Diamonds Are a Girl’s Best Friend’ (from Gentlemen Prefer Blondes) in a new commercial for Swarovski Crystal, reports Marie-Claire. (In another clip, Karlie imitates Audrey Hepburn in Breakfast at Tiffany’s.)
“What I love most about icons like Audrey Hepburn and Marilyn Monroe is the confidence they bring to every scene and character they played. Like many of my role models, they’ve shown that a woman who is confident and strong-willed will always be in style … being able to evoke their iconic movie scenes and add a modern spin was such a fun experience.”
Marilyn may never have won an Oscar, but she continues to make her presence felt at the world’s glitziest awards ceremony. Last night’s broadcast included a new Cadillac commercial, featuring vintage photos of famous faces and their cars – headed up by Marilyn, photographed by Milton Greene in 1954. You can watch the Cadillac ad here, and see more of Marilyn and her cars here.
One of this year’s biggest movies was La La Land, the nostalgic musical which tied with All About Eve and Titanic for the most nominations in Oscar history. All About Eve was a breakthrough role for Marilyn, and she would present soundman Thomas Moulton with an award at the 1951 ceremony (the only time she attended.)
Packed with Old Hollywood references – including this street mural – La La Land was named as best picture by Warren Beatty (who recently shared his memories of Marilyn.) However, it appears he was given the wrong envelope, as it was announced shortly afterward that this year’s winner was, in fact, Moonlight.
Actress Charlize Theron wore a gold lamé dress (and diamond earrings), designed by Christian Dior and strikingly similar to the iconic Travilla gown worn by Marilyn to the Photoplay Awards in 1953. Charlize was once mooted to star in an MM biopic (which was never produced), and appeared alongside a digitally recreated Marilyn – in her original gold lamé – for a J’Adore perfume ad in 2011.
Michelle Williams, nominated as best actress in 2011 for My Week With Marilyn, was up for best supporting actress this year in Manchester By the Sea, losing again to Viola Davis in Fences. As Immortal Marilyn member Phil noticed, Fences – directed by, and starring Denzel Washington – apparently uses the same ‘New York Street’ set from the Twentieth Century Fox lot, as seen in Love Nest some 66 years ago.
That iconic scene from The Seven Year Itch – and the dress worn by Marilyn as she stood over the subway grate – is constantly being referenced in popular culture. One recent example is this magazine ad for the Marilyn-themed Sexy Hair brand.
On Immortal Marilyn this week, Marijane Gray unravels the mystery of what happened to that dress, designed by Marilyn’s regular costumer, Travilla.
“The white pleated halter dress that Marilyn Monroe wore in The Seven Year Itch is always described in superlatives: most iconic, most recognized, most recreated, most expensive. It can also be called the most mysterious: how many copies of the dress were there? Is there another one in existence, hidden away all these years? Did Marilyn herself own a copy of the dress, and if so, where did it end up? And perhaps most intriguing: was a copy of the dress really stolen back in 1993?”
Also this week, Keena Al-Wahaidi reviews the movie that started it all for The Medium, the student magazine for the University of Toronto. (Incidentally, the campus is based at Mississauga, which is also home to a skyscraper complex whose curvaceous design has earned the nickname The Marilyn Monroe Towers.)
“The most notable aspect of The Girl is her obliviousness towards her own allure …. The most dubious fixture of this film is the lack of identity in Monroe’s character. The reason for her ambiguity is because she’s nameless … However, Monroe’s lack of identity contributes to the mystery of the film’s plot. Regardless of the immorality of the situation, we find ourselves rooting for Richard and The Girl. Despite the futility of their relationship, or perhaps owing to it, their fling is undeniably enthralling.”
In the final instalment of LoveMagazine‘s Advent series, supermodel Kate Upton – whose blonde hair and voluptuous curves have been compared to Marilyn’s – sips champagne and frolics in lingerie to the soundtrack of ‘Diamonds Are a Girl’s Best Friend’. However, the short video, directed by Doug Inglish, owes more to the cheeky aesthetic of The Benny Hill Show than the glamour of Gentlemen Prefer Blondes. Judge for yourself here.