Marilyn made most of her major films during the 1950s, so it’s no surprise to find her movies cropping up in entries for the 5 Favourite Films of the Fifties blogathon, hosted today at the Classic Film & TV Cafe. Over at Silver Screen Classics, Paul Batter picks The Asphalt Jungle; at Aurora’s Gin Joint, All About Eve makes the cut. From Monroe’s starring roles, Annette Bochenek chooses Gentlemen Prefer Blondes on Hometowns to Hollywood; Texan blogger Story Enthusiast favours How to Marry a Millionaire; and finally, author Laura Wagner selects the decade’s last Monroe movie, Some Like It Hot, over at Lady Eve’s Reel Life.
“The 1950s were also Marilyn Monroe’s zenith years. She’d been only a starlet in the late ‘40s, with minor roles in minor films, and she lived not very far into the ‘60s. Throughout the ‘50s, however, she was a comet ablaze on silver and Technicolor screens around the world. A superstar.
She started the ‘50s with small roles in two classics, John Huston’s The Asphalt Jungle (1950) and Joseph L. Mankiewicz’s All About Eve (1950). Lesser films continued but, thanks to Howard Hawks and Gentlemen Prefer Blondes (1953), she was able to demonstrate her gift for comedy and shoot to the stratosphere in the glittery role of a dizzy but good-hearted showgirl, Lorelei Lee. Later that year she co-starred with Lauren Bacall and Betty Grable in another huge hit, How to Marry a Millionaire, playing a near-sighted Lorelei Lee type. By the time she made The Seven Year Itch (1955) for Billy Wilder, she no longer needed big name co-stars to help attract a wide audience, she was a phenomenon. At this point Marilyn Monroe wanted to prove herself as a serious actress and so she next appeared in Bus Stop (1956), a William Inge drama directed by Josh Logan. She would finish the decade working with Billy Wilder again, this time on his comedy masterpiece Some Like it Hot (1959).
My Marilyn Monroe pick has to be Some Like it Hot, a flawless film. Penned by Wilder and his writing partner Izzy Diamond, a pair that produced some of the smartest, snappiest and most worldly screenplays ever, Some Like it Hot is classic screwball … The roles of Joe/Josephine, Jerry/Daphne and Sugar Kane give the actors – Curtis, Lemmon and Monroe – showcases to die for. And each of them delivers and then some. Directing Marilyn was a task that tested Wilder to the limit. But he was convinced that if he could be patient enough to coax it out of her, he’d get the performance he wanted. And he did.”