Ashley Judd and Mira Sorvino, who both starred in the 1996 HBO biopic, Norma Jean and Marilyn, have both spoken out recently about sexual abuse in Hollywood. While this rather inaccurate and sensationalist TV movie isn’t highly regarded by fans (and seems unconnected to the incidents in question), it’s both inspiring and poignant to see these brave women come forward about experiences not dissimilar to Marilyn’s.
The new operators of Formosa Cafe, the Hollywood landmark frequented by the cast and crew of Some Like It Hot, are asking for your help to secure a $150,000 grant from National Geographic for the restoration of its distinctive hub – a room made from a Pacific Electric Red Car Trolley, reports L.A. Weekly. The Formosa Cafe is set to reopen in July 2018. All you have to do is vote for the project online (here) by October 31. Fingers crossed!
Some Like It Hot will be screened at the UCSB Carsey-Wolf Center in Santa Barbara at 2pm on Sunday, November 19, concluding the ‘Hollywood Berlin’ series on German directors in America. (Tickets are free, but must be reserved in advance – and there will also be a post-screening Q&A.)
Some Like It Hot will be screened this Sunday at 5:30pm at Clayton Village Hall in Bradford, Yorkshire, as part of a 6-day Golden Years Film Festival aimed at older people. Entry is just £1. (Bradford is the world’s first UNESCO City of Film, so watch out for more exciting events.)
“Designer Tommy Hilfiger has a slew of celebrity fans and frequently references pop culture in his designs, so it shouldn’t surprise you to find out that he’s got an enormous collection of memorabilia worn by some of the most iconic celebrities of all time … A pair of Foremost JCP Co. blue jeans worn by Monroe in the 1954 film River of No Return are available and can be yours if you’ve got a ton of disposable income just lying around (they’re estimated to sell up to $40,000). Hilfiger previously owned two other pairs of the jeans worn by Monroe, but gifted them to Britney Spears and Naomi Campbell (#nobigdeal).”
Cinema Through the Eye of Magnum, a new documentary about the legendary photo agency, will be screened for the first time in the UK tonight at 10pm on BBC4. This image, captured by Ernst Haas, shows fellow Magnum photographer Elliott Erwitt among the cast and crew of The Misfits.
“The Misfits was a pivotal moment in photographers’ relationship with cinema. Lee Jones, Magnum’s head of special projects in New York, decided that the film’s dream cast deserved special attention. Nine different photographers took turns over 3 months of the shoot to capture the ‘total chaos’ on what would be Marilyn Monroe’s last film.
Eve Arnold, Magnum’s first woman member, was Monroe’s trusted collaborator. Having previously worked with Marlene Dietrich and Joan Crawford, she started photographing Monroe when they were both relatively unknown. She spent two months on the set of the John Huston movie.
Photographer Bruce Davidson remarked, ‘Marilyn is really in torment – this was the movie where it all collapsed. And the hidden homosexuality, total neurosis, drugs, the whole works (on set). This film is a turning point, and the photographs document the disintegration of a system.’
Clark Gable had a heart attack the day after filming wrapped on The Misfits and died a few days later.”
David Alan Williams is the author of a series of self-published books profiling the various actors who worked with classic Hollywood stars. His latest volume, Marilyn Monroe’s Film Co-Stars From A to Z, runs to 600 pages (which may explain the hefty price tag.) Although probably not for the casual fan, this may be of interest to diehards as a reference tool.
“No film or television program would be complete without co-stars and supporting players. This book pays homage to those over 650 individuals who acted with Marilyn Monroe in her thirty films from 1947 through 1961. I hope you enjoy learning more about those hard working men, women, and children who were honored to work with this beautiful lady on the big screen.”
Gwendoline Christie, the English actress who plays Brienne of Tarth in TV’s Game of Thrones, has revealed that Marilyn was a formative influence on her chosen career. “I remember seeing Marilyn Monroe in Bus Stop on television and thinking, what she was doing was so incredibly extraordinary,” Christie told People magazine. “I didn’t come from an acting background, but I just knew —that’s what I want to to do.”
Jack Cardiff – the legendary cinematographer who befriended Marilyn on the set of The Prince and the Showgirl – is the subject of a new play, Prism, at the Hampstead Theatre in London, as Holly Williams reports for the Telegraph. The play is written and directed by Terry Johnson, author of Insignificance – the surrealist fantasy featuring a Marilyn-inspired character, which became a successful movie in 1985 – and Cardiff is played by the popular English actor, Robert Lindsay. Prism runs until October 14 – more info here.
“In a garage in Ely, Cambridgeshire, hangs a portrait of Marilyn Monroe. On it she has written: ‘My darling Jack, if only I could be how you made me look.’ Cardiff called Monroe ‘as near perfect as any cameraman could wish for’. She in turn called him the best cinematographer in the world.
The seed was planted seven years ago, shortly after Cardiff’s death following a struggle with Alzheimer’s. The youngest of his four sons, Mason – a film writer/director, named after James Mason – met Robert Lindsay in a local pub, and as their friendship developed, the actor became fascinated by stories of how Alzheimer’s had suspended Cardiff in his glory days as a cinematographer.
Mason showed Lindsay the garage where the family kept all the film memorabilia they’d surrounded Cardiff with in his final years. And when Lindsay spied that signed portrait – and then heard how the frail Cardiff had become convinced that one young care assistant was, in fact, Marilyn Monroe – he knew they had a show. The pair took Johnson to lunch to discuss writing the script; by pudding, he was convinced too.
Cardiff also adored her, admiring with a cameraman’s eye her beauty. ‘She had a classically sound bone structure,’ he once said. ‘But I had to be careful about her nose, so delightfully retroussé. For if the key light was too low, a blob would show up on the tip.’ Prism shows the pair getting close during a photo shoot – ‘art’, as Cardiff also liked to say, ‘is an intimate thing’, although in reality their relationship probably never went beyond mutual affection.”