The mink stole worn by Marilyn for her walk-on part in the final Marx Brothers movie, Love Happy (1949), is up for bids at Nate D. Sanders Auctions this Thursday, September 29, with a starting price of $20,000. The sewn-on Western Costume Co. label includes her name in bold type. (A first issue of Playboy is also on offer at Thursday’s auction.)
‘Love me for my yellow hair alone’, Marilyn once wrote to her friend, Norman Rosten – it was an ironical misquote (perhaps intentionally so) of a line from W.B. Yeats’ poem ‘For Anne Gregory‘, which actually read ‘Love me for myself alone/And not my yellow hair.’
This weekend, two locks of Marilyn’s hair – previously owned by Frieda Hull, a former member of the teenage group known as the Monroe Six, who befriended the star when she moved to New York – were sold by Julien’s Auctions for $70,000, as part of their latest Icons and Idols sale. Other items from the late Ms Hull’s collection, including many rare, candid photos, will be sold by in November’s Marilyn-only auction, also at Julien’s.
In a macabre footnote, the ashes of novelist Truman Capote – another friend of Marilyn’s – were also sold at Julien’s this weekend for $43, 750. And in other hair-related news, a wig worn by Marilyn in The Misfits will be on sale at Heritage Auctions on November 12.
A new stage revival of Terry Johnson’s Insignificance (which was famously adapted for the screen in 1985), starring Sophie Melville as Marilyn, is currently playing at Theatr Clywd in North Wales until October 15, reports the Chester Chronicle.
“Insignificance takes four iconic faces of the post Second World War era in America – Marilyn Monroe, her husband, New York Yankees baseball star Joe DiMaggio, physicist Albert Einstein and communist witch-hunter Senator Joe McCarthy – and explores their explosive interaction in an imagined meeting in a hotel room in New York in 1955.
Sophie said: ‘I’m thrilled to wear the white dress and play the part of Marilyn – it’s a dream, it really is. It’s been hard work because it’s the first time I’ve played a character who is a real person.’
‘I’ve tried to take on her quality but at the same time make the part my own rather than try to impersonate her. The main thing was getting the voice right and once I’d got that everything just fell into place.’
The show’s director Kate Wasserberg returns to Theatr Clwyd following her production of [Arthur Miller’s] All My Sons last year.
She said: ‘Insignificance is a play I’ve wanted to direct since I saw it at my local theatre when I was 12 or 13 years old. My dad took me along and thought we were going to see The Kiss of the Spiderwoman but it wasn’t on.
‘Even though I was very young, there are several moments from the play that are seared into my memory. I remember laughing a lot. It’s a play about politics, life, love and the stars. Terry Johnson’s work is incredibly intelligent, it works on several levels at once but, line for line, it’s properly funny. I read his plays and laugh out loud.'”
In an article for Atlas Obscura, Oleg Alexandrov investigates the story behind Marilyn’s final resting place at Westwood Memorial Park in Los Angeles.
“After dying of a drug overdose in what was an apparent suicide on August 5, 1962, Marilyn Monroe was interred three days later at Westwood Village Memorial Cemetery. The funeral arrangements were handled by Joe DiMaggio …
Feeling some resentment toward the entertainment industry for Monroe’s demise, DiMaggio had no interest in making the funeral a Hollywood affair. Westwood was, at a the time, a quiet, out-of-the-way cemetery chosen because it was also the final resting place of Monroe’s childhood guardian, Grace Goddard, and her surrogate mother Ana Lower. The private service was restricted to a small group of the star’s closest friends and associates.
Ironically, thanks to the presence of Marilyn Monroe’s grave, Westwood has been a popular place for celebrity burials ever since …
For 20 years after her death, DiMaggio had red roses delivered to her simple grave three times a week. Today, it is regularly adorned with flowers, cards, letters, and other mementos left by the regular visitors it attracts.”
Following the ‘Exhibiting Culture: Marilyn‘ program at LaTrobe University which accompanied the Marilyn: Celebrating an American Icon exhibit at MAMA Albury in Australia earlier this year, a Marilyn Monroe Symposium will be held at the Australian Centre for the Moving Image in Melbourne on November 12, with biographer Lois Banner as keynote speaker.
This Symposium creates a further outcome for the research undertaken by ten La Trobe University academics in preparation for Exhibiting Culture: Marilyn. Our interdisciplinary approach to the topic of Marilyn Monroe’s iconic status is unique. The intention of this Symposium is to go beyond nostalgia and offer a genuinely contemporary perspective on performance, celebrity and artistic response, as well as to make Marilyn provocative for us in our times.
Session 1: Keynote Address
9.30-11.00am The Cube, ACMI
Speaker: Professor Lois Banner
Morning tea: 11.00 – 11.30 am
Session 2: Matters of Performance
11.30am-1.00pm The Cube, ACMI
Felicity Collins; Margaret Hickey; Nicole Jenkins; Sofia Ahlberg
Lunch: 1.00 – 2.00 pm
Session 3: Image, Identity, Icon
2.00-3.30pm, The Cube, ACMI
Speakers: Sue Gillett, Kristian Haggblom, Terrie Waddell, Kevin Brianton
Afternoon tea: 3.30 – 4.00 pm
Session 4: Property, Power, Profession
4.00-5.30pm The Cube, ACMI
Tansy Curtin; Francine Rochford; Edgar Burns
Thanks to Marisa
With collector Ted Stampfer’s latest exhibition, Happy Birthday Marilyn, opening in Amsterdam on October 1, an accompanying catalogue (in Dutch) will be made available from online bookstores worldwide. Mr Stampfer previously compiled a catalogue for The Private Marilyn, a 2013 exhibition in Switzerland.
Also coming from the Netherlands in October is Marilyn and Audrey: The Battle, a children’s book by Hanneke Groenteman, about two girls studying MM and Audrey Hepburn for a school project – and as they dig into the stars’ lives the girls learn about friendship, love and jealousy.
Unfairly dismissed as the poor man’s Monroe, Jayne Mansfield was a star in her own right and, like Marilyn, far more talented and intelligent than she was given credit for. April VeVea (author of Marilyn Monroe: A Day in the Life) is currently writing a book about Jayne, and compares the iconic blondes in an article for Immortal Marilyn.
Marilyn Monroe: Movie Legend, a small box-set containing a DVD documentary and magazine focusing on her illustrious film career, is available now for £4.99 at WH Smith stores across the UK. If this looks familiar to you, it was first published in the US as Marilyn Monroe in the Movies (with text by Timothy Knight) back in 2010, then reissued as a gift set, Big Screen Legends: Marilyn Monroe in 2013, and in paperback (minus the DVD) in 2015. Marilyn Monroe: A Life in the Movies, a ‘video-enhanced’ ebook, is also available.
Thanks to Fraser Penney – read more about his incredible collection here
The Asphalt Jungle will be released on DVD and Blu-Ray as part of the prestigious Criterion Collection in December. With many special features, Criterion editions are a cineaste’s dream, attesting to its long-held status as the definitive heist movie. Directed by John Huston, The Asphalt Jungle gave Marilyn her first important role (although not a large one) and was her own favourite film.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary from 2004 by film historian Drew Casper, featuring recordings of actor James Whitmore
- New interviews with film noir historian Eddie Muller and cinematographer John Bailey
- Archival footage of writer-director John Huston discussing the film
- Pharos of Chaos, a 1983 documentary about actor Sterling Hayden
- Episode of the television program City Lights from 1979 featuring John Huston
- Audio excerpts of archival interviews with Huston
- Excerpts from footage of the 1983 AFI Lifetime Achievement Award ceremony honoring Huston, featuring actor Sam Jaffe and the filmmaker
- New English subtitle translation
- PLUS: An essay by critic Geoffrey O’Brien
Marilyn: Character Not Image, a new exhibition curated by none other than the multi-talented actress, comedienne and host of TV’s The View, Whoopi Goldberg – a woman who has consistently defied stereotyping throughout her long career – will open at Jersey City’s Mana Contemporary on September 25, through to October 22.
“This show presents a different side to the legendary actress: behind the glamour was a vulnerable, sensitive, and ambitious young woman who spent time writing poems and diary entries to self-analyze, understand, and reassure herself. In these writings, she craves love and friendship, and battles with ongoing pain, heartbreak, and disappointment. She attempts to understand the world on her terms, tries to accept her insecurities and fears, and to become a better artist.
Milton Greene was a personal friend who constructed many famous images of Marilyn the star, but he also took many intimate photographs of Marilyn the person. The images here demonstrate her sweetness, humor, and impatience: with husband Arthur Miller, talking to animals, receiving directions for a photoshoot, taking a summer dip. The images by Weegee reveal a sly complicity between subject and photographer: his dark-room distorted imagery pokes fun at the unreal and absurd facets of the Hollywood industry, of which Marilyn was keenly aware.
Also on view is the dress she wore during the unforgettable 1962 performance singing ‘Happy Birthday’ for President John F. Kennedy at Madison Square Garden, perhaps the most significant moment of her career, the crystallization of the persona she was continually creating since she dreamed of becoming an actress as a little girl. The dress and the drawings are on loan from Julien’s Auctions’ forthcoming November events.
‘The image of Marilyn Monroe the icon endures and strengthens as time goes by, but her personal life remains a mystery,’ says Whoopi Goldberg. ‘With this exhibition I wanted to show a glimpse of the woman behind the icon using, before now, never-before-seen images, some of her personal writings, and some pieces of her artwork.'”
Thanks to Edgar Freire