Marilyn at Julien’s: Trinkets and Keepsakes

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Among Marilyn’s possessions were many items of sentimental value.  She kept this ballerina paperweight in her New York apartment next to a framed photo of 1920s Broadway star Marilyn Miller, who inspired her own stage name. In a strange twist of fate, she would also become ‘Marilyn Miller’ after her third marriage. She later gave the paperweight to her friend and masseur, Ralph Roberts, calling it “the other Marilyn.”

49D0AD3E-208B-4C7D-8A6E-BF4B8C120722-17167-00000949DDBC3B1D_tmpThis silver-tone St Christopher pendant was a gift from Natasha Lytess, Marilyn’s drama coach from 1948-54. (St Christopher is the patron saint of travellers.) Marilyn cut ties with Lytess after discovering she was writing a book about their friendship. She later gave the pendant to Ralph Roberts, telling him, “I’ve outgrown Natasha.

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This gold and silver-tone Gemini pendant reflects Marilyn’s close identification with her astrological sign, symbolised by twin faces. “I’m so many people,” she told journalist W.J. Weatherby. “Sometimes I wish I was just me.

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Marilyn was exceedingly generous to her friends, as the story behind this bracelet reveals.

“A rhinestone bracelet owned by Marilyn Monroe and gifted to Vanessa Reis, the sister-in-law to May Reis, Monroe’s personal assistant and secretary. In a letter to the consigner dated November 28, 1994, Ralph Roberts writes, ‘Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she’d brought to Reno with thought of possibly wearing it as a [undecipherable comment] for Roslyn [Monroe’s character in The Misfits]. Upon discussing it, she and Paula [Paula Strasberg was Monroe’s acting coach and friend] had decided somehow it wouldn’t be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May’s greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit – there’d been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let’s Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday. They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May – all of us – knew from experience we couldn’t compliment Marilyn on any personal items or had to be very careful. She’d be compulsive about giving it, or getting a copy – to you.’ Accompanied by a copy of the letter.”

Jack Dempsey, a former world heavyweight champion boxer, wrote to Joe DiMaggio’s New York Yankees teammate, Jerry Coleman, in 1954. “Have been reading a lot about Marilyn, Joe and yourself, here in the east,” Dempsey remarked. “Best of luck to you and your family, and send Marilyn’s autograph along.

47506260-4B71-4779-B8DB-0A5CDFC4355B-17167-000009531D6A9016_tmpThis small pine-cone Christmas tree, held together with wire and dusted in glitter, was given to Marilyn as a surprise by Joe DiMaggio one year when she had no plans, or decorations. Christmas can be a lonely time, and Joe made sure to bring some cheer.

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This vintage Hallmark card was sent to Marilyn one Christmas by her favourite singer, Ella Fitzgerald.

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Author Truman Capote sent Marilyn a personally inscribed 1959 album of himself reading ‘A Christmas Memory‘ (an excerpt from his famous novella, Breakfast at Tiffany’s.)

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Marilyn owned a leather-bound, monogrammed copy of Esquire magazine’s July 1953 issue, featuring an article about herself titled “The ‘Altogether’ Girl.”

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Marilyn’s 1954 trip to Korea to entertain American troops was one of her happiest memories. This photo shows her with the band and is accompanied by a letter from George Sweers of the St Petersburg Times, sent after their chance reunion when Marilyn took a short break in Florida in 1961.

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This endearing note accompanied a gift from Marilyn to Paula Strasberg, who replaced Natasha Lytess as her acting coach in 1956: “Dear Paula, I’m glad you were born because you are needed. Your warmth is both astonishing and welcomed. Love & Happy Birthday, Marilyn.”

In April 1955, novelist John Steinbeck wrote a letter to Marilyn, asking her to sign a photo for his young nephew.

“In my whole experience I have never known anyone to ask for an autograph for himself. It is always for a child or an ancient aunt, which gets very tiresome as you know better than I. It is therefore, with a certain nausea that I tell you that I have a nephew-in-law … he has a foot in the door of puberty, but that is only one of his problems. You are the other. … I know that you are not made of ether, but he doesn’t. … Would you send him, in my care, a picture of yourself, perhaps in pensive, girlish mood, inscribed to him by name and indicating that you are aware of his existence. He is already your slave. This would make him mine. If you will do this, I will send you a guest key to the ladies’ entrance of Fort Knox.”

Television host Edward K. Murrow sent Marilyn a Columbia Records album, featuring excerpts from speeches by Sir Winston Churchill, in November 1955. She had been a guest on Murrow’s CBS show, Person to Person, a few months previously.

 

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Marilyn’s custom-bound edition of Arthur Miller’s Collected Plays included a personal dedication. Miller had drafted a fuller tribute, but it was nixed – possibly because his first divorce was not final when it was published.

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“This book is being written out of the courage, the widened view of life, the awareness of love and beauty, given to me by my love, my wife-to-be, my Marilyn. I bless her for this gift, and I write it so that she may have from me the only unique thing I know how to make. I bless her, I owe her the discovery of my soul.”

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Costume designer Donfeld sent Marilyn this handmade birthday card one year, together with a small note that read, “M – I hope this finds you well and happy – My thoughts are with you now – Love, Feld.”

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This engraved cigarette case was given by Marilyn to Joe DiMaggio during their post-honeymoon trip to Japan in 1954.

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This souvenir brochure for the small town of Bement, Illinois was signed by Marilyn when she made a surprise appearance in 1955, during a festival marking the centennial of an historic visit by her idol, Abraham Lincoln.

Comedian Ernie Kovacs sent this rather cheeky letter to Marilyn in 1961. He would die in a tragic car crash in January 1962, aged 43, followed by Marilyn in August.

“The letter, addressed to ‘Marilyneleh’, invites Monroe to a get together at his home on June 15, giving the dress code as ‘… slacks or if you want to be chic, just spray yourself with aluminum paint or something.’ He continues, ‘I’ll try to find someone more mature than Carl Sandburg for you. … if Frank is in town, will be asking him. … don’t be a miserable shit and say you can’t come. … Look as ugly as possible cause the neighbors talk if attractive women come into my study.’ He signs the letter in black pen ‘Ernie’ and adds a note at the bottom: ‘If you don’t have any aluminum paint, you could back into a mud pack and come as an adobe hut. … we’ll make it a costume party. … Kovacs.'”

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Always gracious to her fans, Marilyn gave child actress Linda Bennett a magazine clipping with the inscription, “I saw you in The Seven Little Foys. Great – Marilyn Monroe.” She also signed this photograph, “Dear Linda, I wish you luck with your acting. Love and kisses, Marilyn Monroe Miller.”

Norman Brokaw 1927-2016

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Norman Brokaw, former head of the William Morris Agency, died on October 29, aged 89. His uncle, Johnny Hyde, co-founded the legendary Hollywood talent hub, and gave the teenager his first job in the mailroom in 1943.

By 1949, Hyde was infatuated with Marilyn Monroe, who at 23 was barely a year older than his nephew. During their two-year relationship, Hyde secured her important roles in The Asphalt Jungle and All About Eve, and a long-term contract at Twentieth Century Fox.

A copy of Marilyn’s original William Morris Agency contract, recently sold at Julien’s Auctions for $7,680, included a covering letter signed by Norman Brokaw. In an article for Huffington Post, Brokaw’s son Joel recalled, “There were lots of wonderful memories he shared with me about his family, his uncle Johnny Hyde and Marilyn Monroe (including the time that he got screamed at when he was about to sit on their sofa and crush the plaster model of her new chin.)” If true, this story may add some credence to the longstanding rumour that Marilyn underwent minor cosmetic surgery at this time.

When Hyde died of a heart attack in December 1950, Marilyn was bereft. According to J. Randy Taraborrelli, author of The Secret Life of Marilyn Monroe, Brokaw accompanied Marilyn to Cedars of Lebanon Hospital in Los Angeles, but his uncle passed away before their arrival. (However, there are several competing versions of this story.)

Marilyn with Johnny Hyde (1950)
Marilyn with Johnny Hyde (1950)

Marilyn’s next serious romance, with baseball hero Joe DiMaggio, began in 1952. According to Taraborrelli, the couple first met two years earlier, when Brokaw arranged for her to play a walk-on part in Lights, Camera, Action, an NBC variety show. (If this was the case, the footage may not have survived as it is not documented elsewhere. But Marilyn did film a TV commercial during the same period, so she wasn’t entirely unaccustomed  to the small screen.) After filming, she and Brokaw dined at the famous Brown Derby restaurant, where I Love Lucy star William Frawley asked if he could introduce her to his pal, Joe DiMaggio.

As they left the restaurant, Norman and Marilyn approached the ‘bashful’ sportsman. At the time, she was one of the few Americans who had never heard of DiMaggio. The next morning, Brokaw said, Joe called him and asked for Marilyn’s phone number – although whether he had the courage to follow through is unknown.

After a much-publicised courtship, Joe and Marilyn tied the knot in 1954. Taraborrelli writes that early on in their brief, tempestuous marriage, a worried Joe called Brokaw, and they met for drinks at the Polo Lounge of the Beverly Hills Hotel. When Joe explained that he wanted Marilyn to stop making films, Norman replied, “She’s not going to give up her career any more than you would have before you were ready to do it.” (Joe later sought advice from other Hollywood friends, including Sidney Skolsky, and would remain close to Marilyn long after their divorce.)

Marilyn dines with husband Joe DiMaggio (1954)
Marilyn dines with husband Joe DiMaggio (1954)

By then, Brokaw was building up the Morris Agency’s new TV division. He persuaded stars like Barbara Stanwyck to try the new medium, and negotiated a pioneering deal for Kim Novak, granting her a share in the profits of her films. In 1965, he secured a lead role for Bill Cosby in I Spy, making him the first black actor to achieve star status on a major television network.

During the 1970s, Brokaw added high-profile names in sport and politics to the agency’s roster. His career continued into the new century, and he was also a philanthropist, serving on the board of directors at Cedars-Sinai Medical Center (formerly Cedars of Lebanon), and St Jude Children’s Research Hospital.

Norman Brokaw died at his home in Beverly Hills. He is survived by his wife, Marguerite Longley, six children and four grandchildren.

Dr Ramon Acosta Pastor 1929-2016

Marilyn leaving the New York Polyclinic with Dr Ramon Acosta Pastor after gallbladder surgery in 1961. (Photo collage by Fraser Penney)
Marilyn besieged by fans as she leaves hospital  with Dr Pastor in 1961. (Photo collage by Fraser Penney)

Dr Ramon Acosta Pastor, a surgeon who treated patients including Marilyn during a long, distinguished career, has died aged 86, as Edmund Silvestre reports for the Philippine Star.

“MANILA, Philippines – Dr. Ramon Acosta Pastor, one of the surgeons who operated on Marilyn Monroe at a New York City hospital in 1961, passed away on Oct. 5 in his native Batangas City in the Philippines. He was 86.

He became closely acquainted with the late Hollywood icon when she underwent cholecystectomy (gallbladder surgery) on June 29, 1961 at the defunct Polyclinic Hospital in Manhattan and which was widely covered by the media. It was Dr. John Hammet, one of New York’s top surgeons, who led the surgical team.

Dr. Pastor’s photo beside Monroe appeared in several news publications, including the front page of The New York Times, wherein he is seen shielding Monroe from a mob of fans and members of the press while leaving the hospital after she was discharged on July 11, 1961.

That chaotic moment, the star of Some Like It Hot said in an interview, was the time she most feared for her safety.

‘It was scary. I felt for a few minutes as if they were just going to take pieces out of me. Actually, it made me feel a little sick. I mean I appreciated the concern and their affection and all that, but — I don’t know — it was a little like a nightmare. I wasn’t sure I was going to get into the car safely and get away.’

Dr. Pastor managed to walk Monroe into her limo unscathed. He hopped with her into the car and stayed by her side until she reached home.

The famed actress and sex symbol was reportedly complaining of pain from an intestinal disorder when she was rushed to the hospital from her apartment at 444 East 57th Street in Manhattan.

According to a New York Mirror story, Monroe awoke in distress in the morning of June 28, 1961, prompting her secretary, May Reis, to call her primary physician at Polyclinic. After diagnosis, the doctor decided her condition warranted immediate hospitalization. She was carried to the ambulance on a stretcher, with [ex] husband Joe DiMaggio joining her in the ambulance.

Dr. Pastor’s elder brother, Antonio, who was staying with him in New York City at the time, related that Dr. Pastor told him he took care of Monroe for two weeks after the surgery, personally attending to all her medical needs.

‘Marilyn Monroe instructed him not to accept any visitors while she’s recuperating, except Joe DiMaggio,’ said Antonio, recalling a conversation he had with his younger brother.

Still in the hospital on the Fourth of July, Monroe complained of the noise coming from fireworks, Antonio said, adding, ‘Dr. Pastor said he gave her the best possible solution — putting cotton in her ears.’

It was the fifth time that Monroe was hospitalized in just 10 months, according to reports.

The three-inch horizontal scar in the upper quadrant of Monroe’s abdomen as a result of the surgery was visible in the photos taken by lensman Bert Stern for the book The Last Sitting, commissioned by Vogue magazine in late June 1962, just six weeks before Monroe died.

‘Ramon was a very gifted doctor and he was very proud of having the honor of operating on Marilyn Monroe,’ said an old-time friend, Dr. Rebecca Magbag, a New York geriatrician, who is also a native of the Philippines. ‘But he was also very humble that he really didn’t talk much about it.’

‘He’s a very nice and warm guy, very handsome, very charming, compassionate with his patients and treated everyone equally,’ Dr. Magbag also said. ‘As an eligible bachelor at the time, a lot of women were swooning over him.’

Born on Nov. 23, 1929 in Batangas City to Dr. Juan Pastor and Concha Acosta Pastor, Dr. Ramon was a 1955 medical graduate of the University of Santo Tomas in Manila. He took his internship at Yonkers General Hospital in New York and finished his training in general surgery at New York Polyclinic Medical School and Hospital, in which he served as chief resident during his last year of training.

He became a diplomate of the American Board of Surgery, but decided to turn his back on a lucrative medical career in the United States and returned home a year later to better serve the underprivileged in his small town in Batangas City.”

Marilyn, Joe, Einstein and McCarthy in Clwyd

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A new stage revival of Terry Johnson’s Insignificance (which was famously adapted for the screen in 1985), starring Sophie Melville as Marilyn, is currently playing at Theatr Clywd in North Wales until October 15, reports the Chester Chronicle.

Insignificance takes four iconic faces of the post Second World War era in America – Marilyn Monroe, her husband, New York Yankees baseball star Joe DiMaggio, physicist Albert Einstein and communist witch-hunter Senator Joe McCarthy – and explores their explosive interaction in an imagined meeting in a hotel room in New York in 1955.

Sophie said: ‘I’m thrilled to wear the white dress and play the part of Marilyn – it’s a dream, it really is. It’s been hard work because it’s the first time I’ve played a character who is a real person.’

‘I’ve tried to take on her quality but at the same time make the part my own rather than try to impersonate her. The main thing was getting the voice right and once I’d got that everything just fell into place.’

The show’s director Kate Wasserberg returns to Theatr Clwyd following her production of [Arthur Miller’s] All My Sons last year.

She said: ‘Insignificance is a play I’ve wanted to direct since I saw it at my local theatre when I was 12 or 13 years old. My dad took me along and thought we were going to see The Kiss of the Spiderwoman but it wasn’t on.

‘Even though I was very young, there are several moments from the play that are seared into my memory. I remember laughing a lot. It’s a play about politics, life, love and the stars. Terry Johnson’s work is incredibly intelligent, it works on several levels at once but, line for line, it’s properly funny. I read his plays and laugh out loud.'”

mailyn.jpg.gallery (1)Lew  Baxter gives Insignificance a rave review in the Wirral Globe

“This latest rather spiffing theatrical production directed by Kate Wasserberg in Mold demonstrates just how on several levels the confrontations and verbal jousting between the protagonists still has potent relevance that surprises and amuses.

It is in many ways an emotional rollercoaster particularly when embracing the emotional fragility and conflicts that shaped the relationship of Monroe and DiMaggio, never mind the manic nature of McCarthy whose demonising of America’s intelligentsia leaves a stain on that country’s contemporary history.

And Einstein, branded a Soviet stooge, was himself vulnerable and is here played with considerable aplomb by Brendan Charleson.

Wasserberg has completely nailed the essence of Johnson’s work, which is enhanced by a really top-notch cast: there is a chemistry that fizzes like a sparkler between all four participants and each has that magnetic attribute that engrosses those watching.

Sophie Melville, relatively fresh out of drama school, is simply sublime as Marilyn … here is – if you’ll pardon the pun – a pitch-perfect portrayal of Monroe’s passionate if rather unsophisticated spouse Di Maggio by Ben Deery.

The play begins, in this instance, with the soundtrack of David Bowie’s ‘Starman’, which under the circumstances is most appropriate … This is the kind of production that emphasises how live, breathing theatre, more so than film, can captivate an audience and keep them gripped to the last fading light.”

Revisiting Marilyn at Westwood

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In an article for Atlas Obscura, Oleg Alexandrov investigates the story behind Marilyn’s final resting place at Westwood Memorial Park in Los Angeles.

“After dying of a drug overdose in what was an apparent suicide on August 5, 1962, Marilyn Monroe was interred three days later at Westwood Village Memorial Cemetery. The funeral arrangements were handled by Joe DiMaggio …

Feeling some resentment toward the entertainment industry for Monroe’s demise, DiMaggio had no interest in making the funeral a Hollywood affair. Westwood was, at a the time, a quiet, out-of-the-way cemetery chosen because it was also the final resting place of Monroe’s childhood guardian, Grace Goddard, and her surrogate mother Ana Lower. The private service was restricted to a small group of the star’s closest friends and associates.

Ironically, thanks to the presence of Marilyn Monroe’s grave, Westwood has been a popular place for celebrity burials ever since …

For 20 years after her death, DiMaggio had red roses delivered to her simple grave three times a week. Today, it is regularly adorned with flowers, cards, letters, and other mementos left by the regular visitors it attracts.”

Fact Check: Marilyn in Palm Springs

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Marilyn in Palm Springs, 1949
Following the recent news that Seward Johnson’s giant sculpture, ‘Forever Marilyn‘, may soon make a permanent return to Palm Springs, another more spurious story has emerged. Last week, it was widely reported that Marilyn’s former home in Palm Springs had been burgled. However, while Marilyn visited the resort many times, there is no evidence of her ever living there. Bruce Fessier has investigated the rumour for the Desert Sun.

“Aftab Dada, a hotelier and head of the P.S. Resorts organization charged with finding ways to attract tourists to Palm Springs, says [the statue] may be placed in front of the Spa Resort Casino before hopefully landing in the downtown park being developed near Desert Fashion Plaza, where it attracted voyeurs with cameras for 22 months before going on the road again.

Dada, who also runs the Palm Springs Hilton Hotel, is now trying to raise money to ‘bring Forever Marilyn back to Palm Springs where she belongs.’ City spokeswoman Amy Blaisdell says it belongs here because ‘Marilyn Monroe has a rich history in Palm Springs.’

‘She once owned a home in the city’s Movie Colony neighborhood,’ Blaisdell said in a news release, ‘and she was first discovered by her Hollywood agent at the historic Racquet Club.’

Frankly, I don’t think she ever owned a home in Palm Springs. Blaisdell told me Marilyn and her second husband, baseball great Joe DiMaggio, owned a place on Rose Avenue. That’s actually in the Las Palmas district, but, besides that, my sources say it’s not true. I asked Blaisdell where she got her information and she said Dada — the guy in charge of drawing tourists to Palm Springs.

Dada says he learned about Monroe and DiMaggio’s Palm Springs’ roots from the heads of the private equity firm KKR (Kohlberg Kravis Roberts). Founding partners Henry Kravis and George Roberts used to stay at the Hilton …They hung out with DiMaggio and his granddaughter, Paula Hamra, in the Hilton hospitality lounge when the Yankee Clipper used to play in the Dinah, Dada said, and DiMaggio told them he and Marilyn once owned a Palm Springs home.

I looked up Hamra on Facebook. She’s one of two daughters of the late son DiMaggio had with his first wife, Dorothy Arnold, who ran Charcoal Charlie’s restaurant in Cathedral City in the late 1960s and ‘70s. She also led Cathedral City’s incorporation efforts as president of their chamber of commerce from 1973 to 1975.

Hamra didn’t respond to my Facebook message, but Dada said photographer Marc Glassman took a picture of him with the KKR boys and DiMaggio. So I called Glassman and told him I was trying to track down the mystery of whether or not Monroe and DiMaggio had ever owned a home in Palm Springs. I said Dada told me Glassman had taken a photograph of him with DiMaggio and the KKR heads at a Dinah Shore golf reception at the Hilton when DiMaggio mentioned he and Monroe had owned a  Palm Springs house. Glassman confirmed he had taken a picture of them at the Hilton.

‘Unfortunately,’ he deadpanned, ‘no one was wearing a picture on their lapel of DiMaggio and Marilyn in front of their Palm Springs home.’

So I started checking the rumors of Marilyn and DiMaggio owning a house on Rose Avenue. The Internet abounds with reports saying Marilyn lived there … Public records show the house was built in 1961 – one year before Marilyn died … and six years after she and DiMaggio divorced. The house was owned by Audrey Blanchard for more than 40 years until her death in May at age 94. On Dec. 12, 2008, her attorney, Philip S. Klatchko of the Palm Springs firm of Klatchko & Klatchko, contacted the owner of Locations Unlimited, Sylvia Schmitt, demanding she cease and desist spreading the erroneous information that Monroe once lived at Blanchard’s house.

‘In recent months, she has had numerous people come to her front door claiming that her home had been identified by the Palm Springs Chamber of Commerce or its representatives as having once been owned or occupied by Marilyn Monroe,’ Klatchko wrote to Schmitt (then Jenette) a day after talking to her. ‘This claim or assertion is absolutely false and the people coming to her door are an annoyance and a nuisance.’

Tour buses were regularly stopping in front of Blanchard’s home, Klatchko said, and erroneously calling it Monroe’s house. Postcard manufacturers and other businesses were doing the same.

‘After full discussions with those local business entities … they each agreed to stop their reference to Mrs. (sic) Monroe,’ Klatchko wrote. ‘The matter had been laid to rest because in fact there was no truth to the allegation. It has only been more recently that the unwanted visitors to the home have started reappearing.’

Schmitt, who books celebrity homes for movie shoots and rentals, took the reference to Monroe’s house out of her map of celebrity homes. But she probably wasn’t the source of the problem. She says she gained her information from the tour guides who trained her. She passed along one hilarious story of a man who just made up stories as he went along. But more conduits of misinformation simply convey stories that haven’t been thoroughly vetted…

Unfortunately, the city is still perpetuating these myths and now someone is paying for it. Last week, someone burglarized the Blanchard house. TMZ reported it was Monroe’s place and a local TV station repeated that error.”

Remembering Marilyn in Monterey

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Marilyn makes the cover of Carmel magazine’s Summer/Fall issue, with an article by Michael Chatfield about her links to the Monterey area inside, which you can also read here.

“Marilyn, like so many others then and now, succumbed several times to the tempting siren call of the Monterey Bay area. The Salinas Californian documented her first known visit of August 5, 1948: ‘…she came here to help promote a diamond sale at Carlyle’s Jewelers…’

The starlet stayed around for about a week, staying at the Jeffrey Hotel on Main Street. While here, she evidently made appearances at several service club luncheons. It was at one of those meetings that representatives of Castroville, an agricultural town 15 miles from Salinas that— then and now—specializes in the growing of artichokes, had the bright idea to make the ambitious future movie star the ‘California Artichoke Queen.’

A few years later, Marilyn returned to Monterey County, this time to do what she had set her sights on doing: act in a Hollywood movie. Some scenes for the 1952 potboiler Clash by Night were filmed on Cannery Row, then a still-bustling sardine-processing district. She was by no means the international superstar she was to become: Marilyn’s salary for this film was $500 per week.

Two years later—when Marilyn was a big star—she put in an appearance a little bit south of Monterey County. She and the Yankee Clipper tied the knot in a San Francisco civil ceremony on January 14, 1954, and proceeded south toward Los Angeles by automobile. The newlyweds spend their first night as man and wife at the Motel Inn in San Luis Obispo.

The next day, a reporter from the local newspaper spotted the celebrities having lunch at that establishment and phoned his newsroom to summon a photographer. San Luis Obispo Telegram-Tribune snapper Paul Nelson arrived on the scene and immediately spotted them. According to a November 13, 2013 story published by that paper (now the Tribune), Nelson said to DiMaggio, ‘I’m with the press. I would like to shoot your picture but I know you’re on your honeymoon. You name it.’

‘My wife doesn’t have any make-up,’ Joltin’ Joe replied. ‘I’d really rather not.’ And that was that. Respecting their privacy, Nelson retreated. What a contrast that story illustrates. In today’s tabloid press, the couple would probably have a name like ‘Marjoe,’ or ‘Monaggio’ and be relentlessly hounded by paparazzi.”

Thanks to Peter Gonzalez

Fact Check: Marilyn, Joe and the Baseball Hall of Fame

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Joe DiMaggio’s induction at the Baseball Hall of Fame (1955)

As many fans will know, Marilyn and Joe DiMaggio remained close long after their brief, stormy marriage came to an abrupt end. However, as David Mikkelson points out in an article for myth-busting website Snopes, even museums get their facts wrong sometimes.

“Several years ago I finally undertook a long-awaited pilgrimage to that mecca of sportsdom, the National Baseball Hall of Fame and Museum founded in Cooperstown, N.Y., by Stephen Carlton Clark. Like so many fans before me, I spent a couple of days scrutinizing every exhibit, photograph, document, and other pieces of memorabilia on display at the museum, and then … wondered what the heck else there was to do in Cooperstown. And again like so many fans before me, I ended up at the second-best-known attraction in town, the nearby Farmers’ Museum.

The proprietor’s spiel was to recount a brief history of Stephen Carlton Clark’s role in the establishment of the Hall of Fame and the Farmers’ Museum, and to note that after founding the former, Clark lived in New York City and didn’t return to Cooperstown for the yearly induction ceremonies — save for one exception. That exception was the year Joe Dimaggio was inducted to the Hall, an occasion for which, the proprietor declared, Clark returned to Cooperstown ‘in order to meet Dimaggio’s wife, Marilyn Monroe.’

I immediately recognized a chronological problem with that account: Joe Dimaggio was inducted into the Hall of Fame on 22 July 1955, but he and Marilyn Monroe had separated, with the former filing for divorce, in October 1954. Although the pair remained on relatively friendly terms afterwards, Monroe wasn’t present at the July 1955 induction that welcomed the Yankee Clipper into baseball’s hallowed halls.

On that day Joltin’ Joe was accompanied not by a glamorous starlet, but by a Yankees official … Photographs and newsreel footage of the event also reveal no evidence of the Blonde Bombshell’s presence in Cooperstown that day … For the record, no contemporaneous accounts of the ceremonies mentioned the presence of Clark in Cooperstown that day, either.”

‘Zimbelism’: New Doc + Book On Marilyn, and More

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Zimbelism, the long-awaited documentary about photographer George S. Zimbel, had its premiere at the recent Hot Docs Festival in Toronto. Zimbel, now 86, spoke to Laura Goldstein for mashumashu.com about his 72- year career in ‘humanist’ photography, and his memories of Marilyn as she filmed the ‘subway scene’ for The Seven Year Itch. A retrospective of Zimbel’s work, Momento, was published last year.

“‘I am more of a determined photographer than a pushy photographer but that night I did something atypical. I started to shoot as the filming commenced. (Strictly forbidden!) There was enough street noise to cover the discrete click of the Leica shutter, but someone obviously didn’t like what I was doing and I was removed from the press photography area and escorted behind the police lines by two of New York’s finest. I used the new viewpoint and kept shooting from there. I remember when all action stopped as two men walked across the set. It was Joe Dimaggio, (Marilyn’s) husband and Walter Winchell, the Broadway columnist. Dimaggio was furious about the scene (remember it was 1954.) Every publication that could find an excuse to run photos of that event did so. And here is my personal mystery – I decided not to throw my shoot into the editorial pot.’

I ask George bluntly, ‘Why did you do that? Didn’t you kick yourself afterwards?’

‘We all have our priorities,’ he says without regret, ‘and I was working on a photo essay on Irish Americans that had to be completed first. You know we had to fight just to be paid $100. Of course I checked the Marilyn negatives first and then I filed them away unprinted and unpublished. They even survived a fire in my darkroom in 1966 and my move to Canada in 1971.’

Amazingly, the Monroe photographs weren’t shown until over 20 years later, in Zimbel’s solo exhibition in 1976 at Confederation Centre of the Arts, Prince Edward Island, Canada. The full set was shown for the first time in 1982 at Galerie Art 45 in Montreal.

As Zimbel reminisces, ‘In January 2000 I had a retrospective in Valencia Spain and my Marilyns were exhibited on the walls of Sala Muralla, a gallery fashioned from an ancient archeological site at Institut Valencia d’Art Modern where they shared space with an ancient plaque of a Roman goddess. I felt it was a homecoming for her image.'”

Curtis Sneary’s ‘Marilyn Monroe Selfie’

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Curtis Sneary, a pop artist living in St Petersburg, Florida is the subject of a new exhibition, as Janelle Faignant reports for Creative Loafing. And on his own website, Sneary shows how he created his painting, ‘Marilyn Monroe Selfie‘, a tongue-in-cheek update to her famous ‘subway scene’ in The Seven Year Itch.  (Fans will know that Marilyn visited St Petersburg in 1961, while ex-husband Joe DiMaggio was coaching the New York Yankees.)

“Sneary and his wife have lived in St. Pete for 14 years now. They are a team in his artwork, with Beth handling business issues and modeling for many pieces, (her body became Marilyn Monroe’s in that painting) and their goal is to make their whole house into a studio in the near future.

Sneary says the answer to the question ‘How long does it take to finish?’ is a lifetime.

‘Because you put all this knowledge into it,’ he says, adding that the physical work averages about 40 hours, or a month to six weeks.

Sneary has shown the landscapes in galleries and sold well but his satirical pop art has been slower to sell, despite its popularity with audiences.

‘It’s not over-the-couch kind of work,’ he says.”