You can now read my review of Dr Rock Positano’s memoir, Dinner With DiMaggio, over at Immortal Marilyn.
Bill Pursel, who befriended Marilyn during the early years of her career, has died aged 91, reports the Las Vegas Review-Journal.
“William Albert Lloyd Pursel was born July 24, 1925, in Marshalltown, Iowa. His family moved to Las Vegas in 1939. After graduating from Las Vegas High School, class of 1943, he was drafted into the U.S. Army and served in The European Theatre during World War II. He became a sales manager for KLAS Radio and covered several atomic bomb explosions at the Nevada Test Site. He was a Chartered Life Underwriter and a Chartered Financial Consultant with The Paul Revere Life Insurance Company. He was president of The Life Underwriters Association of Nevada. He was active in The Las Vegas Jr. Chamber of Commerce, a founding member of The Sports Car Club of America in So Nevada, a charter member of Trinity United Methodist Church, and belonged to both the Masonic Lodge and the Elks Lodge. He served two-four year terms as a trustee at Southern Nevada Memorial Hospital (UMC).”
Bill’s memories of Marilyn – they dated on and off for several years – were unknown to to the public until he spoke with Michelle Morgan, author of Marilyn Monroe: Private and Undisclosed. They met in 1946, when 19 year-old Norma Jeane was staying with a family friend in Las Vegas while waiting her divorce from Jim Dougherty. Bill later visited her in Los Angeles, and was waiting at the house she shared with Ana Lower when she returned from a meeting at Twentieth Century Fox with a contract and a new name.
She was dropped by the studio a year later, but pursued her craft at the Actors Lab, even once asking college student Bill to enroll. They remained close after she began a romance with Fred Karger in 1948, and she later asked Bill to protect her from a ‘beach wolf’ – none other than actor Peter Lawford, who would play a significant role in her final days. Bill saw her as both dedicated and vulnerable in Hollywood, recalling a distressing phonecall during the Love Happy promotional tour of 1949. And then, just as their relationship seemed likely to turn serious, Marilyn called it off – leaving Bill with nothing but a couple of signed photos (now owned by collector Scott Fortner.)
Bill heard from Marilyn just once more, shortly after she began dating Joe DiMaggio. By then, Bill was happily married. He later recalled seeing her singing Happy Birthday to President Kennedy on television, just months before her death in 1962. He felt no bitterness, and knowing her sensitive nature, he was saddened but not surprised by her tragic demise.
Mr Pursel died last Thursday, June 1st – on what would have been Marilyn’s 91st birthday. He is survived by his wife of more than sixty years, Mabel ‘Mac’ Salisbury Pursel; and his children, William ‘Bill’, Kristie, and Kim (‘Bill’) Toffelmire, her stepchildren and their children, and several nieces and nephews.
Michelle Morgan has written an emotional tribute to Bill Pursel:
“He has been a constant presence in my life since 2005, when I first contacted him during the writing of my Marilyn book. What started out as an interview, turned into a friendship between Bill, his beautiful wife Mac, his family and my own … My work has been deeply enriched because of Bill’s stories, and my life has been changed because of his friendship. He was a huge supporter of my career, and gave me lots of advice in recent years … Good night, Bill. Thank you for your wonderful friendship. You were one of the best friends I ever had.”
You can pay your respects to Bill here.
Dr Rock Positano’s memoir, Dinner With DiMaggio – first announced back in 2015 – will be published in May, and is already attracting coverage in celebrity magazines and on gossip websites.
Marilyn’s relationship with Joe is the subject of a cover story in the current issue of Closer Weekly (USA only.) And Radar Online has claimed that their marriage ended because she was unable to have children. In fact, Marilyn left Joe because he was too controlling. While Marilyn certainly wanted children, she wasn’t ready during their marriage because of her burgeoning career.
“From Joe’s point of view, they didn’t stay married, because Marilyn was not able to have children. It was as simple as that,” Positano writes. “Joe wanted kids, and Marilyn could not have them.” However, when reporters at their wedding asked if they wanted children, Marilyn said “six,” only for Joe to interrupt, as if correcting her: “one.”
While Marilyn certainly wanted to be a mother – she suffered at least two miscarriages during her later marriage to Arthur Miller, and even considered adoption – I don’t believe it was a priority during her marriage to Joe. And such was Joe’s enduring devotion to Marilyn, I don’t believe he would have divorced her for that reason either.
The San Francisco Chronicle has reposted their front page from January 15, 1954 – the day after Joe DiMaggio married Marilyn at City Hall.
“’Joltin’ Joe DiMaggio wedded the girl of his and many other men’s dreams yesterday afternoon in San Francisco City Hall,’ the story read.
‘The time and place of the wedding was kept a closely guarded secret and only 500 people managed to hear about it in time to turn the corridors outside Municipal Judge Charles S. Peery’s chambers in a madhouse,’ The Chronicle’s Art Hoppe wrote.
‘Marilyn, it seems, had made the mistake of calling her studio in Hollywood yesterday morning and letting it in on her plans to be married at 1 p.m. A studio official casually mentioned it as fast as he could to all the major news services.'”
And just FYI, January 14 has seen some other significant events – including the release of Clara Bow’s It in 1926, and the publication of Sylvia Plath’s The Bell Jar in 1963 (less than a month after her suicide.)
In daily life, Marilyn often went unrecognised. This rare photo shows her wearing a black wig. When travelling ‘incognito‘, she sometimes used false names (including ‘Zelda Zonk’.)
In the summer of 1953, Joe DiMaggio joined Marilyn in Canada, where she was filming River of No Return. She took these snapshots of Joe during his visit. Also pictured is Jean Negulesco, who had directed Marilyn in How to Marry a Millionaire. Although his work on River was uncredited, Negulesco may have helped to smooth the differences between Marilyn and the somewhat tyrannical Otto Preminger.
Shortly before her third marriage to Arthur Miller, Marilyn converted to Judaism. This Jewish prayer book was probably a gift from Rabbi Robert E. Goldburg.
Some photos of Arthur Miller, including one taken with Marilyn in 1959.
Marilyn’s Minolta 16mm camera. This model was introduced in 1957.
These photos are of the farmhouse at Roxbury, Connecticut, bought by the Millers after their marriage. It is incorrectly identified in the Julien’s catalogue as Marilyn’s Los Angeles abode. The Millers’ country home required extensive renovations. After their marriage ended, Marilyn kept their city apartment while Arthur lived at Roxbury until his death in 2005.
Marilyn with her friend, actor Eli Wallach, in 1957. They would later co-star in The Misfits (1961.)
Correspondence with Xenia Chekhov, widow of Marilyn’s acting teacher, Michael Chekhov.
“A single-page typed, unsigned file copy of a letter dated December 19, 1958, to ‘Mrs. Chekhov’ reading ‘My husband and I were so happy with the pictures you sent us of Mr. Chekhov. We will treasure them forever. I am not able to shop for Christmas, as you may already know I have lost the baby, so I would like you to use this check as my Christmas greetings with all my most affectionate good wishes. My husband sends you his warmest regards.’ The letter is accompanied by Xenia Chekhov’s response written on a notecard dated January 10, 1959, reading in part, ‘[Y]our personal sad news affected me very much and I could not find the courage to write you sooner. All my warmest feelings of sympathy go out to you and Mr. Miller.’ This is a deeply personal note with an acknowledgement of a miscarriage in Monroe’s own words.”
“An assortment of receipts from seven different bookstores: including: Doubleday Book Shop, Beekman Place Bookshop, and E. Weyhe Inc., all of New York City, and Wepplo’s Book Store, Lee Freeson, Martindale’s Book Stores and Hunter’s Books, all of Los Angeles. Titles include The Great Gatsby; Van Gogh’s Great Period; I , Rachel; An Encyclopedia of Gardening; Hi – Lo’s – Love Nest; a book listed simply as ‘Yves Montand’, among others. The receipts are dated 1958 and 1960.”
A Royal Quiet de Luxe model typewriter owned by Marilyn.
Various letters from Marilyn to her stepdaughter, Jane Miller.
“A 1957 letter is written to Janie at summer camp and recounts a number of amusing stories about Hugo the Bassett Hound reading in part, ‘He got kicked by that donkey. Remember him? His nose swelled up with a big lump on top and it really wrecked his profile. I put an ice pack on it and it took several days for it to go down but the last time I saw him it was pretty well healed. Bernice is taking care of him and the house while I am at the hospital.We are going home tomorrow and then I will write you by hand. Listen, I had better stop now because I want to get off a note to Bobby today. Don’t worry about me in the hospital. I am feeling much better now and I have the funniest Scotch nurse.’ (Marilyn had recently been taken to hospital after suffering an ectopic pregnancy.)
The 1958 letter is typed on the back of a piece of stationery from the Hotel Bel-Air and is addressed, ‘Dear Janie-bean.’ The letter, written as Marilyn prepared for Some Like It Hot, reads in part, ‘Thanks for helping me into my white skirt. I almost didn’t make it -but now that I’m busier I’ll start losing weight – you know where. Along with ukulele lessons I have to take I’m learning three songs from the 1920 period. … I don’t know how my costumes in the picture will be yet. I’ll let you know.'”
Three colour slides from the estate of Frieda Hull, showing the Millers leaving New York for Los Angeles in November 1959. Marilyn’s parakeet, Butch, travelled with them. He was a noisy passenger, constantly squawking, “I’m Marilyn’s bird!”
An electroplate ice bucket, made in England, and a receipt for 12 splits of Piper Heidsieck champagne, delivered to the Millers’ bungalow at the Beverly Hills Hotel during filming of Let’s Make Love in December 1959.
Address books from 1955 and 1962. The first includes a handwritten ‘to-do list’, with entries such as “as often as possible to observe Strassberg’s [sic.] other private classes”; “never miss my actors studio sessions”; “must make strong effort to work on current problems and phobias that out of my past has arisen.”
Perhaps the biggest surprise in the Julien’s sale is that Marilyn was planning to buy a home in New York, even commissioning a series of architectural drawings for a property on East 61st Street in November 1961. In addition to her rented Manhattan apartment, she bought a small bungalow in Los Angeles in 1962, but clearly hadn’t given up her dream of a permanent East Coast base.
“An original letter from John E. Holland of the Charles F. Noyes Real Estate Company dated October 18, 1961, addressed to Miss Marilyn Monroe, 444 East 57th Street, New York, “Attention: Miss Marjorie Stengel” (Monroe’s secretary). The letter reads in part, ‘L]ast summer Mr. Ballard of our office, and I showed you the house at the corner of 57th Street and Sutton Place and Mr. Arthur Krim’s house on Riverview Terrace. I spoke to Miss Stengel yesterday and told her of a house which we have just gotten listed for sale at 241 East 61st Street. She asked me to send you the particulars on this house as she thought you might be interested in it. I am enclosing our setup. … The garden duplex apartment is now occupied by the owner and would be available to a purchaser for occupancy. You may possibly have been in this apartment as Miss Kim Novak … just moved out in September. Before that it was occupied by Prince Aly Khan.’
An original letter from John E. Holland of the Charles F. Noyes Real Estate Company dated November 15, 1961, addressed to Miss Marjorie Stengel, stating, ‘I am enclosing herewith Photostats which I had made of the drawings adding a stairway which would include all or half of the third floor with the duplex garden apartments. These sketches may be somewhat confusing, but I could easily explain them if you would like to have me do so,’ together with six Photostat copies of original architectural drawings for the redesign of an apartment located at 241 East 61st Street in New York. The drawings go into great detail as to the redesign of the apartment, with space for an art studio and specific notes stating, ‘This could be another bedroom or boudoir, or health studio with massage table, chaise lounge, private living room…or…with numerous closets.'”
“An extraordinary, blue cloth over board, ‘project management‘ three-ring binder kept by one of Monroe’s assistants chronicling the purchase and ongoing renovation and decoration of her home located at 12305 Fifth Helena Drive in Brentwood, California. The notebook begins with an information sheet and lot diagram as well as a typed renovation and additions budget for the property totaling $34,877.36 against a purchase price of $57,609.95. The book also contains approximately 28 pages of notes on various renovation projects and to-do lists; a page with notes regarding terracing and planting the hillside; seven drawings of exterior floor plan for possible apartment above the garage for a cook; three renderings of options for a table and another decorative element for the home; and a listing of bills due as of August 16, 1962. The last page of the book lists ‘Moet – Champagne vintage 1952/ et Chandon a Epernay/ Cuvee Dom Perignon – 13.88.’ The book lists dates that furniture is due to be delivered from various suppliers, many after Monroe’s death, as well as dimensions of each room of the home for the purpose of ordering ‘white India’ carpet. It also has estimates to have the pool resurfaced, water heater moved, fountain built, and laundry room and shower expanded for people using the pool as well as notes about decoration of a ‘play room,’ fabrication of a new gate, bars for windows, and shelving to be built, among many other things.
A group of invoices dating to February 28, 1962, from various Mexican boutiques listing the purchase of a great number of pieces of furniture and home furnishings, purchased in Mexico for Monroe’s Fifth Helena Drive residence. Together with a two-page typed signed letter dated July 26, 1962, signed ‘Mura’, giving a full report to Monroe’s secretary Eunice Murray regarding her buying trip in Mexico. The letter demonstrates the fact that Monroe was still quite actively working on her home at the time of her death.”
Among Marilyn’s possessions were many items of sentimental value. She kept this ballerina paperweight in her New York apartment next to a framed photo of 1920s Broadway star Marilyn Miller, who inspired her own stage name. In a strange twist of fate, she would also become ‘Marilyn Miller’ after her third marriage. She later gave the paperweight to her friend and masseur, Ralph Roberts, calling it “the other Marilyn.”
This silver-tone St Christopher pendant was a gift from Natasha Lytess, Marilyn’s drama coach from 1948-54. (St Christopher is the patron saint of travellers.) Marilyn cut ties with Lytess after discovering she was writing a book about their friendship. She later gave the pendant to Ralph Roberts, telling him, “I’ve outgrown Natasha.”
This gold and silver-tone Gemini pendant reflects Marilyn’s close identification with her astrological sign, symbolised by twin faces. “I’m so many people,” she told journalist W.J. Weatherby. “Sometimes I wish I was just me.”
Marilyn was exceedingly generous to her friends, as the story behind this bracelet reveals.
“A rhinestone bracelet owned by Marilyn Monroe and gifted to Vanessa Reis, the sister-in-law to May Reis, Monroe’s personal assistant and secretary. In a letter to the consigner dated November 28, 1994, Ralph Roberts writes, ‘Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she’d brought to Reno with thought of possibly wearing it as a [undecipherable comment] for Roslyn [Monroe’s character in The Misfits]. Upon discussing it, she and Paula [Paula Strasberg was Monroe’s acting coach and friend] had decided somehow it wouldn’t be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May’s greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit – there’d been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let’s Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday. They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May – all of us – knew from experience we couldn’t compliment Marilyn on any personal items or had to be very careful. She’d be compulsive about giving it, or getting a copy – to you.’ Accompanied by a copy of the letter.”
Jack Dempsey, a former world heavyweight champion boxer, wrote to Joe DiMaggio’s New York Yankees teammate, Jerry Coleman, in 1954. “Have been reading a lot about Marilyn, Joe and yourself, here in the east,” Dempsey remarked. “Best of luck to you and your family, and send Marilyn’s autograph along.”
This small pine-cone Christmas tree, held together with wire and dusted in glitter, was given to Marilyn as a surprise by Joe DiMaggio one year when she had no plans, or decorations. Christmas can be a lonely time, and Joe made sure to bring some cheer.
This vintage Hallmark card was sent to Marilyn one Christmas by her favourite singer, Ella Fitzgerald.
Author Truman Capote sent Marilyn a personally inscribed 1959 album of himself reading ‘A Christmas Memory‘ (an excerpt from his famous novella, Breakfast at Tiffany’s.)
Marilyn owned a leather-bound, monogrammed copy of Esquire magazine’s July 1953 issue, featuring an article about herself titled “The ‘Altogether’ Girl.”
Marilyn’s 1954 trip to Korea to entertain American troops was one of her happiest memories. This photo shows her with the band and is accompanied by a letter from George Sweers of the St Petersburg Times, sent after their chance reunion when Marilyn took a short break in Florida in 1961.
This endearing note accompanied a gift from Marilyn to Paula Strasberg, who replaced Natasha Lytess as her acting coach in 1956: “Dear Paula, I’m glad you were born because you are needed. Your warmth is both astonishing and welcomed. Love & Happy Birthday, Marilyn.”
In April 1955, novelist John Steinbeck wrote a letter to Marilyn, asking her to sign a photo for his young nephew.
“In my whole experience I have never known anyone to ask for an autograph for himself. It is always for a child or an ancient aunt, which gets very tiresome as you know better than I. It is therefore, with a certain nausea that I tell you that I have a nephew-in-law … he has a foot in the door of puberty, but that is only one of his problems. You are the other. … I know that you are not made of ether, but he doesn’t. … Would you send him, in my care, a picture of yourself, perhaps in pensive, girlish mood, inscribed to him by name and indicating that you are aware of his existence. He is already your slave. This would make him mine. If you will do this, I will send you a guest key to the ladies’ entrance of Fort Knox.”
Television host Edward K. Murrow sent Marilyn a Columbia Records album, featuring excerpts from speeches by Sir Winston Churchill, in November 1955. She had been a guest on Murrow’s CBS show, Person to Person, a few months previously.
Marilyn’s custom-bound edition of Arthur Miller’s Collected Plays included a personal dedication. Miller had drafted a fuller tribute, but it was nixed – possibly because his first divorce was not final when it was published.
“This book is being written out of the courage, the widened view of life, the awareness of love and beauty, given to me by my love, my wife-to-be, my Marilyn. I bless her for this gift, and I write it so that she may have from me the only unique thing I know how to make. I bless her, I owe her the discovery of my soul.”
Costume designer Donfeld sent Marilyn this handmade birthday card one year, together with a small note that read, “M – I hope this finds you well and happy – My thoughts are with you now – Love, Feld.”
This engraved cigarette case was given by Marilyn to Joe DiMaggio during their post-honeymoon trip to Japan in 1954.
This souvenir brochure for the small town of Bement, Illinois was signed by Marilyn when she made a surprise appearance in 1955, during a festival marking the centennial of an historic visit by her idol, Abraham Lincoln.
Comedian Ernie Kovacs sent this rather cheeky letter to Marilyn in 1961. He would die in a tragic car crash in January 1962, aged 43, followed by Marilyn in August.
“The letter, addressed to ‘Marilyneleh’, invites Monroe to a get together at his home on June 15, giving the dress code as ‘… slacks or if you want to be chic, just spray yourself with aluminum paint or something.’ He continues, ‘I’ll try to find someone more mature than Carl Sandburg for you. … if Frank is in town, will be asking him. … don’t be a miserable shit and say you can’t come. … Look as ugly as possible cause the neighbors talk if attractive women come into my study.’ He signs the letter in black pen ‘Ernie’ and adds a note at the bottom: ‘If you don’t have any aluminum paint, you could back into a mud pack and come as an adobe hut. … we’ll make it a costume party. … Kovacs.'”
Always gracious to her fans, Marilyn gave child actress Linda Bennett a magazine clipping with the inscription, “I saw you in The Seven Little Foys. Great – Marilyn Monroe.” She also signed this photograph, “Dear Linda, I wish you luck with your acting. Love and kisses, Marilyn Monroe Miller.”
Norman Brokaw, former head of the William Morris Agency, died on October 29, aged 89. His uncle, Johnny Hyde, co-founded the legendary Hollywood talent hub, and gave the teenager his first job in the mailroom in 1943.
By 1949, Hyde was infatuated with Marilyn Monroe, who at 23 was barely a year older than his nephew. During their two-year relationship, Hyde secured her important roles in The Asphalt Jungle and All About Eve, and a long-term contract at Twentieth Century Fox.
A copy of Marilyn’s original William Morris Agency contract, recently sold at Julien’s Auctions for $7,680, included a covering letter signed by Norman Brokaw. In an article for Huffington Post, Brokaw’s son Joel recalled, “There were lots of wonderful memories he shared with me about his family, his uncle Johnny Hyde and Marilyn Monroe (including the time that he got screamed at when he was about to sit on their sofa and crush the plaster model of her new chin.)” If true, this story may add some credence to the longstanding rumour that Marilyn underwent minor cosmetic surgery at this time.
When Hyde died of a heart attack in December 1950, Marilyn was bereft. According to J. Randy Taraborrelli, author of The Secret Life of Marilyn Monroe, Brokaw accompanied Marilyn to Cedars of Lebanon Hospital in Los Angeles, but his uncle passed away before their arrival. (However, there are several competing versions of this story.)
Marilyn’s next serious romance, with baseball hero Joe DiMaggio, began in 1952. According to Taraborrelli, the couple first met two years earlier, when Brokaw arranged for her to play a walk-on part in Lights, Camera, Action, an NBC variety show. (If this was the case, the footage may not have survived as it is not documented elsewhere. But Marilyn did film a TV commercial during the same period, so she wasn’t entirely unaccustomed to the small screen.) After filming, she and Brokaw dined at the famous Brown Derby restaurant, where I Love Lucy star William Frawley asked if he could introduce her to his pal, Joe DiMaggio.
As they left the restaurant, Norman and Marilyn approached the ‘bashful’ sportsman. At the time, she was one of the few Americans who had never heard of DiMaggio. The next morning, Brokaw said, Joe called him and asked for Marilyn’s phone number – although whether he had the courage to follow through is unknown.
After a much-publicised courtship, Joe and Marilyn tied the knot in 1954. Taraborrelli writes that early on in their brief, tempestuous marriage, a worried Joe called Brokaw, and they met for drinks at the Polo Lounge of the Beverly Hills Hotel. When Joe explained that he wanted Marilyn to stop making films, Norman replied, “She’s not going to give up her career any more than you would have before you were ready to do it.” (Joe later sought advice from other Hollywood friends, including Sidney Skolsky, and would remain close to Marilyn long after their divorce.)
By then, Brokaw was building up the Morris Agency’s new TV division. He persuaded stars like Barbara Stanwyck to try the new medium, and negotiated a pioneering deal for Kim Novak, granting her a share in the profits of her films. In 1965, he secured a lead role for Bill Cosby in I Spy, making him the first black actor to achieve star status on a major television network.
During the 1970s, Brokaw added high-profile names in sport and politics to the agency’s roster. His career continued into the new century, and he was also a philanthropist, serving on the board of directors at Cedars-Sinai Medical Center (formerly Cedars of Lebanon), and St Jude Children’s Research Hospital.
Norman Brokaw died at his home in Beverly Hills. He is survived by his wife, Marguerite Longley, six children and four grandchildren.
Dr Ramon Acosta Pastor, a surgeon who treated patients including Marilyn during a long, distinguished career, has died aged 86, as Edmund Silvestre reports for the Philippine Star.
“MANILA, Philippines – Dr. Ramon Acosta Pastor, one of the surgeons who operated on Marilyn Monroe at a New York City hospital in 1961, passed away on Oct. 5 in his native Batangas City in the Philippines. He was 86.
He became closely acquainted with the late Hollywood icon when she underwent cholecystectomy (gallbladder surgery) on June 29, 1961 at the defunct Polyclinic Hospital in Manhattan and which was widely covered by the media. It was Dr. John Hammet, one of New York’s top surgeons, who led the surgical team.
Dr. Pastor’s photo beside Monroe appeared in several news publications, including the front page of The New York Times, wherein he is seen shielding Monroe from a mob of fans and members of the press while leaving the hospital after she was discharged on July 11, 1961.
That chaotic moment, the star of Some Like It Hot said in an interview, was the time she most feared for her safety.
‘It was scary. I felt for a few minutes as if they were just going to take pieces out of me. Actually, it made me feel a little sick. I mean I appreciated the concern and their affection and all that, but — I don’t know — it was a little like a nightmare. I wasn’t sure I was going to get into the car safely and get away.’
Dr. Pastor managed to walk Monroe into her limo unscathed. He hopped with her into the car and stayed by her side until she reached home.
The famed actress and sex symbol was reportedly complaining of pain from an intestinal disorder when she was rushed to the hospital from her apartment at 444 East 57th Street in Manhattan.
According to a New York Mirror story, Monroe awoke in distress in the morning of June 28, 1961, prompting her secretary, May Reis, to call her primary physician at Polyclinic. After diagnosis, the doctor decided her condition warranted immediate hospitalization. She was carried to the ambulance on a stretcher, with [ex] husband Joe DiMaggio joining her in the ambulance.
Dr. Pastor’s elder brother, Antonio, who was staying with him in New York City at the time, related that Dr. Pastor told him he took care of Monroe for two weeks after the surgery, personally attending to all her medical needs.
‘Marilyn Monroe instructed him not to accept any visitors while she’s recuperating, except Joe DiMaggio,’ said Antonio, recalling a conversation he had with his younger brother.
Still in the hospital on the Fourth of July, Monroe complained of the noise coming from fireworks, Antonio said, adding, ‘Dr. Pastor said he gave her the best possible solution — putting cotton in her ears.’
It was the fifth time that Monroe was hospitalized in just 10 months, according to reports.
The three-inch horizontal scar in the upper quadrant of Monroe’s abdomen as a result of the surgery was visible in the photos taken by lensman Bert Stern for the book The Last Sitting, commissioned by Vogue magazine in late June 1962, just six weeks before Monroe died.
‘Ramon was a very gifted doctor and he was very proud of having the honor of operating on Marilyn Monroe,’ said an old-time friend, Dr. Rebecca Magbag, a New York geriatrician, who is also a native of the Philippines. ‘But he was also very humble that he really didn’t talk much about it.’
‘He’s a very nice and warm guy, very handsome, very charming, compassionate with his patients and treated everyone equally,’ Dr. Magbag also said. ‘As an eligible bachelor at the time, a lot of women were swooning over him.’
Born on Nov. 23, 1929 in Batangas City to Dr. Juan Pastor and Concha Acosta Pastor, Dr. Ramon was a 1955 medical graduate of the University of Santo Tomas in Manila. He took his internship at Yonkers General Hospital in New York and finished his training in general surgery at New York Polyclinic Medical School and Hospital, in which he served as chief resident during his last year of training.
He became a diplomate of the American Board of Surgery, but decided to turn his back on a lucrative medical career in the United States and returned home a year later to better serve the underprivileged in his small town in Batangas City.”
A new stage revival of Terry Johnson’s Insignificance (which was famously adapted for the screen in 1985), starring Sophie Melville as Marilyn, is currently playing at Theatr Clywd in North Wales until October 15, reports the Chester Chronicle.
“Insignificance takes four iconic faces of the post Second World War era in America – Marilyn Monroe, her husband, New York Yankees baseball star Joe DiMaggio, physicist Albert Einstein and communist witch-hunter Senator Joe McCarthy – and explores their explosive interaction in an imagined meeting in a hotel room in New York in 1955.
Sophie said: ‘I’m thrilled to wear the white dress and play the part of Marilyn – it’s a dream, it really is. It’s been hard work because it’s the first time I’ve played a character who is a real person.’
‘I’ve tried to take on her quality but at the same time make the part my own rather than try to impersonate her. The main thing was getting the voice right and once I’d got that everything just fell into place.’
The show’s director Kate Wasserberg returns to Theatr Clwyd following her production of [Arthur Miller’s] All My Sons last year.
She said: ‘Insignificance is a play I’ve wanted to direct since I saw it at my local theatre when I was 12 or 13 years old. My dad took me along and thought we were going to see The Kiss of the Spiderwoman but it wasn’t on.
‘Even though I was very young, there are several moments from the play that are seared into my memory. I remember laughing a lot. It’s a play about politics, life, love and the stars. Terry Johnson’s work is incredibly intelligent, it works on several levels at once but, line for line, it’s properly funny. I read his plays and laugh out loud.'”
Lew Baxter gives Insignificance a rave review in the Wirral Globe…
“This latest rather spiffing theatrical production directed by Kate Wasserberg in Mold demonstrates just how on several levels the confrontations and verbal jousting between the protagonists still has potent relevance that surprises and amuses.
It is in many ways an emotional rollercoaster particularly when embracing the emotional fragility and conflicts that shaped the relationship of Monroe and DiMaggio, never mind the manic nature of McCarthy whose demonising of America’s intelligentsia leaves a stain on that country’s contemporary history.
And Einstein, branded a Soviet stooge, was himself vulnerable and is here played with considerable aplomb by Brendan Charleson.
Wasserberg has completely nailed the essence of Johnson’s work, which is enhanced by a really top-notch cast: there is a chemistry that fizzes like a sparkler between all four participants and each has that magnetic attribute that engrosses those watching.
Sophie Melville, relatively fresh out of drama school, is simply sublime as Marilyn … here is – if you’ll pardon the pun – a pitch-perfect portrayal of Monroe’s passionate if rather unsophisticated spouse Di Maggio by Ben Deery.
The play begins, in this instance, with the soundtrack of David Bowie’s ‘Starman’, which under the circumstances is most appropriate … This is the kind of production that emphasises how live, breathing theatre, more so than film, can captivate an audience and keep them gripped to the last fading light.”