A bargain at just £5, this box-set containing four of Marilyn’s finest would be perfect for a new fan, and is available now at UK supermarket Sainsbury’s.
Thanks to Maxine at Marilyn Remembered
A bargain at just £5, this box-set containing four of Marilyn’s finest would be perfect for a new fan, and is available now at UK supermarket Sainsbury’s.
Thanks to Maxine at Marilyn Remembered
The world’s media has been eager to report on the alleged controversy caused by the summer-long installation of Seward Johnson’s ‘Forever Marilyn‘ at Latham Park in Stamford, Connecticut. The sculpture, inspired by the iconic ‘subway scene’ from The Seven Year Itch, shows Marilyn’s dress blowing in the wind – and its placement has her rear end facing a local church.
Although the headlines would have us believe that the church’s response has been one of puritanical outrage, the reality is more nuanced – with even the harshest critics stating that it wasn’t Marilyn herself that they found distasteful, but the overtly sexual way in which she is depicted.
“I just find the position to be offensive,” local resident Lorri Tamburro told the Stamford Advocate. “I looked at it and it was, in my eyes, very disrespectful. I think because with what I saw with all the little kids looking up, the height is ruining it. It’s ruining beautiful Marilyn.”
Parishioner Jean Meyer, however, felt differently. “You’re going to have different opinions on it, but you have to have a sense of humor,” she said. “There are bigger issues to worry about,” said another church member, Maureen Matthews. “But I’ll be interested to see how people talk about it on Sunday.”
“It is art and we don’t believe it’s offensive,” said Sandy Goldstein, who helped to organise this year’s ‘Art in Public Spaces’ exhibit. Pointing out that many nude female statues can be seen in Europe (including near churches), she added, “We absolutely mean no disrespect to the church.”
“The issue is, why that statue?” Rev. Dr. Todd Grant Yonkman of the First Congregational Church wrote in an email to the Associated Press. “Marilyn Monroe was an artist deserving our respect. Why appropriate her image in this way. Is this the best we can do?”
In a report for HuffPost, Carol Kuruvilla spoke with Yonkman:
“He said he understands the statue is a ‘piece of art’ that is ‘designed to make the viewer uncomfortable … It makes me uncomfortable,’ Yonkman told HuffPost in an email. ‘The question for each one of us is, What will you do with your discomfort? I am choosing grace.’.
Yonkman said he and his congregation, which is part of the progressive mainline Protestant denomination the United Church of Christ, don’t plan on taking any action about the placement of the statue. Instead, they want to use it as an opportunity to connect with their community.
The church has been planning to host a Pride event in Latham Park to show solidarity with the LGBTQ community. ‘Marilyn is a gay icon, so it turns out that this may be a fortuitous coincidence,’ Yonkman wrote.”
Seward Johnson’s giant sculpture, Forever Marilyn, is coming to Latham Park in Stamford, Connecticut this summer, as part of an outdoor art exhibition, Seward Johnson: Timeless, as Annette Einhorn reports for Hamlet Hub. You can read more about the exhibit and other events (including a screening of The Seven Year Itch at the Avon Film Centre on June 7) here.
“The installation will begin on Monday, June 4 when a crane will lift the 26-foot, 30,000 pound Marilyn, in various parts, high into the air before she is assembled in place in Latham Park in Stamford Downtown. The opportunity to capture photos of the flying sculpture parts; legs, torso, skirt, will be from 10:30am to 2pm.
The monumental Forever Marilyn, sponsored by Avon Theatre Film Center, from the Icons Revisited Collection, is just one of 36 sculptures that will be on display in Stamford Downtown. 35 life-size, realistic sculptures from Seward Johnson’s Celebrating the Familiar series will also be on display as part of UC Funds presents Timeless – The Works of Seward Johnson for the Summer of 2018. Installation of the life-size works begins May 30.
The exhibition will kick off with an opening night celebration on Wednesday, June 6, hosted by Stamford Downtown. The event will be held at the Palace Theatre at 61 Atlantic Street from 5:30 to 8:00 p.m. Trolley tours are set to run throughout the evening, offering guests a chance to view many of the sculptures.”
Marilyn’s iconic role in Some Like It Hot is referenced in Georgian filmmaker Zaza Urushadze’s The Confession, which has just premiered at the Chicago International Film Festival, as Daniel Hensel reports for Michigan Daily.
“The Confession follows a preacher, Giorgi, and his assistant, Valiko, as they fill in at a church in a town after the local preacher dies. They bring with them American DVDs and a projector to show in the church, believing that if the townspeople come for the movies, they’ll come to church.
The film series begins with Some Like It Hot, the 1959 Billy Wilder classic with Marilyn Monroe, leading a number of the villagers to note that one of the women in the village, a music teacher named Lili (Sophia Sebiskveradze, My Dad’s Girlfriend), looks an awful lot like the blonde bombshell herself. And sure enough, though she is far from identical, Lili’s styled platinum blonde hair makes a compelling case. Lili and Father Giorgi become friendly, with the preacher encouraging her to come to a confession, where she notes not her sins but rather her place in the village: since her husband’s death, many men lust after her, but she’s not interested in loveless sex.”
Meanwhile, Seward Johnson’s giant sculpture, ‘Forever Marilyn’, is featured in Angels Wear White, a new film from Chinese director Vivian Qu, the Straits Times reports.
“The sexual assault of two 12-year-old girls sets off a harrowing chain of events in the film Angels Wear White (2017). Despite the premise, there is nothing lurid or sensationalistic in Chinese film-maker Vivian Qu’s second directorial feature.
In the film, contemporary society is fraught with dangers and temptations for the young given the corrupting force of money. Qu says: ‘When everything is up for sale, how can a young girl find the right answer for herself and move forward? This has all gotten a lot more complicated.’ She was calling from London where the film was being screened at the BFI London Film Festival.
Qu notes that there are seven female characters in her film, including a giant statue of screen legend Marilyn Monroe. Though they are at different stages of life and have different attitudes towards it, she is essentially writing about women.
But it is not a reductive portrayal along the lines of ‘men are bad and women are to be pitied’. Qu says: ‘We are already in the 21st century, and yet the value of women is something that has not been been really thought about.'”
A large sculpture of Marilyn, currently on display outside the Cairo Opera House, has stirred up controversy, reports Egypt Independent. Recreating the famous ‘subway scene’ from The Seven Year Itch, Ehab al-Asyuti’s sculpture seems derivative of Seward Johnson’s ‘Forever Marilyn’, and some observers have deemed her likeness less than flattering. But while she probably won’t be replacing the Sphinx anytime soon, Marilyn has made quite the comeback – her films were banned in Egypt after she married Arthur Miller and converted to Judaism in 1956.
In January, exhibitions featuring Milton Greene and Douglas Kirkland’s photographs of Marilyn opened in London and Amsterdam. In New York, the Museum of Modern Art paid tribute to Marilyn’s choreographer, Jack Cole. Also this month, James Turiello’s book, Marilyn: The Quest for an Oscar, was published. And Edward Parone, assistant producer of The Misfits, died.
In February, Marilyn ‘starred’ with Willem Dafoe in a Snickers commercial for the US Superbowl. Monroe Sixer Jimmy Collins’ candid photographs were sold at Heritage Auctions, and the touring exhibition, Marilyn: Celebrating an American Icon, came to Albury, Australia.
Another major Australian exhibition, Twentieth Century Fox Presents Marilyn Monroe, featuring the collections of Debbie Reynolds, Scott Fortner, Greg Schreiner and Maite Minguez Ricart – opened at the Bendigo Art Gallery in March. And Barbara Sichtermann’s book, Marilyn Monroe: Myth and Muse, was published in Germany.
In April, a special edition of Vanity Fair magazine – dedicated to MM – was published. A campaign to save Rockhaven, the former women’s sanitarium where Marilyn’s mother Gladys once lived – was launched. And actress Anne Jackson – wife of Eli Wallach, and friend to Marilyn – passed away.
In May, Marilyn graced the cover of a Life magazine special about ‘hidden Hollywood’, and Sebastien Cauchon’s novel, Marilyn 1962, was published in France. Cabaret singer Marissa Mulder’s one-woman show, Marilyn in Fragments, opened in New York, while Chinese artist Chen Ke unveiled Dream-Dew, a series of paintings inspired by Marilyn’s life story. The remarkable collection of David Gainsborough Roberts was displayed in London. Finally, Alan Young – the comedian and Mister Ed star, who befriended a young Marilyn – died.
June 1st marked what would be Marilyn’s 90th birthday. Also in June, New Yorkers were treated to an Andre de Dienes retrospective, Marilyn and the California Girls. An exhibition of the Ted Stampfer collection, Marilyn Monroe: The Woman Behind the Myth, opened in Turin, Italy. A new documentary, Artists in Love: Arthur Miller and Marilyn Monroe, was broadcast in the UK, while Australia honoured Marilyn with a commemorative stamp folder, and genealogists investigated Marilyn’s Scottish ancestry.
In July, the birthday celebrations continued in Marilyn’s Los Angeles hometown with tributes from painter David Bromley, and another Greene exhibition. A new musical, Marilyn!, opened in Glendale. Rapper Frank Ocean appeared alongside a Monroe impersonator in a Calvin Klein commercial. And Marni Nixon, the Hollywood soprano who sang the opening bars of ‘Diamonds Are a Girl’s Best Friend’, passed away.
August 5th marked the 54th anniversary of Marilyn’s death. Also this month, it was announced that Seward Johnson’s ‘Forever Marilyn’ sculpture may return permanently to Palm Springs. April VeVea’s Marilyn Monroe: A Day in the Life was published, and Marilyn’s role in Niagara was featured in another Life magazine special, celebrating 75 years of film noir.
In September, Marilyn: Character Not Image – an exhibition curated by Whoopi Goldberg – opened in New Jersey. Terry Johnson’s fantasy play, Insignificance, was revived in Wales. Two locks of Marilyn’s hair were sold by Julien’s Auctions for $70,000. And author Michelle Morgan published The Marilyn Journal, first in a series of books chronicling the Marilyn Lives Society; and A Girl Called Pearl, a novel for children with a Monroe connection.
In October, Happy Birthday Marilyn – a touring showcase for the collection of Ted Stampfer – came to Amsterdam, while Marilyn: I Wanna Be Loved By You, a retrospective for some of her best photographers, opened in France. Marilyn Forever, Boze Hadleigh’s book of quotes, was published. Marilyn’s friendship with Ella Fitzgerald was depicted on the cult TV show, Drunk History. And on a sadder note, photographer George Barris, biographer John Gilmore, and William Morris agent Norman Brokaw all passed away this month.
In November, Marilyn’s ‘Happy Birthday Mr President‘ dress was sold for a record-breaking $4.8 million during a three-day sale at Julien’s Auctions, featuring items from the David Gainsborough Roberts collection, the Lee Strasberg estate, and many others including the candid photos of Monroe Sixer Frieda Hull. Also this month, comedienne Rachel Bloom spoofed ‘Diamonds Are a Girl’s Best Friend’ in a musical sequence for her TV sitcom, Crazy Ex-Girlfriend. And Marilyn Monroe: Lost Photo Collection, a limited edition book featuring images by Milton Greene, Gene Lester and Allan ‘Whitey’ Snyder, was published.
Finally, in December the EYE Film Institute began a Marilyn movie season in Amsterdam. The Asphalt Jungle was released on Blu-Ray by Criterion. And actresses Zsa Zsa Gabor and Debbie Reynolds both passed away.
In August, it was rumoured that Seward Johnson’s giant sculpture, ‘Forever Marilyn’, would be making a permanent return to Palm Springs. This was recently confirmed by the Desert Sun: however, plans for a temporary home at the Spa Casino as soon as November have been scrapped, and the statue will now take up residence at a new downtown park, close to the city’s art museum and due for completion sometime next year.
Following the recent news that Seward Johnson’s giant sculpture, ‘Forever Marilyn‘, may soon make a permanent return to Palm Springs, another more spurious story has emerged. Last week, it was widely reported that Marilyn’s former home in Palm Springs had been burgled. However, while Marilyn visited the resort many times, there is no evidence of her ever living there. Bruce Fessier has investigated the rumour for the Desert Sun.
“Aftab Dada, a hotelier and head of the P.S. Resorts organization charged with finding ways to attract tourists to Palm Springs, says [the statue] may be placed in front of the Spa Resort Casino before hopefully landing in the downtown park being developed near Desert Fashion Plaza, where it attracted voyeurs with cameras for 22 months before going on the road again.
Dada, who also runs the Palm Springs Hilton Hotel, is now trying to raise money to ‘bring Forever Marilyn back to Palm Springs where she belongs.’ City spokeswoman Amy Blaisdell says it belongs here because ‘Marilyn Monroe has a rich history in Palm Springs.’
‘She once owned a home in the city’s Movie Colony neighborhood,’ Blaisdell said in a news release, ‘and she was first discovered by her Hollywood agent at the historic Racquet Club.’
Frankly, I don’t think she ever owned a home in Palm Springs. Blaisdell told me Marilyn and her second husband, baseball great Joe DiMaggio, owned a place on Rose Avenue. That’s actually in the Las Palmas district, but, besides that, my sources say it’s not true. I asked Blaisdell where she got her information and she said Dada — the guy in charge of drawing tourists to Palm Springs.
Dada says he learned about Monroe and DiMaggio’s Palm Springs’ roots from the heads of the private equity firm KKR (Kohlberg Kravis Roberts). Founding partners Henry Kravis and George Roberts used to stay at the Hilton …They hung out with DiMaggio and his granddaughter, Paula Hamra, in the Hilton hospitality lounge when the Yankee Clipper used to play in the Dinah, Dada said, and DiMaggio told them he and Marilyn once owned a Palm Springs home.
I looked up Hamra on Facebook. She’s one of two daughters of the late son DiMaggio had with his first wife, Dorothy Arnold, who ran Charcoal Charlie’s restaurant in Cathedral City in the late 1960s and ‘70s. She also led Cathedral City’s incorporation efforts as president of their chamber of commerce from 1973 to 1975.
Hamra didn’t respond to my Facebook message, but Dada said photographer Marc Glassman took a picture of him with the KKR boys and DiMaggio. So I called Glassman and told him I was trying to track down the mystery of whether or not Monroe and DiMaggio had ever owned a home in Palm Springs. I said Dada told me Glassman had taken a photograph of him with DiMaggio and the KKR heads at a Dinah Shore golf reception at the Hilton when DiMaggio mentioned he and Monroe had owned a Palm Springs house. Glassman confirmed he had taken a picture of them at the Hilton.
‘Unfortunately,’ he deadpanned, ‘no one was wearing a picture on their lapel of DiMaggio and Marilyn in front of their Palm Springs home.’
So I started checking the rumors of Marilyn and DiMaggio owning a house on Rose Avenue. The Internet abounds with reports saying Marilyn lived there … Public records show the house was built in 1961 – one year before Marilyn died … and six years after she and DiMaggio divorced. The house was owned by Audrey Blanchard for more than 40 years until her death in May at age 94. On Dec. 12, 2008, her attorney, Philip S. Klatchko of the Palm Springs firm of Klatchko & Klatchko, contacted the owner of Locations Unlimited, Sylvia Schmitt, demanding she cease and desist spreading the erroneous information that Monroe once lived at Blanchard’s house.
‘In recent months, she has had numerous people come to her front door claiming that her home had been identified by the Palm Springs Chamber of Commerce or its representatives as having once been owned or occupied by Marilyn Monroe,’ Klatchko wrote to Schmitt (then Jenette) a day after talking to her. ‘This claim or assertion is absolutely false and the people coming to her door are an annoyance and a nuisance.’
Tour buses were regularly stopping in front of Blanchard’s home, Klatchko said, and erroneously calling it Monroe’s house. Postcard manufacturers and other businesses were doing the same.
‘After full discussions with those local business entities … they each agreed to stop their reference to Mrs. (sic) Monroe,’ Klatchko wrote. ‘The matter had been laid to rest because in fact there was no truth to the allegation. It has only been more recently that the unwanted visitors to the home have started reappearing.’
Schmitt, who books celebrity homes for movie shoots and rentals, took the reference to Monroe’s house out of her map of celebrity homes. But she probably wasn’t the source of the problem. She says she gained her information from the tour guides who trained her. She passed along one hilarious story of a man who just made up stories as he went along. But more conduits of misinformation simply convey stories that haven’t been thoroughly vetted…
Unfortunately, the city is still perpetuating these myths and now someone is paying for it. Last week, someone burglarized the Blanchard house. TMZ reported it was Monroe’s place and a local TV station repeated that error.”
Last seen in Bendigo Park, Australia, Seward Johnson’s giant sculpture, ‘Forever Marilyn’, may soon make a permanent return to Palm Springs, California, due to its immense popularity with local residents and tourists during a two-year stay from 2012-14, as Palm Springs Life reports.
“The sculpture, which is currently owned by the New Jersey-based Seward Johnson Atelier, Inc., would potentially reside in the City’s proposed new downtown park currently under construction.
P.S. Resorts is currently negotiating a title sponsorship agreement with the RumChata Foundation to cover half the cost of bringing the sculpture back to Palm Springs and working on a plan to acquire the additional funds needed for the purchase through private donations.
Marilyn Monroe has a rich history in Palm Springs. She once owned a home in the city’s Movie Colony neighborhood and she was first discovered by her Hollywood agent at the historic Racquet Club.
‘Forever Marilyn was a wildly successful tourism booster for our destination,’ according to Mary Jo Ginther, Director of the Palm Springs Bureau of Tourism. ‘Marilyn has traveled to other cities, but no other city has embraced her with as much love and appreciation as Palm Springs. We are thrilled she may soon return again to forever become a part of the magic that makes our city like no place else.’
To donate, visit www.DonateForeverMarilyn.com to make a contribution.”
Reviews are coming in for Twentieth Century Fox Presents Marilyn Monroe, the new exhibition at the Bendigo Art Gallery. In an article for the 3Sixty website, Irvin Hanna reveals how Marilyn mania has come to Australia.
“The girl that every woman wants to be best friends with has landed in the quaint city of Bendigo, two hours by train from Melbourne. Banners and stickers promoting the Marilyn Monroe Exhibition can be spotted the moment I arrived at the Bendigo Train Station. Turns out it was only a glimpse of full-blown Marilyn mania all over the city. At the main crossing near Alexandra Fountain is Forever Marilyn, an 8-metre-high sculpture by Seward Johnson. This impressive work of art has been seen in Chicago and Palm Springs in the United States, and is now in Australia for its first international visit.
Strolling along the Bendigo CBD (central business district), it was fun to see how everyone participates in honour of the Hollywood superstar. A picture frame store has images of Marilyn all over the window display, and there was a boutique with knock-off versions of her iconic dresses. Restaurants have altered their menu to include special edition dishes and cocktails, and visitors can select accommodation package offers from several hotels and B&Bs that include tickets and other goodies in conjunction with the exhibition.
This wonderful collaboration by Bendigo Art Gallery and Twentieth Century Fox took about two years to materialise. There are more than 100 items, prints, old photographs, personal clothing, as well as iconic costumes from her movies, showcasing the stages of metamorphosis from girl next door to blonde bombshell. All are on loan from the studio and from private collectors all over the world.
In between the items on exhibit are screens with clippings of Marilyn’s movies and live performances, including a 6-by-9 metre motion picture display, and little television sets from the bygone era. But my favourite section of the whole exhibition has to be the 1960s-style sitting area that was furnished with two beige retro armchairs, an old school wooden cupboard, as well as a projector and screen that show clippings of her old movies. Drawn by such a magnetic presence, I could’ve spent the whole afternoon there watching Marilyn strut her magic on the screen.
For the duration of the exhibition (which runs until 10 July), there are a myriad of events and activities in celebration of Marilyn. The Eaglehawk Town Hall will be hosting movie nights from April till June with some of her classic titles including River of No Return and The Misfits. Those wishing to relive the glam era can check out the grand gala night at Ulumbarra Theatre on 14 May, where there will be a screening of Some Like It Hot. Come in your best 1950s costume, as the ticket includes a post-screening party with entertainment and light food. And if you need more reason to party, the Bendigo Art Gallery Foundation will also be hosting a red carpet fundraiser cocktail event on 4 June, with live music and a silent auction of some of the items in the exhibition.”