As Americans celebrated Veterans Day yesterday, Marilyn graced the cover of Military History Quarterly‘s winter 2019 edition, with a well-researched, illustrated article by Liesl Bradner on Marilyn’s 1954 trip to Korea inside.
In our final post ahead of the November 14 event at Julien’s Auctions, A Southern Gentleman’s Collection, we focus on Marilyn’s marriage to Arthur Miller and the last years of her life. (You can read all posts about this sale here.)
“A group of six audio recordings including: 1) a late 1950s-era 3-inch reel tape (Type 151) featuring interviews Monroe conducted with Look magazine and Chicago disc jockey Dave Garroway, housed in its original box with handwritten annotations reading in part ‘May Reis’ [Monroe’s longtime New York-based secretary]; 2) a 33 1/3 RPM record labeled “M. Monroe – Belmont / Side 1 / Side 2[her 1960 interview with Georges Belmont for Marie Claire]; 3) another 33 1/3 RPM record identical to #2 but sides 3-4; 4) another 33 1/2 RPM record identical to #2 but sides 5-6, content unknown on all; 5) a 78 RPM record on the RCA Victor label of the star singing ‘The River of No Return’ and ‘I’m Gonna File My Claim;’ and 6) a 45 RPM record same as the 78; further included with a CD of the reel tape; all originally from the Estate of May Reis. And sold separately, a publicity still from River of No Return, autographed by Marilyn.”
“A legal-sized financial document from Woodbury Savings Bank in Connecticut, two hole punch marks on left side, dated ‘Sept. 9, 1957,’ filled out in blue fountain pen ink by Arthur Miller, briefly outlining the couple’s finances, noting their annual income as ‘$50,000,’ interestingly, Miller adds that there is a ‘suit pending against M.M. Productions,’ both signed twice on the lower margin, with MM’s reading ‘Marilyn Monroe Miller;’ also included is a related photocopied document from the same bank.” And sold separately, a window card for The Prince and The Showgirl (1957.)
“Nine original snapshots depicting Marilyn at Ebbets Field in Brooklyn on May 12, 1957 as she makes a guest appearance at a soccer match between the U.S. and Israel. And sold separately, a medical insurance form from Associated Hospital Service of New York, entirely filled out in blue ballpoint ink by Miller when the couple was applying for insurance, noting their address on ‘Tophet Road, Roxbury, Conn.’ and noting Monroe’s health issues as ‘Appendix Removed / 5% (hearing) impairment, Ectopic Pregnancy,’ oddly, Miller checked off ‘no’ under ‘female trouble’ for his wife, signed by Miller on page 3 and further signed by Monroe right below but in different blue ballpoint ink.”
“Miscellaneous paperwork from 1958 including: an invoice from Carl Perutz Photography sent to Marilyn at her NYC address on ’18 June 1958;’ and four receipts from the Yellow Cab Company of Los Angeles ranging in date from July 14 to July 16, 1958, showing that MM was at the Hotel Bel Air, Saks Fifth Avenue, and a mysterious address at 8719 Bonner Drive; though her name does not appear anywhere on the receipts, they come from the same files as the Perutz invoice.”
“Telegram dated October 28, 1958, sent to Jack Lemmon by the producer of Some Like It Hot, reading in part ‘By reason of the illness of Marilyn Monroe, please be advised / that we hereby exercise the right to suspension…;’ and sold separately, a standard check from the ‘Marilyn Monroe Productions, Inc.’ account … matted under a 1970s-era re-issue soundtrack album from Some Like It Hot.”
“A standard address book with navy blue leather covers and A to Z tabs, kept by May Reis [Monroe’s longtime New York secretary] on the star’s behalf for a number of years, inside pages contain Reis’ handwritten entries in pencil or various colors of ballpoint ink for Monroe’s personal and business contacts including (in alphabetical order): Rupert Allan, Elizabeth Arden, Richard Avedon, Kenneth Battale, Saul Bellow, Chateau Marmont, Michael Chekhov, Jack Cole, George Cukor, Lilly Daché, Agnes Flanagan, Bob Fosse, Ben Gazzara, Lotte Goslar, Sydney Guilaroff, Lillian Hellman, Hedda Hopper, Hotel Bel Air, John Huston, William Inge, Jax, Anne Karger, Marianne Kris, Leon Krohn, Ann Landers, Erno Laszlo, Jean Louis, Carson McCullers, Inez Melson, Isidore Miller, Berniece Miracle, Monroe Six, Eunice Murray, Jean Negulesco, Norman Norell, Clifford Odets, Louella Parsons, Lena Pepitone, The Plaza Hotel, Henry Rosenfeld, Hedda and Norman Rosten, Eva Marie Saint, Norma Shearer, Frank Sinatra, Sidney Skolsky, Allan Snyder, John Steinbeck, Paula Strasberg, Western Costume Co., Billy Wilder, and Shelley Winters, among a few others; also included are a few notes relating to the stars personal identification numbers as well as bank accounts; Reis’ ownership signature is penned on the second page next to a date of ‘1958;’ Monroe penciled in a note on the last page reading ‘Roxbury Conn. / Tophet Rd.'”
“A single page of personalized stationery, dated ‘April 15, 1960,’ to ‘Mr. Ehrlich,’ reading in part ‘Will you please convey my sincere appreciation to the public and critics of Chile for awarding the Laurel de Oro as Best Actress of 1959,’ signed in black fountain pen ink in the lower right corner ‘Marilyn Monroe;’ with its original transmittal envelope. And sold separately, a contact sheet showing Marilyn in a scene from Some Like It Hot (1959.)”
“A small receipt from Gray Reid’s in Reno, Nevada noting a date of ’16 Aug 60′ and that ‘$6.07’ was spent, verso has a blue ballpoint ink handwritten annotation (not in MM’s hand) reading ‘Black / Umbrella’ — probably the umbrella that Marilyn bought for her acting coach, Paula Strasberg, during shooting of The Misfits.”
“A black silk and ostrich feather wrap with two black velvet arm straps, label reads ‘Made to Order / Rex / Inc. / Beverly Hills / California;’ displayed in a shadow box with a black and white image of the star wearing it during a 1960 photo shoot with Eve Arnold. Interestingly, this piece may have been used as a prop in MM’s last and unfinished 1962 film, Something’s Got To Give as a similar wrap can be seen in her tote bag in the sequence where she watches her children in the swimming pool. “
“A deep brownish-black mink fur stole, rectangular shaped with slightly flared ends, lined in a black and gold brocade textured raw silk, no labels present.” [Worn by Marilyn to the premiere of The Misfits in 1961.]
“A group of seven accessories including: 1) a pair of cat eye sunglasses with rhinestone detailing; 2) their case made of beige vinyl and brown plastic, stamped ‘Cosmetan / Sun Glasses;’ 3) a cordovan alligator eyeglass case stamped in part ‘Schilling;’ 4) a red cotton eyeglass case with a label reading in part ‘Devonaire of California;’ 5) a sterling silver shoe horn, stamped ‘Sterling’ on both sides; and 6-7) a pair of orange plastic shoe trees.”
“A two page hand-written note on light blue pieces of notepaper from the Los Angeles Institute for Psychoanalysis, penciled by the star in full “‘CR 12151 Western Union / Dear Marlon / I need your / opinion about a / plan for getting / Lee out here on more / than a temporary / basis please / phone me as soon / as possible / Time / is of the essence / Marilyn;’ evidently written for a telegram that she was sending to Brando about Actors’ Studio head Lee Strasberg. And sold separately, a telegram from Brando dated ‘1962 Jan 13,’ sent to Marilyn at her ‘882 North Doheny Apt 3’ address, reading in full ‘Tried to reach you by fone must leave city this weekend / sorry / Marlon,’ with a number of stamps and other handwritten delivery annotations evident; seeming to be Brando’s response to Monroe’s note.”
“A standard postcard from the Fontainebleu Hotel in Miami, signed in blue ballpoint ink on the verso ‘To Gisele / Thank you / so much! / Marilyn Monroe.'” [Marilyn stayed overnight at the Fontainebleu in 1962 with her former father-in-law, Isidore Miller.]
“A large collection of approximately 130 loose-leaf ‘colored’ script change pages given to the star throughout the production of Something’s Got to Give, as the script was being revised on a regular basis, noting numerous and various dates in April and May of 1962, many pages are paper-clipped or stapled together by their revision date, a number of them have the star’s name penned in the upper right hand corner (though not in her hand) or small notes addressed to her, Monroe’s own handwritten annotations appear on a few pages, mainly as directions to herself such as ‘drop voice – / lean against post’ or additional dialogue she added such as ‘if you’d take it out’ and the like, she also circled her character’s name [“Ellen”] on many pages; two pink pages are torn with one having Monroe’s penciled annotation reading ‘No good one.’ And sold separately, an oversize colour photo taken during Marilyn’s 1962 session with Bert Stern for Vogue magazine, entitled ‘I Beg Of You‘.”
Sold separately, these contact sheets are among several lots featuring photos by Bert Stern.
“A telegram dated ‘1962 Jun 1 AM 9 55,’ sent to Marilyn at her Fifth Helena Drive address in Brentwood, CA, reading in full ‘Happy Birthday Hope Today And Future Years Bring You / Sunny Skies And All Your Heart Desires As Ever / Joe’ — most likely DiMaggio as it was sent from ‘Madrid Via RCA.'”
“A ticket reading in part ‘May 19, 1962 / Madison Square Garden / Gala All Star Show’ — the now-historic event celebrating President John F. Kennedy‘s 45th birthday, plus a photo of Marilyn during her performance of ‘Happy Birthday, Mr President’. And sold separately, a group of four telephone bills, sent to “M. Monroe” from General Telephone Company, ranging in date from April 30 to July 30, 1962, listing all the long distance calls she made to cities noted on the bills as ‘NYC, Bkln, Queen, Wbury, Engla, Telav’ and, most interestingly, to ‘Wash’ a number of times in July — so maybe she was calling the Kennedys?”
“A 1960s-era Steno spiral-bound notebook filled with about 45 pages of notes and reminiscences penned in blue ballpoint ink that George Barris wrote down while he was working with the star in the summer of 1962; appearing to be taken verbatim from conversations the two had, the subjects mentioned are quite varied and range from Monroe’s favorite films to her health to people on her mind at that particular time such as President Kennedy, Arthur Miller, Joe DiMaggio, Cyd Charisse, Marlon Brando, Paula Strasberg, and Greta Garbo; other topics include living in California, nude scenes in films, her termination from her last film, sex, on being a sex symbol, marriage, children, and life philosophy in general; some of the notes appear to have been jotted down later or even after the star’s death but in any case, it’s a fascinating look into the star’s psyche as recounted by someone who closely worked with her at the very end of her life. And sold separately, a signed photo by Barris.
Goodman Basil Espy III, M.D. loved purchasing sports and Hollywood memorabilia, so it’s not surprising that Marilyn’s romance with baseball legend Joe DiMaggio – and especially, their tour of Japan and Korea – would be at the heart of his Monroe archive, as we discover in this third post about the November 14 auction at Julien’s, A Southern Gentleman’s Collection. And first up, this ‘Official American League Ball‘ is signed in blue ballpoint ink ‘Marilyn Monroe’ – but not in the sweet spot! (You can read all posts about this sale here.)
“A set of two travel alarm clocks; the first beige metal with a ribbed plastic retractable cover by Westclox; the second brass with a red face by Tiffany & Co., engraved on the bottom ‘Marilyn Monroe;’ interestingly, MM was shot in a series of black and white photographs by Bob Beerman circa 1953 where the Westclox piece can be seen on her bedside table.”
Following a two-year courtship, Marilyn and Joe were married in January 1954. Weeks later, they went on a ‘honeymoon‘ of sorts, as Joe promoted baseball in Japan. These four photos show the couple en route, and after their arrival in Tokyo. And sold seperately, “a traditional Japanese fan likely made of bamboo and painted black with a natural wood handle … according to a catalogue description from Christie’s where it was originally sold, ‘…Joe immediately purchased this small memento for his one true love’ apparently on ‘February 2, 1954.'”
“A standard United States Department of Defense identification card issued to Marilyn, featuring a small black and white photograph of her in the upper left corner, text reads in part ‘DiMaggio, Norma Jeane,’ photograph is dated ‘4 Feb 54,’ card is dated ‘8 Feb. 1954,’ signed by Monroe in blue ballpoint ink on the lower margin ‘Norma Jeane DiMaggio,’ further black fountain pen ink annotations of the issuing officer appear below, verso displays Monroe’s finger prints next to her typed statistics reading ‘Height 5′ 5 1/2″ / Weight 118 / Color of Hair Blonde / Color of Eyes Blue / Religion None / Blood Type UNK / Date of Birth 1 June 26,’ laminated. Monroe visited Japan and then Korea while on her honeymoon with Joe DiMaggio in February of 1954, and she was given this ‘Noncombatant’s Certificate of Identity’ so she could perform for the American troops while there.”
A group of three snapshots, all taken in February 1954 when Marilyn was performing for the US troops in Korea; the first shows MM from the back as she walks by; the other two show a cake the soldiers presented to her (though she’s not in the shots). And sold separately, a strip of paper with a soldier’s name and other information on it, signed in blue ballpoint ink ‘Marilyn Monroe.'”
“A single sheet of paper, typed with notes about Marilyn’s Korean tour that appears to be for photo captions or perhaps an interview, heavily annotated in pencil in Monroe’s hand where she revises or edits the typed text, ending with ‘I knew it was raining – but I somehow didn’t / feel it – all I could think was I hoped / they weren’t getting too wet / Korea – / an experience I’ll never forget.'”
“A standard issue military jacket made of olive green wool, long sleeves, two front flap pockets, six button front closure, stamped on inside lining in part ‘Medium,’ adorned with countless Army-related patches, insignia, and lapel pins, further patch sewn above left pocket with white stitching reads ‘Monroe;’ presented to the star by a VIP soldier when she famously visited the troops in February 1954 while on her honeymoon with Joe DiMaggio; the jacket is displayed within a shadow box along with two black and white images [sold separately, here]: one shows MM receiving the folded-up jacket from a soldier named McGarr; the other shows MM with McGarr and Jean O’Doul [wife of baseball great, Lefty O’Doul] wearing the jacket.
“A single page of stationery printed with an ‘M,’ penned in blue ballpoint ink, no date, to ‘Jimmy,’ reading in part ‘I was so happy you met us / at the airport and I got to see you / again – your [sic] one of my favorite / people you know,’ ending with ‘Have a Happy Birthday and a / wonderful time / Marilyn’ — Jimmy being James ‘Lefty’ O’Doul, professional baseball player and later a manager and mentor to Joe DiMaggio; included with its original envelope addressed to ‘Mr. Jimmy Gold O’doul [sic] / Personal.’ And sold separately, four photos taken in Korea; three depict Marilyn with others as she wears her fitted checkered dress from Gentlemen Prefer Blondes (1953); one depicts Jean O’Doul [wife of baseball great Lefty O’Doul] and a soldier; versos of all display various handwritten annotations in pencil and fountain pen ink including the date of ’27/2/54.'”
Original photo, though now creased and wrinkled, depicting Marilyn in a living room with four other females circa 1954, a black ballpoint ink annotation handwritten on the verso reads ‘This is the interior / of the house in / Beverly Hills. It was / rented by Joe;’ also included are three other snapshots from the same day but printed decades later.”
“A small clutch-style purse, made of beige raw silk, gold-tone metal frame with rhinestone closure, zipper on bottom opens to reveal another compartment, inside lined in tan-colored silk, label reads ‘Saks Fifth Avenue,’ additional studio label reads ‘1-6-3-1667 M. Monroe A-729; used by Marilyn as ‘Vicky Parker’ in an extended sequence with Donald O’Connor as ‘Tim Donahue’ in There’s No Business Like Show Business (1954.)”
“A standard playbill for The Teahouse of the August Moonsigned in blue fountain pen ink on the top margin of the cover by Marilyn and in turquoise fountain pen ink on the side margin of the cover by Joe DiMaggio.” [The play starred David Wayne, who had appeared with Marilyn in four films, including How to Marry a Millionaire. She would see the play again after moving to New York, when her Actors’ Studio buddy Eli Wallach joined the cast.]
“A group of four telegrams, variously dated in December 1954, to the star and her lawyer [Frank Delaney] from an executive at 20th Century Fox, outlining how Marilyn needs to fulfill her obligation to The Seven Year Itch even though she’s sick; funny documents showing how Marilyn was being Marilyn and the studio had to acquiesce because she was…Marilyn. And sold separately, a contact sheet depicting 12 images of Marilyn wearing a white fur stole as she stands next to Itch director Billy Wilder in 1954, mounted to cardboard, signed in black felt-tip ink in the lower right corner ‘for Billy Wilder from Dick Avedon / 67.'”
“A small piece of paper with the top and bottom portions torn off, one side has penciled questions written in another hand, likely that of Ben Hecht or Sidney Skolsky [as both men who helped Marilyn to write her 1954 memoir, My Story, which wasn’t published until 1974], reading in full ‘Think about / 1) anecdote about pics / working on / 2) about Johnny Hyde – / how helped you – gave courage,’ rest of page and other side have Monroe’s blue fountain pen ink responses, with one compelling part reading ‘for those who want to / judge – I’ve traded my (paper purposely torn off here but evidently ‘body’) / more than once / for shelter and small quantities / of understanding and / warmth. I never traded for money / or a job directly or anything (one) could see / with the naked eye / except from one man / who was also deeply lonely…’ and it ends there on that cliffhanger!”
“A page likely removed from a magazine and then glued to a piece of black construction paper, depicting MM posing by the ocean, signed in blue fountain pen ink on the left side ‘To Linda, / Love and Kisses, / Marilyn Monroe’ — Linda being child actress Linda Bennett who had the star sign a number of items for her.”
SOLD for $4,480
“A vintage fan magazine, and (sold separately) a three-page handwritten letter from a fan by the name of Irene Nagy, in which Nagy offers advice to Marilyn Monroe on how to become a serious actress. The letter, dated November 18, 1952, reads in part, ‘If you’re going to be a dramatic actress and hope to be one, you certainly can’t expect to wear frilly thin nighties or low cut gowns all the time.’ While criticism is offered based on the clothing Monroe wears, the fan also offers encouragement and support: ‘I like you also as a person. I love to see you with your blonde short curly hair-do, you’re very pretty, you’ve got pretty eyes and when you laugh whole-heartedly you sound like lots of fun.’ Overall, a very interesting look into the type of mail Monroe received from fans. The original envelope is also included.”
Pin-Ups magazine SOLD for $1,920; fan letter SOLD for $125
“A framed photo of Marilyn visiting Brady Airbase, Japan; and sold separately, a three-page handwritten letter from the mother of a United States soldier stationed in Korea who had recently seen Marilyn Monroe perform for the troops there as part of a USO tour. The February 25, 1954, letter reads, ‘This morning I received a letter from my son in Korea. I think you should know what he says about your appearance there. I save all of his letters, or I would enclose it. This is what he wrote. Two days ago, Marilyn Monroe played before 12,000 men of this division. It was a sunny, cold day but true to the standards that have been set for her, she appeared in a low cut, sheathe dress of purple glittery sort of material. She is certainly beautiful!!! When she appeared on the stage, there was just a sort of gasp from the audience – a single gasp multiplied by the 12,000 soldiers present, what quite a gasp. The broadcasting system was extremely poor, and had I not seen the movie from which the songs were taken, I’m not too sure I would have known what she was singing. However, it didn’t matter. Had she only walked out on the stage and smiled, it would have been enough. I might add, that she is certainly making a lot of friends here. Everyone realizes that there is no reason she is here except to entertain. She doesn’t need the publicity, and she is not being paid. Too, unlike lesser entertainers, after the show she autographed, chatted, and posed for pictures. Then thru all the trucks and jeeps she rode perched on top of the seat of her jeep, smiling and waving. All in all I think it was pretty wonderful that she came to Korea at all, and doubly so that she came to the divisions that have been so long on the line, and by-passed the easy duty in Seoul, Inchon and the southern cities. You are a real soldier. I know what that trip cost you. But you didn’t disappoint those boys. In our hearts we thank you for your wonderful generosity and kindness to our son. Your friends, Mr. and Mrs. N. T. Rupe, 6315 So Yakima, Tacoma, Wash.'”
Photos SOLD for $896; letter SOLD for $448.
A group of 4 candid photos, showing Marilyn on top of a military tank with soldiers surrounding her during her 1954 tour of Korea for American troops.
SOLD for $448
A group of six colour slides and corresponding photographs of Marilyn Monroe in Korea. Copyrights to these images will be transferred to the winning bidder.
SOLD for $1,562.50
A framed photo of Marilyn; and, sold separately, a two-page document on plain white paper, no date but circa 1955, penned in blue ballpoint ink, ‘To the Men of the Thule Air Base / Greenland,’ apologizing to them for not being able to visit, signed on the second page ‘I love you all / Happy New Year / Marilyn Monroe.'”
Photo SOLD for $1, 024; letter SOLD for $7,500
“A negative image of Marilyn Monroe taken while the actress signed an autograph book for a fan in New York City circa 1955. Together with a black and white photograph printed from the negative, believed to have been previously unpublished.”
SOLD for $576
“A typed letter from Shirley Potash Clurman from TIME Incorporated regarding Marilyn Monroe’s appearance at ‘the official kickoff for the opening of the Sidewalk Superintendents Club for the construction of the new Time-Life Building.’ The June 20, 1957, letter reads in part, ‘Marilyn Monroe, naturally, was the unanimous favorite of Time-Life staffers to officially get our new building rolling by setting off a facsimile fire-cracker.’ The letter continues, ‘As I told you, our company plane would be delighted to pick up Miss Monroe wherever she is out of town and deliver her home again.’ Monroe did appear at this event on July 2, 1957, and she did light the aforementioned firecracker.”
SOLD for $256
“A handwritten letter from actress Julie Harris. The December 2, 1957, letter reads, ‘Dear Miss Monroe, Through the kindness of Joe Wolhandler we sent you, Manning Gurian and I, Julie Harris, a play, The Warm Peninsula. Well, it’s as simple as that! We hoped you would love it and would want to play the part of June de Lynn. If you are at all interested and would like to talk to us about it we would be overjoyed. We asked you – with a faint hope in our hearts – knowing how busy you are – but if you are at all interested please let us know. With all good wishes, Julie Harris.’ A carbon copy of the letter sent in response, dated December 4, 1957, reads, ‘After receiving your note I called my agent, Mort Viner, At MCA. Unfortunately, through some mix-up at their office the script had never been delivered to me. However, I now have it, and I’m reading it. I’m a slow reader, but I’ll let you know as soon as I finish. Please accept my apologies for such a delay.’ The letter’s signature line reads ‘Warm Regards.'”
SOLD for $384
“An undated typed letter on ‘Who’s Who of American Women‘ letterhead referencing Marilyn Monroe’s listing in the 1958 publication. The letter reads in part, ‘Active compilation of the First Edition of the newest Marquis reference work, WHO’S WHO OF AMERICAN WOMEN, is now under way’ and ‘I enclose – for what additions you wish to make – the sketch of you just prepared for the new “Who’s Who in America,” in which you are of course also being listed.’ A carbon copy of a letter from Monroe’s secretary, dated December 4, 1957, reads in part, ‘Enclosed herewith is the sketch of Marilyn Monroe to be inserted in the next edition of Who’s Who in America. Please make the following corrections: The name in parenthesis should be Norma Jean Mortenson. The name of her first husband is Jim Daugherty [sic], her second Joe DiMaggio, from both of whom she was divorced. She is now married to Arthur Miller. The title The Sleeping Prince should be eliminated inasmuch as that is the name of a stage play in which Miss Monroe did not appear.’ Also included is a pre-publication order form for Who’s Who of American Women.”
SOLD for $256
“A six page document, dated ‘Feb. 7, 1958,’ outlining an agreement the star had with MCA Artists, Ltd. for that organization to act as her agent for television work, signed in blue fountain pen ink on the last page ‘Marilyn Monroe.'”
SOLD for $3,750
“A one-page letter to Marilyn Monroe from Private First Class Don L. Miller of the United States Army. The May 16, 1958, letter reads in part, ‘On 24 April at three p.m. I called at your New York apartment, hoping you could spare five minutes then or could possibly arrange an appointment for the following day. It took two weeks of my leave before I was able to find out your New York address, which left but two days before I had to return to active duty here in Texas. Please forgive the delay, which I surely caused in your appointment with Mrs. [Hedda] Hopper. After following your screen career closely since its birth as the chorus girl-daughter of Adele Jergens many years ago [in Ladies of the Chorus, 1948] it has been somewhat of a project of mine to meet you. It was disappointing to be close enough to hear your voice yet still have the first encounter to anticipate.'”
SOLD for $192
“A group of four letters related to possible acting roles for Marilyn Monroe. One letter, dated May 26, 1958, is from Jerry Webb, former test director at Twentieth Century-Fox. Webb proposes to Monroe a project titled Papa Married a Mormon and suggests that Monroe play the role of ‘Tena.’ Another letter, dated February 24, 1959, is from George Cayley, who sent Monroe a script for The First Chewinks and suggested it would start on Broadway that spring. The third letter, dated March 11, 1957, is from Tony Award winning Broadway producer Edward Padula, who suggests that Monroe consider Lie Down in Darkness, the novel by William Styron, ‘both for its theatrical and motion picture possibilities.’ The fourth letter, dated August 12, 1958, is from Julian Olney asking if Monroe would be interested in playing Nell Gwynn in a new stage production of In Good King Charles’ Golden Days by George Bernard Shaw. “
SOLD for $384
A signed George Barris photo; and, sold separately, a handwritten letter to Marilyn Monroe from a fan by the name of William Perez. The heartfelt letter reads, ‘I would appreciate it so very much if you would kindly autograph this picture I had the pleasure of taking a few years back when you were filming Seven Year Itch in New York [not included here]. If you’ll address it to Bill, and leave it in your lobby I will pick it up in a few days. I work right around the corner and have spent so many lunch hours and coffee breaks in front of your building hoping to see you that I’ve become a laughing stock in my office. I don’t mind it, because you’ve given me so many hours of pleasure in your movies. Your [sic] my favorite star, and I hope you’ll continue to make more and more movies.’ This February 10, 1959, letter is signed ‘Thank you so much for your patience and understanding. Sincerely, William Perez.'”
Photo SOLD for $1,250; letter SOLD for $192
“An October 11, 1961, memo to Marilyn Monroe’s attorney Aaron Frosch from Howard O. LeShaw regarding balance sheets for Monroe and for Marilyn Monroe Productions. The statements clarify Monroe’s cash on hand, together with receivables and liabilities. As of October 10, 1961, Monroe’s net worth, according to these statements, was $716,791.74, an astonishing amount of money for the time. Also included is a one-page Schedule L balance sheet for ‘Year Ended November 30, 1960.’ Five pages total.”
SOLD for $768
“A two-page handwritten letter dated May 29, 1962, from Blanche Neubardt, Arthur Miller’s aunt. The letter reads in part, ‘Happy birthday to you! We wish you many, many more happy birthdays. We saw Dad Sunday and of course you were the topic of conversation. Dad told us you were having a birthday.’ ‘Dad’ in this case is Isidore Miller, Arthur Miller’s father. Marilyn often referred to him as ‘Dad,’ and he even signed his letters to her that way. Sadly, this would be Monroe’s final birthday as she would pass away in the coming August. The letter continues, ‘We want to thank you for the perfectly wonderful time we had at the President’s birthday. And you made all this possible. It is something we shall never forget, and we are thrilled that you thought of us. We loved your performance, it was delightful, and I’m sure the President never had anyone sweeter sing Happy Birthday to him. Your gown was magnificent. You looked like a dream walking.’ The letter is signed, ‘Keep well and stay as sweet as you are. Love, Blanche and Sam.’ Records from Monroe’s archives show that she purchased five tickets to the JFK birthday gala held on May 19, 1962. It is documented that Monroe’s date was her former father-in-law, Isidore Miller. Publicist Pat Newcomb also accompanied Monroe to the event. However, it has never been known for whom the other two tickets were purchased. This letter indicates that Monroe likely bought them for Samuel and Blanche Neubardt, who lived at 550 East 21st Street in Brooklyn. Photos of the July 1 Monroe/Miller wedding published in the July 16, 1956, issue of LIFE magazine show that Blanche was present for the nuptials. The original envelope, addressed to Monroe at her Fifth Helena Drive home in Brentwood, California, is included.”
The singer and actor Mandy Patinkin, perhaps best-known for his role as Inigo Montoya in The Princess Bride, describes his first, and rather frightening encounter with the world of celebrity in The Guardian today.
“When I was four, we were at Midway airport in Chicago, and there was a large crowd of people surrounding a lady – everyone was screaming at her, lights were flashing. It was scary. I later learned she was Marilyn Monroe.”
Marilyn flew into Chicago Midway at least twice: in 1955, en route to Bement, Illinois, to celebrate Abraham Lincoln; and again in 1959, while promoting Some Like It Hot. And on both occasions, she drew a crowd, As Mandy was born in 1952, the former incident seems most likely to be the time he saw her. (Marilyn also visited Chicago in 1949, but that was before his time!)
“Actually, Chicago was just a layover for Monroe. Her final destination would be the little town of Bement, Illinois, not far from Champaign and famous for being the site of one of the seven Lincoln-Douglas debates. The tiny town of Bement was having an art exhibition to celebrate its one-hundred-year anniversary, and a member of the National Arts Foundation had approached Monroe asking her to make an appearance at the exhibit. To the surprise of just about everyone there, she readily agreed, and with her hairdresser and personal photographer in tow, they had left that morning from New York.
Meanwhile, back at Chicago Midway Airport, after he was given just twenty minutes’ notice of her arrival, Mike Rotunno wrote, ‘As I rushed down the corridor, people would ask me, “Who’s coming in?” I yelled back, “Marilyn Monroe!” By the time I got to the gate a huge crowd had gathered … There was a slight drizzle as the [airplane] door opened and here was Marilyn with the umbrella in front of her. I shouted, “Marilyn, pull the umbrella back of you [sic] and let us see you.” She cheerfully obliged, and gave me several different poses.’
Since she had a two-hour layover before boarding a plane to fly to Champaign, the photographers suggested that Monroe go upstairs to the Cloud Room … According to Jim O’Hara, whose father was a beat cop at the airport, Rotunno got a good shot of Monroe’s posterior as she sashayed up the stairs – the picture was pinned outside the Metro News office later that week and no doubt sold briskly.
Once upstairs in the air-conditioned elegance of the Cloud Room, Marilyn was immediately recognised by a gaggle of sailors dining there. According to Rotunno, they started ‘yelling, whistling and screaming. They came to our table and got her autograph.’ Marilyn talked with the excited sailors, obliging them with her attention. Rotunno remembered that the assembled photographers ‘decided to make her a member of the famous “Pastafazula Club”, whose members are Italian news photographers or descendants. The scroll which was presented to Marilyn contained honorary members of the White House and of the movie industry.’ There is a photo of Rotunno standing to Marilyn’s right, camera in hand, as she signs the scroll, while the Chicago Tribune photographer Dan Tortorell stands to her left. Marilyn laughs while signing this document, as important as the Magna Carta to the photographers. Rotunno wrote that ‘Marilyn got a big kick out of the initiation and we sent her a copy. Marilyn was very photogenic and showed it.’
After waving to the photographers at Midway and flying on to her appointment downstate in Bement, Monroe’s flight out of Champaign was grounded due to bad weather. In order to catch their eleven o’clock flight out of Chicago, the governor’s office gave permission for Marilyn Monroe’s car to be escorted by two Illinois motorcycle troopers, wailing at top speed, all the way back to the airport at Chicago. At Midway, the governor’s men even held the plane for ten minutes so that Marilyn Monroe could board her flight back to LaGuardia.”
Founded in 1969, Andy Warhol’s Interview was the magazine to be seen in for nearly forty years. Although it ceased publication last year, Interview still has an online presence and earlier this week, a snippet from the past was discovered.
“As a notable admirer of Marilyn Monroe’s, Andy Warhol was sure to get some of the juiciest gossip in his celebrity circle. While he was still Editor-in-Chief of Interview, alongside Paul Morissey and Fred Hughes, he buried a drama bomb of information in the ‘Small Talk’ section of the June 1973 issue involving Marlene Dietrich and M.M herself. However, not one of the contributing editors took credit for the gossip; they instead chose to keep the source anonymous … According to the ‘Small Talk’ column, Dietrich attended a screening of one of Monroe’s earlier films and talked through every one of her scenes, mumbling: ‘So this is what they want now. This is what they call sexy.'”
Eve Arnold, who photographed Marlene at work in a recording studio for Esquire magazine in 1952, recalled that when she later met Marilyn, the subject of Dietrich came up: “Marilyn asked – with that mixture of naïveté and self-promotion that was uniquely hers – ‘If you could do that well with Marlene, can you imagine what you could do with me?'”
Another photographer who worked with Dietrich was Milton Greene, who later became Marilyn’s business partner. In 1955, he invited Marlene to a New York press conference to announce the formation of their new company, Marilyn Monroe Productions.
Like all stars (Marilyn included), Dietrich was naturally competitive. But although she may have briefly ‘thrown shade’ in Marilyn’s direction – to use a term that didn’t exist back then – there’s no sign of any rancour between them in these photographs.
In 1957, Marilyn was offered the lead role in a remake of The Blue Angel, which had made Marlene a global star many years before. That never came to pass, but a year later, Marilyn would recreate the character in her ‘Fabled Enchantresses’ photo session with Richard Avedon, although out of respect for Dietrich, she later asked the photographer to withdraw the images and they were not made public until long after Marilyn died.
Marilyn would take a leaf out of Marlene’s playbook again in 1962, asking costumer Jean Louis to recreate the beaded ‘nude’ dress he had made for Dietrich to wear during nightclub performances. Monroe’s version became immortalised that May, when she sang ‘Happy Birthday Mr President’ to John F. Kennedy at Madison Square Garden.
Whatever Marlene’s initial thoughts on Marilyn may have been, she would remember her admiringly, writing in her 1987 memoir: “Marilyn Monroe was an authentic sex symbol, because not only was she ‘sexy’ by nature but she also liked being one – and she showed it.”
However, Letters From Hollywood does include a reference to the night in 1956 when Marilyn met Queen Elizabeth II in a letter from Joan Crawford, also present at the London gala. Clearly Joan hadn’t changed her opinion of Marilyn’s revealing attire since publicly slating her in 1953 (see here.) And once again, her censorious tone does seem rather hypocritical – maybe she was triggered by Marilyn’s gold lamé…
“The book includes her handwritten 1956 note to Hollywood biographer and novelist Jane Kesner Ardmore about a royal premiere in London. After gushing about meeting Queen Elizabeth, Crawford included a few jabs at sex symbols Marilyn Monroe and Anita Ekberg.
‘I was presented to the Queen last night — nearly died of excitement and fear,’ Crawford wrote. ‘Of course, I was not too happy about being presented with that group of people representing the Motion Picture Industry, such as Marilyn you-know-who, and Anita Ekberg. Incidentally, Marilyn and Anita were howled at because of their tight dresses — they could not walk off the stage. It was most embarrassing.'”
Perhaps best known for her role in It Came From Outer Space (1953), Kathleen Hughes was married for sixty years to River Of No Return producer Stanley Rubin, who died in 2014 (see here.) She is also a regular guest at the annual memorial services for Marilyn.
In an interview with Stephanie Nolasco for Fox News, Kathleen looks back on her career, and shares memories of Marilyn dating back to the first time she saw her perform in Strictly For Kicks, a revue staged at 20th Century Fox in March 1948 – many months after Marilyn’s first contract with the studio lapsed. (You can hear the Glenn Miller Band’s version of the song Marilyn performed here.) Kathleen’s cousin, Diana Herbert, had briefly appeared with Marilyn in her first movie, Scudda Hoo! Scudda Hay! Both were uncredited.
Kathleen also mentions testing for a role ‘a short time after’, which involved dancing, and losing the part to Marilyn. This could be Ladies of the Chorus, a low-budget 1948 musical filmed at Columbia Pictures in April 1948. The black gown worn by Marilyn in Strictly For Kicks was a costume from the movie.
“My cousin Diana Herbert was taking acting lessons when I was already under contract. She was in a show at the studio club. Every studio in those days had a studio club and it consisted of all the people behind the scenes – the mailroom people, the secretaries – everybody but the actors. They would put on a show every year. My cousin was going to be in one of these shows.
The day before the show, she said, ‘They took my song number away from me and they gave it to a girl named Marilyn Monroe who had been under contract at the studio for six months — they had just dropped her! But now they’re giving her the song. I’m still in the show and you still have to come and see me.’ Well, I went to see it and Diana did her number. She was very, very good. But then Marilyn came on. Oh my God, she was fantastic. She did a song called “I Never Took a Lesson in My Life.” She was wearing this slinky black dress. I just couldn’t believe they dropped her.
She was incredible. She was just a star. I just thought if anyone from the studio saw the show, they would realize they made a terrible mistake and sign her back again. A short time later, the casting office called me and they said, ‘Can you dance?’ They got me with this poor, patient man of a dance director. He tried hour after hour after hour to teach me one simple step. Years later I was able to pick it up, but I could not learn this step at the time. At the end of the day, as it was getting dark, he said, ‘Forget it! We’ll get someone else.’ That someone else was Marilyn.”
In 2010, artist Yury Toroptsov photographed fans across the world posing with a blue-and-white gingham summer dress from Marilyn’s private collection, for an exhibition and accompanying book, Marilyn & I. However, no images of Marilyn herself wearing the dress were found – until this week, when Eric Patry posted this newspaper clipping on the Facebook group, MM Fanclub Belgium.
Although the publication and date have not been established, the photo is thought to have been taken in the summer of 1960, while Marilyn was en route to Reno, Nevada to shoot The Misfits. With her face and hair partly covered, it’s hard to identify her as Monroe – except by that radiant smile. (The belt worn with the dress is not her usual style, so perhaps she removed it.)