The British singer-songwriter Ed Sheeran has covered ‘Candle in the Wind’ for Revamp, a new album of classic Elton John/Bernie Taupin hits performed by various artists. Sheeran’s country-style version is a little underwhelming, but he has the kind of ‘everyman’ appeal which makes him a believable ‘young man in the 22nd row.’
Rock supergroup A Perfect Circle (featuring members of Smashing Pumpkins, Tool, and Marilyn Manson’s bassist) are releasing their first album in fourteen years this week. One of their new tracks, ‘So Long, and Thanks for All the Fish‘ (after the whimsical title of a Douglas Adams novel), nods to deceased stars like David Bowie and the original MM with a mixture of nostalgia and cynicism (the Monroe reference may also be a nod to Elton John’s ‘Candle in the Wind.’)
“Ticker tape parade
Our hair and skin like
Like Marilyn Monroe
In an empty wind …”
First produced in Banff, Canada back in 2010, then in Long Beach, California in 2015, Marilyn Forever – an opera by composer Gavin Bryars and librettist Marilyn Bowering (based on her 1987 poetry collection, Anyone Can See I Love You) – makes its European debut in English with German surtitles at the Schwarzenbergplatz Casino in Vienna on selected dates from April 13-May 2nd. Rebecca Babb-Nelsen stars as Marilyn.
“Starting from the last night in the life of Marilyn Monroe, 5 August 1962, the scenes of the opera unfold in front of the audience like pieces of a puzzle that together make up the myth of Marilyn: moments of her life, set pieces from her poems, her relationship with Arthur Miller, the identities of the orphan Norma Jeane and the fictional character Marilyn, the discrepancy between their personal ideals of love and artistry and the outward appearance of the sex symbol. The eight-member chamber orchestra is complemented by a jazz trio on stage.”
Carol Richards (1922-2007) was an American singer who also dubbed many stars in classic Hollywood films. She began her career at a radio station in Indianapolis. After winning a Bob Hope talent contest, she moved to Hollywood and appeared in many television shows. Best-known for her duet with Bing Crosby, ‘Silver Bells’, she was also a vocal double for actresses Vera Ellen in Call Me Madam, and Cyd Charisse in Silk Stockings, among others.
Interviewed for SeaCoastOnline, Carol’s grandson, Michael Scharff, claims she also worked with Marilyn:
“Richards was hired to dub for Marilyn Monroe in Some Like It Hot, but instead convinced Monroe to do her own songs, and trained her to ‘act the song,’ Scharff says.
The lesson shared with Monroe informs his own work as a singer and vocal teacher, ‘acting as singing,’ he says. ‘I say every song is a monologue set to rhythm with melody. It’s a singer’s job to interpret those lines. It comes right from my grandmother.'”
Personally, I find it unlikely that Marilyn ever seriously considered being dubbed. She had already proved herself in several musicals, released hit records and performed live. Marilyn also worked closely with the Matty Malneck Orchestra for Some Like It Hot. Furthermore, the film is not among Carol’s credits.
However, Some Like It Hot was Marilyn’s first movie in two years, so she have needed to brush up her vocal skills; and with the possible exception of Gentlemen Prefer Blondes, her songs as Sugar Kane are probably the most ‘in character’. So while unconfirmed, it’s possible that Carol did help to coach her for the role.
Unfortunately, Marilyn’s performances aren’t included (perhaps full recordings aren’t available), but her 1954 visit is covered in an accompanying hardback book, with nine pages of photos showing Marilyn among her greatest fans.
After a CD release in 2016, the Soundtrack Factory label has now reissued Alfred Newman’s instrumental score for The Seven Year Itch on vinyl. (This doesn’t include the other Fox soundtracks added to the CD.) MM superfan Johan says this deluxe gatefold LP is ‘great’, apart from a factual error in the sleevenotes (Natasha Lytess was Marilyn’s coach for the movie, not Paula Strasberg.)
A ghostly Marilyn Monroe (in drag) features in a Hollywood-themed new music video, as Randall Roberts reports for the Orlando Sentinel.
“Ssion featuring Ariel Pink, “At Least the Sky Is Blue” (Dero Arcade). The multi-disciplinary artist born Cody Critcheloe, who performs as Ssion, has carved a fascinating life for himself. As a video director, he’s worked with such acts as Peaches, Kylie Minogue, Santigold and Perfume Genius; as a bandleader and producer, he crafts dense, slightly off-balance club tracks.
For his new ‘At Least the Sky Is Blue’ video, which is taken from his forthcoming album ‘O’ (May 11), he and collaborator Ariel Pink portray characters in a VCR-tinted set piece featuring a Mercedes convertible cruising through the city. Dressed in drag as the ghost of Marilyn Monroe, Pink appears as a vision being pushed along the sidewalk in a wheelchair.”
After Marilyn featured in a video backdrop for Camila Camello’s Tonight Show appearance in January, the singer has referenced ‘Diamonds Are a Girl’s Best Friend’ (via Madonna’s ‘Material Girl’ video, the ultimate homage) in a performance of her hit single, ‘Havana’, at the iHeartRadio Music Awards last night.
And elsewhere in the world of celebrity, reality TV star Mama June has shown off her recent weight loss with a Marilyn-inspired shoot to promote her new show, Mama June: From Hot to Not.
Marilyn is featured in ‘Leading Ladies Who Sing‘, a free event in the Scenes Through the Cinema Lens series at BMCC Tribeca Performing Arts Centre in Manhattan on Tuesday, March 20 at 7:30 p.m.
“Leading Ladies Who Sing will showcase choice moments in cinema history when stars who can both act and sing are presented at their most glamorous. The event will focus on distinguished jazz singers like Abbey Lincoln, Peggy Lee and Billie Holiday, all of whom successfully made the transition to cinema, as well as timeless performances by singer/actresses including Judy Garland, Diana Ross and Marilyn Monroe.
Scenes Through the Cinema Lens is curated and hosted by Krin Gabbard, Professor of Comparative Literature and English at the State University of New York at Stony Brook and author of Hotter Than That: The Trumpet, Jazz, and American Culture.
Each Scenes Through the Cinema Lens screening is followed by a Question and Answer session moderated by Professor Gabbard, and all events are free. No reservations are necessary.”
‘Ms. Monroe’, the new single from Brighton band Warsaw Radio (whose lead singer Brian McNamara hails from Limerick, Ireland), is inspired by Marilyn’s relationship with Arthur Miller, as Eric Lalor reports for JOE.ie. Taken from their debut album, Midnight Broadcast, ‘Ms. Monroe’ doesn’t mention the couple directly, but its lyrics evoke doomed love and the video’s use of found footage enhances the retro feel.
“The narrative imagines Monroe giving advice on relationships after the break down of her relationship with Miller when they were filming what would be Monroe’s last film (The Misfits) in Reno, Nevada … McNamara’s vocals have rarely sounded better … It’s a cracker from start to finish and would leave you wanting to hear more.”
UPDATE: In an interview with the Connacht Tribune, Brian McNamara revealed the inspiration behind the song…
“About two years I went to see a play about Marilyn Monroe at the Brighton Fringe Festival. I didn’t know anything about her, other than she was a movie star. I came home that night and started writing that song. A few days later it was finished. At the time we were recording our album and I was exploring this way of writing where you try to get other people’s perspective.”