2014: A Year in Marilyn Headlines

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In January, Newsweek published a special issue, Marilyn Monroe: The Lost Scrapbook. Photographer Larry Schiller claimed to own a scrapbook given to Sam Shaw by Marilyn, though expert readers noted the handwriting was dissimilar to her usual style.

Also this month, Unclaimed Baggage – a documentary about ‘the unclaimed trunk of MM‘ – was screened on European television, and George Jacobs, valet to Frank Sinatra, died aged 87.

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In February, Life published The Loves of Marilyn, another magazine special with text by J.I. Baker (author of a conspiracy novel, The Empty Glass.) Many fans were surprised to see the widely discredited Robert Slatzer listed among Marilyn’s alleged paramours. It has since been republished in hardback.

Also this month, the Academy of Motion Picture Arts and Sciences acquired an archive of 58,000 pictures by press photographer Nat Dallinger. His photos of Marilyn at the Let’s Make Love press conference were featured in the Hollywood Reporter. And archive footage of Marilyn was featured in Bob Dylan’s Chrysler ad, screened during America’s Superbowl.

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In March, Icon: the Life Times and Films of Marilyn Monroe – Volume I, 1926-1956 was publishedMarilyn also graced the cover of Julien’s 90210 Spring Auction catalogue, and was the subject of another magazine special, part of the ‘Etoiles du Cinema‘ series in France.

Stanley Rubin, producer of River of No Return, died aged 96, and William Carroll, one of the first photographers to work with Marilyn, also passed away. Bob Thomas, the veteran Hollywood columnist who reported Joan Crawford’s verbal attack on Marilyn back in 1953, died aged 92.

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Playboy re-released its very first issue – with Marilyn as its cover girl and centrefold – in April, as part of an ongoing celebration of the magazine’s 60th anniversary. And a collection of Elia Kazan’s private correspondence – including a 1955 letter to his wife, Molly, regarding his prior relationship with Marilyn – was also published.

Also in April, Hollywood legend Mickey Rooney (Marilyn’s co-star in The Fireball) died aged 93. And Pharrell Williams released his hit single, ‘Marilyn Monroe’.

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In May, make-up artist Marie Irvine shared her memories of Marilyn with readers of the Daily Mail. AmfAR, the world’s leading charity for AIDS research, held a ‘Red Marilyn’-themed fundraising ball during the Cannes Film Festival.

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June 1st marked what would have been Marilyn’s 88th birthday. Also in June, actor Eli Wallach, Marilyn’s friend and co-star, died aged 98. An archive of ‘lost’ Milton Greene photos was auctioned in Poland, and a revised, updated edition of Carl Rollyson’s MM: A Life of the Actress was published.

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In July, Some Like it Hot was re-released in UK cinemas, winning a 5-star review in The Guardian. Sadly, several people with connections to Marilyn passed away in July, including psychic Kenny Kingston, journalist Robert Stein, and actors James Garner and Elaine Stritch. Meanwhile one of Marilyn’s old haunts – the Racquet Club in Palm Springs – was engulfed by fire.

August marked the 52nd anniversary of Marilyn’s death, with a live stream of the annual memorial service in Los Angeles. Also this month,  Lauren Bacall, Marilyn’s co-star in How to Marry a Millionaire, died aged 89; and Tom Tierney, ‘Marilyn’s paper doll artist’, also passed away.

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In September, Newsweek published a cover feature exposing the many inaccuracies in C. David Heymann’s posthumously-released Joe and Marilyn: Legends in Love. And TV Guide released a special issue dedicated to Marilyn, part of their ‘American Icons’ series.

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Several rare photos of Marilyn were featured in Profiles in History’s Hollywood Auction 65 catalogue, while Britain’s Daily Express published a special supplement about Marilyn’s tragic death, as part of a ‘Historic Front Pages’ series.

Also this month, self-confessed ‘Marilyn Geek’ Melinda Mason launched a new exhibition at the Wellington County Museum in Ontario, Canada; and the chameleon-like actor John Malkovich posed as Marilyn for photographer Sandro Miller.

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In October,  A retrospective of photographer Nickolas Muray opened in Genoa, Italy. Carl Rollyson’s latest book, Marilyn Monroe Day by Day, was published.

A rather sensationalised documentary about Marilyn’s mysterious death – Marilyn: Missing Evidence – was broadcast in the UK. Her death was also the subject of a cover feature in the US magazine, Closer.

Also this month, Kelli Garner was cast as Marilyn in Lifetime’s upcoming mini-series, The Secret Life of MM.

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In November, Gary Vitacco-Robles’ Icon: The Life, Times and Films of MM – Volume II, 1956-1962 and Beyond was published, earning a rave review from columnist Liz Smith. Fansite Immortal Marilyn published a series of myth-busting articles at Buzzfeed. And Anna Strasberg, current owner of Marilyn’s estate, lost a lawsuit against Profiles in History, regarding a so-called ‘letter of despair‘ from Marilyn to Lee Strasberg.

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In December, items from ‘the lost archive of Marilyn Monroe‘ sold for high prices at Julien’s Auctions. Marilyn graced the cover of Esquire‘s Colombian edition, and a new CD boxset, Diamonds, was released. Finally, photographer Phil Stern died aged 95.

Dylan Takes Marilyn to the Superbowl

Following last week’s tribute to Pete Seeger, here’s another American folk legend with a Marilyn connection. Bob Dylan – perhaps the most influential singer-songwriter of the 20th century – has appeared in an ad for Chrysler, screened during last night’s Superbowl. (You can watch it here.)

To the tune of his song, ‘Things Have Changed’, Bob muses on what it means to be American; accompanied by a montage of iconic images, including a laughing Marilyn, filmed at a press conference in 1956, when she returned to Hollywood after a year’s absence to star in Bus Stop.

While some of Dylan’s fans aren’t too thrilled with the advertising deal, it’s a lovely tribute to Marilyn and a timely reminder of all the things that made America great.

Bob Dylan urges Superbowl viewers to 'buy American', in a commercial for Chrysler
Bob Dylan urges Superbowl viewers to ‘buy American’, in a commercial for Chrysler

Monroe fans may be interested to know that Dylan has expressed his admiration for ‘our girl’ many times.

Once asked who he’d like to interview Dylan replied: `A lot of people who aren’t alive: Hank Williams, Apollinaire, Joseph from the Bible, Marilyn Monroe, John F. Kennedy, Mohammed, Paul The Apostle, maybe John Wilkes Booth, maybe Gogol. I’d like to interview people who died leaving a great unsolved mess behind, who left people for ages with nothing to do but speculate.’

And this quote is a favourite of mine…

‘People like to talk about the new image of America, but to me it’s still the old one – Marlon Brando, James Dean, Marilyn Monroe … I like to stay part of that stuff that don’t change.’

'The Asphalt Jungle'
‘The Asphalt Jungle’

Speaking with Interview magazine in 1986, Bob listed Marilyn’s breakthrough role in The Asphalt Jungle (1950) among his top five movie performances by any actress. Many years earlier, Marilyn had named it as her personal favourite.

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Dylan also wrote a poem about Marilyn, after seeing a photograph of her home on the day she died. It is published in his 2008 book Hollywood Foto-Rhetoric, a collaboration with photographer Barry Feinstein:

death silenced her pool
the day she died
hovered over
her little toy dogs
but left no trace
of itself
at her
funeral

Finally, Bob and Marilyn are both featured in Gregory Blann’s ‘1962’, published in Roger G. Taylor’s 2006 book, Marilyn in Art.

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Birthday Tributes in the Blogosphere

Over the next few posts I’m going to focus on the best fan tributes for Marilyn’s birthday. But firstly, here are a few selections from the blogosphere.

We’re all used to reading Marilyn’s own words online – though sadly, some of them are internet fakes – but Flavorwire has compiled a rather good list, 30 of Marilyn Monroe’s Smartest and Most Insightful Quotes.

Nearly all of these are genuine, in my opinion – meaning, they can be traced back to reputable biographies and interviews with MM herself. The only one I’m not sure about is the second one, regarding James Joyce’s Ulysses, which comes from the disputed Miner transcripts. (However, we do at least have Eve Arnold’s 1955 photo as evidence that Marilyn read the book – and, indeed, she later performed Molly Bloom’s closing soliloquy as an exercise for her dramatic coach, Lee Strasberg.) 

“Here is [James] Joyce writing what a woman thinks to herself. Can he, does he really know her innermost thoughts? But after I read the whole book, I could better understand that Joyce is an artist who could penetrate the souls of people, male or female. It really doesn’t matter that Joyce doesn’t have… or never felt a menstrual cramp. To me Leopold Bloom is a central character. He is the despised Irish Jew, married to an Irish Catholic woman. It is through them Joyce develops much of what he wants to say.”

Geeks of Doom posted this thoughtful tribute:

“While she didn’t have the cocksure winking swagger of a Mae West, or the sharp natural beauty of an Ava Gardner, she somehow fell somewhere in the middle of both of those ladies…In a strange way, she is old Hollywood and still remains fresh in new Hollywood.”

And finally, Kim Morgan reposts her wonderful Playboy tribute from last year over at her Sunset Gun blog.

“Because through it all, no matter what was happening in her life, Marilyn gave us that gift: pleasure. Pleasure in happiness and pleasure in pain and the pleasure of looking at her. And great artist that she was, looking at her provoked whatever you desired to interpret from her. Her beauty was transcendent. For that, we should do as Dylan instructs: ‘Bow down to her on Sunday, salute her when her birthday comes.'”

All About ‘Playboy’

The Mexican edition of Playboy‘s latest issue features a different cover shot of Marilyn. Meanwhile, ‘Sunset Gun’ blogger Kim Morgan, whose wonderful tribute is a highlight of the magazine special, spoke to the Winnipeg Free Press about writing for Playboy, and what MM means to her.

“I wouldn’t say that I was being simply protective, though I do feel loyal towards her. I think there’s more complexity to how one approaches Marilyn, whether they know it or not, which is why she remains powerful to this day. And I mentioned Candle in the Wind briefly, a well-meaning song, in opposition to the song that runs through my piece, Bob Dylan’s She Belongs to Me, even though Dylan didn’t write it for MM. But to me, that song feels like Marilyn in all her beauty, complications, mystery and art. ‘She’s an artist.’ Marilyn was an artist.”