This photo of Marilyn chatting with photographer Richard Avedon at a 1961 Actors Studio benefit at New York’s Roseland Ballroom is published in Avedon: Something Personal, a new biography by Norma Stevens and Steven M.L. Aronson. Marilyn is mentioned in the introduction, where Norma Stevens describes her first meeting with Avedon. A photo of Marilyn and Avedon, taken by Sam Shaw in 1954, is also featured. It’s unclear whether the book includes any further material on their iconic collaborations, but this preview looks very promising.
And as a bonus, here’s the Roseland photo in colour…
Marilyn never visited Glasgow, although her ancestors are rumoured to have hailed from Scotland. However, as Ken Smith records in his diary for the Herald, several would-be Monroes have passed through the bus stops of Castlemilk…
“OUR bus stories brought back memories for entertainer Andy Cameron who was a bus conductor in the early 60s. Says Andy: ‘When passengers had no money for their fare they could ask for a Pink Slip on which they wrote their names and addresses so that they could go to the Bath Street office and pay it later.’
‘What always surprised me was the number of famous people who lived in Castlemilk and were skint – Rock Hudson, Perry Como, Willie Henderson, Paddy Crerand, Harold Wilson, Marilyn Monroe – they were all on my bus and signed a Pink Slip.'”
Bill Wamke, who was drafted by the US Army in 1952 and was appointed stenographer to the Commanding General of the 25th Infantry Division, recalls meeting Marilyn during her 1954 tour of Korea in an interview with the Kokomo Herald.
“‘She got to because our division was not on the line when I got over there, the 7 was on the line. My division was not on the line … Of course there was no danger there, and since it was close to the ceasefire, I got there about a month before. Marilyn Monroe moved around the camp and visited with the troops and stuff, and it was neat to see her.’
Wanke still has the photographs he took of Monroe and said, for one of them, she was kind and patient while he got his camera set to take the photo.”
George Chakiris, the perenially youthful actor, dancer and choreographer, who worked with Marilyn at the start of his movie career in Gentlemen Prefer Blondes and There’s No Business Like Show Business, and has spoken fondly of her at several memorial services, has shared his memories with Stephanie Nolasco for Fox News.
“‘She was so intensely concentrated on her work,’ Chakiris told Fox News. ‘She was very quiet. She didn’t speak with anyone, not to be rude, but she was just so concentrated on her work.’
‘Whenever they cut [a scene] for any reason, she didn’t go to the mirror or her dressing room. She went right back to her starting position and was ready to shoot the number again or that portion of it… She was just so strikingly beautiful. She had such fair skin.’
‘I remember one time… Jack Cole was facing Marilyn and behind him, also facing Marilyn was Natasha Lytess,’ recalled Chakiris. ‘But he didn’t know Natasha was behind him. And I guess he was giving Marilyn some kind direction and Natasha was very slowly shaking her head. It looked like, Pay no attention to what he’s telling you, I’ll tell you later. But Marilyn Monroe was wonderfully polite to the both of them.’
‘I know there are those other stories, of course,’ explained Chakiris. ‘But the thing that I noticed was her courtesy, how wonderfully quiet she was, how her main concern was her work… I really admired that… She never made a big, loud entrance.’
‘I always thought that in spite of what anybody said about her in any way, shape or form, I always felt [that] in her heart she was kind. There was a sweetness to her… I respect who she was and what she was trying to do… When you see her in a movie, any movie she’s in, your eyes always go to her… She’s so gifted, I think. She’s musically gifted.’
Actress Joan Collins has told the Daily Mailabout her early experiences in Hollywood, and how Marilyn warned her about sexual harassment. It’s not a new story, but in light of recent allegations, it makes for an interesting read. Interestingly, she recalled the meeting in her 1978 autobiography, Past Imperfect, but the ‘wolves’ story only appeared in Second Act, almost twenty years later. (Another star from Marilyn’s era, Rita Moreno, has also spoken out about how Fox executives preyed on young women.)
“Shortly after arriving in Hollywood aged 21, under contract to 20th Century Fox, I attended a party at Gene Kelly’s house. The star of An American In Paris and Singin’ In The Rain hosted a weekly gathering for an eclectic group of movie industry power-brokers, A-list actors and actresses, intellectuals and his friends. It was where I first met Marilyn Monroe.
At first I didn’t recognise the blonde sitting alone at the bar until she turned to me and said rather ruefully: ‘They wanted me for the lead in Red Velvet Swing, but I’m too old.’
The part of Evelyn Nesbit in The Girl In The Red Velvet Swing was one of my first lead roles in Hollywood, but I knew it had originally been intended for Monroe.
Suddenly, it dawned on me that the woman in front of me was the legendary figure herself. We started chatting and after a couple of martinis, Marilyn poured out a cautionary tale of sexual harassment she and other actresses endured from ‘the wolves in this town’.
I replied that I was well used to ‘wolves’ after a few years in the British film industry. I decided it definitely wasn’t something I’d put up with. I told Marilyn I was well prepared to deal with men patting my bottom, leering down my cleavage and whatever else.
She shook her head. ‘There’s nothing like the power of the studio bosses here, honey. If they don’t get what they want, they’ll drop you. It’s happened to lots of gals. ‘Specially watch out for Zanuck. If he doesn’t get what he wants, honey, he’ll drop your contract.’ It was a timely warning, because days later, Darryl Zanuck, vice-president of production at 20th Century Fox, pounced.
Hollywood studio bosses considered it their due to b*** all the good-looking women who came their way and were notorious for it. Harry Cohn at Columbia Pictures, for example, had no qualms about firing any starlet who rejected him. He was totally amoral.
Another role I coveted was that of Cleopatra. The head of 20th Century Fox at the time, Buddy Adler, and the chairman of the board — [Spyros Skouras], a Greek gentleman old enough to be my grandfather — bombarded me with propositions and promises that the role was mine if I would be ‘nice’ to them. It was a euphemism prevalent in Hollywood. I couldn’t and I wouldn’t — the very thought of these old men was utterly repugnant. So, I dodged and I dived, and hid from them around the lot and made excuses while undergoing endless screen tests for the role of Egypt’s Queen.
At one point, Mr Adler told me at a party that I would have ‘the pick of the scripts’ after Cleopatra and he would set me up in an apartment he would pay for as long as he could come to visit me three or four times a week. Running out of excuses, I blurted out: ‘Mr Adler, I came here with my agent, Jay Kanter. Why don’t we discuss the deal with him?’
‘Honey, you have quite a sense of humour,’ he spluttered.
‘And a sense of humour is all you’ll ever get from me,’ I murmured as I left. In due course, Elizabeth Taylor got the role.
But it wasn’t just studio bosses and producers who were predatory. Many actors I worked with considered it their divine right to have sex with their leading lady … Anyone naive enough to believe the era of the casting couch had been consigned to history will have been shocked by the Weinstein scandal and the predatory institutional sexism of Hollywood power brokers it has revealed.
But it’s not just the film industry that’s been complicit in sanctioning this appalling behaviour, and it’s not just actresses subjected to it. It may occur in any business dominated by powerful, ruthless and misogynistic men, and it’s women (sometimes men) in subservient positions who are unfortunate enough to have to deal with them.”
Writing for Nyack News & Views, Mike Hays tells the story of Marilyn and Arthur Miller’s visit to novelist Carson McCullers’ home on February 5, 1959. (What the article doesn’t mention, however, is that Marilyn and Carson had been friends since 1955, when they were both residents of Manhattan’s Gladstone Hotel. And although Arthur didn’t recall Marilyn having read any of Carson’s books, she did own a copy of The Ballad of the Sad Cafe.)
“As a transplanted New Yorker and a famous author, McCullers had close friendships with the famous, including Tennessee Williams and Truman Capote. She had always wanted to meet Isak Dinesen, the author of one of her favorite books, Out of Africa. McCullers met Dinesen at a dinner party following an arts awards in New York City.
Learning that Isak wanted to meet Marilyn Monroe, she asked Marilyn’s husband at the time, Arthur Miller, who was seated at a table nearby if the ‘Millers’ would come to lunch on February 5, 1959. Arthur Miller and Marilyn Monroe picked up the 74-year old Dinesen and drove to Nyack. Monroe, 33, had just finished Some Like It Hot. She arrived dressed in a black sheath and fur stole. Isak wore a scarf wrapped around her head as a turban. The guests were fashionably late.
They dined on oysters, white grapes, champagne and a soufflé. They were all smokers including Monroe, although no ashtrays can be seen in the luncheon photos.
Marilyn told a story about once trying to make pasta. She was late, as usual, and the pasta was undercooked, so she tried to complete her attempt at cooking by heating the pasta with a hair dryer. Frail Dinesen told many stories and enjoyed talking to Ida Reeder, Carson’s housekeeper.
Towards the end of the afternoon, as the story goes, Carson put a record on the phonograph and invited Marilyn and Isak to dance with her on a marble table. They took a few steps in each other’s arms. Carson remembers that this was the ‘best’ and ‘most frivolous’ party she had ever given, and she expressed ‘pleasure and wonderment at the love, which her guests seemed to express for each other.’
It is improbable that the frail and ill Carson McCullers, her muscles shriveled, did much dancing and certainly not on a table. But she retold the story again and again over the rest of her life, perhaps telling the story the way she would have wanted it if she were not ill.
Others don’t remember the dancing although they do remember the lunch. Some time later, Miller said that Marilyn had never read anything by Carson, although she may have seen her play, A Member of the Wedding. He did sense a spontaneous sympathy between the women. Miller doesn’t remember the dancing, a story that seemed to have a life of its own in the media.”
Mahfouz Doss, the Egyptian-American film critic and former president of the Hollywood Foreign Press Association, has recalled meeting Marilyn and Rock Hudson, who presented her with the ‘World Film Favourite’ award at one of her final public appearances, the Golden Globes in February 1962. He shared his memories – though not his much-prized photo – with actress Jenna Elfman (best-known for her role in TV’s Dharma and Greg) during a panel discussion at a ceremony to rename part of California State University, Northridge the HFPA Wing, as Broadway World reports.
“‘I remember the event with Marilyn Monroe and Rock Hudson. As a matter of fact, someone took a picture of me. It was me, Marilyn Monroe and Rock Hudson. The three of us together.’ When Elfman asked if he still had the photo, Doss responded, ‘Yes, I still have it. I show it to people from time to time.’ Elfman joked, ‘If you get pulled over by the police, just pull that out.’ As the room erupted with laughter, Doss replied, ‘That’s what I’ll do.'”
Actor Richard Anderson – best-known for his role as Oscar Goldman in the popular 1970s TV shows, The Six Million Dollar Man and The Bionic Woman – has died aged 91. You can read more about his encounter with a young Marilyn here.
Over at Reader’s Digest, Tony DiMarco recalls interviewing Marilyn at Twentieth Century Fox for an army radio show in 1952. DiMarco, and presenter Dave Ketchum, broadcast a weekly program for Camp Roberts, which aired on KPRL in Paso Robles, California. It will come as no surprise to those who know of Marilyn’s loyalty to her fans in the military, but the producers found her a delight to work with, and nothing like the ‘difficult’ star her studio warned them about.
“Not only was Marilyn on time, she was friendly, cooperative and a great interview. When it was over she asked if she could add something and, of course, we said yes. She ad-libbed a touching and heartwarming tribute to the servicemen and women, thanking them for listening and wishing them the very best of luck. She was beautiful, bright and charming. She was the Marilyn we’ll always remember.”
One of the most popular American comedians of the last century, Jerry Lewis has died of heart disease aged 91.
He was born Joseph (or Jerome) Levitch to Russian Jewish parents in Newark, New Jersey, in 1926. His father was a vaudeville performer, and his mother played piano. He joined them onstage at an early age, and dropped out of high school in the tenth grade. A heart murmur rendered him ineligible for military service in World War II. Already a prankster at 15, he developed a ‘Record Act’, exaggeratedly miming the lyrics to popular songs. He married singer Patti Palmer in 1944, and they would raise six sons together.
In 1946, he formed a comedy partnership with crooner Dean Martin. Over the next ten years, they graduated from nightclub act to the internationally celebrated stars of radio, television and movies.
On February 9, 1953, Marilyn Monroe met Lewis and Martin for the first time, at the annual Photoplay Awards at the Beverly Hills Hotel. She was wearing the revealing gold lame dress fleetingly glimpsed in Gentlemen Prefer Blondes. Actress Joan Crawford would later speak witheringly of Marilyn’s ‘vulgar display’ as she collected the award for Fastest Rising Star. “The audience yelled and shouted, and Jerry Lewis shouted,” Crawford told reporter Bob Thomas. “But those of us in the industry just shuddered. It reminded me of a burlesque show.” At twenty-six, Marilyn was the same age as Jerry Lewis, and part of Hollywood’s new vanguard. Crawford, a star from a prior generation, later apologised for her remarks amid widespread criticism.
On February 24, Marilyn appeared on the Martin and Lewis Radio Show, accepting an award from Redbook magazine, and sparring with the comedy duo in an eight-minute sketch, ‘So Who Needs Friends.’ Columnist Sidney Skolsky, who accompanied her that day, wrote about it in his 1954 book, Marilyn.
“Jerry Lewis visited her dressing room and said, ‘I know you’re scared. Don’t be. I was awfully nervous when I went on the radio for the first time, with Bob Hope.’ He pressed her hand. ‘You’ll be great,’ he said, and left the room. This brief talk and vote of confidence from Lewis helped Marilyn considerably. Marilyn was great on the program. After it, Jerry said to me, ‘She’s got nothing to worry about. She knows more about sex than I do about comedy.’ Which is the highest compliment a comedian could bestow on an actress who is selling glamour.”
Marilyn became good friends with both Jerry and Dean Martin. Sensing her loneliness, they often invited her to dinner alongside fellow pal Sammy Davis Jr. A lifelong insomniac, Marilyn would sometimes call them in the small hours and ask to meet up at all-night diners.
On October 18th, columnist Sheilah Graham published an interview with Marilyn in which she named the ten most fascinating men in the world, including future husbands Joe DiMaggio and Arthur Miller, her River of No Return co-star Robert Mitchum, Asphalt Jungle director John Huston, close friends Marlon Brando and Sidney Skolsky, acting coach Michael Chekhov, photographer Milton Greene, and India’s Prime Minister, Jawaharlal Nehru (the only one she hadn’t met.) And the last man on her list was Jerry Lewis…
“I think that Jerry has a lot of sex appeal. It might have something to do with his vitality. I can’t figure out what it is. He makes funny faces because he thinks people want him to make funny faces. But behind it all there’s something serious and very sexy. I just think he’s sexy.”
On December 6, Hedda Hopper reported that Jerry and Dean had called upon friends to donate items for a charity auction for muscular dystrophy. “They asked Marilyn Monroe for something personal – anything close to her. What they got was a copy of Tolstoy’s War and Peace autographed by Marilyn.”
After Marilyn moved to New York in early 1955, the men-only Friars’ Club broke code and invited her to their annual roast, compered by Milton Berle in Martin and Lewis’s honour. When Berle called her to the podium, Marilyn blew a kiss and whispered, “I love you, Jerry.”
Lewis remembered Marilyn with great affection in his 2005 memoir, Dean & Me: A Love Story…
“To my vast regret, the one actress we never performed with was Marilyn Monroe – and how great she would have been in a Martin and Lewis picture. She had a delicious sense of humour, an ability not only to appreciate what was funny but to see the absurdity of things in general. God, she was magnificent – perfect physically and in every other way. She was someone anyone would just love to be with, not only for the obvious reasons but for her energy and perseverance and yes, focus. She had the capacity to make you feel that she was totally engaged with whatever you were talking about. She was kind, she was good, she was beautiful, and the press took shots at her that she didn’t deserve. They got on her case from day one – a textbook example of celebrity-bashing.”
In 1956, the Martin and Lewis collaboration ended as Dean, tired of being the ‘straight man’, decided to pursue a solo career. Jerry was heartbroken but his partner was adamant, and despite occasional public appearances together, the pair were estranged for thirty years.
In 1958, Jerry was offered the chance to star opposite Marilyn as jazz musician and ‘bosom pal’ Jerry/Daphne in Billy Wilder’s classic drag farce, Some Like It Hot. Unsure of his ability to convincingly impersonate a woman, he declined and the part went to Jack Lemmon. In 1959, Lewis signed a groundbreaking deal with Paramount Pictures, earning $10 million plus 60% of the profits for 14 films over the next 7 years. In partnership with director Frank Tashlin, Jerry also produced and co-wrote his movies, including his greatest success, The Nutty Professor (1962.)
Shortly before her death in 1962, Marilyn had been filming Something’s Got to Give with Dean Martin, who refused to work with another actress after Monroe was fired. Many of the rumours surrounding her demise have focused on her alleged affair with John F. Kennedy, but in a 2002 interview with GQ magazine, Lewis – himself a friend of the president – quipped that it wasn’t true, because Marilyn was having an affair with him. This bizarre remark – possibly a joke – nonetheless made headlines, but a sexual liaison at this time seems unlikely.
By the mid-1960s, Jerry’s popularity was fading, though he became a cult figure in France, where he was hailed as a comedic auteur. In 1966, he hosted the first of 44 annual US telethons for muscular dystrophy on Labour Day weekend. His long marriage to Patti Palmer ended in 1982, and a year later he married 30 year-Old stewardess San-Dee Pitnick. They later adopted a daughter.
His performance in Martin Scorsese’s King of Comedy (1983), as a television host stalked by obsessive fans, hinted at a darker side to the Lewis persona and established him as a serious actor. He played further acclaimed roles in Arizona Dream (1994), Funny Bones (1995.)
In recent years he suffered from increasingly poor health. Tragedy struck in 2009 when his 45 year-old son Joseph died of a drug overdose, and in 2010, Lewis began raising funds to build a facility for vulnerable and traumatised children in Melbourne, Australia. In a recent television interview, he spoke candidly about his fear of dying. He continued working until the end, playing the titular role in Max Rose (2016.) Jerry Lewis died at home in Las Vegas on August 20, 2017.