My interview with Michelle Morgan, author of Marilyn Monroe: Private and Undisclosed, Marilyn’s Addresses and Before Marilyn: The Blue Book Modelling Years, is spread over six pages in Issue 11 of Art Decades magazine, now available from Amazon and priced at £9.60 (UK) or $13 (USA.) Michelle has also written biographies of Madonna, Carole Lombard and Thelma Todd.
“I think the biggest myth about Marilyn is that she was a dumb blonde. She absolutely was not! Here is a woman who rebelled against the studio system; who set up her own film company and went to acting school when she was already at the top of her profession. She had a very intelligent head on her shoulders and I think that when people say she was a dumb blonde, it is revealing more about them than her. Yes, many times Marilyn played a dumb character on screen, but why should that mean she was that way in life?”
This autumn will see the release of what could be the most comprehensive Greene retrospective to date, The Essential Marilyn Monroe by Milton H. Greene: 50 Sessions. Coming from ACC Art Books on September 27, it spans 324 pages and 400 photos.
Marilyn also graces the cover of Cecil Beaton: Portraits and Profiles, one of many celebrities featured, out in paperback on October 5. This book was originally released in hardback (with Beaton on the cover) back in 2014.
And for something completely different, Robin Holabird’s Elvis, Marilyn, and the Space Aliens: Icons on Screen in Nevada is out now. Don’t be put off by the wacky cover: it includes a chapter on The Misfits.
Dr Rock Positano’s memoir, Dinner With DiMaggio – first announced back in 2015 – will be published in May, and is already attracting coverage in celebrity magazines and on gossip websites.
Marilyn’s relationship with Joe is the subject of a cover story in the current issue of Closer Weekly (USA only.) And Radar Online has claimed that their marriage ended because she was unable to have children. In fact, Marilyn left Joe because he was too controlling. While Marilyn certainly wanted children, she wasn’t ready during their marriage because of her burgeoning career.
“From Joe’s point of view, they didn’t stay married, because Marilyn was not able to have children. It was as simple as that,” Positano writes. “Joe wanted kids, and Marilyn could not have them.” However, when reporters at their wedding asked if they wanted children, Marilyn said “six,” only for Joe to interrupt, as if correcting her: “one.”
While Marilyn certainly wanted to be a mother – she suffered at least two miscarriages during her later marriage to Arthur Miller, and even considered adoption – I don’t believe it was a priority during her marriage to Joe. And such was Joe’s enduring devotion to Marilyn, I don’t believe he would have divorced her for that reason either.
This lovely image of Marilyn performing for US troops in Korea during her morale-boosting 1954 tour, taken by photo-journalist Eddie Adams, is featured in a new book, Eddie Adams: Bigger Than the Frame, reports The Guardian.
An original review of Maurice Zolotow’s 1961 biography of Marilyn – the first detailed study of her life – is republished today in The Guardian, with critic Richard West proving that highbrow condescension is nothing new. (The above dedication was penned by Zolotow for teenage superfan James Haspiel, with Marilyn adding her two cents below.)
“The British intelligentsia are suckers for the Cinderella myth. Show them a pin-up girl turned movie star and they will rush to recognise her as a ‘natural actress,’ ‘a born comedienne,’ or ‘artlessly touching.’ One can think of at least three beautiful women, with no acting capabilities whatsoever, who have been acclaimed as actresses by the serious British critics. The same critics had very probably jeered at these same girls when they were merely ‘sex symbols.'”
Ella Queen of Jazz is a new children’s book by Helen Hancocks, recounting the famous story of Marilyn’s friendship with Ella Fitzgerald. Although its historical accuracy has been questioned and some of the details may be embellished, the anecdote came from Ella’s own lips. What we can be sure of is that Marilyn helped Ella to secure a nightclub engagement in Hollywood, and that she attended her show on at least one occasion. Marilyn considered Ella her own greatest musical influence, and the women remained friendly until her death. A Christmas card sent by Ella to Marilyn was auctioned at Julien’s last year, and they would both perform at President Kennedy’s birthday gala in 1962. Although we may quibble over the details, it’s an empowering tale of female friendship overcoming social barriers and is rendered colourfully in this charming book.
All About Marilyn, an old-school fanclub relaunched on social media, has begun a weekly podcast on Soundcloud. You can catch the first episode – featuring an interview with Marilyn in Manhattan author Elizabeth Winder – here.
Over at The History Reader today, Marilyn in Manhattan author Elizabeth Winder writes about Marilyn’s friendship with Truman Capote, and how she inspired his 1958 novella, Breakfast at Tiffany’s. (Marilyn was one of several muses for his heroine, Holly Golightly; more details here.)
“Where Truman shrank from his backwoods pedigree, Marilyn wore hers like a badge. She was rightly proud of overcoming her obstacles- the foster homes, the orphanage, the abuse that began as a child and continued into her starlet years. And when Truman longed to be ‘terribly rich’ Marilyn ‘just wanted to be wonderful.’
She was wonderful, and Truman knew it. Between dancing and lunching and knocking back cocktails, he spent most of that summer glued to his typewriter clanging out a novella. The inspiration—a black frocked girl with a ‘soap and lemon cleanness,’ a curvy mouth, upturned nose and saucer eyes of green-flecked blue. Her tussled hair cut like a boy’s, dyed in ‘ragbag’ shades of light with ‘tawny streaks’ and ‘strands of albino-blond and yellow.’
She scamped around the city in sunglasses and slips, full of nerves and insomnia and a stamped-out past. She drank bourbon to fight off the ‘mean reds,’ she believed in self-improvement, she read horoscopes and Hemingway and William Somerset Maughn. She was Holly Golightly—Truman’s love letter to hope, New York City, and Marilyn Monroe.”
Elizabeth Winder, author of Marilyn in Manhattan: Her Year of Joy – published today – has spoken to Immortal Marilyn about the different side of MM that she hopes her readers will discover.
“I wish they knew that Marilyn was funny– I don’t mean the witty media quips but that warm-hearted kind of funny that makes you smile and want to hug someone. I wish they knew that Marilyn actually read Ulysses and didn’t just pose with it. I wish they knew that as a starving model she spent her money on books instead of food. I could go on and on– that’s why I wrote Marilyn in Manhattan– I totally fell in love with her!”
Several Marilyn-related titles are being reissued this year. Marilyn in Words and Pictures, due in May, is a repackaging of Richard Havers and Richard Evans’ 2010 book, Marilyn in Words, Pictures and Music – with a new cover, but minus the supplementary CD. (A condensed version was also published as a U.K. ‘bookazine‘ in 2011.)
Dressing Marilyn, Andrew Hansford and Karen Homer’s look at the fabulous movie costumes of Travilla, will be reissued in April. Also next month, Angela Cartwright’s Styling the Stars: Treasures From the Twentieth Century Fox Archives will be republished in paperback.