All posts by marina72

Marilyn Lights Up Paris Film Festival

Artist Lucille Clerc‘s gorgeous rendering of Marilyn – inspired by Milton Greene’s ballerina sitting – adorns posters for this year’s Champs Elysees Film Festival, celebrating independent French and American cinema. (And while you’re in Paris, don’t forget to see Bert Stern’s photos of Marilyn at DS World.)

Thanks to Chris at Club Passion Marilyn

French Author On Marilyn’s Last Picture Show

Olivier Rajchman’s Hollywood Ne Repond Plus (Hollywood Unresponsive) is a new book in French exploring the crisis at Twentieth Century Fox in 1962, focusing on three films made that year: the scandalous Cleopatra, starring Elizabeth Taylor and helmed by Joe Mankiewicz; Darryl F. Zanuck’s magnum opus, The Longest Day; and Marilyn’s last movie, the ill-fated Something’s Got to Give. It is available now in paperback and via Kindle.

Thanks to Eric Patry 

‘Bombshell’ Headed for Broadway

After a hugely popular, one-off benefit performance in 2015, plans to bring Bombshell – the fictitious Marilyn musical from NBC’s Smash – to Broadway for real are now taking shape, as Greg Braxton reports for the L.A. Times.

“Craig Zaden and Neil Meron, the award-winning producing team behind the Oscar-winning Chicago and NBC’s live versions of The Sound of Music and The Wiz, are joining forces with NBC Entertainment Chairman Robert Green late for the project, with an opening date yet to be determined. Greenblatt has extensive Broadway experience, producing the musicals Something Rotten! and A Gentleman’s Guide to Love & Murder.

Created by Theresa Rebeck, who also served as showrunner, Smash premiered in 2012 to critical praise. The Times’ Mary McNamara called it a ‘triumph.’ But after a strong start, the series ran into rough creative waters, including exaggerated side plots and strange song breaks. Ratings fell. When Smash returned for its second season, Rebeck and a number of characters were gone. But Smash still was canceled.

The appetite for the show has never died, Zaden said, and has found new life on Netflix. ‘It’s more popular now than when it was on the air.'”

Multiple Marilyn Prints Sold at Bonham’s

Marilyn featured heavily in Bonhams’ Modern & Contemporary Prints & Multiples auction this week, with a dye-transfer print for Tom Kelley’s ‘red velvet‘ nude calendar shot, mounted on illustration board and signed by Hugh Hefner, fetching $37,500 (£29,406.) Other photographers included Philippe Halsman, Andre De Dienes, Alfred Eisenstaedt, George S. Zimbel, Cecil W. Stoughton, George Barris, William J. Carroll, Laszlo Willinger, and Bert Stern. Some of the photos in this auction were previously displayed in 17 Years, Marilyn: The Making of a Legend, at the Andrew Weiss Gallery in Los Angeles.

Thanks to Fraser Penney

Marilyn, Marilyn: New Fiction From Finland

Finland is a country with great appreciation for Marilyn, as this new fiction anthology reveals. Edited by Salla Simukka and Marika Riikonen, Marilyn, Marilyn includes twelve short stories, imagining MM both in her own time and the present day, and exploring her enduring appeal. It comes recommended by film historian Antti Alanen, himself the author of a book about Marilyn. (And just in case you’re wondering, the cover image comes from an original publicity shot for Let’s Make Love.)

Stern’s ‘Avant Garde’ Marilyn in Paris

Bert Stern’s ‘avant garde’ 1962 photo shoot with Marilyn is featured in a new exhibition at the DS World car showroom in Paris. (The photo above shows Marilyn’s scar after gallbladder surgery.)

“DS World Paris is hosting the ‘Marilyn, The Last Sitting’ exhibition from 8 June 2017 to 6 January 2018.

The session took place in Hotel Bel Air in Los Angeles in 1962 over two days and one night, consisting of three long photo shoots by Bert Stern for Vogue magazine. The photographer took a total 2,571 pictures; the 59 most emblematic are on show at DS World Paris.

For Julien Faux, Director of DS World Paris, the exhibition is ‘a way of keeping alive the legend of this extraordinary woman, who was ahead of her time. It is also a perfect opportunity for drawing parallels between the timelessness of this artist, who has since become an icon, with the spirit of avant-garde of the current models in the DS collection, descended directly from the DS, another icon of the 20th century.’

The exhibition is showing at DS World Paris at 33 rue François 1 in Paris. Free admission.”

Thanks to Eric Patry

Marilyn in the Saturday Evening Post

Marilyn graces the cover of The Golden Age of Hollywood, a  new one-off special from the Saturday Evening Post. It costs $12.99 and can be ordered directly here. (Unfortunately I don’t yet know if it ships outside the US, but I’ll update you if I find out.)

Marilyn has a long history with the Post, as one of her most revealing interviews with Pete Martin, ‘The New Marilyn Monroe’, was serialised over three weeks in 1956, and later published in book form with the playful title, Will Acting Spoil Marilyn Monroe?

On Marilyn’s birthday this year, the Post paid tribute with a blog about the sex symbols who preceded her – including Lillian Russell, Theda Bara and Clara Bow, all of whom she impersonated in her extraordinary ‘Fabled Enchantresses’ shoot with Richard Avedon. But she turned down the chance to play showgirl Evelyn Nesbit in The Girl in the Red Velvet Swing (the role went to Joan Collins.) And of Mae West, she told W.J. Weatherby, ‘I learned a few tricks from her – that impression of laughing at, or mocking, her own sexuality.’ Jean Harlow, perhaps Marilyn’s greatest influence, is a surprising omission.

You can read Marilyn’s Post interview here.