A real estate brochure for Marilyn’s last home at Fifth Helena Drive – which sold for $7.25 million in 2017 – fetched $5,120 yesterday during an online sale marking Marilyn’s 94th birthday at Julien’s Auctions.
The highest final bid, however, went to this signed portrait by Richard Avedon ($8,960.)
This photo from an iconic 1952 shoot is signed by Gene Kornman, one of two photographers present at the session (alongside Frank Powolny), and sold for $6,400.
This signed lithograph, made from a photo taken during Marilyn’s so-called ‘Last Sitting’ with Bert Stern in June 1962, sold for $2,880; and an image from her final photo session at Santa Monica Beach in July, signed by photographer George Barris, sold for $2,560.
And finally, more instantly recognisable images sold for $1,024 each: Marilyn’s 1949 nude calendar pose, photographed by Tom Kelley and later signed by Playboy founder Hugh Hefner…
… and a shot credited to Bruno Bernard (aka Bernard of Hollywood) from Marilyn’s unforgettable subway scene in The Seven Year Itch, signed by Bernard’s daughter and archivist Susan.
Over 50 Marilyn-related lots will go under the hammer at on December 17-19, as part of the Hollywood – A Collector’s Ransom auction at Profiles in History. Marilyn’s costumes from A Ticket to Tomahawk, Love Nest, and Don’t Bother to Knock, and her fishnet tights from Bus Stop – which went unsold at last year’s Essentially Marilyn event – are back for a second chance. (UPDATE: the brown skirt suit worn by Marilyn in Love Nest has been sold for $30,000 – but again, the other movie costumes went unsold.)
As Simon Lindley reports for Just Collecting, Marilyn’s personal annotated screenplay for The Seven Year Itch is also on offer, with a reserve of $60-80K. (The photo shown above, taken on location in New York, is sold separately.)
“In the film Monroe’s character is known simply as ‘The Girl’, an aspiring actress who serves as the object of the husband’s desires.
But behind her on-screen persona as the blonde sex symbol, Monroe’s extensive handwritten annotations reveal her dedication to her craft.
Throughout the script she has written notes to herself such as ‘Look first indecisive – pause – hesitation – little smile’ and ‘My body into his – sliding into him as if I want to sleep with him right then & there. Swing hips again’.
This preparation and complete understanding of the role in evident in her notes for the famous ‘Subway’ scene, which helped cement her place as a genuine Hollywood icon.
The energy and sexuality which Monroe portrays may seem effortless, but her script notes show she though very carefully about how to play the moment: ‘Child w/a woman. Direct & fem[inine]. Open… This is everything there is in the world. Light & easy. Everything flies out of her. Newborn – the baby looking at the moon for the first time.'”
Screenplay UNSOLD; photo sold for $200
And now, let’s take a closer look at what else is on offer…
“Vintage original 8 x 10 in. photograph taken of 13 year-old Norma Jeane on a trip to Yosemite with ‘Aunt’ Ana Lower and other family members. And sold separately, a vintage original 2-page printed 6.25 x 9 in. Ralph Waldo Emerson Junior High School Class of Summer 1941 commencement program. The printed program contains itinerary including music, speeches, and songs. Listed alphabetically in the ‘Graduating Class, June 1941 Girls’ roster of graduates is ‘Baker, Norma Jeane’.”
“Vintage original gelatin silver 8 x 10 in. photograph of Marilyn with her junior high school glee club, smiling in the center of the group. The verso is copiously inscribed with messages to Norma Jeane by her girlfriends, including, ‘To a beautiful, sweet, charming, and darling, adorable Norma Jean’ and ‘I hope your ambition will come true – to stay an old maid all your life’.”
SOLD for $3,000
“A 2-page letter to ‘Cathy’ handwritten in pencil and signed, ‘Norma Jeane’. Written during a period of major transition in her life, Norma Jeane mentions a leave of absence from her job as a parachute inspector at Radioplane. She had recently been ‘discovered’ by US Army Air Force First Motion Picture Unit photographer David Conover while working at the plant, and through his connections, had been able to get freelance work as a pin-up model. She writes in full: ‘Thursday. My dearest Cathy, thank you for your sweet little note, why of course of course I like you dear very much, you know that. If I seem a little neglectful at times its because I’m so busy I don’t seem to have any time to catch up on my correspondence, but I promise after this, I shall, do better, honestly I will. Jimmie arrived about three weeks ago and you can imagine how thrilled I was. I only wish he didn’t have to go back. Jimmie and I went up to Big Bear Lake for a week and had a grand time I hope you and Bud will be down soon because I would love for you both to meet him. I’ve been on leave of absence from Radioplane. I shall tell you all about it when I see you honey or I shall write to you later. I have so many things I have to do so I had better close for now but I shall write soon. Tell Bud Hello for me. Love, Norma Jeane.'”
Vintage original 8 x 10 in. cast & crew photo from Marilyn’s first movie, Scudda Hoo! Scudda Hay! She is in the third row, just above leading lady June Haver. SOLD for $1,500
“Vintage original gelatin silver 7 x 8.75 in. double weight matte photograph, inscribed and signed in black ink at lower right, ‘To Grace and Daddy Always Lovingly Norma Jeane 12/25/46′. The ‘daddy’ to whom Norma Jeanne inscribed this early headshot is Erwin ‘Doc’ Goddard, a research engineer and the husband of Norma Jeanne’s legal guardian, Grace Goddard. And sold separately, two oversize glamour portrait photographs of Marilyn Monroe in character as ‘Miss Caswell’ in All About Eve. The first is credit stamped by Ray Nolan with studio snipe, and the other, seen at right, attributed to Ed Clark.” [A poster for the film, signed by Bette Davis, Joseph Mankiewicz, and Celeste Holm, is being sold separately.]
Signed photo SOLD for $30,000; poster SOLD for $6,000.
Two vintage calendars including a 1950 wall calendar measuring 8.5 x 14.5 in., and featuring paintings by Earl Moran, six featuring Marilyn, alongside cute, risque poems like, ‘What are little girls made of? Sugar and spice, Perfume that smells nice, Jewels and furs, To attract attention, And other good things Too obvious to mention’, and a wall calendar featuring unique topless ‘cowgirl’ images of Marilyn not seen elsewhere. Sold separately, a 16 x 32 in. pin-up 1952 wall calendar titled, ‘The Lure of Lace‘. Featuring Marilyn Monroe in her famous Tom Kelley nude kneeling pose, but with a black lace teddy ‘overprint’.”
“Two original studio production 8 x 10 in. negatives of Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes, each modeling wardrobe by designer William Travilla. [Russell wore a blonde wig to impersonate Marilyn in a courtroom scene.] Each includes within image a ‘shot-board’ documentation of production, scene, and change numbers. Also included are two original wardrobe documentation green pages detailing costumes [Monroe page describes a different costume, for the opening ‘Little Rock’ number.] At some point in time a positive copy print of the Monroe negative was made for archive continuity, but is not original to the production.”
“11 x 14 in. portrait by Ed Clark of Marilyn in the gold lame gown from Gentlemen Prefer Blondes for LIFE magazine. Signed in black ink on Marilyn’s skirt by the photographer, ‘Edmund Clark Life’.”
SOLD for $300
“Photo of Marilyn at the Photoplay Awards in 1953, part of a 1750-image archive for celebrity snapper J.B. Scott. And sold separately, an award plaque presented to Marilyn by a County Fair ‘Sugar Queen’, engraved, ‘To the Sweetest Girl in Motion Pictures, Marilyn Monroe, 20th Century-Fox Films Star Presented by 1953 Yolo County Fair Sugar Queen’.”
Photo archive SOLD for $95,000; award plaque UNSOLD.
“Elois Jenssen costume sketch for Lucille Ball as ‘Lucy Ricardo’ as ‘Marilyn Monroe’ from I Love Lucy. Elois Jenssen was Lucille Ball’s designer of choice, who is credited with creating the ‘Lucy Look’. This dress design was created for the I Love Lucy Episode: ‘Ricky’s Movie Offer’, which aired on Nov. 8th, 1954. In the episode, ‘Lucy’ transforms herself into Marilyn Monroe to try to win a role in Ricky’s (Desi Arnaz) new Hollywood film. This costume was then repurposed into a showgirl costume for two subsequent episodes.” [Elois Jenssen’s costume sketches for Marilyn in We’re Not Married are being sold separately.]
“Ten 8 x 10 in. photographs of Marilyn Monroe in scenes from films, including the earliest title which depicts her on any of its publicity, Dangerous Years. Other highlights include Ladies of the Chorus, The Asphalt Jungle, Right Cross [to our knowledge, this still is the only original release paper to depict Marilyn], Let’s Make it Legal, and [shown above] Bus Stop.
SOLD for $225
“A set of fourteen 7 x 8.5 in. to 8 x 10 in. photographs, a mix of portraits, candids, and scenes, including stills from The Seven Year Itch and Let’s Make Love [at left] and a candid by Al Brack [at right], showing Marilyn on location for Bus Stop in Sun Valley, Idaho.”
“Two exhibition photos signed by Marvin Scott, of Marilyn performing at a circus benefit in 1955; and sold separately, another set including this photo of Marilyn arriving at Los Angeles in 1958 for the filming of Some Like It Hot.
“A candid photo taken by Milton Greene at Marilyn’s wedding to Arthur Miller; and sold separately, two address books from her estate, including typed and annotated entries for contacts including Actor’s Studio, Jack Benny, Eve Arden, George Cukor, Montgomery Clift, Jack Cardiff, Joe DiMaggio, Henry Fonda, John Huston, Hedda Hopper, Designers, makeup artists, Ben Gazzara, Gene Kelly, Jack Lemmon, Yves Montand, Arthur Miller, Robert Montgomery, Jane Russell, Jean Negulesco, Lee and Paula Strasberg, David Selznick, Carl Sandburg, Frank Sinatra, Eli Wallach, Shelley Winters, Clifford Odets, Peter Lawford, JAX, Richard Avedon, Louella Parsons, and more. Annotations not attributed to Monroe.”
And finally, a set of nine photos from Marilyn’s last completed film, The Misfits (1961.) SOLD for $4,500
At Julien’s Auctions yesterday, a baseball signed by Marilyn and Joe DiMaggio was the highest selling Monroe-related lot in the A Southern Gentleman’s Collection event, reaching a maximum $137,500. The military jacket presented to Marilyn in Korea sold for $44,800; and the model release form for her nude calendar session with Tom Kelley (signed as ‘Mona Monroe’), fetched $33,750. Marilyn’s US Department of Defense identification card from the Korea trip, and her secretary May Reis’s address book (including many famous names linked to MM) were both highly coveted items, but failed to meet their reserves. I have now updated all posts on this auction with the final bid amounts – read more here.
In this second post about the November 14 event at Julien’s Auction, Collection of a Southern Gentleman, we look at Marilyn’s early career and rise to fame. (You can read all posts about this sale here.) This montage includes a typical cheesecake pose; two small headshots used to promote her first movie, Scudda Hoo! Scudda Hay!, from which she was largely cut; and a selection of modelling photos taken circa 1947-49.
Photos SOLD for $875, $1,562,50, and $1,920, respectively
“Contract for Dangerous Years, housed in light blue covers, dated ‘July 30, 1947,’ outlining an agreement between the studio and ‘Sol M. Wurtzel Productions, Inc.’ for the loan-out of Monroe to act in the film as ‘Secretary’ even though her role ended up being that of ‘Evie,’ a waitress … signed by executives but not MM.” [And, sold separately, a retro-style poster produced in the 1980s.]
Contract SOLD for $1,024; poster SOLD for $125
“A group of two letters though both are severely water damaged and have substantial paper loss; likely from Henry Rosenfeld, one of MM’s early benefactors whom very little is known about; the first is three pages, handwritten in blue fountain pen ink on Barbizon Plaza Hotel (NYC) stationery, reading in part ‘I ran into Harry [Howard] Keel and his wife at the theatre last Sunday,’ ending with ‘best to your Aunt / H;’ with its original transmittal envelope addressed to MM at her Nebraska Avenue address in Los Angeles and postmarked ‘1947;’ the second one is two pages, also penned on the same stationery with the same ink, reading in part ‘Marilyn, / It was so wonderful / talking to you on the / telephone,’ other pages are now missing; frustrating to not read the letters in their entirety or even know who wrote them!” [And sold separately, a glamour portrait signed by Marilyn to Lois McCann.]
Letters SOLD for $256; photo SOLD for $12,800
[Marilyn’s first movie contract ended in 1947, but a year later, she was still spending time at Twentieth Century Fox.] “According to the original consignor, Robert Temple, Marilyn had a strange habit of taking home the commissary’s silverware every night, just to bring it back the next day to use it again. Temple was a busboy in the commissary at the time and when his boss noticed that Monroe seemed to be stealing, he told Temple to retrieve the utensils from the starlet and warn her that she would be kicked out of the cafeteria if she continued her odd practice. Temple did as he was told and took the utensils away from Monroe, but then he ended up stealing them himself. He had a crush on her and wanted to keep the silverware because it had been hers. He saved this flatware for 62 years and though his story is somewhat preposterous, its probably too weird for him to have made up and remembered all these years later. Additionally, Temple really did work at Fox in 1948 and he even acted in a small employees only talent show with Monroe (and others) called Strictly for Kicks as evidenced by a newsletter that surfaced at auction about nine years ago.”
SOLD for $1,152
“A model release form for Marilyn’s nude calendar session with photographer Tom Kelley, dated ‘May 27, 1949’, and signed by Marilyn under a pseudonym, ‘Mona Monroe‘. And sold separately, a group of ten sample pages produced by the calendar salesman, depicting Marilyn in the ‘Golden Dreams‘ pose with a blank space on the top margin where a business name would be printed; created circa 1952 to cash-in on her fame as text reading ‘Posed By Marilyn Monroe’ appears to the right side.”
Model release form SOLD for $37,500; photos SOLD for $1,280
“A single page of 20th Century Fox letterhead, typed, dated ‘July 11, 1949,’ sent to the then starlet from her friend, studio boss Joe Schenck, reading in part ‘…I shall be / pleased to see you when you come back,’ signed in black fountain pen ink in the lower right corner; included with its original transmittal envelope addressed to Monroe at the Book-Cadillac Hotel in Detroit, Michigan where she wassent to promote the 1949 United Artists film, Love Happy.”
SOLD for $576
“Photo of Marilyn by Laszlo Willinger; and, sold separately, a standard check entirely penned in black fountain pen ink by Marilyn, dated ‘Nov 15, 1950,’ to ‘Helen Hunt‘ in the amount of ‘$100.30,’ signed ‘Marilyn Monroe,’ annotation in another hand in the lower left corner reads ‘beauty salon;’ interesting to speculate what MM had done at that salon that day for that amount which would be like spending $1,000 today.” [Helen Hunt had previously styled Marilyn’s hair during her Columbia contract in 1948.]
Photo SOLD for $1,920; check SOLD for $2,500
“Publicity still for Marilyn’s breakthrough movie, The Asphalt Jungle; and, sold separately, a handwritten list with penciled ‘notes to self’ on either side, circa 1950, relating to matters Marilyn wanted to deal with such as ‘ask agent not to take money from the top / ask for outside picture / forming of own company such as Rita H. [Hayworth] had at Columbia – deal made by J. Hyde / payment for mother / lesson – Checkhov [sic], Hal S., Lotty / anal – Gottesman’ and ‘Rena cleas’ among a few others — an intriguing quick look into the star’s head.” [Marilyn’s agent Johnny Hyde, acting coach Michael Chekhov, psychiatrist Dr. Gottesman, mime teacher Lotte Goslar, singing coach Hal Schaefer, and beautician Madame Renna appear to be mentioned here.]
Photo SOLD for $1,280; list SOLD for $5,760
A 1951 photo of Marilyn, credited to the Phil Burchman Agency. And, sold separately, a letter from photographer Philippe Halsman, “dated ‘March 10. 52,’ severely water damaged but some content still legible such as ‘We all three liked working with / you and I think that you are a / wonderful model,’ ending with ‘Sincerely, affectionally and / cordially / yours / Philippe H.;’ included with its original transmittal envelope addressed to the star at the ‘Beverly Carlton Hotel’ in Beverly Hills, California.”
Photo SOLD for $1,562.50; Halsman’s letter SOLD for $187.50
“A sterling silver hand mirror, back engraved ‘Los Angeles Mirror / Annual Award / Best Dressed / for / Her Life / 1951 / Marilyn Monroe;’ and sold separately, a 1952 headshot signed ‘to Dan, Warmest Thoughts, Marilyn Monroe’.
Award SOLD for $10,000; photo SOLD for $11,520
A selection of images from 1952: firstly, a Georgia Tech football program featuring Marilyn ‘used through the courtesy of Look Magazine’; second, two photos of a sultry Marilyn, possibly taken by Anthony Beauchamp, and seen in a one-off magazine special, Marilyn Monroe Pin-Ups, the following year; and finally, a framed photo by Sam Myers, showing Marilyn at the Miss America pageant in Atlantic City.
A 1955 nude calendar sold for $5,120, while a $160 check signed by Marilyn to psychoanalyst Dr. A. Gottesman in 1952 fetched $3,840 at Julien’s Online Entertainment Auction this weekend. You can read more about the 78 Marilyn-related lots – mostly documents from her personal archives – over here.
“Born Norma Jeane Baker on June 1, 1926, Marilyn Monroe would be turning 93 years old this year. This iconic actress is celebrated through the beautiful, rare and historic ‘Golden Dreams’ collection represented by Linda Goldenstein and Goldenstein Gallery.
Who could have imagined that a chance encounter would result in what has been called ‘the most famous picture since the Mona Lisa,’ transforming a 22-year-old aspiring Marilyn Monroe into one of Hollywood’s greatest film icons and helping a young man named Hugh Hefner launch his Playboy empire along the way?
Photographer Tom Kelley met Monroe on Sunset Boulevard in October 1948, after a minor auto accident. Marilyn told him she had an audition. He gave her $5 cab fare and his business card. In May 1949, Marilyn was behind on rent and her car in repossession. She found Kelley’s card and appeared unannounced at his studio. A model called in sick for a Pabst beer poster photoshoot and Marilyn got the job.
Two weeks later, Kelley called Marilyn saying that John Baumgarth, a major calendar publisher, had seen the Pabst poster and wanted Marilyn to pose for an upcoming calendar.
Not long after, Kelley’s color transparencies of unknown nude models arrived at Baumgarth’s Chicago offices. Among them was ‘Golden Dreams’ featuring the then-unknown Marilyn. Although it wasn’t Baumgarth’s first choice, based on the calendar selection committee he agreed to run Marilyn’s image in the 1951 calendar line. Baumgarth’s preferred image ‘The Charmer’ featuring Maxine Strong outsold Marilyn’s Golden Dreams by 2 to 1, until it was later revealed that the model in Golden Dreams was in fact Marilyn Monroe.
Narrowly escaping destruction, the color separations represented by Goldenstein are the unique, original separations first created by hand in 1950 and used by Baumgarth to produce the Golden Dreams calendars featuring Marilyn Monroe.
Baumgarth sold 9 million calendars throughout the 1950s, making Marilyn the best-selling calendar girl and earning John Baumgarth the moniker ‘The Man Who Made Monroe.’
Reproducing Marilyn’s refined features, supple texture and luxurious tones was no small feat – print artisans painstakingly created and corrected the many layers of film for the full color printing process – a masterpiece of printer’s art.
In December 1953, an astute man named Hugh Hefner bought the rights to reproduce the Golden Dreams image for $500 from John Baumgarth Company, to be used as the ‘Sweetheart of the Month’ in Playboy magazine. That first issue sold over 54,000 copies and the profits provided Hefner the funding to continue publishing and ultimately launch his Playboy Empire.
In 2010, Al Babbitt purchased the original and unique film positives and negatives used by Baumgarth Co. to produce the 1950s Marilyn Monroe Golden Dreams pin up calendars. Babbitt will speak at Sedona PhotoFest on June 15 at 1p.m., in the Mary D. Fisher Theatre, about the history of Marilyn Monroe, the iconic Golden Dreams collection and the color separation process.
Original Monroe large format color separations will be exhibited. These pieces are part of the ‘Messenger Art Collection’ represented by Goldenstein Gallery, 6,000 works of art created over 100 years by diverse calendar and promotional companies.”
Today, May 27, marks seventy years since a little-known actress posed nude for photographer Tom Kelley. The photos were sold to a calendar company, and three years later, someone recognised the model as Marilyn Monroe. Against studio advice, she admitted it and the public loved her for it. Lorraine Nicol tells us the full story today, over at Marilyn Remembered.
One of the world’s greatest fashion designers, Yohji Yamamoto, has teamed up with Marilyn’s estate, creating a special tribute for his capsule collection, Project Y, based on two of Monroe’s most memorable photo shoots – her 1949 nude calendar, and the 1956 ‘Black Sitting’, as Jake Silbert reports for Hypebeast.
“The opportunity to work with the estates of Tom Kelley and Milton Greene, two photographers famous for their intimate imagery of Monroe, reads like a match made in heaven.
Drawing from Kelley’s ‘Red Velvet Series’ and Greene’s photographic archive, the collection emblazons a blouson jacket, cloak, gown, shirt and cut-and-sew with lush prints of ‘the world’s most photographed woman.’ Nude snapshots of Monroe take center stage, printed at the chest of the shirt and jacket and rear of the gown and mantle cloak. With Yamamoto’s preferred all-black palette at the core of the designs, the imagery is granted extra emphasis, ensuring that each image is unforgettably bold.
The story behind Marilyn’s nude calendar scandal is retold by Pierre Vulag, owner of the Limited Runs poster company, in an interview with Alec Banks for High Snobiety. It’s a good read, with a couple of minor corrections: firstly, Marilyn was shooting Clash By Night when the news broke in early 1952 (not Gentlemen Prefer Blondes, which came later); and secondly, while Marilyn told reporters she had posed nude for photographer Tom Kelley because she was behind on her rent, it was actually to get her car out of hock. (Her friend Sidney Skolsky had advised her that the rent story would play better with the public, and it worked!)
“Every press person I talk to ends their questions with ‘why do you still think people are fascinated by Marilyn Monroe?’ It’s exactly that. When the studio insisted that she deny it, she said ‘I will not, and it is me. I have nothing to be ashamed of.’ It was that honesty that the public could relate to … You think of all the Hollywood actors that people still relate to today – James Dean, Elvis Presley, Humphrey Bogart. Those people bled on the screen. They were honest and their personality was like ‘this is who I am, take me or leave me.’ And it’s that thing that she had and people loved.”
A letter written to Marilyn by Pat Newcomb, her publicist and close friend for the last two years of her life, is among the items on auction in the UK tomorrow (Saturday, September 22), as Fox News reports.
Henry Aldridge & Sons, based in Devizes, Wiltshire, is offering several lots from the estate of Monroe collector David Gainsborough Roberts, who died in 2016. Bidding opens at 10 am GMT, and bids can also be made online via The Salesroom or Invaluable (but you’ll need to register first.)
In the letter, Pat advises Marilyn on how to field intrusive questions from the acerbic Hollywood columnist, Hedda Hopper. “If you want to return her call … I think it would be a good idea and you can avoid answering anything you don’t want,” Pat writes. “When she asks what you did over the holidays you just say ‘nothing special’ – that gives her nothing to print. You ‘saw a few friends, whom she doesn’t know anyway’ and just relaxed.'” Probably referring to the latest dance craze, Pat makes a further suggestion: “You can tell Hedda you hear she’s quite a ‘Twister’ and she’ll do a monologue which will completely take her away from anything about you.”
Pat also mentions that “Harrison Cannall’s office called to say that Joe [DiMaggio] was in town and could I confirm it. I said I didn’t know and didn’t discuss your personal life in any case.” Pat refers to related matters, such as the title of an upcoming Redbook article. The letter has an estimated price of £300-£500.
Another letter from Marilyn’s psychiatrist, Dr Ralph Greenson, is dated June 30, 1962, billing her for services totalling $1,250, with an estimated price of £400-£600.
Two vintage movie posters are also available, plus a four-page 1955 calendar featuring a censored version of Marilyn’s famous nude photo by Tom Kelley and three other pin-up shots, complete with envelope (estimated at £600-£800.)