Actress Sally Kirkland began her career just after Marilyn died, in 1963. She played small roles in some notable films, including The Sting, The Way We Were,A Star Is Born and Private Benjamin, before earning an Oscar nomination for Anna (1987.) She later played Marilyn in The Island, a 1998 comedy which imagines a young man finding Monroe and John F. Kennedy still alive and well on a desert island (which sounds rather like a bizarre sequel to Something’s Got to Give.)
Now 76, Sally has unforunately suffered a head injury after falling during a radio appearance, and is now in hospital undergoing surgery but is expected to make a full recovery. In a 2016 interview with Jeff Cramer for his Stone Cold Crazy blog, she revealed that Marilyn had been an important influence on her career. (The story that Shelley Winters told Sally about Marilyn’s ‘fuck-me shoes’ should probably taken with a large pinch of salt, as Shelley was prone to exaggerate. As far as I know, the phrase was popularised during the 1990s.)
“I stopped being shy sometime in the early ’60s,with what’s called ‘the private moments’ at the Actors Studio where I do my imitation of Marilyn Monroe on the calendar. I would find some way to take my clothes off in a private moment, and with Lee Strasberg’s support. Pretty soon, everybody in the Actors Studio was waiting for me to take my clothes off.
I was obsessed with Marilyn Monroe and also at 18 I had met Shelley Winters who took me under her wing, adopted me. She had lived with Marilyn. So she gave me Marilyn’s shoes that were open toe, open back and they were called ‘Fuck Me Shoes’ according to Shelley. Marilyn’s Fuck Me Shoes. I wore them everywhere. I wore them absolutely everywhere and that gave me the power of being Marilyn Monroe. It also gave me the power to take off all my clothes.”
(The story mentioned in the article about Marilyn shaving an inch off the heel of her shoe to achieve her signature wiggle – as told to Troyan by photographer Lawrence Schiller – may be apocryphal, as none of her shoes sold at auction appear to have been altered. As Marilyn once said, ‘I learned to walk at six months old and haven’t had a lesson since.’)
“How Troyan managed to compile a definitive history of an ever-evolving entertainment giant is an amazing accomplishment in its own right. First, he had to talk Fox into it.
‘I started this project in 2010 – five years out (from Fox’s 100th anniversary in 2015),’ he said. ‘It took them five years to decide yes.’Then, I spent two more years actually getting it done. You can’t do a book like this without the studio’s art and photos. I needed access to their archives.’
‘Unlike Disney, Fox had never done a book about its history,’ Troyan said. ‘They did one book on costumes (Styling the Stars, co-written by Angela Cartwright), but that was it.’
Once Fox gave his project its blessing, Troyan discovered a treasure trove of forgotten photos and movie mementos, stashed away in hundreds of file boxes for decades in studio storage. Fox archivist Jeffrey Paul Thompson became a collaborator, as did filmmaker and Hollywood historian Stephen X. Sylvester.
‘I wanted to see everything and hear everything,’ Troyan said. ‘You can read all the articles and books on a subject, but it’s not until you started interviewing people did you really get it – the full picture.’
‘This is a celebration of Fox and movie making,’ he said of his book. ‘We covered the scandals and controversies – and there were plenty – but most of all, I wanted (the book) to be accurate.'”
“Marilyn Monroe famously sang ‘Diamonds are a Girl’s Best Friend,’” Sheila Gibson Stoodley writes for Robb Report, “but collectors of her memorabilia disagree. Seven of the 10 most-expensive Marilyn Monroe items sold at auction are dresses—mainly costumes that the late star wore in her films. The few that she donned outside of the studio earn their high sums thanks to period photographs that prove Monroe wore them.” And over at his MM Collection Blog, Scott Fortner – who helped to catalogue this week’s auction at Julien’s – takes a closer look at the ‘I’m Through With Love‘ dress from Some Like It Hot, and the ‘After You Get What You Want‘ dress from There’s No Business Like Show Business. Both costumes are from the David Gainsborough Roberts collection, and will go under the hammer tomorrow.
Several other items which contributed to Marilyn’s glamorous look are also among the lots. From her modelling days onward, Marilyn often wore her own clothing in photo shoots. These brown leather sandals date back to a 1950 session with photographer Earl Leaf, shot at the Hollywood home of her agent, Johnny Hyde.
Unlike her cinematic alter-ego Lorelei Lee, Marilyn wasn’t really a material girl. These earrings, worn to the premiere of The Seven Year Itch, were made from simulated diamonds.
Marilyn’s movie costumes were made in duplicates, with her name next to the Fox logo on a sewn-in label. This green lace bodice from Bus Stop was won in a contest by a lucky reader of the British fan magazine, Picture Show.
These red satin platform shoes – designed by Annello & Davide – were born by Marilyn to the London premiere of Arthur Miller’s controversial play, A View From the Bridge.
John Moore’s pencil sketches for the form-fitting mermaid gown worn by Marilyn to the premiere of The Prince and the Showgirl are also on offer.
“A two-page, typed plan titled ‘Calorie Restricted Diet/ 1000 Calories/ 100 Grams Protein’ prepared for Monroe by Dr. Leon Krohn. The pages are undated, but some of the approved foods and meal plans are in line with the notations found in Monroe’s hand in the back of one of her notebooks from 1958. The diet put forth presents sound health advice even by today’s standards, recommending the restriction of sugar, fats and carbohydrates to whole wheat and ‘one small white potato boiled baked or riced’ as a substitution for one slice of bread.
Five sets of instructions, eight pages, from the Erno Laszlo Institute written out for Marilyn Monroe Miller, dated June 5, 6, 11, and 12, 1958, and July 3, 1958, outlining her constantly changing skincare regime in great detail. The instructions not only divide skincare into ‘Morning,’ ‘Evening if dressing,’ and ‘Evening before retiring,’ but also there are instructions on what not to eat: ‘Not one piece of any kind of nuts, olives, chocolate, clams and oysters.’ There are also separate instructions for California and ‘Instructions for Makeup While Making Films.'”
These white leather shoes by Salvatore Ferragamo are just one of several pairs that she owned. (The spiked heels were 3 inches high, and the size was 7.5B.)
In the spring of 1958, Marilyn made plans to appear at the Cannes Film Festival. Simone Noir sent her an invitation to visit Christian Dior in Paris. Unfortunately, the trip was cancelled, but a separate invoice shows that Marilyn bought a dress and coat by Dior from a Park Avenue boutique.
That Christmas, Marilyn’s longtime hairdresser, Agnes Flanagan, gave her a bottle of her favourite perfume, Chanel No. 5, purchased from I. Magnin in Beverly Hills.
Finally, a costume sketch by Bob Mackie for Something’s Got to Give. Based on a Jean Louis design, the red skirt suit with a swing jacket trimmed in leopard print, and matching hat, was intended as an ‘Outfit Worn on Day Off/Also in Courtroom Sequence.’ However, the ensemble was not worn by Marilyn during wardrobe tests, or any surviving footage from the ill-fated movie.
Edgardo Osorio has launched a capsule collection for Salvatore Ferragamo, recalling the legendary Italian designer’s reputation in Hollywood as ‘shoemaker to the stars’, reports AccessWDUN. The range includes a Marilyn-inspired pump with sheer netted panels.
Ferragamo’s grandson James claims that Marilyn bought a pair of Ferragamo shoes from a shop in Madison Avenue, NYC, for $45 in the late 1940s. Marilyn didn’t live in New York permanently until 1955, but James says he has the receipt to prove it. He also repeats the rumour that Marilyn had one heel cut several milimeters lower than the other to achieve the famous Monroe wiggle. Marilyn’s masseur, Ralph Roberts, also mentioned this, although this alleged anomaly has not generally been noted by auctioneers.
Perhaps Marilyn should have the last word: “I learned to walk when I was nine months old, and haven’t had a lesson since.”
Click on the image above, and look closer: the woman in this painting is wearing slingbacks decorated with Marilyn’s visage, Warhol-style, reports Women’s Wear Daily. ‘Triple Portrait: World Conqueror‘ is part of Hearts Hands Eyes Mind, a new exhibition by artist Barkley L. Hendricks (the latest in a 40-year career), on display until April 6 at Jack Shainman Gallery in Manhattan’s Chelsea neighborhood.
After reading David Wills’ Metamorphosis, Jillian Lucas of Refinery 29 has noted Marilyn’s fondness for a certain pair of Lucite heels, which she wore for numerous photo shoots from 1952-53 (often changing the ribbon on the shoe to match her swimsuit.)
“Meanwhile, he’s recently finished a new collection inspired by Joyce Carol Oates’ Blonde, a 1200 page biography on Marilyn Monroe.* ‘It’s such a fascinating book. One of the most moving books I’ve ever read, actually. I began to really look at Marilyn, and I realized she is not a style icon, but an icon herself. I love that Marilyn attitude.'”
In the August issue of Marie-Claire(UK edition), Vanessa Paradis speaks again of her love for Marilyn, and a very special gift from her partner, Johnny Depp:
“He actually bought me the Marilyn Monroe shoes … Monroe’s someone who touches me really deeply. I truly admire both actress and the singer that she was. I love Lazy and so many of her songs. She had a velvety voice.”