Marilyn at Julien’s: Icons & Idols ’17

‘Marilyn in Korea’ screen print by Russell Young

The annual ‘Icons & Idols’ sale, set for November 17 at Julien’s, includes a number of interesting Marilyn-related items. Chief among them is this black fur coat, with an interesting back story – and further evidence of Marilyn’s generosity.

Marilyn in her black fur coat, with Mickey Rooney at ‘The Emperor Waltz’ premiere, 1948

“A mid-1940s black colobus coat worn by Marilyn Monroe to the 1948 film premiere of The Emperor Waltz (Paramount, 1948). The coat has broad shoulders, a cordé collar, a satin lining, and a Jerrold’s Van Nuys, Calif. label. Although the black colobus is currently on the endangered species list, it was quite fashionable in the 1940s. Monroe wrote in a letter to Grace Goddard dated December 3, 1944, ‘I found out that its [sic] possible to buy a Gold Coast Monkey Coat. I shall write to you about it later.’ The coat was gifted from Monroe to Jacquita M. Rigoni (Warren), who was the great-niece to Anne Karger, mother of Monroe’s voice coach, Freddie Karger. Monroe had a close relationship with the family, and the coat has remained in their possession. Accompanied by a letter of authenticity from Jacqui Rigoni detailing the family’s relationship to Monroe and the history of the coat.

(The monkey species used to make this Marilyn Monroe monkey fur coat is on the Endangered Species list.)”

As the accompanying letter explains, Jacquita is the granddaughter of Effie ‘Conley’ Warren, who was Anne Karger’s sister. They had performed together in vaudeville as the Conley Sisters. Jacqui was a teenager when Marilyn dated her uncle, Fred Karger, for several months in 1948. Accepted as part of the family (long after the affair ended), Marilyn would often take Jacqui to her apartment and gave her clothes on numerous occasions. Fred and Marilyn also visited Jacqui’s parents, Jack and Rita Warren, at home. By the early 1950s, Marilyn was still regularly visiting Anne Karger with gifts including the monkey fur coat which she requested that Anne give to Jacqui. She also attended Jacqui’s wedding with Anne, while Fred brought his new wife, actress Jane Wyman.

A young Marilyn with Fred Karger

Two intriguing photos are included in this lot. One shows a young Marilyn sitting at the piano with Fred. Never before seen, it is the only known photo documenting one of her most intense relationships. The second shows Marilyn in 1961 with Anne and another lady, perhaps Effie Warren. A cropped version has been published before, but the whole version is extremely rare.

Marilyn visits Anne Karger (left), 1961

Another item which sheds new light on Marilyn’s life is a letter from ‘Uncle Art’, a relative of her legal guardian, Grace Goddard. Sent to the teenage Norma Jeane, ‘So glad you are making satisfactory progress in school. I advise that you be particularly diligent in the cultural subjects … sad is the fate of the young woman who has not the ambition to so model and mold her language and conduct as to have [illegible] herself to the point where she can mingle with cultured people inconspicuously.‘ The letter is written on International Correspondence Schools of Scranton, Pennsylvania stationery, undated and signed ‘Devotedly Yours, Uncle Art.’ One wonders if this high-minded gentleman might have inspired Marilyn in her lifelong quest for self-improvement.

This photo (available in negative) was taken by Joseph Jasgur on the Fox studio back lot during the early days of Marilyn’s acting career, in 1947.

A signed check for $500, made out to The Christian Community, is dated October 11, 1954 – just six days after Marilyn announced her separation from husband Joe DiMaggio. And this photo of Marilyn, taken by Manfred Kreiner on her arrival in Chicago to promote Some Like It Hot in March 1959, is inscribed in red pen by Marilyn herself with the words ‘Kill kill’ – indicating that the photo should not be published.

The auction also includes photos attributed to Bruno Bernard, and some items that appeared in previously last year’s dedicated auction at Julien’s (including Marilyn’s copy of the Breakfast at Tiffany’s script, and her typed skincare regime from the Ernst Laszlo Institute.) And finally, she is featured alongside various other celebrities – including Jacqueline Kennedy Onassis, Carol Channing, and future president Donald Trump – in an Al Hirschfield caricature from 1988.

Russell Young’s Marilyn in London

Photo by Sophie Bluestone for The Upcoming

Pop artist Russell Young’s latest exhibition, Superstar, draws on two iconic beauties from different eras – Marilyn, and British model Kate Moss – and is on display at London’s Halcyon Gallery until February 14. James Fisher reviewed it for The Upcoming.

“Art, like every other aspect of modern culture, is subject to the fashion of the day. Luckily for Russell Young, the current fashion appears to be pop art. His latest solo exhibition,Superstar, is another wonderful example of a genre that seems to be moving from strength to strength.

Superstar is described as an ‘exploration into the visual nature of fame and celebrity’ and it certainly fulfils its promise …  From humble beginnings in North Yorkshire, he moved to London and then the US, where he began to fully focus on his art in the year 2000. He describes how watching a film of Marilyn Monroe in his younger years in England motivated him to seek out new adventure in his later life. It was that sense of silver screen wonder, beautifully captured in this exhibition …

Taking inspiration from the great pop artists of the 60s and 70s, Young leans heavily on the screen printing process … Young’s use of colour creates an atmosphere of 60s grandeur, with colours named Vegas and California Gold allowing us to briefly imagine those places at the time. This is not just a celebration of fame, however, but also a reminder of its lows. Marilyn Crying shows us the human side of celebrity; there’s no diamond dust here, just a girl with the world’s eyes upon her, showing us a brief moment of real emotion … We are presented with a celebration of a period arguably started by Monroe and finished by Moss and this is undoubtedly one of the finest exhibitions of its kind.”

Pop Art Marilyn in Paris

Marilyn by Mr Brainwash, 2008

Pop art images of Marilyn by Andy Warhol, Robert Indiana, Mel Ramos, Russell Young and Mr Brainwash – as well as photos by Lawrence Schiller – feature in ‘Les Marilyn’, an exhibition at the Galerie Tagliatella in Paris, on display until July 27.

Russell Young: Wild at Heart

Russell Young is another British artist inspired by MM. His ‘Marilyn Crying’, coated in diamond dust, has become quite popular in recent years. It has inevitably been compared to Warhol, though personally I like the tenderness of Young’s image.

“One thing that is clear from the Wild at Heart series is his indebtedness to Andy Warhol through his print process and subject matters. The likeness is almost uncomfortably apparent, lacking the ‘here and now’ and intimacy that Warhol shared with his subjects during his Factory days. Warhol’s Marilyn Diptych was completed during the weeks after Monroe’s death and addresses her celebrity status, portrayal by the media and early death. Young’s glitzy prints salute old school Hollywood glamour and appear to sugar-coat as opposed to challenge representations of iconic Hollywood figures.” – Nastassja Smart, The Upcoming

What Marilyn Crying arguably lacks in originality, however, it may gain in context. The image – based on a photo by George Silk – was previously used for Anthony Summers’ 1985 biography, Goddess: The Secret Lives of MM. It was taken during a press conference in October 1954, when Marilyn announced her separation from Joe DiMaggio. Disturbingly, the image seems to show a bruise on Marilyn’s forehead.

Marilyn by George Silk, 1954

‘Marilyn Crying’ is currently on display at Young’s latest exhibition, Wild at Heart (perhaps riffing on the title of David Lynch’s cult movie), at the cheekily-named Imitate Modern in London’s West End.

Russell Young (right) with photographer David Bailey

One photo taken at the exhibition appears to show Young’s image juxtaposed with a press picture taken several months before, when Marilyn entertained US troops in Korea. It was one of the high-points of her career, but some felt it also marked the dawn of her marriage’s end.