Marilyn at Julien’s in November

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The full catalogue for the upcoming Marilyn-only event at Julien’s Auctions is now online. Among the 1,015 items on offer are movie costumes from the collection of David Gainsborough Roberts; rare candid photos formerly owned by Monroe Sixer Frieda Hull; and personal property from the Lee Strasberg estate.

Some items were previously sold at Christie’s in 1999, while various  writings, drawings and correspondence have been published in books like Fragments, MM Personal and GirlWaiting. However, there is still a great deal of unseen material, yielding fresh insight into Marilyn’s life and times.

In advance of the auction in Beverly Hills on November 17 the Happy Birthday dress will be on display for one week only from tomorrow at the Museum of Style Icons at Newbridge Silverware in County Kildare, Ireland.

ES Updates will be covering all aspects of the sale, including a series of detailed posts about what’s on offer. You can also read an article about it on Immortal Marilyn now, while Scott Fortner will be interviewing Anna Strasberg at his MM Collection blog on November 1.

Gainsborough-Roberts Collection in London

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Marilyn Monroe: The Legacy of a Legend, an exhibition of the David Gainsborough Roberts collection, opened at London’s Design Centre last week. Fellow collector Scott Fortner attended the launch, alongside impersonator Suzie Kennedy and actress Linda Gray (aka Sue-Ellen Ewing from TV’s Dallas.)

Photo by Scott Fortner

In an article for the Telegraph, Bethan Holt discussed the ‘lipstick, diamonds and cigarettes’ among Marilyn’s personal effects, while Ben Miller looks at the ‘vulnerability and humanity’ revealed by her drawings and notes in his review for Culture24.

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After closing on June 20, the collection will move to the Museum of Style Icons at Newbridge in County Kildare, Ireland, where it will be on display from June 25-July 25.

All photos by Scott Fortner @MarilynMonroeCollection

Gainsborough-Roberts Collection: Tour and Sale

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The collection of David Gainsborough Roberts – one of the world’s largest Marilyn archives, including many of her iconic movie costumes – will be sold in November, Julien’s Auctions has announced.

Although the live auction will be held in Los Angeles, UK fans will be able to see Roberts’ full collection at London’s Design Centre from May 25- June 20. It will then visit the Newbridge Museum of Style Icons in Ireland from June 25-July 25, before crossing the Atlantic on Cunard’s Queen Mary 2 in August, with more US exhibition dates to be confirmed.

Fellow collector Scott Fortner has been helping to catalogue the items, and is reporting his findings on the MM Collection blog. And finally, here’s an excerpt from the Julien’s press release.

“Highlights from this historic sale include a sheer black beaded and sequined dress worn by Monroe in her Golden Globe winning role Sugar Kane as she crooned ‘I’m Through With Love’ in the award winning 1959 film Some Like it Hot; an elaborate embellished stage gown worn by Monroe as she sang ‘After You Get What You Want You Don’t Want It’ in the 1954 comedy There’s No Business Like Show Business which was designed by one of Marilyn’s all-time favorite designers, William Travilla; a pink linen halter wiggle dress designed for Monroe by Dorothy Jenkins for the 1953 thriller Niagara; a green satin one-piece with black sequins and gold fringe worn by Monroe as she sang ‘That Old Black Magic’ in the 1956 film Bus Stop; a lilac satin leotard worn by Monroe as Lillian Russell in the 1958 photo series by Richard Avedon and featured in Life magazine in 1958. Additional film pieces offered include costumes from Gentlemen Prefer Blondes and Let’s Make Love, along with a pair of rhinestone earrings worn by Monroe in How To Marry A Millionaire and a pair of sequin embellished opera gloves from the Rachmaninoff scene of The Seven Year Itch.

Monroe’s personal style is represented by a figure hugging black cocktail dress by Ceil Chapman, a favorite of Monroe; a slender fitting bias cut crepe evening gown worn by Monroe to the 1955 premiere of The Rose Tattoo; an embellished slubbed silk Lanvin gown; and rhinestone jewelry. Personal items include prescription pill bottles, Victoria and Albert museum exhibited high heels, a plastic doll in the likeness of Monroe given as a souvenir at her 34th birthday party; documents and correspondences; household items; and Monroe’s Detroit Free Press New Faces Award from 1952.”