Marilyn at Julien’s: Hollywood Icons & Idols

A wide range of Marilyn-related items, including her 1956 Thunderbird, will be up for grabs at Julien’s Icons & Idols auction on November 17.  Another high-profile item is the white beaded Travilla gown worn by Marilyn when she sang ‘After You Get What You Want, You Don’t Want It’ in There’s No Business Like Show Business, purchased at Christie’s in 1995; as yet it’s unclear whether this is the same dress listed at Julien’s in 2016.

Marilyn owned several pairs of checked trousers, wearing them repeatedly throughout her career. This pair, seen in one of her earliest modelling shoots, was purchased from Sak’s Fifth Avenue.

A number of photos owned by Marilyn herself are also on offer, including this picture with US troops, taken on the set of Gentlemen Prefer Blondes; a set of publicity photos for Love Nest; a photo of Joe DiMaggio in his New York Yankees uniform; and Roy Schatt‘s 1955 photo of Marilyn and Susan Strasberg at the Actors Studio.

A postcard from the Table Rock House in Niagara Falls was signed by Marilyn and her Niagara co-stars, Jean Peters and Casey Adams, in 1952.

This publicity shot from River of No Return is inscribed, ‘To Alan, alas Alfred! It’s a pleasure to work with you – love & kisses Marilyn Monroe.’

A set of bloomers worn by Marilyn in River of No Return (as seen in this rare transparency) is going up for bids.

Marilyn in Korea, 1954

Among the mementoes from Marilyn’s 1954 trip to Japan and Korea are two fans and an army sewing kit.

Also among Marilyn’s personal property is this ad for There’s No Business Like Show Business, torn from the December 24, 1954 issue of Variety.

Marilyn’s hand-written poem inspired by Brooklyn Bridge is also on sale.

Among Marilyn’s assorted correspondence is a latter dated August 22, 1954, from childhood acquaintance Ruth Edens:

“I have long intended to write you this letter because I have particularly wanted to say that when you used to visit me at my Balboa Island cottage, you were a shy and charming child whose appeal, it seems to me, must have reached the hearts of many people. I could never seem to get you to say much to me, but I loved having you come in and I missed your doing so after you’d gone away. I wondered about you many times and was delighted when I discovered you in the films. I hope the stories in the magazines which say you felt yourself unloved throughout your childhood, are merely press-agentry. In any case, I want you to know that I, for one, was truly fond of you and I’m proud of you for having developed enough grit to struggle through to success … I hope you are getting much happiness out of life, little Marian [sic]. I saw so much that was ethereal in you when you were a little girl that I fell sure you are not blind to life’s spiritual side. May all that is good and best come your way!”

Marilyn’s loyalty to the troops who helped to make her a star is attested in this undated letter from Mrs. Josephine Holmes, which came with a sticker marked ‘American Gold Star Mothers, Inc.

“My dear Miss Monroe, I was so happy to hear from Mr. Fisher about your visit to the Veterans Hospital. When I spoke to Mr. Alex David Recreation he said the veterans would be thrilled, probably the best present and tonic for them this holiday and gift giving season. I am sure it will be a wonderful memory for you, knowing you have brought happiness to so many boys, many have no one to visit with them. Thank you, and may God bless you and Mr. Miller for your kindness.”

Marilyn wore this hand-tailored black satin blouse for a 1956 press conference at Los Angeles Airport, as she returned to her hometown after a year’s absence to film Bus Stop. When a female reporter asked, ‘You’re wearing a high-neck dress. … Is this a new Marilyn? A new style?’ she replied sweetly, ‘No, I’m the same person, but it’s a different suit.’

Paula Strasberg’s annotated scripts for Bus Stop, Some Like It Hot, Let’s Make Love, and her production notes for The Misfits are available; and a book, Great Stars of the American Stage, inscribed “For Marilyn/With my love and admiration/ Paula S/ May 29-1956” (the same day that Marilyn finished work on Bus Stop. )

Letters from Marilyn’s poet friend, Norman Rosten, are also included (among them a letter warmly praising her work in Some Like It Hot, and a postcard jokingly signed off as T.S. Eliot.)

Among Marilyn’s correspondence with fellow celebrities was a Christmas card from Liberace, and a telephone message left by erstwhile rival, Zsa Zsa Gabor.

File under ‘What Might Have Been’ – two letters from Norman Granz at Verve Records, dated 1957:

“In the September 5, 1957, letter, Granz writes, ‘I’ve been thinking about our album project and I should like to do the kind of tunes that would lend themselves to an album called MARILYN SINGS LOVE SONGS or some such title.’ In the December 30, 1957, letter, he writes, ‘… I wonder too if you are ready to do any recording. I shall be in New York January 20th for about a week and the Oscar Peterson Trio is off at that time, so if you felt up to it perhaps we could do some sides with the Trio during that period.'”

Also in 1957, Marilyn received this charming card from the Monroe Six, a group of dedicated New York teenage fans, mentioning her latest role in The Prince and The Showgirl and husband Arthur Miller’s legal worries:

“Marilyn, We finally got to see ‘Prince and the Showgirl’ and every one of us was so very pleased. We are all popping our shirt and blouse buttons. Now we will be on pins and needles ‘til it is released to the general public. You seemed so relaxed and a tease thru the whole picture and your close ups, well they were the most flawless ever. You should be real pleased with yourself. No need to tell you what we want for you to know now is that we hope everything comes out all right for Mr. Miller and real soon too. Guess what we are working on now. We are trying to scrape up enough money for the necessary amount due on 6 tickets to the premiere and the dinner dance afterwards. Well again we must say how happy we are about T.P.+T.S. and we wanted you to know it. Our best to you.”

Among the lots is assorted correspondence from Xenia Chekhov, widow of Marilyn’s acting teacher, Michael Chekhov, dated 1958. In that year, Marilyn sent Xenia a check which she used to replace her wallpaper. She regretted being unable to visit Marilyn on the set of Some Like It Hot, but would write to Arthur Miller on November 22, “I wanted to tell you how much your visit meant to me and how glad I was to see you and my beloved Marilyn being so happy together.”

In April 1959, Marilyn received a letter from attorney John F. Wharton, advising her of several foundations providing assistance to children in need of psychiatric care, including the Anna Freud Foundation, which Marilyn would remember in her will.

This telegram was sent by Marilyn’s father-in-law, Isidore Miller, on her birthday – most likely in 1960, as she was living at the Beverly Hills Hotel during filming of Let’s Make Love. She was still a keen reader at the time, as this receipt for a 3-volume Life and Works of Sigmund Freud from Martindale’s bookstore shows.

After Let’s Make Love wrapped, Marilyn sent a telegram to director George Cukor:

“Dear George, I would have called but I didn’t know how to explain to you how I blame myself but never you. If there is [undecipherable due to being crossed out] out of my mind. Please understand. My love to Sash. My next weekend off I will do any painting cleaning brushing you need around the house. I can also dust. Also I am sending you something but it’s late in leaving. I beg you to understand. Dear Evelyn sends her best. We’re both city types. Love, Amanda Marilyn.”

Here she is referencing her stand-in, Evelyn Moriarty, and Amanda Dell, the character she played. “Dearest Marilyn, I have been trying to get you on the telephone so I could tell you how touched I was by your wire and how grateful I am,” Cukor replied. “Am leaving for Europe next Monday but come forrest [sic] fires come anything, I will get you on the telephone.”

There’s also a June 30, 1960 letter from Congressman James Roosevelt (son of FDR), asking Marilyn to appear on a television show about the Eleanor Roosevelt Institute for Cancer Research, to be aired in October. Unfortunately, Marilyn was already committed to filming The Misfits, and dealing with the collapse of her marriage to Arthur Miller.

In 1961, movie producer Frank McCarthy praised Marilyn’s performance in The Misfits:

Rather touchingly, Marilyn owned this recording of ‘Some Day My Prince Will Come,’ sung by Adriana Caselotti. The record copyright is from 1961, but Disney’s Snow White and the Seven Dwarfs was originally released in December 1937, when Marilyn was just eleven years old.

This pen portrait was sketched by George Masters, who became Marilyn’s regular hairdresser in the final years of her life.

On July 5, 1962, Hattie Stephenson – Marilyn’s New York housekeeper – wrote to her in Los Angeles:

 “My Dear Miss Monroe: How are you! Trusting these few lines will find you enjoying your new home. Hoping you have heard from Mr. and Mrs. Fields by now. Found them to be very nice and the childrens [sic] are beautiful. Got along very well with there [sic] language. How is Maff and Mrs. Murray? Miss Monroe, Mrs. Fields left this stole here for you and have been thinking if you would like to have it out there I would mail it to you. Miss Monroe Dear, I asked Mrs. Rosten to speak with you concerning my vacation. I am planning on the last week of July to the 6th of August. I am going to Florida on a meeting tour. Trusting everything will be alright with you. Please keep sweet and keep smiling. You must win. Sincerely, Hattie.”

Hattie is referring to Marilyn’s Mexico friend, Fred Vanderbilt Field, who stayed with his family in Marilyn’s New York apartment that summer. She also alludes to Marilyn’s ongoing battle with her Hollywood studio. Sadly, Hattie never saw Marilyn again, as she died exactly a month later. Interestingly, the final check from Marilyn’s personal checkbook was made out to Hattie on August 3rd.

After Marilyn died, her estate was in litigation for several years. Her mother, Gladys, was a long-term resident of Rockhaven Sanitarium, which had agreed to waive her fees until her trust was reopened. In 1965, Gladys would receive hate mail from a certain Mrs. Ruth Tager of the Bronx, criticising her as a ‘hindrance’ due to her unpaid bills. This unwarranted attack on a sick, elderly woman reminds one why Marilyn was so hesitant to talk about her mother in public.

Fake News: Marilyn, Yves and a ‘Secret Pregnancy’

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A series of gorgeous colour photos taken by Monroe Sixer Frieda Hull, whose incredible archive of candid snapshots were auctioned at Julien’s in November 2016, were published in yesterday’s Daily Mail. The images show Marilyn arriving for test shots for The Misfits in New York in July 1960.

Unfortunately – and all too predictably – the pictures are accompanied by a salacious and frankly unbelievable story. Marilyn’s belly is rather prominent in the photos, and Tony Michaels – a Las Vegas casino croupier who befriended the late Frieda Hull, and purchased the images at auction – claims that Marilyn was secretly pregnant at the time, by her Let’s Make Love co-star Yves Montand.

That Marilyn and Yves had an affair is not in doubt, and of course they were both married to other people. However, a pregnancy at this time has never been mentioned, and Marilyn’s daily routine is extremely well-documented. To casual observers her protruding tummy may look like a baby bump, but seasoned fans have noticed many similar images of her over the years.

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Furthermore, Marilyn was a very private person and it would be out of character for her to have confided in a teenage fan. Frieda Hull never sought publicity and it seems all too convenient that such a story would emerge only after her death. It has also been debunked by Scott Fortner, who helped to catalogue the recent Julien’s sale in which these photos were featured, on his MM Collection blog; and by Immortal Marilyn.

Could this be an early frontrunner for the most ridiculous Marilyn headline of 2017? It is interesting to note that the Daily Mail was recently blacklisted by Wikipedia for ‘poor fact checking, sensationalism and flat-out fabrication.’

Marilyn at Julien’s: A Candid Feast

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“As far as Hollywood stories go, Marilyn Monroe‘s is generally seen as a tragic one,” Time magazine observes. “Knowing what would come later, it’s easy for her fans today to look at images of the actress and add their own overlay of sadness to the pictures.”

However, the article continues, candid photos from the Frieda Hull estate – up for bids at Julien’s Auctions this weekend – show a “lighter side” of Marilyn, suggesting that “the tragedy of her story does not mean that she lacked for moments of happiness—or at least moments when she appeared to be happy.”

The Frieda Hull collection ranges from approximately Lots 605-788 of the Julien’s sale, and is well worth a closer look. Time have featured some of the most striking images on offer, and I’ve posted a few more below.

Signed photo of Marilyn in New York, 1955
Signed photo of Marilyn in New York, 1955
Returning from her Jamaican honeymoon with Arthur Miller, 1957
Returning from her Jamaican honeymoon with Arthur Miller, 1957
Marilyn attends a screening of 'The Prince and the Showgirl', 1957
Marilyn attends a screening of ‘The Prince and the Showgirl’, 1957
Leaving her New York apartment in 1959, en route to meet Khrushchev in Hollywood
Leaving her New York apartment in 1959, en route to meet Khrushchev in Hollywood
Attending Josephine Baker's revue in Los Angeles, 1960
Attending Josephine Baker’s revue in Los Angeles, 1960

Frieda Hull also collected original memorabilia, including movie stills, studio portraits and lobby cards. She compiled scrapbooks and home movies, and even owned a scarf of Marilyn’s, and a Gladstone Hotel menu signed by MM and Arthur Miller – not to mention a Monroe Six badge!

This archive is so unique that it could easily fill a book. Although some images have been seen before, many have never been published, and some are extremely rare. Whatever her mood, Marilyn could always spare a smile for her fans. So let’s hope this isn’t the last we’ll see of these lovely pictures.

Julien’s Adds Frieda Hull Collection to November Sale

Members of the Monroe Six with Marilyn on James Haspiel's birthday, 1959. (Frieda Hull is pictured kneeling directly below MM.)
Members of the Monroe Six with Marilyn on James Haspiel’s birthday, 1959. (Frieda Hull is pictured kneeling directly below MM.)

A trove of rare photos from the estate of Frieda Hull – a former member of the Monroe Six, the group of loyal fans who befriended Marilyn after her move to New York in 1955 – has been added to the upcoming Julien’s Auctions sale, set for November and also including items from the David Gainsborough Roberts Collection and Marilyn’s own personal archive, as Just Collecting reports. (This follows the sale of fellow Monroe Sixer Jimmy Collins‘ photo collection at Heritage Auctions earlier this year.)

“Hull’s job as an airline employee also enabled her to follow Monroe on the West Coast, and throughout her life she built up an archive of rare photographs spanning the actress’ entire career.

In addition to the photographs that members of the ‘Six’ took themselves, Hull’s collection features a wide range of previously unseen images. They include unseen colour photos of Monroe as she sang ‘Happy Birthday’ for President John F. Kennedy at Madison Square Garden; slides of her on location filming the iconic subway skirt-blowing scene from The Seven Year Itch; and images of her and husband Arthur Miller after the premiere of Some Like It Hot in 1959.

In all, the Frieda Hull collection includes 550 colour and black & white candid photographs, more than 150 slides, close to 750 movie stills, publicity photos and lobby cards, and even personal home movies of Monroe leaving her New York apartment in 1958.

Aside for the photographic archive, Hull’s personal collection also includes memorabilia such as locks of Monroe’s hair, a scarf gifted by Monroe herself, Hull’s original ticket and program to the 1962 JFK Madison Square Garden gala, and a Gladstone Hotel menu autographed by Monroe and Miller.”

Just four years younger than Monroe, Frieda Hull died in Las Vegas in 2014, aged 83. You can read her obituary here. And for an exclusive sneak preview of the Frieda Hull collection, visit Scott Fortner’s blog here.

“It was an absolute thrill to work with Julien’s on the Frieda Hull Collection.  I was repeatedly delighted and dumbstruck over the photos in this archive, many of which I’d never seen.  Fans will be overjoyed and amazed with these new unpublished images of Marilyn.  Below are some shots from my study as part of my sorting process, which was no small task considering the sheer volume of photos.  All totaled, an unprecedented 142 lots of photos will be offered in the auction, the majority of which were taken by members of the Monroe Six.”

Jimmy Collins Photo Archive Sold at Auction

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In a blog post for Immortal Marilyn, Marijane Gray reviews the recent Heritage Auctions sale of the candid photo archive released by Monroe Sixer James Collins.

“A massive collection of 183 snapshots, divided into sixteen lots, was auctioned off to collectors and fetched the high prices that Marilyn memorabilia always draws. Prices realized ranged from $800 for a group of eight snapshots of Marilyn at the Gladstone Hotel up to $5,500 for a lot of 22 snapshots of Marilyn at various public events, including the premieres of The Rose Tattoo, The Pajama Game and Gigi.

Also included in the auction were seven individual snapshots that had been autographed by Marilyn. These special pieces garnered between $1,450 and $5,000 each.

Other highlights included several items that were owned by Marilyn herself. A terracotta planter and wooden candlestick each sold for $2,000; a small wooden chest inlaid with colored marbles sold for $2,200; and a unique star shaped light fixture that hung in her last home reached $7,500. A wood engraving by Edward Gordon-Craig that was owned by Marilyn remained unsold.”

Monroe Six Pics Up For Grabs

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A remarkable collection of candid photos, including some never seen and taken by James Collins – an original member of the ‘Monroe Six’, the group of teenage fans who befriended Marilyn after she moved to New York – will be on sale via Heritage Auctions on February 20, the Mirror reports.

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“Marilyn moved to New York in 1955 and spent about five years in Manhattan. We all met on the street and we just sort of decided we were going to be a group. I just used any box camera I had, nothing fancy because I couldn’t afford an expensive camera.

We knew where she lived and her hairdresser [Peter Leonardi] was a friend of ours so he would tell us when she was going to an event and where she would be. Afterwards we would run to the drugstore to get our snapshots developed in multiples so that all of us could have all the shots we had taken of her.

We wanted nothing from her except the opportunity to take her picture or to get her autograph – and often she would sign on the very photographs we had just taken of her the day before. I kept them in a little satchel, but after she died I put it in my closet and left it for years.

They’re all candid photos, they show the two sides of her. By day she was this sweet, lovely girl and at night she became the movie star. But I never took them thinking they would be worth anything.”

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