Marilyn Monroe: Timeless Elegance, an exhibition featuring items of her personal property from the collections of Greg Schreiner and Scott Fortner, plus photos by Lawrence Schiller, is now on display at the Blancpain boutique on Fifth Avenue in Manhattan, in association with the licensing wing of Marilyn’s estate, Authentic Brands Group (ABG) until November 23. The items on display include Marilyn’s diamond-ensconced 1930s Swiss Art Deco watch, purchased by Blancpain from Julien’s Auctions in 2016 for $225,000, and her costume from The Prince and the Showgirl, as Roberta Naas reports for Forbes.
“A single page removed from a trade publication such as Variety or The Hollywood Reporter with text reading in part ‘Thank you / Marilyn Monroe’ — an ad the star placed in the publication to thank the Hollywood Foreign Press Association for her 1962 Golden Globe win for ‘World Favorite Actress,’ mounted to cardboard; found in Monroe’s own files. ”
SOLD for $512
A framed still photo showing Marilyn with co-stars June Haver, William Lundigan and Jack Paar in Love Nest (1951); and a costume test shot for Don’t Bother to Knock (1952.)
Photo sets SOLD for $640 and $896, respectively
Marilyn and Jane Russell performing ‘Two Little Girls From Little Rock’ in Gentlemen Prefer Blondes, as seen on the cover of LIFE magazine in 1953. Marilyn’s costume is expected to fetch a maximum $80,000 – see here.)
Magazine SOLD for $896; costume SOLD for $250,000
A still photo of Marilyn during filming of River of No Return in 1953. The gown she wore while performing the theme song is expected to fetch a maximum $80,000 – see here.
Photo set SOLD for $1,152; costume SOLD for $175,000
Travilla’s costume sketch for the ‘Heat Wave’ number in There’s No Business Like Show Business (1954), and a colour transparency of Marilyn in costume for a wardrobe test shot. (The costume itself is estimated to fetch up to $80,000 – see here.)
Sketch SOLD for $11,520; photo SOLD for $750; costume SOLD for $280,000
A framed still photo of Marilyn performing ‘Heat Wave‘, and a custom-made, one-of-a-kind poster made for the Century Theatre in the Hamilton, Ontario area to advertise a raffle to win tickets to see There’s No Show Business Like Show Business.
Photo SOLD for $750; poster SOLD for $1,280
“A group of three, all original prints with a glossy finish, depicting the star behind-the-scenes on the set of her 1956 20th Century Fox film, Bus Stop; all have typed text on the bottom margin noting to credit Al Brack who was a ‘Sun Valley, Idaho photographer.'”
SOLD for $576
A pair of memos regarding Milton Greene’s photos from the set of The Prince and the Showgirl; and, sold separately, a contact sheet. The second memo reads in part, ‘Dear Mike, The print you sent me, that Marilyn Monroe said she had killed, is incorrectly numbered. Marilyn is right – she did kill it.’ Both memos are dated April 11, 1957, and are addressed to ‘Meyer Hunter.’ Lois Weber, one of Monroe’s publicists at the time, authored both memos.”
Memos SOLD for $312.50; contact sheet SOLD for $500
Still photo of Marilyn with co-stars Tony Curtis and Jack Lemmon in a scene from Some Like It Hot (1959.)
Photo set SOLD for $576
“A pair of colour slides of Marilyn Monroe in a scene from How To Marry a Millionaire (1953), and during a press conference for Let’s Make Love with co-star Frankie Vaughan on January 16, 1960.”
Still photos taken by Lawrence Schiller during filming of the ‘pool scene’ in Something’s Got to Give.
Photo sets sold for $1,280 each
“A collection of approximately 65 pieces comprising only photocopied scripts and documents, all related to Marilyn Monroe’s films. Some film titles have more than one copy of the script, and some feature the working title and not the final one. All are bound into 20th Century Fox covers of various colors and appear to be the studio’s ‘loan out’ or ‘library’ copies. Pieces include (in alphabetical order): All About Eve (a treatment only), As Young As You Feel (2 scripts ), Bus Stop (3 scripts), Dangerous Years (1 script), Don’t Bother to Knock (2 scripts), The Full House (1 script), Gentlemen Prefer Blondes (2 scripts plus 4 related documents), How to Marry a Millionaire (3 scripts plus 1 related document), Let’s Make Love (2 scripts), Love Nest (2 scripts), Monkey Business (2 scripts plus 2 related documents), Move Over, Darling (1 script), Niagara (2 scripts plus 4 related documents), O. Henry’s Full House (2 scripts plus 1 related document), River of No Return (1 script plus 5 related documents), The Seven Year Itch (3 scripts), Something’s Got to Give (1 script), There’s No Business Like Show Business (3 scripts plus 7 related documents), Ticket to Tomahawk (2 related documents), and We’re Not Married (1 script plus 1 related document). Also included are a few miscellaneous pieces related to Monroe. “
Marilyn’s life and death is the subject of a new 3-part documentary in the Fox News Channel series, Scandalous. It began last night, and will continue over the next two Sundays. It’s being aired in the US and Australia, but not as yet in Europe. Interviewees include authors Gary Vitacco Robles, Charles Casillo, Donald McGovern and Keith Badman, plus Elisa Jordan of LA Woman Tours and photographer Larry Schiller and Leigh Weiner’s son Devik. This alone could make it worth watching, although fans have already complained about the use of Marilyn’s autopsy photo on both the show and tabloid coverage.
Lawrence Schiller’s photos of Marilyn and other celebrities will be displayed at Gallery des Artistes in New Hope, Pennsylvania, as Charlie Sahner reports for the New Hope Press. After spending much of his life in New York and California, Schiller moved to the area last year and will attend a reception in the gallery at 6 pm on August 4.
(The story mentioned in the article about Marilyn shaving an inch off the heel of her shoe to achieve her signature wiggle – as told to Troyan by photographer Lawrence Schiller – may be apocryphal, as none of her shoes sold at auction appear to have been altered. As Marilyn once said, ‘I learned to walk at six months old and haven’t had a lesson since.’)
“How Troyan managed to compile a definitive history of an ever-evolving entertainment giant is an amazing accomplishment in its own right. First, he had to talk Fox into it.
‘I started this project in 2010 – five years out (from Fox’s 100th anniversary in 2015),’ he said. ‘It took them five years to decide yes.’Then, I spent two more years actually getting it done. You can’t do a book like this without the studio’s art and photos. I needed access to their archives.’
‘Unlike Disney, Fox had never done a book about its history,’ Troyan said. ‘They did one book on costumes (Styling the Stars, co-written by Angela Cartwright), but that was it.’
Once Fox gave his project its blessing, Troyan discovered a treasure trove of forgotten photos and movie mementos, stashed away in hundreds of file boxes for decades in studio storage. Fox archivist Jeffrey Paul Thompson became a collaborator, as did filmmaker and Hollywood historian Stephen X. Sylvester.
‘I wanted to see everything and hear everything,’ Troyan said. ‘You can read all the articles and books on a subject, but it’s not until you started interviewing people did you really get it – the full picture.’
‘This is a celebration of Fox and movie making,’ he said of his book. ‘We covered the scandals and controversies – and there were plenty – but most of all, I wanted (the book) to be accurate.'”
CONTACT, an exhibition of famous images and their original contact sheets, includes images of Marilyn captured by Lawrence Schiller on the set of Let’s Make Love, and is on display at the Fahey/Klein Gallery in Los Angeles until January 28, reports L’Oeil De La Photographie.
Marilyn makes the cover of Vanity Fair‘s August issue (French edition only.) If the photo looks familiar, that’s because it was previously used on Vanity Fair‘s US edition, back in October 2008.
And by comparison with Bert Stern’s original photo, you can tell that poor Marilyn has fallen victim to the digital airbrush!
Some fans have suggested that another, more flattering Stern photo could have been used…
The magazine includes an article about Lawrence Schiller’s photos of Marilyn, filming the poolside scene in Something’s Got to Give. As some readers may recall, an extract from Schiller’s book, Marilyn & Me, was published in the US edition of Vanity Fair in June 2012. The French article, however, is written by MM superfan Sebastien Cauchon.
Which begs the question – why wasn’t a Schiller photo used on the cover? Many fans were asking the same question in 2012, when an Andre de Dienes photo was used on the US cover of Vanity Fair, and not Schiller.
The answer, according to Sebastien Cauchon, is that Schiller’s poolside nudes don’t include a full-face, colour shot of Marilyn making eye contact with the camera. Marilyn & Me‘s original cover (later rejected) showed a pensive, full-face shot of MM in a fur hat, on the set of Something’s Got to Give – but not a nude. Presumably Vanity Fair‘s editors felt that a cheerful beach shot from De Dienes – though taken 13 years previously – was more in keeping with the summery, au naturel theme.
And as Sebastien Cauchon explained to members of Immortal Marilyn’s Facebook group this weekend, his article differs from the 2012 extract because its main subject is the proposed Playboy cover shoot Marilyn was considering at the time of her death (though according to Schiller, she was having second thoughts about the project.)
The article includes Hugh Hefner’s letter to Schiller and fellow photographer Bill Woodfield, explaining the concept of the mooted cover – click on the photo below to read in full.
The photo shoot went ahead with model Sheralee Connors taking Marilyn’s place, and was featured in Playboy‘s 1962 Christmas issue.
Pop art images of Marilyn by Andy Warhol, Robert Indiana, Mel Ramos, Russell Young and Mr Brainwash – as well as photos by Lawrence Schiller – feature in ‘Les Marilyn’, an exhibition at the Galerie Tagliatella in Paris, on display until July 27.
A Newsweek special issue, Marilyn Monroe: The Lost Scrapbook, is due to be published in the US next Tuesday, January 14th. The 98pp magazine showcases a scrapbook made by Marilyn herself for her friend, Sam Shaw, featuring his photos of the star with her handwritten, often witty captions.
Shaw gave the scrapbook to another of Marilyn’s photographers, Lawrence Schiller, in 1973, and some of the photos were featured in Norman Mailer’s Marilyn, published the same year. Schiller claims that Shaw confessed to having had an affair with Marilyn, though neither Shaw or Monroe ever said this publicly.
The scrapbook was profiled today on ABC News’ Good Morning America, and the magazine is sure to become a collector’s item. No news of other releases yet, but copies are already being sold on Ebay. (If you’re in the UK, keep your eyes peeled over the coming weeks – Newsweek‘s special editions are often sold at WHS Smith.)